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Sound quality
Any comments on the sound quality of this little 12 second movie? http://www.moirac.adsl24.co.uk/showntell/SaxandMic.MOV |
Sound quality
On Tue, 10 May 2011 14:06:55 +0100, "Keith G"
wrote: Any comments on the sound quality of this little 12 second movie? http://www.moirac.adsl24.co.uk/showntell/SaxandMic.MOV The tone of the sax is captured nicely, but the room acoustic is not good. It makes the sound boxy. d |
Sound quality
"Don Pearce" wrote in message ... On Tue, 10 May 2011 14:06:55 +0100, "Keith G" wrote: Any comments on the sound quality of this little 12 second movie? http://www.moirac.adsl24.co.uk/showntell/SaxandMic.MOV The tone of the sax is captured nicely, but the room acoustic is not good. It makes the sound boxy. I'll take that as a 'not bad' - it's the little pocket videocam's own built-in mono mic! (Kodak Zi8) I also thought the sound of the sax was quite good. |
Sound quality
On Tue, 10 May 2011 17:40:15 +0100, "Keith G"
wrote: "Don Pearce" wrote in message ... On Tue, 10 May 2011 14:06:55 +0100, "Keith G" wrote: Any comments on the sound quality of this little 12 second movie? http://www.moirac.adsl24.co.uk/showntell/SaxandMic.MOV The tone of the sax is captured nicely, but the room acoustic is not good. It makes the sound boxy. I'll take that as a 'not bad' - it's the little pocket videocam's own built-in mono mic! (Kodak Zi8) I also thought the sound of the sax was quite good. That would be the reason. Where the camera is is never where the mic needs to be. Didn't see any movie though, just sound. d |
Sound quality
"Don Pearce" wrote in message ... On Tue, 10 May 2011 17:40:15 +0100, "Keith G" wrote: "Don Pearce" wrote in message ... On Tue, 10 May 2011 14:06:55 +0100, "Keith G" wrote: Any comments on the sound quality of this little 12 second movie? http://www.moirac.adsl24.co.uk/showntell/SaxandMic.MOV The tone of the sax is captured nicely, but the room acoustic is not good. It makes the sound boxy. I'll take that as a 'not bad' - it's the little pocket videocam's own built-in mono mic! (Kodak Zi8) I also thought the sound of the sax was quite good. That would be the reason. Where the camera is is never where the mic needs to be. This dinky little beast has got a 3.5 jack socket for an external mic - any suggestioms? Didn't see any movie though, just sound. OK, that was a MOV which I kept at full resolution (21.7 Mb) to best represent the achieved sound quality - if you wish to see the movie, here's a 'Good Quality' Mpeg2 hacked down to 5 Meg which won't have done both the video and sound any favours: http://www.moirac.adsl24.co.uk/shown...ndMicMPEG2.mpg |
Sound quality
"Don Pearce" wrote in message ... On Tue, 10 May 2011 17:40:15 +0100, "Keith G" wrote: "Don Pearce" wrote in message ... On Tue, 10 May 2011 14:06:55 +0100, "Keith G" wrote: Any comments on the sound quality of this little 12 second movie? http://www.moirac.adsl24.co.uk/showntell/SaxandMic.MOV The tone of the sax is captured nicely, but the room acoustic is not good. It makes the sound boxy. I'll take that as a 'not bad' - it's the little pocket videocam's own built-in mono mic! (Kodak Zi8) I also thought the sound of the sax was quite good. That would be the reason. Where the camera is is never where the mic needs to be. This dinky little beast has got a 3.5 jack socket for an external mic - any suggestioms? Didn't see any movie though, just sound. OK, that was a MOV which I kept at full resolution (21.7 Mb) to best represent the achieved sound quality - if you wish to see the movie, here's a 'Good Quality' Mpeg2 hacked down to 5 Meg which won't have done both the video and sound any favours: http://www.moirac.adsl24.co.uk/shown...ndMicMPEG2.mpg |
Sound quality
On Tue, 10 May 2011 20:01:29 +0100, "Keith G"
wrote: "Don Pearce" wrote in message ... On Tue, 10 May 2011 17:40:15 +0100, "Keith G" wrote: "Don Pearce" wrote in message ... On Tue, 10 May 2011 14:06:55 +0100, "Keith G" wrote: Any comments on the sound quality of this little 12 second movie? http://www.moirac.adsl24.co.uk/showntell/SaxandMic.MOV The tone of the sax is captured nicely, but the room acoustic is not good. It makes the sound boxy. I'll take that as a 'not bad' - it's the little pocket videocam's own built-in mono mic! (Kodak Zi8) I also thought the sound of the sax was quite good. That would be the reason. Where the camera is is never where the mic needs to be. This dinky little beast has got a 3.5 jack socket for an external mic - any suggestioms? Didn't see any movie though, just sound. OK, that was a MOV which I kept at full resolution (21.7 Mb) to best represent the achieved sound quality - if you wish to see the movie, here's a 'Good Quality' Mpeg2 hacked down to 5 Meg which won't have done both the video and sound any favours: http://www.moirac.adsl24.co.uk/shown...ndMicMPEG2.mpg Depends. Is the socket for a stereo mic or a mono one? If it is a mono one, it is probably powered the same way a PC mic is. There will be plenty of mics around that will do the job - the main thing is to get it closer to the instrument so you don't get as much room. d |
