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ZU Wax Speaker Cable (a Kimber basher?)
Hi,
Has anyone heard of this US Loudspeaker Cable manufacturer?( www.zucable.com ) I was speaking to a friend who uses their "Wax" cable and he couldn't praise them enough, he says his Wax out performs his now disowned Kimber Kable 8TC. I'm intrigued! Is there anybody in the UK who uses ZU cable? Your info will be greatly received. Mark. |
ZU Wax Speaker Cable (a Kimber basher?)
Mark & Mel wrote:
Has anyone heard of this US Loudspeaker Cable manufacturer?( www.zucable.com ) I was speaking to a friend who uses their "Wax" cable and he couldn't praise them enough, he says his Wax out performs his now disowned Kimber Kable 8TC. I'm intrigued! Don't be - he's been drinking snake oil by the gallon. Is there anybody in the UK who uses ZU cable? Your info will be greatly received. No, we use ordinary copper and spend the savings on CDs. -- Wally www.artbywally.com/FiatPandaRally/index.htm www.wally.myby.co.uk |
ZU Wax Speaker Cable (a Kimber basher?)
On Sat, 28 May 2005 17:54:27 +0100, "Mark & Mel"
wrote: Has anyone heard of this US Loudspeaker Cable manufacturer?( www.zucable.com ) I was speaking to a friend who uses their "Wax" cable and he couldn't praise them enough, he says his Wax out performs his now disowned Kimber Kable 8TC. Tell him to stop drinking that snake oil, it's bad for your hearing! I'm intrigued! Is there anybody in the UK who uses ZU cable? Your info will be greatly received. It's wire, dude, and wire is wire, no matter what the price or the fancy packaging. In purely technical terms, Kimber 8TC is superior to almost anything on the market - but it still *sounds* the same as ordinary 12 AWG 'zipcord'. I've had a look at the Zu site, and it's a classic scam. They don't give any proper specifications for the cable, the remarks about directionality and burn-in are total bull****, and the rest of the blurb reeks of purest snake oil. You'll get *exactly* the same sound from 13 amp mains cable at a hundredth of the price. -- Stewart Pinkerton | Music is Art - Audio is Engineering |
ZU Wax Speaker Cable (a Kimber basher?)
In article ,
Mark & Mel wrote: Has anyone heard of this US Loudspeaker Cable manufacturer?( www.zucable.com ) I was speaking to a friend who uses their "Wax" cable and he couldn't praise them enough, he says his Wax out performs his now disowned Kimber Kable 8TC. I'm intrigued! Is there anybody in the UK who uses ZU cable? Your info will be greatly received. Maplin sell a very suitable flat twin speaker cable that will perform as well as any other for under a quid a metre... -- *Taxation WITH representation ain't much fun, either. Dave Plowman London SW To e-mail, change noise into sound. |
ZU Wax Speaker Cable (a Kimber basher?)
I don't know about this ZU stuff, but if someone can't hear the difference
between at least some speaker cables then they must either have low resolution audio equipment or little ability to listen to the various strands and acoustic of music or just the luck not to have picked a poor cable. It's some time since I compared speaker cables but a few years back there were night and day differences on my system with 3 types I bought and various ones I made up. Now, interconnects I could believe, differences are much smaller compared to speaker cables. With headphone extension cables we're back to night and day differences, I had to make one myself to get a non-screwed up sound. "Stewart Pinkerton" wrote in message ... On Sat, 28 May 2005 17:54:27 +0100, "Mark & Mel" wrote: Has anyone heard of this US Loudspeaker Cable manufacturer?( www.zucable.com ) I was speaking to a friend who uses their "Wax" cable and he couldn't praise them enough, he says his Wax out performs his now disowned Kimber Kable 8TC. Tell him to stop drinking that snake oil, it's bad for your hearing! I'm intrigued! Is there anybody in the UK who uses ZU cable? Your info will be greatly received. It's wire, dude, and wire is wire, no matter what the price or the fancy packaging. In purely technical terms, Kimber 8TC is superior to almost anything on the market - but it still *sounds* the same as ordinary 12 AWG 'zipcord'. I've had a look at the Zu site, and it's a classic scam. They don't give any proper specifications for the cable, the remarks about directionality and burn-in are total bull****, and the rest of the blurb reeks of purest snake oil. You'll get *exactly* the same sound from 13 amp mains cable at a hundredth of the price. -- Stewart Pinkerton | Music is Art - Audio is Engineering |
ZU Wax Speaker Cable (a Kimber basher?)
