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6 mic channels into a laptop
Any ideas please on the cheapest and/or best way of getting 6 channels
of microphones connected to a laptop? I'm looking at upgrading a Talking Newspaper's systems from the current '70's-standard analogue system. There's a need to minimise the number of boxes, and to de-skill the setup (it has to be taken apart each week - we'd love a dedicated home for the studio!!) We don't really need a full mixer - my thoughts are to get the signals in and do any needed switching or mixing in software, possibly bespoke. Any other thoughts and pointers welcome. TIA. -- Mike Scott (unet2 at [deletethis] scottsonline.org.uk) Harlow Essex England |
6 mic channels into a laptop
"Mike Scott" wrote in message
... Any ideas please on the cheapest and/or best way of getting 6 channels of microphones connected to a laptop? snip We don't really need a full mixer - my thoughts are to get the signals in and do any needed switching or mixing in software, possibly bespoke. Any other thoughts and pointers welcome. There seems to be a conflict between these two sentences. Do you want to input 6 microphones *at the same time*?. If so you do need to do the mixing before the signals get into the laptop. Only if you are happy to record from each microphone one at a time can you use software mixing. There are now plenty of small, cheap audio mixers with USB output which you can simply plug into a laptop and use whichever of the audio editing software packages available that suits. Bespoke software won't be necessary (unless you enjoy writing your own). David. |
6 mic channels into a laptop
David Looser wrote:
"Mike Scott" wrote in message ... Any ideas please on the cheapest and/or best way of getting 6 channels of microphones connected to a laptop? snip We don't really need a full mixer - my thoughts are to get the signals in and do any needed switching or mixing in software, possibly bespoke. Any other thoughts and pointers welcome. There seems to be a conflict between these two sentences. Do you want to input 6 microphones *at the same time*?. If so you do need to do the mixing before the signals get into the laptop. Only if you are happy to record from each microphone one at a time can you use software mixing. Eh? I don't understand that last bit. The current setup has 6 mic's going into a 6-channel mixer (and thence to tape). In practice the mixer is almost always just used to switch from one mic to the next as we change talker; occasionally two or more mic's might be live at once. We can either emulate the same - a 6-channel mixer but with USB output, which is going to be expensive for that number of mic input channels, or we can try to find a cheaper way of connecting the mic's and do the mixing in software. I notice there are some mic's with usb output; I'm not sure how well a laptop would cope with 6 separate simultaneous USB data streams. Although I suppose the data rate will be highish anyway. Let's see - 6 channels at 44.1kHz times 16 bits - about 4Mbit/sec; well within USB2 capabilities on one data stream. There are now plenty of small, cheap audio mixers with USB output which you can simply plug into a laptop and use whichever of the audio editing Not with 6 mic amps, at least, not that I've found. software packages available that suits. Bespoke software won't be necessary (unless you enjoy writing your own). Or want to de-skill the task. A set of buttons labelled 'talker 1', 'talker 2', etc and automatic level setting would be ideal, not hard to train people to use, and less error-prone. David. -- Mike Scott (unet2 at [deletethis] scottsonline.org.uk) Harlow Essex England |
6 mic channels into a laptop
"Mike Scott" wrote in message
... David Looser wrote: "Mike Scott" wrote in message ... Any ideas please on the cheapest and/or best way of getting 6 channels of microphones connected to a laptop? snip We don't really need a full mixer - my thoughts are to get the signals in and do any needed switching or mixing in software, possibly bespoke. Any other thoughts and pointers welcome. There seems to be a conflict between these two sentences. Do you want to input 6 microphones *at the same time*?. If so you do need to do the mixing before the signals get into the laptop. Only if you are happy to record from each microphone one at a time can you use software mixing. Eh? I don't understand that last bit. The current setup has 6 mic's going into a 6-channel mixer (and thence to tape). In practice the mixer is almost always just used to switch from one mic to the next as we change talker; occasionally two or more mic's might be live at once. We can either emulate the same - a 6-channel mixer but with USB output, which