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Digital volume control question....
On 2006-05-20, Jim Lesurf wrote:
In article , John Phillips wrote: ... I assume that's what good DSP volume controls do. ... The snag is that the above is all a matter of the details of implimentation. Whereas a decent analog attenuator simply uses the properties of the physical materials to do all this for you. No need for the makers to work out a noise-shaping anf dithering process and ensure sufficient precision, etc. :-) True, but once you have worked it out once it's very easy to replicate and does not have the degradation mechanisms. -- John Phillips |
Digital volume control question....
"Jim Lesurf" wrote in message ... In article , Keith G wrote: "Jim Lesurf" wrote in message ... [big snip] That's all very interesting but a little way wide of the point - forget expensive, 'laser cut' options, my curiosity here is that in an amp costing only 60 quid (and which includes 6 inputs, headphone socket, phono stage as well as all the necessary ADC/DAC circuitry, power supply &c.) there is a very useful *digital* (ie cheap) way of controlling volume/treble/bass/balance/muting/'loudness' with some of the major functions (not all) available on the (included) remote control. Yes, I'd agree. I was just pointing out that some people have an aversion to anything 'digital', They *do*....??? (How strange!! ;-) and that a 'digital attenuator' may have flaws, so should assessed with due care. But the silicon for one is cheap, and should be able to give good results if well done. Yes, if not done at least reasonably well then best not done at all, like most things. I don't think these cheap amps would suit the more demanding or perhaps, more discerning user, but bearing in mind the price, the sound levels do go up and down much like you'd expect them to when you press the appropriate buttons (or turn the knob)!! Note also that applying tonal changes (treble, bass, etc) is slightly more complex, so again should be fine if well implimented, but... Yes, I can see that it might be a bit more complicated. Asitappens, I'm not a great Tone Control user myself (apart from hacking the treble off a bit on a *really* busy record) but I think it's always good to have the option. If 'properly implemented' means that any artifacts, digital 'rounding off' or whatever are *inaudible* there might be the possibility of an inexpensive digital 'front end' which offers the convenience of remote control on the main functions as well the additional capability to adjust tone/balance/loudness/muting &c. (An amusing concept on a valve amp!!) Yes. However the above comment should be applied with caution in practice since it starts by assuming that the imperfections *are* "inaudible". The snag is that they may not be. For example, a digital volume control will have a clipping level in a way that an analogue one does not. This may not matter for some applications, but be vital in others. Hence "inaudible" will depend both on the volume control and the specific use. Sure... I don't have any real objection in principle to 'digital' controls. Indeed, I tend to prefer processing signals in digital form when the process needs flexibility, etc. However the reality is that an ADC-process-DAC-psu-clock combination is electrically more complex than a pair of resistors. Hence it gives the poor designer/maker more options for making errors. :-) Yes, I can see that it does but, as someone else has said, the cost of fitting and manually wiring up an analogue pot is likely to be greater than the cost of the necessary digital components on a PCB. FWIW, I've had a fair amount of (mild) grief myself from carbon volume and tone pots - not to mention hard-wired input selector switches!! When these buggers play up it is a serious inconvenience (especially to non-DIYers) and the effects on sound quality can be quite severe - silence on one channel or the volume blasting through flat out on both, for instance!! (Been there, done all of that!!) Perhaps I'm naive, but I think the days of truly dodgy electronics are well past us. It's still possible to buy crap of course, but mostly I think we are getting more bang for our bucks than ever before and I don't think manufacturers playing in an international arena are going to risk their grip on the markets with anything too pooey....?? PCB appliances are generally pretty marvellous for what they cost these days (ever scruted a computer card or motherboard closely?) and even the latest hard-wired stuff like the Chinese valve amps seem to be of a very high standard - I remember the pics of the internals of Fleetie's amp (the first of the Chinky Cheepies in this group) and the response at the time was generally one of people being quite impressed with all the gubbins inside it. Since then, my own 'investigations' have proved that all the Chinese amps I've seen so far have been built better than I could manage myself!! (OK, not saying a lot, I know!! ;-) |
Digital volume control question....
On Sat, 20 May 2006 13:42:14 +0100, "Keith G"
wrote: "Stewart Pinkerton" wrote in message .. . On Fri, 19 May 2006 19:02:31 +0100, "Keith G" wrote: Well, I reckon a 30 wpc amp will work out at about 2 to 4 quid per watt, but the trouble is you *need* 100+ watts these days (ludicrous) and then I reckon you are looking at 5 times that sort of money *at least* for similar (construction/appearance/appointments) 'assembly line' amps....?? Untrue for subs, Keith. You can buy a 500 watt 'plate' amp with active crossover and all necessary connections and controls, for less then three hundred quid. Just the job for getting deep, clean bass down to 20Hz at decent SPLs from an 18" cube. Also one of the last remaining areas where the home builder can beat the commercial stuff. The thing with home builders is that just about all of them think they are beating the commercial stuff or I guess they wouldn't bother?? But it's not all about the money - many DIYers are looking to beat commercial stuff in terms of ultimate performance/specification and are well aware they would definitely *not* be beating commercial producers on a cost basis if their own labour was priced into the equation....!!?? Still true in absolute terms. DIY satisfaction has a lot of clout, but in the real world, home-built full-range speakers can in no way compete with good commercial equivalents. All else is wishful thinking. -- Stewart Pinkerton | Music is Art - Audio is Engineering |
Digital volume control question....
