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'running in' new h fi equipment
My new Cambridge Audio amp and tuner both carry instructions that the
unit should be run continuously (playing music) for 36 hours "to get it performing at its best". Does anyone know what such 'running in' is supoposed to do? Robert |
'running in' new h fi equipment
Robert wrote:
My new Cambridge Audio amp and tuner both carry instructions that the unit should be run continuously (playing music) for 36 hours "to get it performing at its best". Does anyone know what such 'running in' is supoposed to do? Evaporate the snake oil to clear it from the amp housing. |
'running in' new h fi equipment
In article ,
Robert wrote: My new Cambridge Audio amp and tuner both carry instructions that the unit should be run continuously (playing music) for 36 hours "to get it performing at its best". Does anyone know what such 'running in' is supoposed to do? No. And neither do these makers - otherwise they'd explain it. -- *Why is it that to stop Windows 95, you have to click on "Start"? Dave Plowman London SW To e-mail, change noise into sound. |
'running in' new h fi equipment
"Robert" wrote in message
om... My new Cambridge Audio amp and tuner both carry instructions that the unit should be run continuously (playing music) for 36 hours "to get it performing at its best". Does anyone know what such 'running in' is supoposed to do? Is it running in, or just warming up? My last two sets of speakers definitely "ran in" - in different ways; the Rogers LS4as started off bright and thin, and filled out, whereas my Monitor Audio Silver 8is started off dull and perked up. Electronic components also improved over (a much shorter) time, but they also do the same thing if they're unplugged for a few days. So much so that I've given up unplugging my amplifiers when I go on holiday, and I used to leave my old CD-player switched on all the time (the new one had a standby mode). Quite why things should take longer to warm up than they do to get physically warm, I'm not sure. No doubt someone will reply in a minute to say that good equipment doesn't do that, and it's just a figment of my imagination! Andrew |
'running in' new h fi equipment
Robert wrote:
My new Cambridge Audio amp and tuner both carry instructions that the unit should be run continuously (playing music) for 36 hours "to get it performing at its best". Does anyone know what such 'running in' is supoposed to do? Robert About 50,000 miles, then it will run as sweet as a nut. Ian -- Ian Bell |
'running in' new h fi equipment
"Ian Bell" wrote in message ... Robert wrote: My new Cambridge Audio amp and tuner both carry instructions that the unit should be run continuously (playing music) for 36 hours "to get it performing at its best". Does anyone know what such 'running in' is supoposed to do? Robert About 50,000 miles, then it will run as sweet as a nut. Hmm- That's a lot of miles. One could work out the groove length on an vinyl LP, and find out the number of vinyl sides one needs to play for 50,000 miles. But what does on do with a CD? Iain |
'running in' new h fi equipment
"Robert" wrote in message om... My new Cambridge Audio amp and tuner both carry instructions that the unit should be run continuously (playing music) for 36 hours "to get it performing at its best". Does anyone know what such 'running in' is supoposed to do? Robert I made a Gainclone (lots of info on Google) I didn't believe that an amp would get better with use, and listened to mine for nearly a whole day after I'd made it, to begin with it sounded a lot worse than my previous amp but by lunchtime was just as good, by teatime it was in another league altogether. Also I didn't believe that if you changed a component the sound would alter but it does that too, lots of people have, like me, said its all a load crap, until they tried it. Jem |
'running in' new h fi equipment
Jem Raid wrote:
"Robert" wrote in message om... My new Cambridge Audio amp and tuner both carry instructions that the unit should be run continuously (playing music) for 36 hours "to get it performing at its best". Does anyone know what such 'running in' is supoposed to do? Robert I made a Gainclone (lots of info on Google) I didn't believe that an amp would get better with use, and listened to mine for nearly a whole day after I'd made it, to begin with it sounded a lot worse than my previous amp but by lunchtime was just as good, by teatime it was in another league altogether. Also I didn't believe that if you changed a component the sound would alter but it does that too, lots of people have, like me, said its all a load crap, until they tried it. Jem The thing is that it most likely was not the amp that changed throughout the day but your perception. Ian -- Ian Bell |
'running in' new h fi equipment
On Mon, 25 Oct 2004 21:56:38 +0100, Ian Bell
wrote: The thing is that it most likely was not the amp that changed throughout the day but your perception. Of course but so many people just will not understand. Kal |
'running in' new h fi equipment
In article , Andrew
