On Sat, 7 Jan 2017 22:45:04 +0000, Vir Campestris
wrote:

On 06/01/2017 15:17, Jim Lesurf wrote:
Mostly I use the 'repair' function that Audacity provides. This is limited
to a max of 128 samples per channel. But in effect it examines the patterns
either side of the selected series and attempts to do a smooth
interpolation of the shapes.

Since I record the LPs as 96k/24 that means it is limited to problems that
aren't longer than about 1.3-ish ms.

I use Adobe Audition and 88.2k/24 instead, but the principle is the
same. Audition has a sizeable licence fee, but I inherited a copy when a
project was canned.

88.2k not 96k as they are going to CDs, and I think the down-sampling
must be simpler.

You'd think it might be simpler, but in fact the same algorithm is
used. But this is something Audition (inherited from its life as
CoolEdit Pro) does particularly well, with almost no artifacts.

d

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