On Mon, 30 May 2005 07:39:33 +0100, "SteveB"
sbrads@nildramDOTcoDOTuk wrote: I don't know about this ZU stuff, but if someone can't hear the difference between at least some speaker cables then they must either have low resolution audio equipment or little ability to listen to the various strands and acoustic of music or just the luck not to have picked a poor cable. Bull****. If you can demonstrate an ability to hear 'cable sound' under level-matched blind conditions, I'll give you £1,000. It's some time since I compared speaker cables but a few years back there were night and day differences on my system with 3 types I bought and various ones I made up. Now, interconnects I could believe, differences are much smaller compared to speaker cables. With headphone extension cables we're back to night and day differences, I had to make one myself to get a non-screwed up sound. You're kidding yourself, pal. We've heard these claims many many times, but not one single person has *ever* been able to back them up. -- Stewart Pinkerton | Music is Art - Audio is Engineering |
ZU Wax Speaker Cable (a Kimber basher?)
In article , SteveB
sbrads@nildramDOTcoDOTuk wrote: I don't know about this ZU stuff, but if someone can't hear the difference between at least some speaker cables then they must either have low resolution audio equipment or little ability to listen to the various strands and acoustic of music or just the luck not to have picked a poor cable. It's some time since I compared speaker cables but a few years back there were night and day differences on my system with 3 types I bought and various ones I made up. ahem Stewart will probably be along again shortly... You may be able to make some cash here... ;-) Alas, although various others in the past have said they can hear "night and day" differences, so far as I know, none of them have been able to substantiate this in a reliable test. Still, this could be your chance to make a lot of money quite easily if you are correct! I'd be interested to know what lengths of cables you compared, and using what speakers. FWIW your experience is quite different to mine. Now, interconnects I could believe, differences are much smaller compared to speaker cables. With headphone extension cables we're back to night and day differences, I had to make one myself to get a non-screwed up sound. Question as above. Plus what amp you used and how the phone o/p was taken from it. Slainte, Jim -- Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm Audio Misc http://www.st-and.demon.co.uk/AudioMisc/index.html Armstrong Audio http://www.st-and.demon.co.uk/Audio/armstrong.html Barbirolli Soc. http://www.st-and.demon.co.uk/JBSoc/JBSoc.html |
ZU Wax Speaker Cable (a Kimber basher?)
If you can demonstrate an ability to hear 'cable sound'
under level-matched blind conditions, I'll give you £1,000. Can the subject choose the amplifier and speakers? |
ZU Wax Speaker Cable (a Kimber basher?)
In article ,
SteveB sbrads@nildramDOTcoDOTuk wrote: I don't know about this ZU stuff, but if someone can't hear the difference between at least some speaker cables then they must either have low resolution audio equipment or little ability to listen to the various strands and acoustic of music or just the luck not to have picked a poor cable. It's some time since I compared speaker cables but a few years back there were night and day differences on my system with 3 types I bought and various ones I made up. Were they all of suitable gauge wire? Now, interconnects I could believe, differences are much smaller compared to speaker cables. Funnily, the only time I've heard a difference is with interconnects on high impedance valve equipment. And pickups. But there's no magic to this. With headphone extension cables we're back to night and day differences, I had to make one myself to get a non-screwed up sound. Likely the connector. Some jack types are notoriously poor. -- *Be nice to your kids. They'll choose your nursing home. Dave Plowman London SW To e-mail, change noise into sound. |
ZU Wax Speaker Cable (a Kimber basher?)