On Sat, 20 May 2006 18:45:18 +0100, Adrian C
wrote: Keith G wrote: The thing with home builders is that just about all of them think they are beating the commercial stuff or I guess they wouldn't bother?? But it's not all about the money - many DIYers are looking to beat commercial stuff in terms of ultimate performance/specification and are well aware they would definitely *not* be beating commercial producers on a cost basis if their own labour was priced into the equation....!!?? Some people want to climb a mountain because it is there. The people that put a wall around that idea don't understand the enjoyment one gets in making the journey - no matter how ill looking the end looks (or not!) Sure they do - but they also understand that a home-built car will not win at Le Mans............. I take my hat off to this person and many like her. http://en.wikipedia.org/wiki/Jeri_Ellsworth DIY electronics rules forever! Kudos to a fine example of the best of US 'can do' thinking, but note that she now works as a 'consultant'............. -- Stewart Pinkerton | Music is Art - Audio is Engineering |
Digital volume control question....
On Sat, 20 May 2006 19:04:17 +0100, Serge Auckland
wrote: Adrian C wrote: Keith G wrote: The thing with home builders is that just about all of them think they are beating the commercial stuff or I guess they wouldn't bother?? But it's not all about the money - many DIYers are looking to beat commercial stuff in terms of ultimate performance/specification and are well aware they would definitely *not* be beating commercial producers on a cost basis if their own labour was priced into the equation....!!?? Some people want to climb a mountain because it is there. The people that put a wall around that idea don't understand the enjoyment one gets in making the journey - no matter how ill looking the end looks (or not!) I take my hat off to this person and many like her. http://en.wikipedia.org/wiki/Jeri_Ellsworth DIY electronics rules forever! Absolutely! Like many of my generation I got into electronics through the DIY route, trailing round the component shops in Lisle St in London, falling over the ladies of the night in our search for some particular component! Sadly, now, just buying components is a trial in itself. It has to be mail-order or forget it. One notable exception is the wonderful emporium of Gee's in Cambridge. A real old-fashioned component shop staffed by a great guy who's been there since Schottky was a lad. Sadly building one's own stuff from scratch is a lot more expensive than buying it built. Stewart mentioned buying plate amplifiers for sub-woofers, which is fine, but if you want to make your own amplifiers you end up spending a lot more than buying one. Keith's own experience with the POS amplifiers shows this up well. There's no way you can even buy the box for the price of the complete unit from Comet, Argos or whoever. I hope there will always be a DIY sector interested in building stiff not because it's cheaper but because it's a lot more satisfying. Indeed it is - been there done that lotsa times. However, in the 21st century, it can *not* get you better performance. -- Stewart Pinkerton | Music is Art - Audio is Engineering |
Digital volume control question....
In article , Keith G
wrote: "Jim Lesurf" wrote in message ... Yes, I'd agree. I was just pointing out that some people have an aversion to anything 'digital', They *do*....??? (How strange!! ;-) Well, you said it... :-) FWIW, I've had a fair amount of (mild) grief myself from carbon volume and tone pots - not to mention hard-wired input selector switches!! So have I, mainly due to a willingness to use quite 'old' equipment at times. However I'd hope that any decent audio equipment made in recent decades would be using the newer materials which don't degrade or cause problems as in days of yore... :-) When these buggers play up it is a serious inconvenience (especially to non-DIYers) and the effects on sound quality can be quite severe - silence on one channel or the volume blasting through flat out on both, for instance!! (Been there, done all of that!!) I can recall days when the advice you might get would be to use '3-in-1 oil' to 'mend' a duff carbon pot. :-) However for some time now, unless you are using very old (or cheap) items nothing like this should arise. Perhaps I'm naive, but I think the days of truly dodgy electronics are well past us. It would be nice to think so. I also hope for peace and the end of poverty, too... :-) It's still possible to buy crap of course, but mostly I think we are getting more bang for our bucks than ever before and I don't think manufacturers playing in an international arena are going to risk their grip on the markets with anything too pooey....?? Having a world market actually helps those who wish to flog duff or counterfeit or out-of-spec goods. They can keep changing brand name or market, or simply fake/falsify things... If you read IEEE Spectrum you would be aware that this is now a very serious problem, and one that is quite hard to deal with. Yes, there are lots of good quality. cheap, items on sale. But in with it will be items using second-hand or faked components, and/or made with no real regard for actual performance beyond the point of sale. Having a well known brand name on the box may well help. But even that may not in some cases since they may have bought in faked components without knowing so. Slainte, Jim -- Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm Audio Misc http://www.st-and.demon.co.uk/AudioMisc/index.html Armstrong Audio http://www.st-and.demon.co.uk/Audio/armstrong.html Barbirolli Soc. http://www.st-and.demon.co.uk/JBSoc/JBSoc.html |
Digital volume control question....
