On Jan 18, 12:02*am, Andy Evans wrote:
The only advantage of feeding them with a current source is that it
reduces the switch-on surge, but again with heavy filaments that really
isn't an issue.
David.
Quite. I wrote a long screed on this subject and then trashed it as
counterproductive to Andy's purpose.Andre
Well, it's actually counter to the findings that a bunch of us DHT
users observed - current sources sounded better. Have you done direct
A-B comparisons?
I agree, a current sourced regulator sounds better than one without
the CC. My point was simply that I consider AC fils good enough
sonically.
About a dozen years ago, after I gave up on AC balance in PP amps, I
spent a lot of time on trying to improve the sound by messing around
with the fils. I tried everything including, under the influence of
Allen Wright, current sources. I agree that fixing the current is
better than fixing the voltage on the fils, but eventually I went back
to AC fils because anything more seemed to me to be unnecessary. But
don't let that influence you: you still have the pleasures of a
simplification kick in front of you!
Andy's on a learning curve,
and he won't know that all this regulation is a bridge too far -- I
mean the danger of creating an over-refined tube amp that sounds just
like a silicon amp but more expensive so -- until he hears it and
starts backing off to where he likes the sound. You gotta do it for
yourself; that's part of the fun. Andre
Well, I think we're all on a learning curve.
You're right. I didn't mean to sound patronizing. I'm watching you
like a hawk in the hope of learning something else I can use on my own
amps.
But no way does clean DC
make a DHT sound like silicon.
I have no problem with clean DC. But well-enough filtered DC is clean
enough (without necessarily going for those monster caps Patrick
Turner advocates). However, if you keep refining everything, the
cumulative effect on a DHT is eventually to make it sound over-
sophisticated, bland; where that point falls is a matter of taste. I
returned to tubes because I switched on the Bang & Olufsen setup in my
study one morning and noticed that the music had a chilling quality.
Admittedly that edginess of good quality silicon which is subliminally
so disturbing is caused by NFB, and the blandness of an overrefined
ZNFB DHT amp is of an entirely different nature and of a much lower
order, but eventually it just came to me in the library of a grand
house one day where I was listening to Steven Doane practice that even
fine instruments in expert and sensitive hands have their rough edges,
and that the rough edges are what gives them a humane scale that a
synthesizer will never share. It is entirely a personal attitude and I
offer it only as that.
I am wondering, as you say, if there
are alternatives to voltage regs in the filament supplies, but right
now I only see huge caps and chokes - both bigger and heavier and (a
lot) more expensive. I'm open to all ideas, since I'm certainly
sticking with DHTs for the forseeable future, therefore a lot of
filament supplies are my self-imposed fate!!!
I had a bunch of chokes given to me by one of the local hams that were
suitable and tried them too. The late Bill May, my technical guy but a
music-lover even as he never took his hand off the meter, loved that
sound even better than the everything-current-controlled-and-locked-
down sound we also tried around that time because we built so many
exactly similar amps (at someone else's expensive of course...) to
conduct a big transformer comparison, and could then use these amps
for other tests. But now you're starting to talk about a lot of real
estate that brings other niggling and some rather big problems with
it.
Incidentally, for the B+ it's all chokes, polypropylene caps and glow
tubes.
Did I ever tell you what my big T199 "Millennium's End" PSE Svetlana
SV572-xx did with the second transmitting tube on the chassis when
operated in its lowest (under 10W) SE mode? In that version the second
transmitting tube was turned into a shunt regulator for the remaining
signal power tube, a very wasteful procedure as a shunt regulator
immediately drops as much current as the operating tube -- but the
sound was one of the finest I ever heard. I should add that the shunt
reg was current-controlled; that was the final 20% trick of what was
already a very pleasing sound. But, of course, the heat and the
complication and the expense (just try buying an audio-quality switch
good to 1000V) and the lack of reliability because a lot of the
components were operating on the ragged edge, all of that made me
uncomfortable and not just because a kilovolt amp is intrinsically
dangerous -- it would make me uncomfortable on a 300B at less than
hallf that voltage.. But I learned something: shunt reg sounds better
than series reg by so many magnitudes it is no contest. Of course, I'm
talking about plate voltage now; I don't quite see anyone shunt
regulating all those mansized filament amperes...
Such fun to throw out alternatives when someone else is doing the
work! Pay no attention to what I liked or didn't, Andy. When it sounds
right to you, you're on the right track. And if it doesn't sound as
good as another idea, you're still on the right track, just
temporarily on a branch line. It's a journey without an end.
Andre Jute
Visit Jute on Amps at
http://members.lycos.co.uk/fiultra/
"wonderfully well written and reasoned information
for the tube audio constructor"
John Broskie TubeCAD & GlassWare
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containing vital gems of wisdom"
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PS I'm sure you know this already: the original and still the best of
the Lundahl power transformers comes with four separate beefy filament
supplies. I've always just bought the standard LL1651 and knocked the
6.3V down with a resistor for 5V DHT fils because I believe the
resistor provides an element of stabilization, but I should think Per
Lundahl will wind them for you with 5V fils if you ask.