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paid for by Bose?
"Peter Sammon" wrote in message ... "Robert Morein" wrote in : [snip] I have been an AUDIO enthusiast for over 34 years and have had a ton of fun owning "More fun than a barrel of monkeys", I'm sure. and listening to various well-made systems at all price levels. I've owned or had the pleasure of seriously auditioning in my home many respectable manufacturers' models including the said 901's and Vandersteen's 1C w/the 901 as top reference and 1C as a second! You are, of course, entitled to your own opinion. However, you have highly idiosyncratic tastes. Audiophiles today do not hold Bose in good esteem, and for good reason. Their engineering is inferior, their marketing exploitative, and their representations dishonest. The Allisons would be a close third reference with Boston, PSB and AR not too far behind. Now, that gives you an idea of what I am about. I'm sorry, but name dropping does not impress here. Bose is base as in "evil motive." in cutting edge science. Cutting one's fingers on the cheap cabinetry. Science, sound engineering and physics not magic! The "science" of which you speak is not relevant in the modern world. The idea of deliberately bouncing sound off the was popular for a very brief time, until the obvious and gross distortion made Bose speakers an unattractive choice compared with other makes that reflect true technology. |
My equipment review of the Bose 901
"Arny Krueger" wrote in message ... "Peter Sammon" wrote in message "Robert Morein" wrote in : The multi chambered ACOUSTIC MATRIX enclosure vents the speaker in a most unusual way with air speeds exceeding 60 mph! Three ports or jets protrude through the rear of the 901 enclosure. Knowledgeable speaker designers know that high air velocity in ports is anathema. High air velocities lead to higher turbulence, and turbulent flow tends to be noisy flow. One sign of a quality ported speaker is a large, low-velocity port. True. Ports are an unavoidable source of nonlinearity, but it can be minimized by choice of the largest possible port diameter. |
My equipment review of the Bose 901
"barry" wrote in message ... Peter.......you are trying to wind us all up :) and you are doing well but its a lost cause mate....... as my old grandma used to say "you cant polish a turd!" That's why Krueger is rather dull. ----== Posted via Newsfeed.Com - Unlimited-Uncensored-Secure Usenet News==---- http://www.newsfeed.com The #1 Newsgroup Service in the World! 100,000 Newsgroups ---= 19 East/West-Coast Specialized Servers - Total Privacy via Encryption =--- |
My equipment review of the Bose 901
"Geoff Wood" -nospam wrote in message ... barry wrote: Peter.......you are trying to wind us all up :) and you are doing well but its a lost cause mate....... as my old grandma used to say "you cant polish a turd!" Look, Barry. Before you post your erroneous generalisations here I suggest you research your summary dismissal of the concept in question . GoogleGroups will show you copious threads in many newsgroups where it has been firmly establish that you indeed CAN polish a turd. The trick is that you have to freeze it first. geoff geoff You have half a point perhaps ....certainly the group is being wound up by a troll. Anyone who really felt that BOSE products represented high fidelity would have to have the aural sensitivity of a rocking horse. Therefore to continue the argument IS a lost cause...........and I suspect Peter is just a troll. As for polishing a turd ...I think that your response is unfair.......in my grandmothers day ( god rest her soul ) the technology for freezing a turd was not commonplace and even packing a specimen with ice for some time would not work. Whilst I admit that today with the development of fast freezing and advanced polishes "french polished" presentation turds are quite common .Having said that my grandmothers words taken in the correct historic context were totally correct ! And talking of finely polished presentation turds.....perhaps we ( non Bose owners ) should club together and send one to our mate Paul ? Just a thought Barry |
My equipment review of the Bose 901
barry wrote:
! And talking of finely polished presentation turds.....perhaps we ( non Bose owners ) should club together and send one to our mate Paul ? Not one , but nine. One facing forward, and the other 8 shooting out backwards before hitting the wall(s) and spraying (sorry, shattering) off in all directions to provide an unrealsistic if not spectacular 'soundstage'. geofff |
My equipment review of the Bose 901
Joseph Oberlander wrote:
