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Pitch correction?
Don Pearce wrote:
As for the Cranberries, that strange vocal thing is called a "Celtic Yelp" and is produced entirely naturally. ( Dido has just the tiniest touch of it as well). It was a Dido song on the wireless which prompted me to ask the question in the first place. It wasn't a Cranberries effect but seemed more consistent in that the note started wrong and quickly corrected itself. Now if only they could take some Sinatra tapes and give him a little bit of vocal range. And would those Sid Barrett solo albums lose their charm if remastered and the vocal track adjusted so that he sang in tune? -- Roger. |
Pitch correction?
On Fri, 19 Dec 2003 20:41:15 +0000, Ronnie McKinley
wrote: In uk.rec.audio Don Pearce wrote: On Fri, 19 Dec 2003 19:40:30 +0000, Ronnie McKinley wrote: In uk.rec.audio Don Pearce wrote: On Fri, 19 Dec 2003 17:07:46 -0000, "Stimpy" wrote: Don Pearce wrote: As for the Cranberries, that strange vocal thing is called a "Celtic Yelp" and is produced entirely naturally. I'm not convinced that they autotune at all - I believe there is actual singing talent involved. Ms Or'Riordan might *sound* like a strangled cat but she has a genuinely pure toned singing voice. It's just a shame she chooses to sing such ****e ;-) Of course that s a cat of an entirely different colour. I have heard her singing other music live, and you are right - she can really sing. Don, out of interest what other music have you heard Dolores O'Riordan-Burton perform? The vast majority (all I think) of what I have heard, both live (4 concerts) and the recorded work (5 albums) has been penned by O'Riordan-Burton herself, or else, co-written with fellow band member Noel Hogan. As for the "Celtic Yelp" now Sinéad O'Connor yelps, perhaps you are confusing the two? ;))) Dolores has that strange upward catch in her voice, which I understand is called a Celtic Yelp ( Dido has just the tiniest touch of it as well). As for other stuff, I saw her once in a pub doing all sorts of stuff, folk, blues and modern and she was simply stunning - bang on the notes and real feeling. She is simply stunning doing her own work :) I last heard her and the band back in October of this year. A one off concert in Ireland before they joined as support to the Stones latest world tour. In fact the first concert in the North in over four years. My ears are still ringing from the wall of sound :) Not that I think there is anything wrong, but the Cranberries' albums IMHO are full of recording electronic trickery. Layer upon layer of it, think that's what gives them that particular sound, and her voice ("Celtic Yelp?") on record IMO is full of reverb, echo and loads of other trickery which is all beyond me :) ... but Sinéad O'Connor is a different ball game all together. I've heard her with full blown electric band and I've heard her sing solo (traditional) unaccompanied, and whilst I very much like Dolores there's simply no comparison IMO .... just light years ahead with the "Celtic Yelp." :)) OK - I've never really listened to any Cranberries stuff, other than in passing. My only real experience of her was this low-key pub gig. As for Sinéad, the first time I saw and heard nothing compares to you was a real hair-on-the-back-of-the-neck moment. But nothing she has done since really hits the spot for me, and as for live... d _____________________________ http://www.pearce.uk.com |
Pitch correction?
On Fri, 19 Dec 2003 20:41:15 +0000, Ronnie McKinley
wrote: In uk.rec.audio Don Pearce wrote: On Fri, 19 Dec 2003 19:40:30 +0000, Ronnie McKinley wrote: In uk.rec.audio Don Pearce wrote: On Fri, 19 Dec 2003 17:07:46 -0000, "Stimpy" wrote: Don Pearce wrote: As for the Cranberries, that strange vocal thing is called a "Celtic Yelp" and is produced entirely naturally. I'm not convinced that they autotune at all - I believe there is actual singing talent involved. Ms Or'Riordan might *sound* like a strangled cat but she has a genuinely pure toned singing voice. It's just a shame she chooses to sing such ****e ;-) Of course that s a cat of an entirely different colour. I have heard her singing other music live, and you are right - she can really sing. Don, out of interest what other music have you heard Dolores O'Riordan-Burton perform? The vast majority (all I think) of what I have heard, both live (4 concerts) and the recorded work (5 albums) has been penned by O'Riordan-Burton herself, or else, co-written with fellow band member Noel Hogan. As for the "Celtic Yelp" now Sinéad O'Connor yelps, perhaps you are confusing the two? ;))) Dolores has that strange upward catch in her voice, which I understand is called a Celtic Yelp ( Dido has just the tiniest touch of it as well). As for other stuff, I saw her once in a pub doing all sorts of stuff, folk, blues and modern and she was simply stunning - bang on the notes and real feeling. She is simply stunning doing her own work :) I last heard her and the band back in October of this year. A one off concert in Ireland before they joined as support to the Stones latest world tour. In fact the first concert in the North in over four years. My ears are still ringing from the wall of sound :) Not that I think there is anything wrong, but the Cranberries' albums IMHO are full of recording electronic trickery. Layer upon layer of it, think that's what gives them that particular sound, and her voice ("Celtic Yelp?") on record IMO is full of reverb, echo and loads of other trickery which is all beyond me :) ... but Sinéad O'Connor is a different ball game all together. I've heard her with full blown electric band and I've heard her sing solo (traditional) unaccompanied, and whilst I very much like Dolores there's simply no comparison IMO .... just light years ahead with the "Celtic Yelp." :)) OK - I've never really listened to any Cranberries stuff, other than in passing. My only real experience of her was this low-key pub gig. As for Sinéad, the first time I saw and heard nothing compares to you was a real hair-on-the-back-of-the-neck moment. But nothing she has done since really hits the spot for me, and as for live... d _____________________________ http://www.pearce.uk.com |
Pitch correction?