Virnuls wrote: "Robert" wrote in message om... My new Cambridge Audio amp and tuner both carry instructions that the unit should be run continuously (playing music) for 36 hours "to get it performing at its best". Does anyone know what such 'running in' is supoposed to do? Is it running in, or just warming up? My last two sets of speakers definitely "ran in" - in different ways; the Rogers LS4as started off bright and thin, and filled out, whereas my Monitor Audio Silver 8is started off dull and perked up. Electronic components also improved over (a much shorter) time, but they also do the same thing if they're unplugged for a few days. So much so that I've given up unplugging my amplifiers when I go on holiday, and I used to leave my old CD-player switched on all the time (the new one had a standby mode). Quite why things should take longer to warm up than they do to get physically warm, I'm not sure. No doubt someone will reply in a minute to say that good equipment doesn't do that, and it's just a figment of my imagination! Can't really comment on your imagination. :-) However my experience is as follows: That on some occasions the properties of electrolytic capacitors will vary depending upon the use history and the quality of the caps. However my experience is that leaving an amp unused for a few days or weeks has no audible effect in general due to this. Similar comment to the above about some connections. If the connections are not decently ohmic they may be affected by use, or by the unit being left unused - particularly somewhere cold/damp. Apart from the above, some components take a while to warm up. This may affect the bias conditions in gain devices a little. You may also find that a mains transformer takes a while to warm up, and this can affect the amount of mechanical 'buzz' it produces. In general, though, I'd expect a unit to warm up and not really be noticably different quite soon after being switched on, and not mind being left off for many days. There are exceptions, but I'd tend to see them as signs of questionable design, flaws, or poor storage/conditions of use. FWIW at one time I used to do things like shove the amp I was working on into the fridge overnight so I could check out the effect of a 'cold start' the next day. This can show up problems. However my experience was that decently designed amplifiers should not be bothered. A tuner *might* suffer some tuning misalignment if the tuning elements are temperature sensitive. A speaker may well be affected as the suspension stiffness, etc, may be affected by temperature. The field produced by a permanent magnet is also affected by temperature - but this should be a small effect for such modest temperature changes. However, generalisations apart, I've no idea why Cambridge Audio would make such a statement. Ask them, and see if their explanation makes any sense! :-) It is quite possible to perceive changes as time passes for all sorts of reasons. Our hearing changes during the day, and as we wake up, eat/drink, are distracted/alarmed/bored, etc, etc. Also the air changes its acoustic properties a little as it changes temperature and humidity, etc. Also the level of background 'noise' can also affect perception. Listening to sounds also tends to cause our hearing to alter/adapt. Hence we may well hear a difference if we turn on a system and play the same music a few times at different times during a day, or from one day to another. But this does not have to mean that the equipment is changing its performance. Slainte, Jim -- Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm Audio Misc http://www.st-and.demon.co.uk/AudioMisc/index.html Armstrong Audio http://www.st-and.demon.co.uk/Audio/armstrong.html Barbirolli Soc. http://www.st-and.demon.co.uk/JBSoc/JBSoc.html |
'running in' new h fi equipment
"Robert" wrote in message
om My new Cambridge Audio amp and tuner both carry instructions that the unit should be run continuously (playing music) for 36 hours "to get it performing at its best". Does anyone know what such 'running in' is supoposed to do? Address buyer's remorse. |
'running in' new h fi equipment
In message , Arny Krueger
writes "Robert" wrote in message . com My new Cambridge Audio amp and tuner both carry instructions that the unit should be run continuously (playing music) for 36 hours "to get it performing at its best". Does anyone know what such 'running in' is supoposed to do? Address buyer's remorse. The only things in my experience that change their sound in the first few days of operation are loudspeakers. (And then not by much). -- Chris Morriss |
'running in' new h fi equipment
My new Cambridge Audio amp and tuner both carry instructions that the
unit should be run continuously (playing music) for 36 hours "to get it performing at its best". Does anyone know what such 'running in' is supoposed to do? Is it running in, or just warming up? My last two sets of speakers definitely "ran in" - in different ways; the Rogers LS4as started off bright and thin, and filled out, whereas my Monitor Audio Silver 8is started off dull and perked up. Electronic components also improved over (a much shorter) time, but they also do the same thing if they're unplugged for a few days. So much so that I've given up unplugging my amplifiers when I go on holiday, and I used to leave my old CD-player switched on all the time (the new one had a standby mode). Quite why things should take longer to warm up than they do to get physically warm, I'm not sure. No doubt someone will reply in a minute to say that good equipment doesn't do that, and it's just a figment of my imagination! Can't really comment on your imagination. :-) However my experience is as follows: That on some occasions the properties of electrolytic capacitors will vary depending upon the use history and the quality of the caps. However my experience is that leaving an amp unused for a few days or weeks has no audible effect in general due to this. Similar comment to the above