On 30 May 2005 01:37:45 -0700, "andy" wrote:
If you can demonstrate an ability to hear 'cable sound' under level-matched blind conditions, I'll give you £1,000. Can the subject choose the amplifier and speakers? Yes, the only pre-condition is that the levels match across the audio band. This is isn't a trick of any kind, it's just to stop someone introducing say 20 feet of 40AWG wire, or a big series inductor, to win the bet on a 'cheat'. -- Stewart Pinkerton | Music is Art - Audio is Engineering |
ZU Wax Speaker Cable (a Kimber basher?)
In order to get an audible variation with typical cables I was
intending to direct drive electrostatic speakers. Obviously the intention was to create significant differences in level across the audible band but this is 'cheating'? (Actually I am not sure I would want to mess with something potentially lethal for only GBP 1000). Matching the levels across the audible band (20-20kHz?) is a pretty severe precondition. Can I choose the source as well as the amplifier and speakers? |
ZU Wax Speaker Cable (a Kimber basher?)
I think I reused the same connectors for the headphone extension cable, they
certainly weren't anything special, it was the cables that made the difference. I didn't need fancy wires to get a better sound, just shorter ones with individual unscreened wires loosely spot tied instead of those horrible sprung coil leads. I don't believe a competition would have any merit at all as I'm convinced most listeners don't listen properly and no offence but how do I know you aren't in that category? Sorry, but listening is a skill that I'm willing to teach to anyone with an open mind but only on my system which is far from perfect, but has been tweaked over the years to give its best and I know it inside out. |
ZU Wax Speaker Cable (a Kimber basher?)
In article ,
Stewart Pinkerton wrote: If you can demonstrate an ability to hear 'cable sound' under level-matched blind conditions, I'll give you £1,000. Can the subject choose the amplifier and speakers? Yes, the only pre-condition is that the levels match across the audio band. This is isn't a trick of any kind, it's just to stop someone introducing say 20 feet of 40AWG wire, or a big series inductor, to win the bet on a 'cheat'. Well, of course, you *could* allow them to specify the amp - Naim - and you the speakers. Electrostatics. And watch the smoke come out of the Naim with basic cable. ;-) -- *Red meat is not bad for you. Fuzzy green meat is bad for you. Dave Plowman London SW To e-mail, change noise into sound. |
ZU Wax Speaker Cable (a Kimber basher?)
In article ,
SteveB sbrads@nildramDOTcoDOTuk wrote: I think I reused the same connectors for the headphone extension cable, they certainly weren't anything special, it was the cables that made the difference. I didn't need fancy wires to get a better sound, just shorter ones with individual unscreened wires loosely spot tied instead of those horrible sprung coil leads. You don't need screened wire for headphones anyway - they're a high level low impedance device, just like a speaker. Something like four core burglar alarm cable at pennies a metre will do just fine. -- *I'm pretty sure that sex is better than logic, but I can't prove it. Dave Plowman London SW To e-mail, change noise into sound. |
ZU Wax Speaker Cable (a Kimber basher?)
You don't need screened wire for headphones anyway - they're a high level
low impedance device, just like a speaker. Something like four core burglar alarm cable at pennies a metre will do just fine. Yeah, but you'd like something nice and flexible, and something that doesn't fail if bent and flexed a lot. Sennheiser used to use steel wire in their headphones. Kinda scary, I always imagined those cabled being used to garrotte someone. Martin -- M.A.Poyser Tel.: 07967 110890 Manchester, U.K. http://www.livejournal.com/userinfo.bml?user=fleetie |
ZU Wax Speaker Cable (a Kimber basher?)
On 30 May 2005 09:06:11 -0700, "andy" wrote:
In order to get an audible variation with typical cables I was intending to direct drive electrostatic speakers. Obviously the intention was to create significant differences in level across the audible band but this is 'cheating'? (Actually I am not sure I would want to mess with something potentially lethal for only GBP 1000). Sure it's cheating, since easily replicable level changes are never what is claimed for 'audiophile' cables. Matching the levels across the audible band (20-20kHz?) is a pretty severe precondition. Not really, unless you are trying to pull a fast one. When did you ever see $1,000 a foot cable claim that it had a different FR from zipcord? Can I choose the source as well as the amplifier and speakers? Absolutely. -- Stewart Pinkerton | Music is Art - Audio is Engineering |
ZU Wax Speaker Cable (a Kimber basher?)
