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The damping factor and the sound of real music
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December 24th 07, 11:13 AM posted to rec.audio.tubes,uk.rec.audio
tony sayer
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The damping factor and the sound of real music
In article , Eeyore rabbitsfriendsandrel
scribeth thus
tony sayer wrote:
Eeyore scribeth thus
Andre Jute wrote:
Eeyore wrote:
Andre Jute wrote:
Eeyore wrote:
Andre Jute wrote [to Patrick Turner]:
I have never been as impressed with ultra-low silicon-
level Rout as you are
Yeah, you're probably impressed by the phoney low end boost you get
with
moving coil loudspeakers when driving them from a high outout
impedance
(underdamped resonance). The phrase 'single note bass' comes to mind.
Nah. I have been going to live concerts and thinking seriously about
the music so as to be able to write about it for five decades now. I
know what reproduced music should sound like. If you want to know,
perhaps it is time for a guy your age, my dear Graham, to stop
pretending you're some kind of overage hipster, and replace those
boomboxes of yours with
a) a set of Mr Walker's marvellously precise electrostatic speakers
(ESL) and
Which don't have very much in the way of bass !
You must have heard that on the street corner where engineers who
cannot afford electrostats gather, Poopie.
It's a well known fact you complete idiot that electrostatics are bass light.
It's
Coloration light you mean
...
Electrostatics may indeed have less colouration than most speakers but that has
nothing to do with the bass.
Define bass
The absence of any meaningful baffle means the electrostatics will always have
poor
bass repsponse. It's inherent to the design (the rear radiation cancels the
front
radiation more at low frequencies determined by its physical size).
So I wonder how I'm hearing that Organ recording I made 't other week?..
Humm.....
Graham
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