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Turntable oil



 
 
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  #11 (permalink)  
Old August 15th 10, 08:53 AM posted to uk.rec.audio
Don Pearce[_3_]
external usenet poster
 
Posts: 1,358
Default Turntable oil

On Sun, 15 Aug 2010 08:29:37 +0100, "Ian Iveson"
wrote:

David Harris wrote:

Does anyone know what this is /likely/ to be:

http://www.roksan.co.uk/roksan/roksanpage.php?pageno=6#

3in1, some grade of motor oil, some hybrid concoction?

I never found out what the right oil for a Garrard 401
was.
As the bearing is similar to a Roksan, according to the
pdf on that page,
then I guess the oil will be about right too.
I thought for a plain spindle on top of a ball-bearing,
something heavy like EP90 gear oil would be best.


I went the other way with my Thorens deck, and I used
sewing machine oil. Yes, I did need to top it up fairly
regularly, but it did *seem* to give less bearing noise
off the platter than a heavier oil.

I also tried PTFE spray once, but wasn't so keen.


Yes, it *is* actually important to use the right kind of
oil. The lubrication requirements of ball and plain bearings
are different, so most car or bike oils are unsuitable. The
problem here is that it's an odd application in a domestic
context. That's why the retail price is high.

Too thick, or too slippy like PTFE, STP, or molybdenum
disulphide, and the balls will skate. The surface of the oil
will be wavy so it can be a choppy ride. If a ball catches
up with its own bow wave it may briefly lock and judder.
Pressure can be great enough to crack the casing, although
not at turntable speeds.

Too runny and it won't maintain a film.

If it absorbs moisture then corrosion-erosion will lead to
early failure.

You need a thin or medium single-grade, thixotropic (or
"clingy"), water repellent, corrosion-inhibiting machine
oil, I would think. Best option, unless you already have
some of the right kind of oil, is the recommended oil from
the manufacturer, if you can get it. Maybe expensive for the
amount you get, but you'll only ever need a few drops. Share
with friends.

A plain bearing would be quieter but an oil pump would be a
problem, I suppose.


You seem to be talking about a ball race, in which caged balls roll
along a track. That isn't how these turntable bearings work. A single
hardened ball bears against the centre of a hardened flat plate. The
action is 100% sliding and there is no propensity for any kind of wave
buildup. In a new bearing there is essentially a point contact, which
demands high pressure lubrication - grease rather than oil almost. As
the ball and plate wear, that very rapidly changes to a small but
appreciable contact area that is supported adequately by oil.

d
  #12 (permalink)  
Old August 15th 10, 08:54 AM posted to uk.rec.audio
Eiron
external usenet poster
 
Posts: 782
Default Turntable oil

On 15/08/2010 08:29, Ian Iveson wrote:
David Harris wrote:

Does anyone know what this is /likely/ to be:

http://www.roksan.co.uk/roksan/roksanpage.php?pageno=6#

3in1, some grade of motor oil, some hybrid concoction?

I never found out what the right oil for a Garrard 401
was.
As the bearing is similar to a Roksan, according to the
pdf on that page,
then I guess the oil will be about right too.
I thought for a plain spindle on top of a ball-bearing,
something heavy like EP90 gear oil would be best.


I went the other way with my Thorens deck, and I used
sewing machine oil. Yes, I did need to top it up fairly
regularly, but it did *seem* to give less bearing noise
off the platter than a heavier oil.

I also tried PTFE spray once, but wasn't so keen.


Yes, it *is* actually important to use the right kind of
oil. The lubrication requirements of ball and plain bearings
are different, so most car or bike oils are unsuitable. The
problem here is that it's an odd application in a domestic
context. That's why the retail price is high.

Too thick, or too slippy like PTFE, STP, or molybdenum
disulphide, and the balls will skate. The surface of the oil
will be wavy so it can be a choppy ride. If a ball catches
up with its own bow wave it may briefly lock and judder.
Pressure can be great enough to crack the casing, although
not at turntable speeds.

