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CD transports and resonance
"Dave Plowman (News)" wrote in message
In article , Andy Evans wrote: But evidently you can't explain an obviously audible phenomenon. Trouble is, Andy, most of your posts concern 'audible phenomenon' that only you can hear... No doubt, its all an illusion. Poor Andy has never heard of "Constructor's ear" even though he is obviously experiencing it. |
CD transports and resonance
"Andy Evans" wrote in message
The difference is quite audible, as I said, so I'm interested in knowing how resonance dampening affects CD transports. It can only have an effect if the transport is subjected to external vibration sufficient to make it miss-track in some way.(DP) Agreed. Why not internal vibration? This is considerably larger than anything external. As I've said, the effect of damping the motor vibrations by fixing it to an alu slab is most audible in highly modulated passages. This should give a clue to something. Andy All we know right now Andy is that your listening evaluation procedures are highly-flawed. |
CD transports and resonance
there's no assurance that there is in fact an audible phenomenon.
Apart from the fact that I can hear it. There's no assurance that you have any technical knowledge that can explain it. I don't mind the fact that you can't explain it - our knowledge always has limitations. === Andy Evans === Visit our Website:- http://www.artsandmedia.com Audio, music and health pages and interesting links. |
CD transports and resonance
In article ,
Andy Evans wrote: there's no assurance that there is in fact an audible phenomenon. Apart from the fact that I can hear it. I'm afraid that's only a 'fact' to you. To be certain it's not just your imagination requires proper testing. Fooling oneself that a 'tweak' produces an audible improvement is as old as tweaks themselves. -- *Proofread carefully to see if you any words out or mispeld something * Dave Plowman London SW To e-mail, change noise into sound. |
CD transports and resonance
On Sat, 06 Nov 2004 13:52:46 +0000, Dave Plowman (News) wrote:
In article , Andy Evans wrote: there's no assurance that there is in fact an audible phenomenon. Apart from the fact that I can hear it. I'm afraid that's only a 'fact' to you. To be certain it's not just your imagination requires proper testing. Fooling oneself that a 'tweak' produces an audible improvement is as old as tweaks themselves. Don't feel bad about this, Andy. I think I can safely say that we have *all* gone through this. It appears that human hearing is easily fooled by psychological factors that have *nothing* to do with the sound waves entering the ear. Hi-fi manufacturers and magazines depend on this for their living... -- Mick (no M$ software on here... :-) ) Web: http://www.nascom.info |
CD transports and resonance
Don't feel bad about this, Andy. I think I can safely say that we have
*all* gone through this. It appears that human hearing is easily fooled by psychological factors Hello Mick - I'm a psychologist specialising in music and musicians, as it turns out, so I'm not unfamiliar with psychological factors! Anyway, to start from the beginning - I sought to replicate the CD transport of Japanese designer Junji Kimura, who worked for Pioneer, Trio and Kyocera. He uses a thick aluminium slab to support the transport. See http://www.soundstage.com/revequip/4...rogression.htm I talked to this guy at the London HiFi Show. He is quite eccentric, but definitely recommended mounting the transport on an alu slab. I was using a CD-ROM at home which was rather 'shouty'. I changed the switchmode PSU for a normal toroid, which helped a bit, then mounted the unit on an alu slab, which helped more, particularly smoothing out highly modulated pasages. If you pick up a CD-ROM while it's playing you can feel the vibrations quite clearly, so we know that there is vibration present. Now, to my ears there was a significant change in the sound, not just a slight change which I would - just as you say - be sceptical about and attribute to 'causes unknown'. I posted this in case it was of some use to other ng members - its useful to hear about various tweaks even if they might not be relevant or replicable in one's own system. Fine. But I also asked if anyone else had an explanation or empirical evidence of the effects of damping on CD mechanisms. I've had various responses, none of which are based on empirical evidence of exactly that. So if this is outside the experience of those posting, It would be honest and simple to say "Sorry, Andy, I don't have any experience of this". Since I would be interested in some empirical knowledge, I'll post this on other forums and ask some of my friends in the audio industry. As I said at the start, this is based on an actual product, the designer of which clearly does have empirical knowledge. === Andy Evans === Visit our Website:- http://www.artsandmedia.com Audio, music and health pages and interesting links. |
CD transports and resonance
To resolve, employ suitable measurements. Otherwise we (including you) have no
real idea if the effects you describe have anything to do with the 'causes' you assume. Hello Jim - I'm open minded - my assumption is that it's to do with resonance, I suppose, but I've been very clear in saying I don't understand how this happens. I'm not in a position to measure, so my next step is to find others who have observed similar things and others who can offer some kind of explanation based on their own empirical knowledge. Andy === Andy Evans === Visit our Website:- http://www.artsandmedia.com Audio, music and health pages and interesting links. |
CD transports and resonance
In article , Andy Evans