is going to be expensive for that number of mic input channels, or we can try to find a cheaper way of connecting the mic's and do the mixing in software. I notice there are some mic's with usb output; I'm not sure how well a laptop would cope with 6 separate simultaneous USB data streams. Although I suppose the data rate will be highish anyway. Let's see - 6 channels at 44.1kHz times 16 bits - about 4Mbit/sec; well within USB2 capabilities on one data stream. There are now plenty of small, cheap audio mixers with USB output which you can simply plug into a laptop and use whichever of the audio editing Not with 6 mic amps, at least, not that I've found. They certainly exist, though I guess it partly depends on your definition of "cheap". software packages available that suits. Bespoke software won't be necessary (unless you enjoy writing your own). Or want to de-skill the task. A set of buttons labelled 'talker 1', 'talker 2', etc and automatic level setting would be ideal, not hard to train people to use, and less error-prone. It sounds to me as though you'd already decided how you want to do this. I am not aware of any software that mixes the output from several USB mics, so if you want to go that route I guess you are into the bespoke software. Sorry, I can't help with that. David. |
6 mic channels into a laptop
On Wed, 10 Feb 2010 09:04:43 +0000, Mike Scott
wrote: Any ideas please on the cheapest and/or best way of getting 6 channels of microphones connected to a laptop? I'm looking at upgrading a Talking Newspaper's systems from the current '70's-standard analogue system. There's a need to minimise the number of boxes, and to de-skill the setup (it has to be taken apart each week - we'd love a dedicated home for the studio!!) We don't really need a full mixer - my thoughts are to get the signals in and do any needed switching or mixing in software, possibly bespoke. Any other thoughts and pointers welcome. If you want to switch in software, you need a 6-input "soundcard" for the computer with microphone preamps. As the computer already has a 2-input system, and an external analogue 6-channel mixer will be cheaper (look Behringer) it seems a no-brainer! You could also look at the problem sideways and question whether you really need 6 mics. Radio drama managed very well for many years with the actors stepping up to a single mic. Are you using 6 mics because you really need them,or because "it's always been done that way"? Think hard whether your result could be achieved by passing around (say) a Zoom H2. You can only de-skill this just so far. The person capable of positioning the mics sensible, setting levels and tidying up the recording is not going to have a problem with plugging up the gear. Without that person, the result will be mediocre. |
6 mic channels into a laptop
I don't think we could operate if we had to pull down everything each week.
I'd stick with a mixer and get a usb sound card with a line in on it. People like mixers. Also, we use something called A Level Devil which means that even the most ham fisted person cannot overload the recording, a thing which you will find is much worse digitally than in analogue. Save your money on new mixers and tell the committee you need a room to use permanently. Play the blind card with the council and offer to do their accessible stuff cheaper than anyone else does and you will find things suddenly change... grin. Brian, Kingston Upon Thames TN. We are not actually fully digital yet, but the plan is to use existing resources mixer wise, indeed, at home where some bits are prepared ahead of time, I have a mixer connected to a computer . Bg -- Brian Gaff....Note, this account does not accept Bcc: email. graphics are great, but the blind can't hear them Email: __________________________________________________ __________________________________________________ __________ "Mike Scott" wrote in message ... Any ideas please on the cheapest and/or best way of getting 6 channels of microphones connected to a laptop? I'm looking at upgrading a Talking Newspaper's systems from the current '70's-standard analogue system. There's a need to minimise the number of boxes, and to de-skill the setup (it has to be taken apart each week - we'd love a dedicated home for the studio!!) We don't really need a full mixer - my thoughts are to get the signals in and do any needed switching or mixing in software, possibly bespoke. Any other thoughts and pointers welcome. TIA. -- Mike Scott (unet2 at [deletethis] scottsonline.org.uk) Harlow Essex England |
6 mic channels into a laptop
"Brian Gaff" wrote in message