Don Pearce wrote:
As for Sinéad, the first time I saw and heard nothing compares to you was a real hair-on-the-back-of-the-neck moment. But nothing she has done since really hits the spot for me, and as for live... You mean "nothing compares to that". NC2U was apparently written by the artist formerly known as the artist formerly known as Prince. Anyone heard his version? -- Roger. |
Pitch correction?
Don Pearce wrote:
As for Sinéad, the first time I saw and heard nothing compares to you was a real hair-on-the-back-of-the-neck moment. But nothing she has done since really hits the spot for me, and as for live... You mean "nothing compares to that". NC2U was apparently written by the artist formerly known as the artist formerly known as Prince. Anyone heard his version? -- Roger. |
Pitch correction?
On Fri, 19 Dec 2003 20:45:24 +0000, Old Fart at Play
wrote: Don Pearce wrote: As for the Cranberries, that strange vocal thing is called a "Celtic Yelp" and is produced entirely naturally. ( Dido has just the tiniest touch of it as well). It was a Dido song on the wireless which prompted me to ask the question in the first place. It wasn't a Cranberries effect but seemed more consistent in that the note started wrong and quickly corrected itself. Now if only they could take some Sinatra tapes and give him a little bit of vocal range. And would those Sid Barrett solo albums lose their charm if remastered and the vocal track adjusted so that he sang in tune? I think that for those last it is a question of having confidence enough in your talent not to need artificial support. d _____________________________ http://www.pearce.uk.com |
Pitch correction?
On Fri, 19 Dec 2003 20:45:24 +0000, Old Fart at Play
wrote: Don Pearce wrote: As for the Cranberries, that strange vocal thing is called a "Celtic Yelp" and is produced entirely naturally. ( Dido has just the tiniest touch of it as well). It was a Dido song on the wireless which prompted me to ask the question in the first place. It wasn't a Cranberries effect but seemed more consistent in that the note started wrong and quickly corrected itself. Now if only they could take some Sinatra tapes and give him a little bit of vocal range. And would those Sid Barrett solo albums lose their charm if remastered and the vocal track adjusted so that he sang in tune? I think that for those last it is a question of having confidence enough in your talent not to need artificial support. d _____________________________ http://www.pearce.uk.com |
Pitch correction?
On Fri, 19 Dec 2003 20:43:35 +0000, Chris Morriss
wrote: The other Sinead (Lohan) is much better. -- Chris Morriss Tell me more... d _____________________________ http://www.pearce.uk.com |
Pitch correction?
On Fri, 19 Dec 2003 20:43:35 +0000, Chris Morriss
wrote: The other Sinead (Lohan) is much better. -- Chris Morriss Tell me more... d _____________________________ http://www.pearce.uk.com |
Pitch correction?
On Fri, 19 Dec 2003 20:55:40 +0000, Ronnie McKinley
wrote: In uk.rec.audio Don Pearce wrote: As for Sinéad, the first time I saw and heard nothing compares to you was a real hair-on-the-back-of-the-neck moment. Think that was just her whinging in the video. And those were real tears, btw :))) It was a supremely brave, exposed performance - particularly for a debut. But nothing she has done since really hits the spot for me, and as for live... For something a wee bit different try ... 'am I not your girl' ... just for the sexy album cover at least :) Now you're talking. d _____________________________ http://www.pearce.uk.com |
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