Too runny and it won't maintain a film.

If it absorbs moisture then corrosion-erosion will lead to
early failure.

You need a thin or medium single-grade, thixotropic (or
"clingy"), water repellent, corrosion-inhibiting machine
oil, I would think. Best option, unless you already have
some of the right kind of oil, is the recommended oil from
the manufacturer, if you can get it. Maybe expensive for the
amount you get, but you'll only ever need a few drops. Share
with friends.

A plain bearing would be quieter but an oil pump would be a
problem, I suppose.


'A ball'? You mean 'The ball' It's a single ball sitting under the spindle
and only provides vertical thrust.
Sideways movement is controlled by the steel spindle in a bronze bush,
at least in the Garrard, and the Roksan diagram looks similar.
Does that change your recommendation?

--
Eiron.
  #13 (permalink)  
Old August 15th 10, 09:41 AM posted to uk.rec.audio
Ian Iveson
external usenet poster
 
Posts: 244
Default Turntable oil

Don Pearce wrote:

I never found out what the right oil for a Garrard 401
was.
As the bearing is similar to a Roksan, according to the
pdf on that page,
then I guess the oil will be about right too.
I thought for a plain spindle on top of a ball-bearing,
something heavy like EP90 gear oil would be best.


I went the other way with my Thorens deck, and I used
sewing machine oil. Yes, I did need to top it up fairly
regularly, but it did *seem* to give less bearing noise
off the platter than a heavier oil.

I also tried PTFE spray once, but wasn't so keen.


Yes, it *is* actually important to use the right kind of
oil. The lubrication requirements of ball and plain
bearings
are different, so most car or bike oils are unsuitable.
The
problem here is that it's an odd application in a domestic
context. That's why the retail price is high.

Too thick, or too slippy like PTFE, STP, or molybdenum
disulphide, and the balls will skate. The surface of the
oil
will be wavy so it can be a choppy ride. If a ball catches
up with its own bow wave it may briefly lock and judder.
Pressure can be great enough to crack the casing, although
not at turntable speeds.

Too runny and it won't maintain a film.

If it absorbs moisture then corrosion-erosion will lead to
early failure.

You need a thin or medium single-grade, thixotropic (or
"clingy"), water repellent, corrosion-inhibiting machine
oil, I would think. Best option, unless you already have
some of the right kind of oil, is the recommended oil from
the manufacturer, if you can get it. Maybe expensive for
the
amount you get, but you'll only ever need a few drops.
Share
with friends.

A plain bearing would be quieter but an oil pump would be
a
problem, I suppose.


d You seem to be talking about a ball race, in which
caged balls roll
along a track. That isn't how these turntable bearings
work. A single
hardened ball bears against the centre of a hardened flat
plate. The
action is 100% sliding and there is no propensity for any
kind of wave
buildup. In a new bearing there is essentially a point
contact, which
demands high pressure lubrication - grease rather than oil
almost. As
the ball and plate wear, that very rapidly changes to a
small but
appreciable contact area that is supported adequately by
oil.


Ah, OK, thanks. That's more problematic. High pressure and
thick aren't related AFAIK. What's needed is high film
strength, and rapid replenishment should it break.

In which case I don't see the objection to a slippy additive
like teflon, unless the drive relies on drag for damping,
which is quite likely I suppose, or maybe such materials
aren't strong enough.

Otherwise the requirements are the same as I suggested. Are
both surfaces steel? Perhaps the pressure is so great that
the teflon, or PTFE, whatever, would puncture.

When I googled turntable bearing, I got every conceivable
configuration.

For such a small contact, the pressure is so great that most
kinds of grease will displace and leave it dry. A
thixotropic oil would maintain a little pool at the pressure
point, and one with a high affinity for itself and for the
metal would crawl up and maintain a film. Some slippy
additives might interfere with the crawling.

Why isn't the bearing assy in an oil-filled well?