On Mon, 30 May 2005 18:11:29 +0100, "Dave Plowman (News)"
wrote: In article , Stewart Pinkerton wrote: If you can demonstrate an ability to hear 'cable sound' under level-matched blind conditions, I'll give you £1,000. Can the subject choose the amplifier and speakers? Yes, the only pre-condition is that the levels match across the audio band. This is isn't a trick of any kind, it's just to stop someone introducing say 20 feet of 40AWG wire, or a big series inductor, to win the bet on a 'cheat'. Well, of course, you *could* allow them to specify the amp - Naim - and you the speakers. Electrostatics. And watch the smoke come out of the Naim with basic cable. ;-) Aah, you've been around this game for a while, haven't you? :-) -- Stewart Pinkerton | Music is Art - Audio is Engineering |
ZU Wax Speaker Cable (a Kimber basher?)
On Mon, 30 May 2005 17:46:08 +0100, "SteveB"
sbrads@nildramDOTcoDOTuk wrote: I think I reused the same connectors for the headphone extension cable, they certainly weren't anything special, it was the cables that made the difference. I didn't need fancy wires to get a better sound, just shorter ones with individual unscreened wires loosely spot tied instead of those horrible sprung coil leads. I don't believe a competition would have any merit at all as I'm convinced most listeners don't listen properly and no offence but how do I know you aren't in that category? It's not a competition, it's just *you* backing up your bull**** and picking up an easy £1,000 if these differences are really 'night and day', like you claim they are. Or even audible at all, to *you*, in your own system, in your own time, and with your own choice of music. Sorry, but listening is a skill that I'm willing to teach to anyone with an open mind but only on my system which is far from perfect, but has been tweaked over the years to give its best and I know it inside out. Yeah, right, asshole................... You are free to use your own system and your own choice of music, the only precondition is that the cables have the same FR over the audio band. I've yet to see any 'audiophile' cable that claimed any FR difference, so that shouldn't be a problem, should it? :-) -- Stewart Pinkerton | Music is Art - Audio is Engineering |
ZU Wax Speaker Cable (a Kimber basher?)
Come off it, I can't see there being any problem with me being able to hear
differences, but you would just say there's no difference. Perhaps people's hearing is different in ways we can't describe, it would be unprovable, which is why there's no way of resolving debates about the existence or not of 'cable sound'. As an electronics engineer mainly working on switch mode power supplies running between frequencies of 10kHz and 2 MHz, I can see scope waveforms or spectrum analysis change dramatically with cable lengths of 2 inches or copper track changes of a few mm, so 4 metres of audio cable has a lot of potential with all that nasty music stuff flying around but music's 'jumbled mess' just doesn't lend itself to easy analytical observation, that's what our ears are for. "Stewart Pinkerton" wrote in message ... Yeah, right, asshole................... You are free to use your own system and your own choice of music, the only precondition is that the cables have the same FR over the audio band. I've yet to see any 'audiophile' cable that claimed any FR difference, so that shouldn't be a problem, should it? :-) -- Stewart Pinkerton | Music is Art - Audio is Engineering |
ZU Wax Speaker Cable (a Kimber basher?)
In article ,
Fleetie wrote: You don't need screened wire for headphones anyway - they're a high level low impedance device, just like a speaker. Something like four core burglar alarm cable at pennies a metre will do just fine. Yeah, but you'd like something nice and flexible, and something that doesn't fail if bent and flexed a lot. Burglar alarm cable is multi-strand, and at least as flexible as most normal cables - unless of the textile cored types. -- *Never miss a good chance to shut up * Dave Plowman London SW To e-mail, change noise into sound. |
ZU Wax Speaker Cable (a Kimber basher?)
So we can have a different frequency response just above/below the
audible range with the two cables? The loudspeaker/amplifier response can be non-linear in this range and so transfer energy into the audible range. The source can be chosen to have plenty of energy just above/below the audible range. It looks doable with test tones (is this cheating?) but will be more difficult with music. Would make an interesting little project. |
ZU Wax Speaker Cable (a Kimber basher?)