Sound quality
"Don Pearce" wrote in message ... On Tue, 10 May 2011 20:01:29 +0100, "Keith G" wrote: "Don Pearce" wrote in message ... On Tue, 10 May 2011 17:40:15 +0100, "Keith G" wrote: "Don Pearce" wrote in message ... On Tue, 10 May 2011 14:06:55 +0100, "Keith G" wrote: Any comments on the sound quality of this little 12 second movie? http://www.moirac.adsl24.co.uk/showntell/SaxandMic.MOV The tone of the sax is captured nicely, but the room acoustic is not good. It makes the sound boxy. I'll take that as a 'not bad' - it's the little pocket videocam's own built-in mono mic! (Kodak Zi8) I also thought the sound of the sax was quite good. That would be the reason. Where the camera is is never where the mic needs to be. This dinky little beast has got a 3.5 jack socket for an external mic - any suggestioms? Didn't see any movie though, just sound. OK, that was a MOV which I kept at full resolution (21.7 Mb) to best represent the achieved sound quality - if you wish to see the movie, here's a 'Good Quality' Mpeg2 hacked down to 5 Meg which won't have done both the video and sound any favours: http://www.moirac.adsl24.co.uk/shown...ndMicMPEG2.mpg Depends. Is the socket for a stereo mic or a mono one? If it is a mono one, it is probably powered the same way a PC mic is. There will be plenty of mics around that will do the job - the main thing is to get it closer to the instrument so you don't get as much room. Here's all the User Manual has on the subject: http://www.moirac.adsl24.co.uk/showntell/KodakMic.jpg I would get a suitable mic for it out of curiosity, but I'm not sure it would work out very practicable..?? |
Sound quality
On Tue, 10 May 2011 21:34:42 +0100, "Keith G"
wrote: "Don Pearce" wrote in message ... On Tue, 10 May 2011 20:01:29 +0100, "Keith G" wrote: "Don Pearce" wrote in message ... On Tue, 10 May 2011 17:40:15 +0100, "Keith G" wrote: "Don Pearce" wrote in message ... On Tue, 10 May 2011 14:06:55 +0100, "Keith G" wrote: Any comments on the sound quality of this little 12 second movie? http://www.moirac.adsl24.co.uk/showntell/SaxandMic.MOV The tone of the sax is captured nicely, but the room acoustic is not good. It makes the sound boxy. I'll take that as a 'not bad' - it's the little pocket videocam's own built-in mono mic! (Kodak Zi8) I also thought the sound of the sax was quite good. That would be the reason. Where the camera is is never where the mic needs to be. This dinky little beast has got a 3.5 jack socket for an external mic - any suggestioms? Didn't see any movie though, just sound. OK, that was a MOV which I kept at full resolution (21.7 Mb) to best represent the achieved sound quality - if you wish to see the movie, here's a 'Good Quality' Mpeg2 hacked down to 5 Meg which won't have done both the video and sound any favours: http://www.moirac.adsl24.co.uk/shown...ndMicMPEG2.mpg Depends. Is the socket for a stereo mic or a mono one? If it is a mono one, it is probably powered the same way a PC mic is. There will be plenty of mics around that will do the job - the main thing is to get it closer to the instrument so you don't get as much room. Here's all the User Manual has on the subject: http://www.moirac.adsl24.co.uk/showntell/KodakMic.jpg I would get a suitable mic for it out of curiosity, but I'm not sure it would work out very practicable..?? OK, that gives the necessary. You can get stereo mics for this from several good makers. No time to look them up right now, but a few make stereo mics. Alternatively you can make up a cable and a couple of connectors to feed one or two of your current mics into the camera. d |
Sound quality
"Don Pearce" wrote in message ... On Tue, 10 May 2011 21:34:42 +0100, "Keith G" wrote: Here's all the User Manual has on the subject: http://www.moirac.adsl24.co.uk/showntell/KodakMic.jpg I would get a suitable mic for it out of curiosity, but I'm not sure it would work out very practicable..?? OK, that gives the necessary. You can get stereo mics for this from several good makers. No time to look them up right now, but a few make stereo mics. Alternatively you can make up a cable and a couple of connectors to feed one or two of your current mics into the camera. I wouldn't mind a pointer if it's not too much trouble - so far, all I've come up with is karaoke mics costing about 2 quid which, I suspect, wouldn't better the built-in mic! |
Sound quality
In article ,