about some connections. If the connections are not decently ohmic they may be affected by use, or by the unit being left unused - particularly somewhere cold/damp. Apart from the above, some components take a while to warm up. This may affect the bias conditions in gain devices a little. You may also find that a mains transformer takes a while to warm up, and this can affect the amount of mechanical 'buzz' it produces. In general, though, I'd expect a unit to warm up and not really be noticably different quite soon after being switched on, and not mind being left off for many days. There are exceptions, but I'd tend to see them as signs of questionable design, flaws, or poor storage/conditions of use. FWIW at one time I used to do things like shove the amp I was working on into the fridge overnight so I could check out the effect of a 'cold start' the next day. This can show up problems. However my experience was that decently designed amplifiers should not be bothered. A tuner *might* suffer some tuning misalignment if the tuning elements are temperature sensitive. A speaker may well be affected as the suspension stiffness, etc, may be affected by temperature. The field produced by a permanent magnet is also affected by temperature - but this should be a small effect for such modest temperature changes. However, generalisations apart, I've no idea why Cambridge Audio would make such a statement. Ask them, and see if their explanation makes any sense! :-) It is quite possible to perceive changes as time passes for all sorts of reasons. Our hearing changes during the day, and as we wake up, eat/drink, are distracted/alarmed/bored, etc, etc. Also the air changes its acoustic properties a little as it changes temperature and humidity, etc. Also the level of background 'noise' can also affect perception. Listening to sounds also tends to cause our hearing to alter/adapt. Hence we may well hear a difference if we turn on a system and play the same music a few times at different times during a day, or from one day to another. But this does not have to mean that the equipment is changing its performance. Slainte, Jim Some amps' frequency responses can alter during warm up. Whether this is a reflection of poor design or the designer's intent is another matter. One of my favourite amps sounds *very* different when first powered up, compared with when it's hot, to the degree that a demonstration of it when cold would not impress me whilst, when warm, I love it. I have no trouble leaving it on, so this isn't a problem for me. While I may be curious as to *why* this is the case, I don't really care that it is so - I prefer it and that's all that's important. |
'running in' new h fi equipment
In article , Chris Morriss wrote:
The only things in my experience that change their sound in the first few days of operation are loudspeakers. (And then not by much). My experience too. The ProAc Response D15s I bought a year ago sounded very different to the demo pair for about the first hour of operation but settled in to the familiar sound after the first day or so. Some of that may have been my ears/expectations but not the first 60 minutes. The dealer had previously tried to sell me the thesis of needing up to 6 months "running in." I think he was trying to "manage" no-fault returns. BTW, I looked at the ProAc driver manufacturer's web site and they recommended two hours of running in for brand new units before testing their parameters. -- John Phillips |
'running in' new h fi equipment
In article , JustMe
wrote: Some amps' frequency responses can alter during warm up. Whether this is a reflection of poor design or the designer's intent is another matter. I'd be interested to know which models do this, and by how much, and at what frequencies, this change occurs. Not something I have encountered so far as I can recall. One of my favourite amps sounds *very* different when first powered up, compared with when it's hot, to the degree that a demonstration of it when cold would not impress me whilst, when warm, I love it. Again, I'd be interested to hear the details. I have no trouble leaving it on, so this isn't a problem for me. While I may be curious as to *why* this is the case, I don't really care that it is so - I prefer it and that's all that's important. Well, it does seem like a 'problem' to me as it implies that the performance will drift about with room temperature, variations in the music power changing the temperatures of devices, etc. KH in a recent issue of Hi Fi News did do some measurements that showed that the distortion levels in some amps vary as they warm up. However others don't do this. My recollection is that this has been a 'known' possibility for decades. (I certainly worked on it when developing over 20 years ago!) Hence such things should in general be removable by correct design in my experience. If the set sounds 'better' when 'warmed up' then I'd prefer the design to give the 'better' performance almost from the instant of switch-on. Not to have to leave the set on for a long time first. Partly as this would be a minor irritation. Partly as, to me, it seems like a sign that the designers have not investigated and tackled the problem. Slainte, Jim -- Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm Audio Misc http://www.st-and.demon.co.uk/AudioMisc/index.html Armstrong Audio http://www.st-and.demon.co.uk/Audio/armstrong.html Barbirolli Soc. http://www.st-and.demon.co.uk/JBSoc/JBSoc.html |
'running in' new h fi equipment
Kalman Rubinson wrote in message . ..
