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Old March 12th 06, 09:43 PM posted to rec.audio.tubes,uk.rec.audio,rec.audio.opinion
ScottW
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Posts: 67
Default WHY ANDREW JUTE MCCOY IS A LIAR


"dave weil" wrote in message
...
On Sun, 12 Mar 2006 10:00:12 -0800, "ScottW"
wrote:


"dave weil" wrote in message
. ..
On Sat, 11 Mar 2006 17:53:19 -0800, "ScottW"
wrote:

To explain slightly, a CD and decent CD player will give an exact
rendition of the material recorded on that CD. Philips and Sony made
sure
the parameters were up to this when launching the first domestic
system
capable of giving 'studio' quality. But it can't make up for a poor
quality master tape or whatever - it just reproduces that warts and
all.

The AES paper that was recently referenced seems to indicate that
given
the same input, CD masters can sound different one from the other.

Only if one is seriously flawed. That paper provided no attempt at
explanation
and ultimately implied they were able to fix the problem in production
of
the
masters. A simple bit check of the results should have voided the
defective
master. Remember... this wasn't digitizing anything... it was (in
simplistic
terms) just a digital transfer. Obviously data was lost in the process.

ScottW

Am I mistaken, or do you have an ARCAM?


Yeah... a CD-92, Why?


Why did you buy it instead of the absolute cheapest Sony or Pioneer?


Because people said good things about the ring dac.
No local dealers, I wasn't buying new anyway so only one
way to find out for myself...except everyone says there must
be something wrong with it as I'm not impressed. Seems to
work...so I'm kind of hard pressed to think of a fail mode
that would be so subtle.

Was is only the pride of ownership or some front panel feature, or did
you spend the extra money because of some perceived sound difference?


I wasn't that much more than my AMC... I got it used.

I'm still curious...why this line of questioning?

ScottW