"Dave Plowman (News)" wrote in message
...
In article ,
Iain Churches wrote:
The declicking method to which Dave refers was frowned upon,
(but nonetheless widely done!) and referred to as "destructive editing"
as one not only removed the click but the music underneath it.

Very true Iain. Now inform us just how you removed such clicks in the
analogue days long before you had a computer to do the work for you?

No self-respecting editor would want to do such work, so it was usually
given to trainees, who were instructed to "keep all the bits" (which
they did, numbered with white chinagraph pencil, and stuck to the front
of the tape machine with editing tape in the right order, until their
engineer or producer approved the job)

Ah. Forgot you never worked in the real world of broadcast. ;-)

No. Thought I have recorded countless project
that have been broadcast. But not quite the same
thing:-)

When I was thinking about a career, I found that,
using three criteria, training, salary levels and
prospects, broadcast came right at the bottom
of the league table.

Besides, I wanted to work in a company
were things were done properly.
In the "real world of broadcast", your plexi
screens around drummers, and lapel mics stuck
to the bridges of violins with BluTack, were
clearly not optimum solutions:-)

Iain