On Mon, 25 Oct 2004 21:56:38 +0100, Ian Bell wrote: The thing is that it most likely was not the amp that changed throughout the day but your perception. Of course but so many people just will not understand. Of course, I bet that is why they instruct you to run in the new equipment by playing music on it for 36 hours. it's not really to run in the equipment; it's to runn in the buyer. I imgaine that they have reduced the number of returns they get from people who find that they 'don't like the sound'. I remember once testing loudspeakers on a system where you could switch instantly between them. I found that if you listened to one pair for too long then the others all started to sound inferior when you tried them even if they were in fact much better speakers. Robert |
'running in' new h fi equipment
"JustMe" wrote in message ... My new Cambridge Audio amp and tuner both carry instructions that the unit should be run continuously (playing music) for 36 hours "to get it performing at its best". Does anyone know what such 'running in' is supoposed to do? Is it running in, or just warming up? My last two sets of speakers definitely "ran in" - in different ways; the Rogers LS4as started off bright and thin, and filled out, whereas my Monitor Audio Silver 8is started off dull and perked up. Electronic components also improved over (a much shorter) time, but they also do the same thing if they're unplugged for a few days. So much so that I've given up unplugging my amplifiers when I go on holiday, and I used to leave my old CD-player switched on all the time (the new one had a standby mode). Quite why things should take longer to warm up than they do to get physically warm, I'm not sure. No doubt someone will reply in a minute to say that good equipment doesn't do that, and it's just a figment of my imagination! Can't really comment on your imagination. :-) However my experience is as follows: That on some occasions the properties of electrolytic capacitors will vary depending upon the use history and the quality of the caps. However my experience is that leaving an amp unused for a few days or weeks has no audible effect in general due to this. Similar comment to the above about some connections. If the connections are not decently ohmic they may be affected by use, or by the unit being left unused - particularly somewhere cold/damp. Apart from the above, some components take a while to warm up. This may affect the bias conditions in gain devices a little. You may also find that a mains transformer takes a while to warm up, and this can affect the amount of mechanical 'buzz' it produces. In general, though, I'd expect a unit to warm up and not really be noticably different quite soon after being switched on, and not mind being left off for many days. There are exceptions, but I'd tend to see them as signs of questionable design, flaws, or poor storage/conditions of use. FWIW at one time I used to do things like shove the amp I was working on into the fridge overnight so I could check out the effect of a 'cold start' the next day. This can show up problems. However my experience was that decently designed amplifiers should not be bothered. A tuner *might* suffer some tuning misalignment if the tuning elements are temperature sensitive. A speaker may well be affected as the suspension stiffness, etc, may be affected by temperature. The field produced by a permanent magnet is also affected by temperature - but this should be a small effect for such modest temperature changes. However, generalisations apart, I've no idea why Cambridge Audio would make such a statement. Ask them, and see if their explanation makes any sense! :-) It is quite possible to perceive changes as time passes for all sorts of reasons. Our hearing changes during the day, and as we wake up, eat/drink, are distracted/alarmed/bored, etc, etc. Also the air changes its acoustic properties a little as it changes temperature and humidity, etc. Also the level of background 'noise' can also affect perception. Listening to sounds also tends to cause our hearing to alter/adapt. Hence we may well hear a difference if we turn on a system and play the same music a few times at different times during a day, or from one day to another. But this does not have to mean that the equipment is changing its performance. Slainte, Jim Some amps' frequency responses can alter during warm up. Whether this is a reflection of poor design or the designer's intent is another matter. One of my favourite amps sounds *very* different when first powered up, compared with when it's hot, to the degree that a demonstration of it when cold would not impress me whilst, when warm, I love it. I have no trouble leaving it on, so this isn't a problem for me. While I may be curious as to *why* this is the case, I don't really care that it is so - I prefer it and that's all that's important. Be interesting to see if Jim comments on your lack of snipping or whether he'll just comment on mine here....??? |
'running in' new h fi equipment
"John Phillips" wrote in message
In article , Chris Morriss wrote: The only things in my experience that change their sound in the first few days of operation are loudspeakers. (And then not by much). My experience too. The ProAc Response D15s I bought a year ago sounded very different to the demo pair for about the first hour of operation but settled in to the familiar sound after the first day or so. Some of that may have been my ears/expectations but not the first 60 minutes. It's so boring watching true believers pile onto each other with more ignorance and error. |
'running in' new h fi equipment
It's so boring watching true believers pile onto each other with more ignorance
and error. (AK) For your information, I would agree with others that I hear very little if any difference with so called 'burn in'. "People who use valves" are no more predictable than "people who use cars" === Andy Evans === Visit our Website:- http://www.artsandmedia.com Audio, music and health pages and interesting links. |
'running in' new h fi equipment
"Andy Evans" wrote in message
It's so boring watching true believers pile onto each other with more ignorance and error. (AK) For your information, I would agree with others that I hear very little if any difference with so called 'burn in'. That's very nice. "People who use valves" are no more predictable than "people who use cars" That's a very gratuitous introduction of the valves/vinyl controversy. |
