Some amps' frequency responses can alter during warm up. Whether this is
a reflection of poor design or the designer's intent is another matter.
I'd be interested to know which models do this, and by how much, and at
what frequencies, this change occurs. Not something I have encountered so
far as I can recall.
It's an Alchemist Kraken integrated -
http://www.alchemisthifi.info/ranges...pd6_integrated
_amplifier.htm. It's a class A amp so runs hot (I don't know how much the
fact that the room temperature is 20 or 25 degrees effects an amp that
"idles" at about 55 degrees). I have noticed the same changes on different
examples of the same amp though, in different environments and with
different speakers. Recently I found an old review of the amp which actually
stated that the amp's frequency response fluctuated for several hours before
settling down -
http://www.alchemisthifi.info/ranges...integrated-rev
iew-hifichoice.jpg - I presume that this result was gathered through
measurement.
One of my favourite amps sounds *very* different when first powered up,
compared with when it's hot, to the degree that a demonstration of it
when cold would not impress me whilst, when warm, I love it.
Again, I'd be interested to hear the details.
See above. Like I say, I don't mind the fact that this happens, nor the fact
that, on paper the amp is noisy or gives "distortion", as I like the amp
more than the modest inconvenience of permenant power-up.
I was at the hifi show in Manchester last week and overheard Eric Kingdom
from Sony talking about the digital Sony amps and talking about the sound
being "unusual" to some people because of the lack of distortion introduced
between source and speaker. He made the point that, what a lot of people
refer to as "musicality" was just colour and distortion introduced by amps.
I felt that this was probably right, but it didn't make me prefer the Sony
amp.
A lot of the talk from some posters in this NG seems to focus on the wrongs
of such distortion, that such deviances are down to poor design or the
delivery of an unnatural performance, that this doesn't reflect the truth of
the recording. To me this argument, although interesting, doesn't really
bother me. If I like the sound then I like the sound - I make no claim to be
pursuing any reality in my hifi as it isn't and connot be reality, my ears
don't work very well, my room's acoustics don't match the "real thing" etc.
Besides, live performance vary from venue to venue, the instruments used all
colour the sound in different ways and, in my experience, the selection of a
musical instrument will depend on a tonal preference - I certainly found
this when trying out pianos and would chose the one that I liked the sound
of most.
There's no doubt that the Kraken amp is coloured, but that colour is one of
the things that I like about it - I enjoy the music more and so it does what
I've paid for. Even the amp's designer says that the frequency response is
deliberately rolled off early, so it strikes me that this is by design and
therefore not a flaw.
To many, in pure engineering terms - and in pursuit of an ideal of the
truest representation of the source - this may be anathema but, to me, and I
suspect most hifi purchasers who listen before buying, when compared to
other products, I liked its "colour" more.
I have no trouble leaving it on, so this isn't a problem for me. While I
may be curious as to *why* this is the case, I don't really care that it
is so - I prefer it and that's all that's important.
Well, it does seem like a 'problem' to me as it implies that the
performance will drift about with room temperature, variations in the
music
power changing the temperatures of devices, etc.
This may well be the case - I don't have the means to test such changes,
although I don't perceive the obvious changes once it's up and running
compared with when it is initially powered up from cold.
KH in a recent issue of Hi Fi News did do some measurements that showed
that the distortion levels in some amps vary as they warm up. However
others don't do this. My recollection is that this has been a 'known'
possibility for decades. (I certainly worked on it when developing over 20
years ago!) Hence such things should in general be removable by correct
design in my experience. If the set sounds 'better' when 'warmed up' then
I'd prefer the design to give the 'better' performance almost from the
instant of switch-on. Not to have to leave the set on for a long time
first. Partly as this would be a minor irritation. Partly as, to me, it
seems like a sign that the designers have not investigated and tackled the
problem.
I don't know if this is true. My favourite amp isn't perfect - it hums a
little, but I don't mind because I don't hear that when the music's playing.
I'd be even happier if the amp sounded the same from the get go and was
silent when not in use. I seem to recall one manufacturer claiming that,
even when in standby, the power supply is still fed to much of their amps'
cicuitry to keep them "warm" so that they sounded good when fully powered
on. I thought that this was inefficient at the time but, compared with
leaving a class A amp on 24/7 it's probably a sensible compromise (if it
wasn't bull****!)
Slainte,
Jim