Ian



  #14 (permalink)  
Old August 15th 10, 10:36 AM posted to uk.rec.audio
Ian Iveson
external usenet poster
 
Posts: 244
Default Turntable oil

'A ball'? You mean 'The ball' It's a single ball sitting
under the spindle
and only provides vertical thrust.
Sideways movement is controlled by the steel spindle in a
bronze bush,
at least in the Garrard, and the Roksan diagram looks
similar.
Does that change your recommendation?


Yes, sorry, I've had a thing about ball-race bearings ever
since motorbikes changed to plain bearings and suitable oil
for older bikes with rollers and balls disappeared.

Phosphor-bronze relies on being porous, so oil for that part
shouldn't have additives that might clog the pores, although
there's so little loading there that it might not matter
much.

If the thrust bearing isn't immersed in oil, then you do
need an oil that stays in place and makes a strong film. I
assume a ball rather than a cone is used so that an oil with
strong capillary action will be drawn in. Thicker oils and
greases aren't any better at staying in place under that
kind of pressure if there's nothing to keep the lubricant in
circulation, as there is in a gearbox or a wheel bearing.

I can't remember the tech term for capillary
crawling...something to do with surface energy...but that's
what's needed. An oil that crawls and forms a strong film
that repairs itself quickly if it breaks. To some extent,
all oils are supposed to do that, but there will be an
optimum consistency, so best go with the recommended type,
unless someone really knows better. I don't.

Not the ideal kind of bearing, seems to me, but anything
better would be lots more expensive. I would have thought
there's a risk of the contact point being off-axis.

Why isn't the plate made of nylon or PTFE, I wonder? Or even
graphite. Hmm...could be a market for audiophile oil-free
inserts.

Ian



  #15 (permalink)  
Old August 15th 10, 10:37 AM posted to uk.rec.audio
Chris Isbell[_2_]
external usenet poster
 
Posts: 18
Default Turntable oil

On Sat, 14 Aug 2010 13:28:57 +0100, Rob wrote:

Does anyone know what this is /likely/ to be:

http://www.roksan.co.uk/roksan/roksanpage.php?pageno=6#

3in1, some grade of motor oil, some hybrid concoction?


The instructions for my Thorens TD165 (1975 vintage) state: "use
exclusively Caltex Regal Oil B (ROB) as supplied with our lubrication
kit". (The French instructions are slightly different in that they say
Caltex or Texaco, rather than just Caltex.)
  #16 (permalink)  
Old August 15th 10, 11:06 AM posted to uk.rec.audio
Keith G[_2_]
external usenet poster
 
Posts: 2,151
Default Turntable oil


"Rob" wrote in message
...
Does anyone know what this is /likely/ to be:

http://www.roksan.co.uk/roksan/roksanpage.php?pageno=6#

3in1, some grade of motor oil, some hybrid concoction?



It's oil, Rob - anything from 10W40 motor oil to Olivio or Mazola will do. A
turntable bearing operating in 'human comfortable' on a 'normal' conditions
has got to be the least stressed bearing in the world!

(Maybe not so in the case of 56 lb platters and the like....!! ;-)

Phone Mike Harris (IIRC) at Moth:

http://www.britishaudio.co.uk/


And ask him what he used in the turntable there that has been running
continuously for about the last 20 years! (Power cuts excepted, presumably?)

  #17 (permalink)  
Old August 15th 10, 11:29 AM posted to uk.rec.audio
Jim Lesurf[_2_]
external usenet poster
 
Posts: 2,668
Default Turntable oil

In article , Eiron
wrote:


'A ball'? You mean 'The ball' It's a single ball sitting under the
spindle and only provides vertical thrust. Sideways movement is
controlled by the steel spindle in a bronze bush


Doesn't anyone use Dindsdale's 'groove pattern' to get the rotor stabilised
and floating on the oil? Not even Max Townshend?