SteveB wrote:
Come off it, I can't see there being any problem with me being able to hear differences, but you would just say there's no difference. Perhaps people's hearing is different in ways we can't describe, it would be unprovable, which is why there's no way of resolving debates about the existence or not of 'cable sound'. That's what a double blind test is for. It doesn't matter what he says - it's purely down to whether you can consistently tell the difference. -- Wally www.artbywally.com/FiatPandaRally/index.htm www.wally.myby.co.uk |
ZU Wax Speaker Cable (a Kimber basher?)
In article ,
SteveB sbrads@nildramDOTcoDOTuk wrote: Come off it, I can't see there being any problem with me being able to hear differences, but you would just say there's no difference. Perhaps people's hearing is different in ways we can't describe, it would be unprovable, which is why there's no way of resolving debates about the existence or not of 'cable sound'. It's quite simple. You have to tell the difference - reliably - between cables purely by ear without knowing, by sight, which cable is actually connected and in use. Called double blind testing. To remove the 'I've just paid a hundred quid for this cable and the adverts say it's miles better' syndrom. As an electronics engineer mainly working on switch mode power supplies running between frequencies of 10kHz and 2 MHz, I can see scope waveforms or spectrum analysis change dramatically with cable lengths of 2 inches or copper track changes of a few mm, so 4 metres of audio cable has a lot of potential with all that nasty music stuff flying around but music's 'jumbled mess' just doesn't lend itself to easy analytical observation, that's what our ears are for. A few mm at 10Khz? I find that hard to believe. -- *He who laughs last has just realised the joke. Dave Plowman London SW To e-mail, change noise into sound. |
ZU Wax Speaker Cable (a Kimber basher?)
On Mon, 30 May 2005 23:11:27 +0100, "SteveB"
sbrads@nildramDOTcoDOTuk wrote: Come off it, I can't see there being any problem with me being able to hear differences, but you would just say there's no difference. Perhaps people's hearing is different in ways we can't describe, it would be unprovable, which is why there's no way of resolving debates about the existence or not of 'cable sound'. I don't think you have quite grasped Stewart's offer. He is not insisting that he should hear a difference, but that you should demonstrate that you can hear a difference. It doesn't matter what anybody else's hearing is like - if you can demonstrate that you can hear a difference between your high end cables and some cheap, generic but electrically competent cables, you pick up the grand. He is even letting you choose the music, the ancillary equipment and the setting. What could be easier? I am looking forwards to the result. d Pearce Consulting http://www.pearce.uk.com |
ZU Wax Speaker Cable (a Kimber basher?)
On Mon, 30 May 2005 23:11:27 +0100, "SteveB"
sbrads@nildramDOTcoDOTuk wrote: Come off it, I can't see there being any problem with me being able to hear differences, but you would just say there's no difference. Perhaps people's hearing is different in ways we can't describe, it would be unprovable, which is why there's no way of resolving debates about the existence or not of 'cable sound'. It's nothing to do with what *I* say, it's a matter of whether *you* can hear a difference when you don't *know* what's connected. As an electronics engineer mainly working on switch mode power supplies running between frequencies of 10kHz and 2 MHz, I can see scope waveforms or spectrum analysis change dramatically with cable lengths of 2 inches or copper track changes of a few mm, so 4 metres of audio cable has a lot of potential with all that nasty music stuff flying around but music's 'jumbled mess' just doesn't lend itself to easy analytical observation, that's what our ears are for. If you're an EE, you should understand that what cables do at 2MHz has nothing to do with music. As noted, all you have to do is demonstrate that *you* really can hear the 'night and day' differences you claim. If you can, you'll be the first................ -- Stewart Pinkerton | Music is Art - Audio is Engineering |
ZU Wax Speaker Cable (a Kimber basher?)
On Mon, 30 May 2005 22:37:17 GMT, "Wally" wrote:
SteveB wrote: Come off it, I can't see there being any problem with me being able to hear differences, but you would just say there's no difference. Perhaps people's hearing is different in ways we can't describe, it would be unprovable, which is why there's no way of resolving debates about the existence or not of 'cable sound'. That's what a double blind test is for. It doesn't matter what he says - it's purely down to whether you can consistently tell the difference. Eggzackly! -- Stewart Pinkerton | Music is Art - Audio is Engineering |
ZU Wax Speaker Cable (a Kimber basher?)