Stewart Pinkerton
But it's not all about the money - many DIYers are looking to beat commercial stuff in terms of ultimate performance/specification and are well aware they would definitely *not* be beating commercial producers on a cost basis if their own labour was priced into the equation....!!?? Still true in absolute terms. DIY satisfaction has a lot of clout, but in the real world, home-built full-range speakers can in no way compete with good commercial equivalents. All else is wishful thinking. Now you've gone too far. DIYers may not be able to produce an equivalent speaker as cheaply as a commercial one, but every commercial speaker can be improved. DIY for economy is mostly dead everywhere, not just in electronics. Unless you include kits. DIY now is about quality and style. The designers of "good commercial" speakers are constrained in part by commercial considerations peculiar to factory production. For every speaker they make, some ideals will be sacrificed to those constraints. It follows that those designers could produce better speakers if the constraints were removed. They could, given sufficient resources, DIY better than their own commercial products. Stupid DIYers with insufficient resources have *never* been able to compete with commercial products. But what about kits? Clever DIYers with sufficient resources will *always* be able to compete in terms of quality and fit-for-purpose. Eventually. Time is a problem, I have to admit. In the case of Le Mans, by the time I built the car that would have won in 1970, it was 2002. cheers, Ian |
Digital volume control question....
On Mon, 22 May 2006 11:58:24 GMT, "Ian Iveson"
wrote: Now you've gone too far. DIYers may not be able to produce an equivalent speaker as cheaply as a commercial one, but every commercial speaker can be improved. DIY for economy is mostly dead everywhere, not just in electronics. Unless you include kits. DIY now is about quality and style. No, commercial speakers *have* been improved. That is the point They are the product of careful initial design, then redesign and tweaking both in anechoic chambers and real listening rooms. That is a luxury most don't have for diy. They build one set, then live with the result. The chances of a happy result of being better than the commercial equivalent are vanishingly close to zero. d -- Pearce Consulting http://www.pearce.uk.com |
Digital volume control question....
"Stewart Pinkerton" wrote in message ... On Sat, 20 May 2006 18:45:18 +0100, Adrian C wrote: Keith G wrote: The thing with home builders is that just about all of them think they are beating the commercial stuff or I guess they wouldn't bother?? But it's not all about the money - many DIYers are looking to beat commercial stuff in terms of ultimate performance/specification and are well aware they would definitely *not* be beating commercial producers on a cost basis if their own labour was priced into the equation....!!?? Some people want to climb a mountain because it is there. The people that put a wall around that idea don't understand the enjoyment one gets in making the journey - no matter how ill looking the end looks (or not!) Sure they do - but they also understand that a home-built car will not win at Le Mans............. Bit disappointing from an engineer - why ever not, if it was built by someone with the same (or better) expertise and resources as the 'professionals'....??? (I believe it happens from time to time in the motorcycle world on possibly lesser events than the WSB, but I can't call up and specific examples - a bit of Googling might come up with summat??) |
Digital volume control question....
"Don Pearce" wrote in message ... On Mon, 22 May 2006 11:58:24 GMT, "Ian Iveson" wrote: Now you've gone too far. DIYers may not be able to produce an equivalent speaker as cheaply as a commercial one, but every commercial speaker can be improved. DIY for economy is mostly dead everywhere, not just in electronics. Unless you include kits. DIY now is about quality and style. No, commercial speakers *have* been improved. That is the point They are the product of careful initial design, then redesign and tweaking both in anechoic chambers and real listening rooms. That is a luxury most don't have for diy. They build one set, then live with the result. The chances of a happy result of being better than the commercial equivalent are vanishingly close to zero. Absolutely not the case. DIY speaker builders almost invariably build more than one pair of speakers - I know diddley doo about it all, but even I'm on my fifth pair! (Two of which are/have been for other people!) Also, I believe many DIYers will spend quite a bit of time tweaking a a pair of speakers after they have been built, before they consider them *finished*. Where DIY speaker builders differ from a commercial enterprise is that they tend to tweak (different drivers and other components in the case of speakers with crossovers) in the actual room they are going to use the speakers in and using kit they already own. My own speakers already sound better than a number of commercial pairs I have here, which have never suited the room! I double-checked this only a day or two ago - my Pinkies are *consummately* better in my room than a pair of very respectable JM-Labs floorstanders (and a pair of even more respectable Ruarks) I have here. Until you hit the 'sky's the limit' for price (Wilson &c.?) all speakers are built to a price and it's common knowledge that 70/80 % of the costs of a pair of speakers (before marketting and advertising &c. are added in) go into the cabinet. A DIYer has the option to spend the money on the *sound quality* - where it counts. All this proclaiming that DIY can't beat commercial is just so much dogma - any DIYer with sufficient skill/talent/expertise/resources and *funds* can match the commercial sector in just about any field if he chooses to. Most commercial enterprises had small, domestic beginnings from what I can see of it, anyway!! |
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