Keith G wrote: I wouldn't mind a pointer if it's not too much trouble - so far, all I've come up with is karaoke mics costing about 2 quid which, I suspect, wouldn't better the built-in mic! Pretty well any mic should work with an adaptor lead. Even balanced ones. Phantom powered ones will need an external power supply, which you can make or buy. Battery, obviously, if you need it to be portable. Most of the pro ones use a PP9 and a SMPS to produce 48 volts. But you could make one up using several batteries. And as has been stated before, many phantom mics will work quite well on less than 48 volts if the full SPL handling isn't needed. I wouldn't bother with stereo for a video capture mic. -- *When you've seen one shopping centre you've seen a mall* Dave Plowman London SW To e-mail, change noise into sound. |
Sound quality
"Dave Plowman (News)" wrote in message ... In article , Keith G wrote: I wouldn't mind a pointer if it's not too much trouble - so far, all I've come up with is karaoke mics costing about 2 quid which, I suspect, wouldn't better the built-in mic! Pretty well any mic should work with an adaptor lead. Even balanced ones. Phantom powered ones will need an external power supply, which you can make or buy. Battery, obviously, if you need it to be portable. Most of the pro ones use a PP9 and a SMPS to produce 48 volts. But you could make one up using several batteries. And as has been stated before, many phantom mics will work quite well on less than 48 volts if the full SPL handling isn't needed. I wouldn't bother with stereo for a video capture mic. I was rather hoping for a simple dynamic mic solution, but I agree it doesn't have to be stereo. |
Sound quality
On Wed, 11 May 2011 14:18:03 +0100, "Keith G"
wrote: "Dave Plowman (News)" wrote in message ... In article , Keith G wrote: I wouldn't mind a pointer if it's not too much trouble - so far, all I've come up with is karaoke mics costing about 2 quid which, I suspect, wouldn't better the built-in mic! Pretty well any mic should work with an adaptor lead. Even balanced ones. Phantom powered ones will need an external power supply, which you can make or buy. Battery, obviously, if you need it to be portable. Most of the pro ones use a PP9 and a SMPS to produce 48 volts. But you could make one up using several batteries. And as has been stated before, many phantom mics will work quite well on less than 48 volts if the full SPL handling isn't needed. I wouldn't bother with stereo for a video capture mic. I was rather hoping for a simple dynamic mic solution, but I agree it doesn't have to be stereo. In that case literally any dynamic mic should do. you just need an adaptor from whatever connector the mic has to a 3.5mm plug. Or better yet, make up a new lead with the right connector on the end. d |
Sound quality
In article ,
Keith G wrote: "Dave Plowman (News)" wrote in message ... In article , Keith G wrote: I wouldn't mind a pointer if it's not too much trouble - so far, all I've come up with is karaoke mics costing about 2 quid which, I suspect, wouldn't better the built-in mic! Pretty well any mic should work with an adaptor lead. Even balanced ones. Phantom powered ones will need an external power supply, which you can make or buy. Battery, obviously, if you need it to be portable. Most of the pro ones use a PP9 and a SMPS to produce 48 volts. But you could make one up using several batteries. And as has been stated before, many phantom mics will work quite well on less than 48 volts if the full SPL handling isn't needed. I wouldn't bother with stereo for a video capture mic. I was rather hoping for a simple dynamic mic solution, but I agree it doesn't have to be stereo. In general, most dynamic mics these days are designed for hand held close use. The reason? It's cheaper to make an electret etc mic. Good quality general purpose dynamic mics also tend to be quite large and heavy. And pretty low output. And pricey. ;-) However, if you're recording stuff at home, why not just record the sound separately (as you'd do for a audio only recording) then drop it onto the picture using your PC. Sync shouldn't be a problem. Do an in vision hand clap to give you a starting sync point. Or turn one of your spare firewood horns into a clapper board. ;-) -- *There are 3 kinds of people: those who can count & those who can't. Dave Plowman London SW To e-mail, change noise into sound. |
Sound quality