'running in' new h fi equipment
In article ,
Arny Krueger wrote: My experience too. The ProAc Response D15s I bought a year ago sounded very different to the demo pair for about the first hour of operation but settled in to the familiar sound after the first day or so. Some of that may have been my ears/expectations but not the first 60 minutes. It's so boring watching true believers pile onto each other with more ignorance and error. I'm willing to accept it's *possible* for a speaker to change slightly with use. However, I'd expect a decent maker to do this at the factory before final quality check if it is a real issue. -- *Nothing is foolproof to a sufficiently talented fool. Dave Plowman London SW To e-mail, change noise into sound. |
'running in' new h fi equipment
In article , Keith G
wrote: [big snip :-) ] Be interesting to see if Jim comments on your lack of snipping or whether he'll just comment on mine here....??? Well, Keith, as I've just tried to explain in a posting in the relevant thread. The real point I was trying to make was prompted by the *reason* you gave for not snipping. I was just simply trying to remind you that many people may wish to read your own postings and you may unintentionally incovenience or irritate some of them by reacting as you did. Thus my comment was really intended to be helpful, not critical. Above said, I am not the usenet police. So when you or others fail to snip, that's your choice. :-) And, once again, if what I wrote irritated you, then I apologise as that was not my intention. Slainte, Jim -- Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm Audio Misc http://www.st-and.demon.co.uk/AudioMisc/index.html Armstrong Audio http://www.st-and.demon.co.uk/Audio/armstrong.html Barbirolli Soc. http://www.st-and.demon.co.uk/JBSoc/JBSoc.html |
'running in' new h fi equipment
"Chris Morriss" wrote The only things in my experience that change their sound in the first few days of operation are loudspeakers. (And then not by much). It may come as a surprise to a few here, but the minute you start to use *anything* in this world it's 'physical characteristics' start to change and it starts to wear out.... |
'running in' new h fi equipment
Some amps' frequency responses can alter during warm up. Whether this is
a reflection of poor design or the designer's intent is another matter. I'd be interested to know which models do this, and by how much, and at what frequencies, this change occurs. Not something I have encountered so far as I can recall. It's an Alchemist Kraken integrated - http://www.alchemisthifi.info/ranges...pd6_integrated _amplifier.htm. It's a class A amp so runs hot (I don't know how much the fact that the room temperature is 20 or 25 degrees effects an amp that "idles" at about 55 degrees). I have noticed the same changes on different examples of the same amp though, in different environments and with different speakers. Recently I found an old review of the amp which actually stated that the amp's frequency response fluctuated for several hours before settling down - http://www.alchemisthifi.info/ranges...integrated-rev iew-hifichoice.jpg - I presume that this result was gathered through measurement. One of my favourite amps sounds *very* different when first powered up, compared with when it's hot, to the degree that a demonstration of it when cold would not impress me whilst, when warm, I love it. Again, I'd be interested to hear the details. See above. Like I say, I don't mind the fact that this happens, nor the fact that, on paper the amp is noisy or gives "distortion", as I like the amp more than the modest inconvenience of permenant power-up. I was at the hifi show in Manchester last week and overheard Eric Kingdom from Sony talking about the digital Sony amps and talking about the sound being "unusual" to some people because of the lack of distortion introduced between source and speaker. He made the point that, what a lot of people refer to as "musicality" was just colour and distortion introduced by amps. I felt that this was probably right, but it didn't make me prefer the Sony amp. A lot of the talk from some posters in this NG seems to focus on the wrongs of such distortion, that such deviances are down to poor design or the delivery of an unnatural performance, that this doesn't reflect the truth of the recording. To me this argument, although interesting, doesn't really bother me. If I like the sound then I like the sound - I make no claim to be pursuing any reality in my hifi as it isn't and connot be reality, my ears don't work very well, my room's acoustics don't match the "real thing" etc. Besides, live performance vary from venue to venue, the instruments used all colour the sound in different ways and, in my experience, the selection of a musical instrument will depend on a tonal preference - I certainly found this when trying out pianos and would chose the one that I liked the sound of most. There's no doubt that the Kraken amp is coloured, but that colour is one of the things that I like about it - I enjoy the music more and so it does what I've paid for. Even the amp's designer says that the frequency response is deliberately rolled off early, so it strikes me that this is by design and therefore not a flaw. To many, in pure engineering terms - and in pursuit of an ideal of the truest representation of the source - this may be anathema but, to me, and I suspect most hifi purchasers who listen before buying, when compared to other products, I liked its "colour" more. I have no trouble leaving it on, so this isn't a problem for me. While I may be curious as to *why* this is the case, I don't really care that it is so - I prefer it and that's all that's important. Well, it does seem like a 'problem' to me as it implies that the performance will drift about with room temperature, variations in the music power changing the temperatures of devices, etc. This may well be the case - I don't have the means to test such changes, although I don't perceive the obvious changes once it's up and running compared with when it is initially powered up from cold. KH in a recent issue