wrote: I have no wish to 'endow' (DP) anything. I'm reporting less distortion in highly modulated passages when a transport is damped. Not quite. You are reporting that you think you can hear a difference. However you are not actually providing any evidence that would tell us either: A) If the difference is real. or B) what its nature or cause (if real) might be. So far I've had no explanation. I don't mind if this is outside the subjective technical knowledge of posters - our knowledge always has its limits. The difficulty is not with the lack of technical (or subjective) knowledge of others. The difficulty is that your descriptions don't give us much in the way of reliable or relevant data that would allow others to make a plausible diagnosis. This does not mean that we can all be certain the difference is entirely imaginary. Simply that we have no real way of telling much beyond noting that you think you hear something. Then putting this into the context where some of us generally may not hear the differences you claim in apparently similar circumstances in our own experience. This represents one of the fundamental problems with 'subjective' options which do not come with either any relevant measurements or a plausible physical hypothesis. The subjective 'discription' you give has no clear information content for anyone who was not using your ears at the time, or who does not already by some other means know exactly what you are talking about. I'm afraid that if you want to actually understand what may be the cause of what you hear, and how systematic advice or diagnosis may be given, then you may have to move beyond simply giving a subjective comment. Otherwise I'm afraid that you do not give others any real basis for providing much help. Slainte, Jim -- Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm Audio Misc http://www.st-and.demon.co.uk/AudioMisc/index.html Armstrong Audio http://www.st-and.demon.co.uk/Audio/armstrong.html Barbirolli Soc. http://www.st-and.demon.co.uk/JBSoc/JBSoc.html |
CD transports and resonance
In article , Andy Evans
wrote: there's no assurance that there is in fact an audible phenomenon. Apart from the fact that I can hear it. Or, rather, you *think* you can hear a difference and *assume* it is associated with what you describe. However your descriptions don't really provide any information that could be used as the basis for assessing if any specific 'explanation' was plausible. There's no assurance that you have any technical knowledge that can explain it. I don't mind the fact that you can't explain it - our knowledge always has limitations. Equally, we have no assurance that your descriptions are a reliable guide to what actually may be occurring. If you can't provide reliable and relevant data, why should you expect anyone to be able to offer any explanation? Consider walking into a jeweller's shop and saying, "My watch doesn't keep time. Tell me exactly what's wrong with it." But then declining to either provide the watch for examination or answer the jeweller's questions, or carry out any test he may suggest. Would you expect him to tell you what was wrong with the watch? Slainte, Jim Slainte, Jim -- Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm Audio Misc http://www.st-and.demon.co.uk/AudioMisc/index.html Armstrong Audio http://www.st-and.demon.co.uk/Audio/armstrong.html Barbirolli Soc. http://www.st-and.demon.co.uk/JBSoc/JBSoc.html |
CD transports and resonance
In article , Andy Evans
wrote: [snip] If you pick up a CD-ROM while it's playing you can feel the vibrations quite clearly, so we know that there is vibration present. Now, to my ears there was a significant change in the sound, not just a slight change which I would - just as you say - be sceptical about and attribute to 'causes unknown'. I posted this in case it was of some use to other ng members - its useful to hear about various tweaks even if they might not be relevant or replicable in one's own system. Fine. You may recall that in response I posted details of some damping, etc, I'd applied to a player of my own. Along with which I suggested possible reasons for a change. But I also asked if anyone else had an explanation or empirical evidence of the effects of damping on CD mechanisms. See above. I've had various responses, none of which are based on empirical evidence of exactly that. See above. So if this is outside the experience of those posting, See above. Also consider the possibility that the problem is that you have given others no real information which would permit a plausible diagnosis to be suggested. It would be honest and simple to say "Sorry, Andy, I don't have any experience of this". Alternatively, you could note that some of us do have some 'experience' of some effects that *might* be relevant, but that we can't really say as you have not provided us with any evidence or information that would allow us to decide. i.e. perhaps the problem is primarily due to the lack of relevant info you have given... I'm afraid, Andy, that you will keep encountering effects which will seem to you like "mysteries of science" until such time as you wish to put the required time and effort into being able to make relevant tests and collect relevant evidence that would allow a systematic explanation to be established in a reliable manner. Without this info, there is not much other can do by guess or try things at random. I'm afraid this is really why some people fail to take your reports very seriously. I'd very much like to help, but I reget to say that you do make this somewhere between 'difficult' and 'impossible' at times by the way you proceed, and describe what you think is happening. :-/ Slainte, Jim -- Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm Audio Misc http://www.st-and.demon.co.uk/AudioMisc/index.html Armstrong Audio http://www.st-and.demon.co.uk/Audio/armstrong.html Barbirolli Soc. http://www.st-and.demon.co.uk/JBSoc/JBSoc.html |
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