Scott Dorsey wrote: Julian Fowler wrote: Applied to Bose "hi fii" products? APPLIED TO BOSE "HI FI" PRODUCTS??? RAOTFL ... unless, of course, the result of "real science, research and engineering concepts" is *supposed* to be crap sound ... In actuality, Bose does an awful lot of very careful engineering and research. But their products sound crappy because they are deliberately designed to sound crappy. They aren't designed to sound good because that's not the design goal they have set. They are designed to sound different, to really stand out from other speakers when you listen to them. They are designed to sound exciting, to have a lot of boom and a lot of screech, so that they really appeal to the inexperienced listener for a short listen in the store. It's trickier than that. Ever wonder why there is a huge midrange hump? Simple - where they are selling them is often a mall or large store. TONS of background noise. They are specifically made to sound good in such an environment. In other words, they adjust the sound to play somewhat flat in a typical store full of shoppers. I did not understand the little "cube" satellite systems they sold in the early '90s until I heard a football game through 'em, in glorious surround. For *that* sort of program material, there was actually pretty good localization and image. Actually sounded pretty good, with all the upper mid presence peak. Just don't try music through those things. Given use patterns of cable TV, designing a speaker system to make crowd noise from football games sound good isn't that bizarre a concept. Now, since we don't live in a store, you unfortunately are stuck with this "effect" when you are at home and don't need it. But it DOES sell a lot of speakers. The people don't return them because they still have the idea of the acceptable sound in the store when they first listened to them in their minds. Marketing genius. Poor sound quality, though. P.S. They use the same "trick" with car speakers. Here, it works, because of the constant wind and engine and tire drone at about 60-80db. Dunno - the Bose car systems I remember with early '90s Nissan Maximas was a stone cold great sounding car system - or so I thought at the time. Had very accurate subs. Love to revisit one of those, these days - see if it still seems as appealing as it did. Car systems are weird, anyway. My daughter listens to techno, and the stuff sounds okay on a rather generic car system, but put it on a set of dome tweeter monitors and all the nonlinear stuff shows up big time. I note that she generally only buys head units with a BBE button. And she only listens to music in the car - it's all DVD at home. -- Les Cargill |
My equipment review of the Bose 901
Les Cargill wrote in
: Dunno - the Bose car systems I remember with early '90s Nissan Maximas was a stone cold great sounding car system - or so I thought at the time. Had very accurate subs. Love to revisit one of those, these days - see if it still seems as appealing as it did. I have a Bose system in my car with a big scoop right in the 2K-4K range. Crappy sound considering the potential. |
My equipment review of the Bose 901
The 901's look to cost $400/pair for their 18 cheapie
full-range drivers, plastic enclosures & low-fi 'compensater'. I'm probably being too generous. The series 1 cost $476/pair, including the equalizer. (Note the clever choice of a price ending in a non-standard digit.) That was fairly pricey for 1968. The AR-3a cost $450 a pair. There weren't many more-expensive speakers, the QUAD and KLH electrostatics, and some Bozak and JBLs (such as the Paragon), among those few. The current series 6 is about $1600 a pair. Assuming the drivers were of extremely high quality (???!!!), that would be a "reasonable" retail price. I want to say something that might surprise readers, especially as I'm big fan of planar speakers (other than Magnepans, which aren't really planar). With the right program material, the 901s _can_ be extremely euphonic. And because people listen to music for enjoyment... QED. $500 for their Wave plastic table radio? Jeez, I bought a boom box that sounds better to my ears for $79 and it even has a handle :-) Ah, but how well does it play Handel? grin |
My equipment review of the Bose 901
Yeah, I bought my first pair of 901's back around 1982, but I think you should
be carefull about posting stuff about them. They are not highly respected in most arenas, because they are considered inefficient and over priced. I think they have a nice sound for certain types of music though. The marketing strategy is what made them so popular. I can remember being back in the Disco bars years ago and they used those same speakers. They really shook the foundations. I think I bought my first pair back in 1982 (Series 5?). Series 6 were the same except for that excess padded grilling in the back and used the same equilizer. Bose wasn't the first to try to introduce that omnidirectional sound. Remember the old Magnavox console stereos with the 15" side-firing woofers and the 4x10 midrange /tweeterhorns in the front? I own at least six of them right now and am still looking for more. It's old technology, but I just love the sound of those old beasts. BobbyB Tucson , Arizona |
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