m... Yes, I think its actually cheaper though to get a good sound card with one input and stick with the alresady understood mixer system rather than use on screen soft mixing as one has to also look at the recording for putting in track breaks to save later editing time on a tight turn around. The OP spoke about using a laptop, that means he can't use a "good sound card". On-board audio on laptops is usually pretty dire, but mixers with USB outputs are now readily available and seem to me to be the most obvious solution to his problem. Though I get the feeling he has already decided to use 6 USB mics and write his own software mixer. I don't see a software mixer as being any easier to use or more idiot-proof than a simple audio mixer, nor is it likely to be quicker or easier to set up, after all a USB hub (probably a powered one) will be needed to plug all the mics into. But if the OP relishes the challenge of writing his own bespoke software who are we to tell him not to? David. |
6 mic channels into a laptop
David Looser wrote:
"Brian Gaff" wrote in message m... Yes, I think its actually cheaper though to get a good sound card with one input and stick with the alresady understood mixer system rather than use on screen soft mixing as one has to also look at the recording for putting in track breaks to save later editing time on a tight turn around. The OP spoke about using a laptop, that means he can't use a "good sound card". If it's a laptop with a pcmcia slot he could use one of these, which is what I use with my laptop and very good it is too. http://www.soundblaster.com/products...roduct=107 69 -- Bill Coombes |
6 mic channels into a laptop
On Wed, 10 Feb 2010 12:11:38 -0000, "David Looser"
wrote: The OP spoke about using a laptop, that means he can't use a "good sound card". Sure he can, as long as "sound card" is defined loosely as "audio interface". But for his application, a laptop's Line In will be just fine, as long as he hasn't got one of those irredeemably noisy laptops. |
6 mic channels into a laptop
"Laurence Payne" wrote in message
... On Wed, 10 Feb 2010 12:11:38 -0000, "David Looser" wrote: The OP spoke about using a laptop, that means he can't use a "good sound card". Sure he can, as long as "sound card" is defined loosely as "audio interface". But for his application, a laptop's Line In will be just fine, as long as he hasn't got one of those irredeemably noisy laptops. I said "good sound card", not "sound card", the inclusion of the word good was important. I've yet to meet a laptop with "good" on-board audio. IME few laptops even have audio line in, most that I've met just have microphone input and headphone/line out. David. |
6 mic channels into a laptop
Laurence Payne wrote:
On Wed, 10 Feb 2010 09:04:43 +0000, Mike Scott wrote: Any ideas please on the cheapest and/or best way of getting 6 channels of microphones connected to a laptop? I'm looking at upgrading a Talking Newspaper's systems from the current '70's-standard analogue system. There's a need to minimise the number of boxes, and to de-skill the setup (it has to be taken apart each week - we'd love a dedicated home for the studio!!) We don't really need a full mixer - my thoughts are to get the signals in and do any needed switching or mixing in software, possibly bespoke. Any other thoughts and pointers welcome. If you want to switch in software, you need a 6-input "soundcard" for the computer with microphone preamps. As the computer already has a 2-input system, and an external analogue 6-channel mixer will be cheaper (look Behringer) it seems a no-brainer! You could also look at the problem sideways and question whether you really need 6 mics. Radio drama managed very well for many years with the actors stepping up to a single mic. Are you using 6 mics because you really need them,or because "it's always been done that way"? Something of the latter, I'm afraid. Come to that, it's been the case until the past few weeks of "we've always used cassettes".... I've tried off and on to shift the committee out of the 1970's without success. To answer a point raised elsewhere, I really am just looking for ideas to report back to the committee - nothing's cast in stone yet (such as 6 usb mic's :-) One requirement is indeed to mark the various tracks - which could most readily be done if everything is software controlled - because in switching mic's you can also automatically (for example) start a new audio file. I'm not too sure about training people to use audio editors - and time is strictly limited for this job: we start recording at around 6.30 pm, record till about 8-8.30, duplicate and the tapes are at the post office by around 10pm. Doesn't leave an awful lot of time for manual chopping up of audio files, especially for those not used to computers!! Think hard whether your result could be achieved by passing around (say) a Zoom H2. It could; but would require operational changes (I can hear the "but we've always done it /this/ way!" types) to avoid clunks. And someone would be bound to drop it..... You can only de-skill this just so far. The person capable of positioning the mics sensible, setting levels and tidying up the recording is not going to have a problem with plugging up the gear. Without that person, the result will be mediocre. Harder to position a mic being passed round though. I'll have to have a good think about this; very useful to hear others' thoughts, thanks. -- Mike Scott (unet2 at [deletethis] scottsonline.org.uk) Harlow Essex England |