"Dave Plowman (News)" wrote in message ... In article , Keith G wrote: "Dave Plowman (News)" wrote in message ... In article , Keith G wrote: I wouldn't mind a pointer if it's not too much trouble - so far, all I've come up with is karaoke mics costing about 2 quid which, I suspect, wouldn't better the built-in mic! Pretty well any mic should work with an adaptor lead. Even balanced ones. Phantom powered ones will need an external power supply, which you can make or buy. Battery, obviously, if you need it to be portable. Most of the pro ones use a PP9 and a SMPS to produce 48 volts. But you could make one up using several batteries. And as has been stated before, many phantom mics will work quite well on less than 48 volts if the full SPL handling isn't needed. I wouldn't bother with stereo for a video capture mic. I was rather hoping for a simple dynamic mic solution, but I agree it doesn't have to be stereo. In general, most dynamic mics these days are designed for hand held close use. The reason? It's cheaper to make an electret etc mic. Good quality general purpose dynamic mics also tend to be quite large and heavy. And pretty low output. And pricey. ;-) However, if you're recording stuff at home, why not just record the sound separately (as you'd do for a audio only recording) then drop it onto the picture using your PC. Sync shouldn't be a problem. I don't really need recordings better than I get with the built-in mic so that extra work isn't really necessary. The reason for getting an external mic is simply because there's a socket for one and it would allow some interesting messing abut Do an in vision hand clap to give you a starting sync point. Or turn one of your spare firewood horns into a clapper board. ;-) All three pairs of my firewood horns are in *daily* use - I wonder how many people can say that about their speakers? |
Sound quality
In article ,
Keith G wrote: However, if you're recording stuff at home, why not just record the sound separately (as you'd do for a audio only recording) then drop it onto the picture using your PC. Sync shouldn't be a problem. I don't really need recordings better than I get with the built-in mic so that extra work isn't really necessary. The reason for getting an external mic is simply because there's a socket for one and it would allow some interesting messing abut It's very unlikely the camera will be in an ideal position for sound pickup. That mic will also likely pick up unwanted sounds - like from the camera or operator. But you asked for advice so feel free to ignore it as usual and go down your own route of re-inventing the wheel. Little story. Have a pal (know you don't like me using this) over from the states, and he's making some demo travelogues of 'Little known Britain' hoping to sell the format. Has spent some money on this - had impressive literature printed and bought a pretty good camera. Asked my advice about the sound ages ago - but decided it was too expensive/complicated. And is now asking how to recover something useful from just using the built in mic... Do an in vision hand clap to give you a starting sync point. Or turn one of your spare firewood horns into a clapper board. ;-) All three pairs of my firewood horns are in *daily* use - I wonder how many people can say that about their speakers? I've got - let's see - 14 pairs of speakers in daily use. Only ones which aren't are in the spare bedroom. But none of them even remotely made of firewood - or horns. -- *Never underestimate the power of stupid people in large groups. Dave Plowman London SW To e-mail, change noise into sound. |
Sound quality
On 12/05/2011 10:47, Dave Plowman (News) wrote:
Little story //whack Nobody's interested in your silly fantasies mushbrain. |
Sound quality
In article ,
atriage wrote: On 12/05/2011 10:47, Dave Plowman (News) wrote: Little story //whack Nobody's interested in your silly fantasies mushbrain. You must be given you've replied. Anyone else would use a killfile. -- *I'll try being nicer if you'll try being smarter Dave Plowman London SW To e-mail, change noise into sound. |
Sound quality
"Dave Plowman (News)" wrote in message ... In article , Keith G wrote: However, if you're recording stuff at home, why not just record the sound separately (as you'd do for a audio only recording) then drop it onto the picture using your PC. Sync shouldn't be a problem. I don't really need recordings better than I get with the built-in mic so that extra work isn't really necessary. The reason for getting an external mic is simply because there's a socket for one and it would allow some interesting messing abut It's very unlikely the camera will be in an ideal position for sound pickup. That mic will also likely pick up unwanted sounds - like from the camera or operator. Oh yes - you soon learn to capture what you want in the duration of a single *held breath*!! (The camera is absolutely silent.) But you asked for advice so feel free to ignore it as usual and go down your own route of re-inventing the wheel. What?? Advice given here is *compulsory*..?? Reality check: These 'pocket video recorders' are slim like a cigarette case and you slip them in your pocket when you go on your travels in the hope that you might catch an alien space craft disgorging its occupants on a bit of nearby waste ground or maybe catch an ole grannie beating up a scooter gang with her handbag or somesuch - it all goes out tha window, to a point, if