of Hi Fi News did do some measurements that showed that the distortion levels in some amps vary as they warm up. However others don't do this. My recollection is that this has been a 'known' possibility for decades. (I certainly worked on it when developing over 20 years ago!) Hence such things should in general be removable by correct design in my experience. If the set sounds 'better' when 'warmed up' then I'd prefer the design to give the 'better' performance almost from the instant of switch-on. Not to have to leave the set on for a long time first. Partly as this would be a minor irritation. Partly as, to me, it seems like a sign that the designers have not investigated and tackled the problem. I don't know if this is true. My favourite amp isn't perfect - it hums a little, but I don't mind because I don't hear that when the music's playing. I'd be even happier if the amp sounded the same from the get go and was silent when not in use. I seem to recall one manufacturer claiming that, even when in standby, the power supply is still fed to much of their amps' cicuitry to keep them "warm" so that they sounded good when fully powered on. I thought that this was inefficient at the time but, compared with leaving a class A amp on 24/7 it's probably a sensible compromise (if it wasn't bull****!) Slainte, Jim |
'running in' new h fi equipment
My new Cambridge Audio amp and tuner both carry instructions that
the unit should be run continuously (playing music) for 36 hours "to get it performing at its best". Does anyone know what such 'running in' is supoposed to do? Is it running in, or just warming up? My last two sets of speakers definitely "ran in" - in different ways; the Rogers LS4as started off bright and thin, and filled out, whereas my Monitor Audio Silver 8is started off dull and perked up. Electronic components also improved over (a much shorter) time, but they also do the same thing if they're unplugged for a few days. So much so that I've given up unplugging my amplifiers when I go on holiday, and I used to leave my old CD-player switched on all the time (the new one had a standby mode). Quite why things should take longer to warm up than they do to get physically warm, I'm not sure. No doubt someone will reply in a minute to say that good equipment doesn't do that, and it's just a figment of my imagination! Can't really comment on your imagination. :-) However my experience is as follows: That on some occasions the properties of electrolytic capacitors will vary depending upon the use history and the quality of the caps. However my experience is that leaving an amp unused for a few days or weeks has no audible effect in general due to this. Similar comment to the above about some connections. If the connections are not decently ohmic they may be affected by use, or by the unit being left unused - particularly somewhere cold/damp. Apart from the above, some components take a while to warm up. This may affect the bias conditions in gain devices a little. You may also find that a mains transformer takes a while to warm up, and this can affect the amount of mechanical 'buzz' it produces. In general, though, I'd expect a unit to warm up and not really be noticably different quite soon after being switched on, and not mind being left off for many days. There are exceptions, but I'd tend to see them as signs of questionable design, flaws, or poor storage/conditions of use. FWIW at one time I used to do things like shove the amp I was working on into the fridge overnight so I could check out the effect of a 'cold start' the next day. This can show up problems. However my experience was that decently designed amplifiers should not be bothered. A tuner *might* suffer some tuning misalignment if the tuning elements are temperature sensitive. A speaker may well be affected as the suspension stiffness, etc, may be affected by temperature. The field produced by a permanent magnet is also affected by temperature - but this should be a small effect for such modest temperature changes. However, generalisations apart, I've no idea why Cambridge Audio would make such a statement. Ask them, and see if their explanation makes any sense! :-) It is quite possible to perceive changes as time passes for all sorts of reasons. Our hearing changes during the day, and as we wake up, eat/drink, are distracted/alarmed/bored, etc, etc. Also the air changes its acoustic properties a little as it changes temperature and humidity, etc. Also the level of background 'noise' can also affect perception. Listening to sounds also tends to cause our hearing to alter/adapt. Hence we may well hear a difference if we turn on a system and play the same music a few times at different times during a day, or from one day to another. But this does not have to mean that the equipment is changing its performance. Slainte, Jim Some amps' frequency responses can alter during warm up. Whether this is a reflection of poor design or the designer's intent is another matter. One of my favourite amps sounds *very* different when first powered up, compared with when it's hot, to the degree that a demonstration of it when cold would not impress me whilst, when warm, I love it. I have no trouble leaving it on, so this isn't a problem for me. While I may be curious as to *why* this is the case, I don't really care that it is so - I prefer it and that's all that's important. Be interesting to see if Jim comments on your lack of snipping or whether he'll just comment on mine here....??? I wasn't aware that this was an issue and don't really care :o) |
'running in' new h fi equipment
