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Left & right speaker conundrum
In message , Jim Lesurf
writes In article , Tony wrote: With music though, it's amazing what sound people will put up with so long as they can tell what notes are being played. I once found a quite widely released music cassette that had been mastered in antiphase. I have a couple of commercial DVDs of films where the 'mono' soundtrack is in antiphase stereo. Nastly obvious on a good stereo, but maybe most people don't notice or assume it has been 'enhanced'. :-) Slainte, Jim When listening to mono on headphones, I usually prefer to connect the earpieces in antiphase. When they are in-phase (which is, of course, the normal condition) the audio image is dead in the centre of your head. This is very 'unreal', and soon becomes rather tiring. When in antiphase, the image is spread throughout your head, and is much more pleasant to listen to. I think that the same reasoning could be applied to loudspeakers. -- Ian |
Left & right speaker conundrum
In article , Ian Jackson
wrote: In message , Jim Lesurf writes I have a couple of commercial DVDs of films where the 'mono' soundtrack is in antiphase stereo. Nastly obvious on a good stereo, but maybe most people don't notice or assume it has been 'enhanced'. :-) When listening to mono on headphones, I usually prefer to connect the earpieces in antiphase. When they are in-phase (which is, of course, the normal condition) the audio image is dead in the centre of your head. This is very 'unreal', and soon becomes rather tiring. When in antiphase, the image is spread throughout your head, and is much more pleasant to listen to. I think that the same reasoning could be applied to loudspeakers. The distinction is that when you listen to headphones each ear only really picks up one channel. Whereas when listening to speakers both ears will get signals from both channels. With antiphase mono in a symmetric arrangement with minimal reverb this means you will be virtually at a sound pressure null for low to mid frequencies. In effect, your ears will pick up the differently signed differentials resulting from their spatial displacements from the null point. The result tends to be a very low sound level at the listening location, with a distorted frequency response that depends a lot on the room acoustic and speaker dispersion patterns. So the results may vary wildly from one setup to another. Not the same result as with headphones. I therefore get totally different effects from antiphase when in the three different rooms I where I have stereo systems. Can't say I like the effect in any of them, but YMMV. Interesting with Jimi Henrix, though... :-) Slainte, Jim -- Change 'noise' to 'jcgl' if you wish to email me. Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm Armstrong Audio http://www.audiomisc.co.uk/Armstrong/armstrong.html Audio Misc http://www.audiomisc.co.uk/index.html |
Left & right speaker conundrum
Ian Jackson wrote:
When listening to mono on headphones, I usually prefer to connect the earpieces in antiphase. When they are in-phase (which is, of course, the normal condition) the audio image is dead in the centre of your head. This is very 'unreal', and soon becomes rather tiring. When in antiphase, the image is spread throughout your head, and is much more pleasant to listen to. I think that the same reasoning could be applied to loudspeakers. Do you have a special pair for mono with one driver reversed or an adapter plug? -- Eiron. |
Left & right speaker conundrum
In message , Eiron
writes Ian Jackson wrote: When listening to mono on headphones, I usually prefer to connect the earpieces in antiphase. When they are in-phase (which is, of course, the normal condition) the audio image is dead in the centre of your head. This is very 'unreal', and soon becomes rather tiring. When in antiphase, the image is spread throughout your head, and is much more pleasant to listen to. I think that the same reasoning could be applied to loudspeakers. Do you have a special pair for mono with one driver reversed or an adapter plug? I use what is known as 'TTT' ('Tobacco Tin Technology'). Two headphone sockets are mounted through the wall of the tin. One is for the input from a mono audio source. The other is the output to a normal pair of stereo headphones. The two sockets are cross-wired so that the headphones are in series (no particular reason - parallel would work just as well - it just seemed a good idea at the time) and in antiphase. If I have a stereo source, I don't use TTT. I just plug the headphones directly into the audio source. Of course, I really should have added a phase-reversing to the tobacco tin, but life's too short. However, I'm sure I've seen adverts for headphones which do have a reversing switch. I feel a Google coming on. -- Ian |
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