you gotta haul a 50m coil of microphone cable and a power supply/car battery along with you. I'm going to mess around with a little lapel mic in a moment but I suspect the best solution really does look like this: http://www.moirac.adsl24.co.uk/showntell/KodakMic.jpg So, maybe the enquiry should read: does anybody know of a decent karaoke mic that terminates in a 3.5 jack? - Mono is fine, I believe the 3.5mm extension lead I have is mono. All the ones I have seen so far are at the 2 quid mark. Worrying - 2 quid buys a deal of Fruit Drops but it doesn't seem enough for a decent microphone to me! Little story. Have a pal (know you don't like me using this) Do what you want, it's no matter to me. over from the states, and he's making some demo travelogues of 'Little known Britain' hoping to sell the format. Another one? Streuth, even I had that idea - but with the addition/inclusion of nice, slow aerial photography. Has spent some money on this - had impressive literature printed and bought a pretty good camera. Asked my advice about the sound ages ago - but decided it was too expensive/complicated. And is now asking how to recover something useful from just using the built in mic... Do an in vision hand clap to give you a starting sync point. Or turn one of your spare firewood horns into a clapper board. ;-) All three pairs of my firewood horns are in *daily* use - I wonder how many people can say that about their speakers? Actually I'm wrong - make that 2 pairs in *daily* use and the third pair in *frequent * use. I've got - let's see - 14 pairs of speakers in daily use. No comment. No, really - no comment.... |
Sound quality
In article ,
Keith G wrote: Reality check: These 'pocket video recorders' are slim like a cigarette case and you slip them in your pocket when you go on your travels in the hope that you might catch an alien space craft disgorging its occupants on a bit of nearby waste ground or maybe catch an ole grannie beating up a scooter gang with her handbag or somesuch - it all goes out tha window, to a point, if you gotta haul a 50m coil of microphone cable and a power supply/car battery along with you. Strange. I'd use my phone for that. Perhaps you didn't know you could do this? -- *If you must choose between two evils, pick the one you've never tried before Dave Plowman London SW To e-mail, change noise into sound. |
Sound quality
"Dave Plowman (News)" wrote in message ... In article , Keith G wrote: Reality check: These 'pocket video recorders' are slim like a cigarette case and you slip them in your pocket when you go on your travels in the hope that you might catch an alien space craft disgorging its occupants on a bit of nearby waste ground or maybe catch an ole grannie beating up a scooter gang with her handbag or somesuch - it all goes out tha window, to a point, if you gotta haul a 50m coil of microphone cable and a power supply/car battery along with you. Strange. I'd use my phone for that. Perhaps you didn't know you could do this? I think I'd struggle - I don't have a 'phone'.. ;-) |
Sound quality
In article ,
Keith G wrote: "Dave Plowman (News)" wrote in message ... In article , Keith G wrote: Reality check: These 'pocket video recorders' are slim like a cigarette case and you slip them in your pocket when you go on your travels in the hope that you might catch an alien space craft disgorging its occupants on a bit of nearby waste ground or maybe catch an ole grannie beating up a scooter gang with her handbag or somesuch - it all goes out tha window, to a point, if you gotta haul a 50m coil of microphone cable and a power supply/car battery along with you. Strange. I'd use my phone for that. Perhaps you didn't know you could do this? I think I'd struggle - I don't have a 'phone'.. ;-) Of course not. They're digital. ;-) -- *I'm pretty sure that sex is better than logic, but I can't prove it. Dave Plowman London SW To e-mail, change noise into sound. |
Sound quality
"Dave Plowman (News)" wrote in message ... In article , Keith G wrote: "Dave Plowman (News)" wrote in message ... In article , Keith G wrote: Reality check: These 'pocket video recorders' are slim like a cigarette case and you slip them in your pocket when you go on your travels in the hope that you might catch an alien space craft disgorging its occupants on a bit of nearby waste ground or maybe catch an ole grannie beating up a scooter gang with her handbag or somesuch - it all goes out tha window, to a point, if you gotta haul a 50m coil of microphone cable and a power supply/car battery along with you. Strange. I'd use my phone for that. Perhaps you didn't know you could do this? I think I'd struggle - I don't have a 'phone'.. ;-) Of course not. They're digital. ;-) So's the Kodak Zi8 pocket videocam - all the way up to 1080p! ;-) |
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