Keith G wrote:
"Nick Gorham" wrote in


The POD I mentioned is a world apart from the "valvesound" ideas, but
still not perfect, but better than lugging 15 different amps around. I
haven't looked for some time, but the makers web site has assorted sound
clips of the different effects it can do.

I don't think you can make a guitar sound like its being played at loud
volumn, through a amp and speakers that are compressing the tops of the
wave without clipping them, without actually doing it, all three parts the
guitar (strings, body and pickup's), amp, and speakers are intereacting to
produce the result. If you DI a guitar, and then replay that through a
amp, you get quite a different effect. And for that matter, its quite a
different feeling playing a (say strat) guitar on the edge of feedback,
there is so much life in the strings, you are as much keeping it on a
leash as playing it.

Listen to some of the small sounds at the back of the mix in something
like Electric Ladyland,




Hmmm, you'd need valve amplification and a decent vinyl rig to be able to do
that for a start!




In fact thats a example of the damage that can be done by looking at
scopes. When the first masters were made of Electric Ladyland, the
engineers looked at the tape, and found all sorts of odd out of phase
signals on it, so they decided to fix it. When the resultant pressing
was heard by Hendrix, he was less than impressed, they had spent a lot
of time creating all the out of phase effects in the first place. Thats
why its the second pressing is the one to have, not the first.

--
Nick