6 mic channels into a laptop
Brian Gaff wrote:
I don't think we could operate if we had to pull down everything each week. I'd stick with a mixer and get a usb sound card with a line in on it. Life would certainly be a lot easier. But we borrow a room at the local library on sufferance, I'm afraid; the whole lot has to be put out and stripped down every evening. Except the two tape duplicators - they just sort of hang around. People like mixers. Also, we use something called A Level Devil which means that even the most ham fisted person cannot overload the recording, a thing which you will find is much worse digitally than in analogue. Yes, I know. I've been playing with computer guitar effects lately, and overload is, unsurprisingly, ghastly. I'm using an E-MU 24-bit box (USB) for input to cope with the huge dynamic range - this cannot cope with duplex at 48kHz (I was surprised), so I settle for the computer's own line-out; good enough for now. But I'll check that out. Save your money on new mixers and tell the committee you need a room to use permanently. Play the blind card with the council and offer to do their accessible stuff cheaper than anyone else does and you will find things suddenly change... grin. Brian, Kingston Upon Thames TN. We are not actually fully digital yet, but the plan is to use existing resources mixer wise, indeed, at home where some bits are prepared ahead of time, I have a mixer connected to a computer . Now there's a whole new idea I tried pushing once - home working. The editors could email out the texts, and people could mail in MP3s. I got shouted down though.... they like working together. -- Mike Scott (unet2 at [deletethis] scottsonline.org.uk) Harlow Essex England |
6 mic channels into a laptop
"Mike Scott"
wrote in message Brian Gaff wrote: I don't think we could operate if we had to pull down everything each week. I'd stick with a mixer and get a usb sound card with a line in on it. Life would certainly be a lot easier. But we borrow a room at the local library on sufferance, I'm afraid; the whole lot has to be put out and stripped down every evening. Except the two tape duplicators - they just sort of hang around. People like mixers. Also, we use something called A Level Devil which means that even the most ham fisted person cannot overload the recording, a thing which you will find is much worse digitally than in analogue. Yes, I know. I've been playing with computer guitar effects lately, and overload is, unsurprisingly, ghastly. Digital clipping is especially probematical when the bandpass is not flat. I'm using an E-MU 24-bit box (USB) for input to cope with the huge dynamic range - this cannot cope with duplex at 48kHz (I was surprised), so I settle for the computer's own line-out; good enough for now. I've run 24/96 and 24/192 2 channels full duplex all day long via a USB-2 interface on a legacy laptop and a legacy desktop. All you need is a good operational USB-2 interface. Is this laptop so old that its USN interface isn't USB-2? Is there a USB concentrator that is mucking up the works? You don't need a new interface, you need access to a USB-2 port that is worth a darn. ;-) |
6 mic channels into a laptop
In article ,
Mike Scott wrote: Or want to de-skill the task. A set of buttons labelled 'talker 1', 'talker 2', etc and automatic level setting would be ideal, not hard to train people to use, and less error-prone. The Holy Grail for this sort of thing. But sadly not possible if you wish decent speech quality. -- *Being healthy is merely the slowest possible rate at which one can die. Dave Plowman London SW To e-mail, change noise into sound. |
6 mic channels into a laptop
Mike Scott wrote:
Any ideas please on the cheapest and/or best way of getting 6 channels of microphones connected to a laptop? I'm looking at upgrading a Talking Newspaper's systems from the current '70's-standard analogue system. There's a need to minimise the number of boxes, and to de-skill the setup (it has to be taken apart each week - we'd love a dedicated home for the studio!!) We don't really need a full mixer - my thoughts are to get the signals in and do any needed switching or mixing in software, possibly bespoke. Any other thoughts and pointers welcome. TIA. Do you really need a laptop? How about a low cost stand alone digital recorder? Cheers Ian |