-- ----------------------------------------------------------------- Please include this message in your reply. "Robert" wrote in message om... Kalman Rubinson wrote in message . .. On Mon, 25 Oct 2004 21:56:38 +0100, Ian Bell wrote: The thing is that it most likely was not the amp that changed throughout the day but your perception. Of course but so many people just will not understand. Of course, I bet that is why they instruct you to run in the new equipment by playing music on it for 36 hours. it's not really to run in the equipment; it's to runn in the buyer. I imgaine that they have reduced the number of returns they get from people who find that they 'don't like the sound'. This is true and people do grow to appreciate things more with time. However that isn't the whole story. Speakers definitely DO change when being run in and, as I mention above, some products (not necessarily new purchases either) will sound different when warm compared with when cold. Human perception, changing environments, psychology, the brain, the ears and actual physical changes in the product all play a part. I remember once testing loudspeakers on a system where you could switch instantly between them. I found that if you listened to one pair for too long then the others all started to sound inferior when you tried them even if they were in fact much better speakers. Have you tried comparing two pairs of the same model, one "burnt in" and one not? Robert |
'running in' new h fi equipment
Arny Krueger wrote:
My experience too. The ProAc Response D15s I bought a year ago sounded very different to the demo pair for about the first hour of operation but settled in to the familiar sound after the first day or so. Some of that may have been my ears/expectations but not the first 60 minutes. It's so boring watching true believers pile onto each other with more ignorance and error. I'm willing to accept it's *possible* for a speaker to change slightly with use. However, I'd expect a decent maker to do this at the factory before final quality check if it is a real issue. Then you should also expect to pay more for that speaker in the shop. |
'running in' new h fi equipment
"Keith G" wrote in message
... "Chris Morriss" wrote The only things in my experience that change their sound in the first few days of operation are loudspeakers. (And then not by much). It may come as a surprise to a few here, but the minute you start to use *anything* in this world it's 'physical characteristics' start to change and it starts to wear out.... If we observe a speaker and measure its performance then, in doing so, aren't we altering its behaviour ;o) |
'running in' new h fi equipment
On Wed, 27 Oct 2004 19:40:09 +0100, "JustMe" wrote:
This is true and people do grow to appreciate things more with time. And they never appreciate them less? What we are dealing with is simple adaptation. some products (not necessarily new purchases either) will sound different when warm compared with when cold. Warm up, particularly of powered devices, is not the same thing as the 'running in' proposition. Human perception, changing environments, psychology, the brain, the ears and actual physical changes in the product all play a part. To wildly varying degrees. I remember once testing loudspeakers on a system where you could switch instantly between them. I found that if you listened to one pair for too long then the others all started to sound inferior when you tried them even if they were in fact much better speakers. Adaptation at work. Have you tried comparing two pairs of the same model, one "burnt in" and one not? Yup. Kal |
'running in' new h fi equipment
"JustMe" wrote in message ... "Keith G" wrote in message ... "Chris Morriss" wrote The only things in my experience that change their sound in the first few days of operation are loudspeakers. (And then not by much). It may come as a surprise to a few here, but the minute you start to use *anything* in this world it's 'physical characteristics' start to change and it starts to wear out.... If we observe a speaker and measure its performance then, in doing so, aren't we altering its behaviour ;o) **** Nose. I just *listen* to mine.... ;-) |
'running in' new h fi equipment
"Keith G" wrote in message ... "Chris Morriss" wrote The only things in my experience that change their sound in the first few days of operation are loudspeakers. (And then not by much). It may come as a surprise to a few here, but the minute you start to use *anything* in this world it's 'physical characteristics' start to change and it starts to wear out.... Wife included ;-) |
'running in' new h fi equipment
On Wed, 27 Oct 2004 16:43:57 +0100, "Keith G"
wrote: "Chris Morriss" wrote The only things in my experience that change their sound in the first few days of operation are loudspeakers. (And then not by much). It may come as a surprise to a few here, but the minute you start to use *anything* in this world it's 'physical characteristics' start to change and it starts to wear out.... As with nostalgia, entropy ain't what it used to be! :-) -- Stewart Pinkerton | Music is Art - Audio is Engineering |
'running in' new h fi equipment
On Wed, 27 Oct 2004 22:01:30 +0000 (UTC), Stewart Pinkerton
wrote: On Wed, 27 Oct 2004 16:43:57 +0100, "Keith G" wrote: "Chris Morriss" wrote The only things in my experience that change their sound in the first few days of operation are loudspeakers. (And then not by much). It may come as a surprise to a few here, but the minute you start to use *anything* in this world it's 'physical characteristics' start to change and it starts to wear out.... As with nostalgia, entropy ain't what it used to be! :-) Entropy: Plus ça change, plus c'est le meme chose. Kal |
'running in' new h fi equipment
In article ,
JustMe wrote: in my experience, the selection of a musical instrument will depend on a tonal preference - I certainly found this when trying out pianos and would chose the one that I liked the sound of most. If, however, that piano that you so like was recorded and replayed through a system which adds or subtracts, it will no longer produce the 'tone' you chose it for. -- *If God had wanted me to touch my toes, he would have put them on my knees Dave Plowman London SW To e-mail, change noise into sound. |
'running in' new h fi equipment
In article ,
JustMe wrote: I'm willing to accept it's *possible* for a speaker to change slightly with use. However, I'd expect a decent maker to do this at the factory before final quality check if it is a real issue. Then you should also expect to pay more for that speaker in the shop. To have something perform its best? Decent speakers will be checked before leaving the factory. Not much of a problem to run them for a few hours if this really was necessary. -- *I don't suffer from insanity -- I'm a carrier Dave Plowman London SW To e-mail, change noise into sound. |
'running in' new h fi equipment
This is true and people do grow to appreciate things more with time.