FWIW I just used the oil that Technics supplied with my TT. Until I lost
the small tube and stopped bothering, erm, about 20 years ago. Still works
OK when I use it. No idea what it was, but if I needed some fresh oil I
guess I'd have probably used light grade oil as for sewing machines, etc.

Slainte,

Jim

--
Please use the address on the audiomisc page if you wish to email me.
Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm
Armstrong Audio http://www.audiomisc.co.uk/Armstrong/armstrong.html
Audio Misc http://www.audiomisc.co.uk/index.html

  #18 (permalink)  
Old August 15th 10, 12:33 PM posted to uk.rec.audio
Keith G[_2_]
external usenet poster
 
Posts: 2,151
Default Turntable oil


"Keith G" wrote in message
...

"Rob" wrote in message
...
Does anyone know what this is /likely/ to be:

http://www.roksan.co.uk/roksan/roksanpage.php?pageno=6#

3in1, some grade of motor oil, some hybrid concoction?



It's oil, Rob - anything from 10W40 motor oil to Olivio or Mazola will do.
A turntable bearing operating in 'human comfortable' on a 'normal'
conditions has got to be the least stressed bearing in the world!



OK, try it tis way round:


A turntable bearing operating in 'human comfortable' conditions on a
'normal' turntable has got to be the least stressed bearing in the world!

  #19 (permalink)  
Old August 15th 10, 02:02 PM posted to uk.rec.audio
Rob[_5_]
external usenet poster
 
Posts: 162
Default Turntable oil

On 15/08/2010 13:33, Keith G wrote:

"Keith G" wrote in message
...

"Rob" wrote in message
...
Does anyone know what this is /likely/ to be:

http://www.roksan.co.uk/roksan/roksanpage.php?pageno=6#

3in1, some grade of motor oil, some hybrid concoction?



It's oil, Rob - anything from 10W40 motor oil to Olivio or Mazola will
do. A turntable bearing operating in 'human comfortable' on a 'normal'
conditions has got to be the least stressed bearing in the world!



OK, try it tis way round:


A turntable bearing operating in 'human comfortable' conditions on a
'normal' turntable has got to be the least stressed bearing in the world!


Mmm, well, a 5kg platter, um, bearing down on a tiny spec of a contact
surface must have some lubrication implications - just couldn't remember
for the life of me whether it was light sewing or something viscous.

One thing for sure - it's not £15 for a little pot so 5/40 motor oil it
is :-)

Doubt that Lenco you gave me has had so much as a smear of oil on the
main bearing since it left the factory - and it's a sight quieter than
the Roksan 'super bearing' (which may, admittedly, be damaged or worn).

Rob


  #20 (permalink)  
Old August 15th 10, 04:10 PM posted to uk.rec.audio
Eiron
external usenet poster
 
Posts: 782
Default Turntable oil

On 15/08/2010 11:36, Ian Iveson wrote:
'A ball'? You mean 'The ball' It's a single ball sitting
under the spindle
and only provides vertical thrust.
Sideways movement is controlled by the steel spindle in a
bronze bush,
at least in the Garrard, and the Roksan diagram looks
similar.
Does that change your recommendation?


Yes, sorry, I've had a thing about ball-race bearings ever
since motorbikes changed to plain bearings and suitable oil
for older bikes with rollers and balls disappeared.

Phosphor-bronze relies on being porous, so oil for that part
shouldn't have additives that might clog the pores, although
there's so little loading there that it might not matter
much.

If the thrust bearing isn't immersed in oil, then you do
need an oil that stays in place and makes a strong film. I
assume a ball rather than a cone is used so that an oil with
strong capillary action will be drawn in. Thicker oils and
greases aren't any better at staying in place under that
kind of pressure if there's nothing to keep the lubricant in
circulation, as there is in a gearbox or a wheel bearing.


If we're still talking about a Garrard 401, the spindle and bearing are
immersed in oil;
you top it up occasionally at the top and it leaks past the gasket at
the bottom
like a good old British motorcycle engine.

--
Eiron.
 




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