6 mic channels into a laptop
On 10/02/2010 09:04, Mike Scott wrote:
Any ideas please on the cheapest and/or best way of getting 6 channels of microphones connected to a laptop? I'm looking at upgrading a Talking Newspaper's systems from the current '70's-standard analogue system. There's a need to minimise the number of boxes, and to de-skill the setup (it has to be taken apart each week - we'd love a dedicated home for the studio!!) We don't really need a full mixer - my thoughts are to get the signals in and do any needed switching or mixing in software, possibly bespoke. Any other thoughts and pointers welcome. Use a cheap ex-office telephone exchange and 6 telephone extensions, with conference call features. Or probably could do the modern software VOIP implementation (asterisk?) of all that, so could run the 'exchange' on your laptop - and have the players contributing from their homes via the internet. -- Adrian C |
6 mic channels into a laptop
Arny Krueger wrote:
..... I'm using an E-MU 24-bit box (USB) for input to cope with the huge dynamic range - this cannot cope with duplex at 48kHz (I was surprised), so I settle for the computer's own line-out; good enough for now. I've run 24/96 and 24/192 2 channels full duplex all day long via a USB-2 interface on a legacy laptop and a legacy desktop. All you need is a good operational USB-2 interface. Is this laptop so old that its USN interface isn't USB-2? Is there a USB concentrator that is mucking up the works? You don't need a new interface, you need access to a USB-2 port that is worth a darn. ;-) Oddly enough this is on a desktop - an aging but at least half-way decent system my son built (rather against my advice :-) ), NF7S-based if I recall. And no hubs or what-not, straight in. One day I will get round to investigating the problem, but 'horrid noises' on the guitar are /far/ more interesting!!! :-) -- Mike Scott (unet2 at [deletethis] scottsonline.org.uk) Harlow Essex England |
6 mic channels into a laptop
Ian Bell wrote:
Mike Scott wrote: Any ideas please on the cheapest and/or best way of getting 6 channels of microphones connected to a laptop? I'm looking at upgrading a Talking Newspaper's systems from the current '70's-standard analogue system. There's a need to minimise the number of boxes, and to de-skill the setup (it has to be taken apart each week - we'd love a dedicated home for the studio!!) We don't really need a full mixer - my thoughts are to get the signals in and do any needed switching or mixing in software, possibly bespoke. Any other thoughts and pointers welcome. TIA. Do you really need a laptop? How about a low cost stand alone digital recorder? If it can record mp3's and divide into tracks, maybe. I'd not thought of checking this area. Cheers Ian -- Mike Scott (unet2 at [deletethis] scottsonline.org.uk) Harlow Essex England |
6 mic channels into a laptop
Mike Scott wrote:
Ian Bell wrote: Mike Scott wrote: Any ideas please on the cheapest and/or best way of getting 6 channels of microphones connected to a laptop? I'm looking at upgrading a Talking Newspaper's systems from the current '70's-standard analogue system. There's a need to minimise the number of boxes, and to de-skill the setup (it has to be taken apart each week - we'd love a dedicated home for the studio!!) We don't really need a full mixer - my thoughts are to get the signals in and do any needed switching or mixing in software, possibly bespoke. Any other thoughts and pointers welcome. TIA. Do you really need a laptop? How about a low cost stand alone digital recorder? If it can record mp3's and divide into tracks, maybe. I'd not thought of checking this area. Cheers Ian I suggested it because operationally it is closer to the 70s gear it would replace so existing users ought to make the transition more easily. Why does it need to *record* mp3s? Most laptop systems will record .wav files which you can then edit and finally convert to mp3. You can do the same with a standalone device, converting to mp3 on a PC. That way you maximise the quality until the final conversion stage. If you don't want to spend a lot of money you could buy something like a used AKAI DPS16 which can record 6 simultaneous mic inputs, edit tracks and export to a wav file on CD for conversion to mp3 on a PC. If you want to spend more money there are probably plenty of more modern devices that do much the same. Cheers Ian |
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