![]() |
|
Tri-amp output powers
On Mon, 8 Nov 2004 22:15:31 -0000, "Wally"
wrote: What's the deal with choosing output powers when tri-amping? If my 3-way speakers are rated at 50W, and I want to double the number of bass drivers, what o/p power should I choose for each amp? At the moment, I'm thinking of 100W low bass, and 50W each for bass/mid and treble. Won't my T27s freak out if there's a 50W amp dedicated to them? In the present 3-way setup, how would the power from a single 50W amp split up in terms of which driver gets what power? In spite of being unsure of this, I'm presently thinking that an easy way to do this is a stack of three Cyrus Two amps. That way, I can adjust the volumes to balance the level to each driver, with overall output determined by the capability of the low bass section. I could also compensate for the somewhat recessed mid that becomes apparent at times. From what I've read, the Cyrus Two is very good at detail, but a little light on bass. I like the idea of good detail. I'm after bass which is tight, solid, and very low. It doesn't have to be mega-loud. Maybe the light bass (be there such) can be compensated for by adjusting the volume of the low bass amp, or using some sort of filter at the pre-amp. Am I on a concievably-sensible track with this Cyrus Two idea? Not sure where you got the idea about the Cyrus II being light on bass. I just measured mine and it ruler flat down to 10Hz. I think it hits -3dB somewhere around 1Hz. So no, isn't in the least light on bass. As far as I can tell, pretty much all the detail that goes in the input comes out of the output, so you are right there. d Pearce Consulting http://www.pearce.uk.com |
Tri-amp output powers
In article , Wally
wrote: Jim Lesurf wrote: Can you say how you intend to "double the number of bass drivers"? Any anwer will depend upon how you are thinking of doing this. i.e. how are you going to wire them up, mount them in the same or different cabinets, crossover/filter arrangements, etc. Isobaric subs using B139s, wired in parallel, infinite baffle cab of 60-80 litres, active low-pass filter before the power amp. OK. The point to bear in mind here is to assess how these conditions of use compare with those 'assumed' by the speaker unit maker when they quoted a value for its power handling. The problem is that isobarik tends to mean each unit is being 'driven' acoustically by the other. This alters the effective impedance of each unit. Thus the situation is different to when using one unit in a box. Wiring in parallel probably means the amp will see a lower impedance as well, so needs to be able to work happily into the resulting load. The problem is that the power ratings for speakers are quoted on an entirely different basis than that quoted for amplifiers. The speaker's ability to handle a given power also depends upon other factors as well. Something to do with losses in the crossover of a conventional speaker, and the fact that the speaker's rating is for the full three-driver setup with crossover? The main problem is that amp powers tend to be quoted in terms of the maximum sustainable sinewave power level into 8 Ohm resistors. Whereas the speaker 'power handling' tends to be a more nebulous value. Allegedly, the speaker ratings tend to indicate the typical levels you can use for moderate periods of 'music'. Since the power level and spectrum of music is very variable, this ends up being a fairly vague statistical value. Perhaps obtained by playing band-shaped noise into the speaker for a period of time. Or by various other methods that might end up giving different values. Am I on a concievably-sensible track with this Cyrus Two idea? In principle, it may well be OK. But you have not provided enough detail to be sure. Subs as above, B110 bass/mid, T27 tweeter. I figure that, if a Cyrus Two can drive the 4 ohm isobaric subs to a volume that I'm happy with, then the B110 and T27 should be fine. I'm looking into an active crossover for all frequency bands, before the power amps. You will *probably* be OK, but this assumes you will be doing what most people actually do - i.e. buy systems rated at XX watts, then use them at mean levels of XX/20 or less. :-) Music tends to have mean powers that sit around 20dB or more below the peak levels. Hence if you are using 100W amps, the chances are that you are actually using mean powers somewhat below 10W. The snag is such comments are simple 'typical' or 'likely' so don't represent a guarantee or a figure that is completely reliable in your individual case. Slainte, Jim -- Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm Audio Misc http://www.st-and.demon.co.uk/AudioMisc/index.html Armstrong Audio http://www.st-and.demon.co.uk/Audio/armstrong.html Barbirolli Soc. http://www.st-and.demon.co.uk/JBSoc/JBSoc.html |
All times are GMT. The time now is 12:47 PM. |
|
Powered by vBulletin® Version 3.6.4
Copyright ©2000 - 2025, Jelsoft Enterprises Ltd.
SEO by vBSEO 3.0.0
Copyright ©2004-2006 AudioBanter.co.uk