In article ,
Dave Plowman wrote:

In article ,
MiNE 109 wrote:
I know how "common" it is. (At the cutting stage, it isn't an lp yet.)

Sorry. To what will shortly become an LP.

An acetate, to be precise.

Nice to see you're being precise for once.

Maybe you're hung up on the word 'overdub'. Was there anything wrong
with the definitions I supplied?

You're the one who used it originally.

Is that all it takes, that I used it? I used it in sense that recording
a new track in a multi-track master is often called 'overdubbing',
hardly a novel usage.

Sigh. I think you need to be reminded of what you actually wrote......

**********
From: MiNe 109
Subject: Valve superiority over solid state - read this (Lynn Olsen)
Date: Fri, Fri Jul 25 00:15:00 2003
Newsgroups: uk.rec.audio

The lp master is also just another step and it can add to the final
work, either by artistic choice (eq, sound treatments, etc) or
literally, using "inserts" or even live overdubs.

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I don't see any mention of a multi-track master, unless you're now
asserting they use that as an lp master.

How pedantic. It shows your determination to avoid understanding. I
expect you'll be taking after the sound card and hard disk recorder
people if they say "overdub" without a tape present.



"For those who don¹t know much about studio recording, the process of
adding instruments to an existing track is called overdubbing."

It is in this sense, "adding instruments to an existing track" that I
used the word.

(That movie might be "Grace of My Heart")