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The Schumpeter Solution
In article
s.com, Andre Jute scribeth thus On Jan 26, 10:02 am, tony sayer wrote: Andre Jute Listening to Bach's Cantata 199, My Heart Swims in Blood -- and so it bloody well should Indeed!.. And a fine performance by the late very great Ms Hunt Liberson who I had the privilege of hearing at the proms a few years ago now. And we should occassionally remember to raise our glasses to the the recording engineers as well... And now sadly gone before her time thanks to what we all enjoy but endlessly argue over is still he))..... As C. Bartoli said a few years ago after I announced that I'd already invented enough witty stuff she woulda wanted to say to fill my column, so we could immediately get down to what really matters, "You brought more of that super chocolate!" http://www.bach-cantatas.com/Pic-Rec...-Craig-C03.jpg Thanks for the tip, Tony. I don't have that one but that is easily remedied. -- The BWV 199 I mentioned was added because it is on a disc featuring the countertenor Andreas Scholl, a favourite of mine, with the excellent Barbara Schlick. Or I might just have added it because my habit through the 90s was to prefer the disc from the Harmonia Mundi label, or anything distributed by HM (this particular disc is on Auvidis, distributed by HM), unless the alternative was by a known- good artist. Whoever was in charge at HM during the years I built up the major part of my collection was either too godawfully lucky to fit any know statistical format or had the most enviable taste. In Bach cantata getting me to deviate from the Ton Koopman complete set on Erato (which anyway also has the ubiquitous Barbara Schlick), or duplicating part of, is a hard job, but Scholl will always tempt me... Tony Sayer Andre Jute Music lovers before audiophiles Agree with that as I get older;))... -- Tony Sayer |
The Schumpeter Solution
For your edification, here is a guy (Yaeger) the Pathetic Dishonest Garbage
Peddler who spends dinner time on Christmas day (check the archives below) lurking on this NG, desperately trying to dig up anything on his superiors to please his Guru, Peter the Wiecked. Let's at least give him a pat on the back for this attempt, which obviously fizzled. west "Jon Yaeger" wrote in message ... in article , Andre Jute at wrote on 1/22/08 7:12 PM: On Jan 22, 10:30 pm, "Trevor Wilson" wrote: "David Looser" wrote in message ... "Trevor Wilson" wrote in message ... "Andre Jute" wrote in message ... Small is also beautiful. The small is the genesis of the large. It's funny that some cannot grasp this fundamental concept with single ended triode (SET) amps. We routinely build preamps and voltage multiplication stages of triodes operating single-ended, and the diehards who with a convulsive kneejerk reject any amp without a push- pull power stage will be the last to let go of the single-ended gain stage, yet they cannot see that the small signal stage is a template for the sweetest power stage. What is sauce of quail must be sauce for the goose and the gander too. Very difficult to understand how some people think. **Speak for yourself. The best valve preamps I've ever heard are push pull (Alan Wright's fabulous balanced preamps spring to mind). And those pre-war WE cinema amplifiers that were referred to in another thread had one or two stages of push-pull amplification before the output stage. But then they were money-no-object designs, designed to produce the best performance possible with the technology of their time. **Pre-zactly. Since the advent of push-pull, SE has been negated, except in cheap, crappy amplifiers. Trevor Wilson Let's hear that again? Since the advent of push-pull, SE has been negated, Then why are you spending so much time, Wilson, trying to stem the tide of SE amps chosen by sophisticated music lovers? except in cheap, crappy amplifiers. Eh? Most SE amps built or bought by audiophiles are not far off the price of a reasonable used car. Do you ever reread these vomitings you send out, Wilson, and reflect that their irrationality and ignorance cannot reflect well on you? Unsigned out of exasperation with this idiot Wilson * * * * * * * Andre, You had this discussion with Trevor back in 2005. Your point of view, quoted below, was distinctly different then. From the Google groups archive, December 18, 2005, Andre Jute wrote: "The truth is, Trevor, that my personal taste and the winner in blind tests with the musicians (still unspecified, if you don't mind) I like to use, as well as other qualified persons, is for small Class A push-pull trioded pentodes operated at low power with zero negative feedback. The best amp I ever designed is my T113 Class A PP EL34 in triode mode (its switchable, actually) with zero or very little negative feedback (also tunable in my own copy). That doesn't mean I abhor SET or solid state. I have and use both, too. Nor does the choice necessarily have anything to do with your reasons above." Yo Bro', whassup wid dat? Jon |