And they never appreciate them less? Sometimes that too. What we are dealing with is simple adaptation. You know this to be the case in every instance? some products (not necessarily new purchases either) will sound different when warm compared with when cold. Warm up, particularly of powered devices, is not the same thing as the 'running in' proposition. I never said that it was. In fact I made the point of stating (as you kindly quote), "not necessarily new purchases either". I also made reference to the fact that the statement was "as I mention above", but you snipped that. Human perception, changing environments, psychology, the brain, the ears and actual physical changes in the product all play a part. To wildly varying degrees. I remember once testing loudspeakers on a system where you could switch instantly between them. I found that if you listened to one pair for too long then the others all started to sound inferior when you tried them even if they were in fact much better speakers. Adaptation at work. I find that quoting from two different people in this manner is confusing and can serve to misrepresent the intent of both those you quote. Have you tried comparing two pairs of the same model, one "burnt in" and one not? Yup. Well that's useful. Perhaps I should beg you to enlarge and provide a useful response, rather than this smart-arse answer? Would that give you the feeling of superiority which you seek? |
'running in' new h fi equipment
Rather than "cut and past," I'll simply state that I have experience
the perception of a piece of equipment 'burning in' but never been able to confirm it from my own tests or, indeed, from the anecdotal accounts of others. I have done A/B comparisons (sighted, I must admit) between 'run in' and new amps (McCormack DNA-1) and between 'run in' and new speakers (Magnepans, Celestions). Cables, too. In no instance could I discern a perceptible difference. I am also familiar with the neural adaptation, one of the most ubiquitous mechanisms of the brain. So, while I will not state that 'running in' has no effect, I have not found good evidence for it and I have experienced the effects of adaptation in that context. Warming up a component or a system is something that I have experienced making a difference, one that varies greatly among components. Kal |
'running in' new h fi equipment
in my experience, the selection of a musical instrument will depend on a
tonal preference - I certainly found this when trying out pianos and would chose the one that I liked the sound of most. If, however, that piano that you so like was recorded and replayed through a system which adds or subtracts, it will no longer produce the 'tone' you chose it for. True, and I might have spent a fortune ensuring that the recording accurately represented this tone. But I still cannot dictate how someone else should listen to that music - whether I recorded it or not. |
'running in' new h fi equipment
I'm willing to accept it's *possible* for a speaker to change slightly
with use. However, I'd expect a decent maker to do this at the factory before final quality check if it is a real issue. Then you should also expect to pay more for that speaker in the shop. To have something perform its best? For the additional man hours, extra time between production and sale, facilities and space necessary to burn in speakers between production line and QC. I don't know what they'd do about the noise - presumably construct a special sound-proofed room so as not to disturb employees with the sound of multiple speakers playing god-knows-what, at once? I seem to recall Linn used to do this on their Karik CD players (and, for all I know, this is true of later models too). A rack full of CD players, powered up and left running. It would be slightly tougher with speakers, though. Decent speakers will be checked before leaving the factory. Not much of a problem to run them for a few hours if this really was necessary. At what price level do you feel "decent speakers" enter the market? |
'running in' new h fi equipment
On Thu, 28 Oct 2004 01:28:04 +0100, "JustMe" wrote:
I seem to recall Linn used to do this on their Karik CD players (and, for all I know, this is true of later models too). A rack full of CD players, powered up and left running. It would be slightly tougher with speakers, though. I have seen dozens and dozens of raw drivers being driven, at high levels, at the Burmester factory. This was done after basic screening but before assembly into systems. I vaguely recall seeing something similar at a visit to Revel. Kal |
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