The Schumpeter Solution
On Jan 31, 4:04*am, "West" wrote:
For your edification, here is a guy (Yaeger) the Pathetic Dishonest Garbage Peddler who spends dinner time on Christmas day (check the archives below) lurking on this NG, desperately trying to dig up anything on his superiors to please his Guru, Peter the Wiecked. Let's at least give him a pat on the back for this attempt, which obviously fizzled. Yeah, poor Yaeger's attempt to attract my attention "fizzled" all right. I never saw it. I wouldn't have replied if I had. Yeager lacks the sophistication to understand that one may have several amps each of which is best or at least favourite for a different purpose. It is like a gentleman keeping at least one black automobile in his carriage house so that he may attend funerals. west Andre Jute Visit Jute on Amps at http://members.lycos.co.uk/fiultra/ STATUTORY DECLARATION No real corpses were harmed in the assembly of Andre Jute's golem Peter Wieck aka Worthless Wieckless --- CE Certificate of Conformity "Jon Yaeger" wrote in message ... in article , Andre Jute at wrote on 1/22/08 7:12 PM: On Jan 22, 10:30 pm, "Trevor Wilson" wrote: "David Looser" wrote in message ... "Trevor Wilson" wrote in message ... "Andre Jute" wrote in message ... Small is also beautiful. The small is the genesis of the large. It's funny that some cannot grasp this fundamental concept with single ended triode (SET) amps. We routinely build preamps and voltage multiplication stages of triodes operating single-ended, and the diehards who with a convulsive kneejerk reject any amp without a push- pull power stage will be the last to let go of the single-ended gain stage, yet they cannot see that the small signal stage is a template for the sweetest power stage. What is sauce of quail must be sauce for the goose and the gander too. Very difficult to understand how some people think. **Speak for yourself. The best valve preamps I've ever heard are push pull (Alan Wright's fabulous balanced preamps spring to mind). And those pre-war WE cinema amplifiers that were referred to in another thread had one or two stages of push-pull amplification before the output stage. But then they were money-no-object designs, designed to produce the best performance possible with the technology of their time. **Pre-zactly. Since the advent of push-pull, SE has been negated, except in cheap, crappy amplifiers. Trevor Wilson Let's hear that again? Since the advent of push-pull, SE has been negated, Then why are you spending so much time, Wilson, trying to stem the tide of SE amps chosen by sophisticated music lovers? except in cheap, crappy amplifiers. Eh? Most SE amps built or bought by audiophiles are not far off the price of a reasonable used car. Do you ever reread these vomitings you send out, Wilson, and reflect that their irrationality and ignorance cannot reflect well on you? Unsigned out of exasperation with this idiot Wilson ** * * * * * * Andre, You had this discussion with Trevor back in 2005. *Your point of view, quoted below, was distinctly different then. From the Google groups archive, December 18, 2005, Andre Jute wrote: "The truth is, Trevor, that my personal taste and the winner in blind tests with the musicians (still unspecified, if you don't mind) I like to use, as well as other qualified persons, is for small Class A push-pull trioded pentodes operated at low power with zero negative feedback. The best amp I ever designed is my T113 Class A PP EL34 in triode mode (its switchable, actually) with zero or very little negative feedback (also tunable in my own copy). That doesn't mean I abhor SET or solid state. I have and use both, too. Nor does the choice necessarily have anything to do with your reasons above." Yo Bro', whassup wid dat? Jon |
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