On Tue, 31 May 2005 00:06:42 +0100, "Dave Plowman (News)"
wrote: In article , SteveB sbrads@nildramDOTcoDOTuk wrote: Come off it, I can't see there being any problem with me being able to hear differences, but you would just say there's no difference. Perhaps people's hearing is different in ways we can't describe, it would be unprovable, which is why there's no way of resolving debates about the existence or not of 'cable sound'. It's quite simple. You have to tell the difference - reliably - between cables purely by ear without knowing, by sight, which cable is actually connected and in use. Called double blind testing. To remove the 'I've just paid a hundred quid for this cable and the adverts say it's miles better' syndrom. Quite so, and that is the perfect way to resolve debates about cable sound. It's called 'put up or shut up'. As an electronics engineer mainly working on switch mode power supplies running between frequencies of 10kHz and 2 MHz, I can see scope waveforms or spectrum analysis change dramatically with cable lengths of 2 inches or copper track changes of a few mm, so 4 metres of audio cable has a lot of potential with all that nasty music stuff flying around but music's 'jumbled mess' just doesn't lend itself to easy analytical observation, that's what our ears are for. A few mm at 10Khz? I find that hard to believe. Me too - although of course if he's a *bad* EE, his circuits may be only marginally stable! :-) -- Stewart Pinkerton | Music is Art - Audio is Engineering |
ZU Wax Speaker Cable (a Kimber basher?)
On 30 May 2005 15:35:04 -0700, "andy" wrote:
So we can have a different frequency response just above/below the audible range with the two cables? The loudspeaker/amplifier response can be non-linear in this range and so transfer energy into the audible range. The source can be chosen to have plenty of energy just above/below the audible range. It looks doable with test tones (is this cheating?) but will be more difficult with music. Would make an interesting little project. But why would you *need* to cheat, if Kimber cable (or substitute your favourite snake-oil peddlar) is 'night and day' better than ordinary twinflex? -- Stewart Pinkerton | Music is Art - Audio is Engineering |
ZU Wax Speaker Cable (a Kimber basher?)
Stewart Pinkerton wrote:
On Mon, 30 May 2005 22:37:17 GMT, "Wally" wrote: SteveB wrote: Come off it, I can't see there being any problem with me being able to hear differences, but you would just say there's no difference. Perhaps people's hearing is different in ways we can't describe, it would be unprovable, which is why there's no way of resolving debates about the existence or not of 'cable sound'. That's what a double blind test is for. It doesn't matter what he says - it's purely down to whether you can consistently tell the difference. Eggzackly! Again and as usual in this context - read 'in ways we *can't* describe'. So, I think the summary reply to Steve's post is: 'Possibly'. Rob |
ZU Wax Speaker Cable (a Kimber basher?)
Rob wrote:
That's what a double blind test is for. It doesn't matter what he says - it's purely down to whether you can consistently tell the difference. Eggzackly! Again and as usual in this context - read 'in ways we *can't* describe'. This isn't about some airy-fairy review of the qualities of the cables - nobody is being asked to describe the differences. The person taking the challenge just has to *identify* them as 'A' or 'B'. -- Wally www.artbywally.com/FiatPandaRally/index.htm www.wally.myby.co.uk |
ZU Wax Speaker Cable (a Kimber basher?)
But why would you *need* to cheat
Money, status - the usual reasons people cheat. If done properly it should give a good marketing edge for flogging my Chinese cables (which are also distributed by several other cable companies). As far as I know none of my competitors have ever offered any proof of the superiority of these cables. Since it is rubbish that would be transferred into the audible range by ensuring that my cables are the ones that have the reduced response in the sub/ultra range it should be unanimous which cable sounds better. if Kimber cable (or substitute your favourite snake-oil peddlar) is 'night and day' better than ordinary twinflex? Nah these cables are rubbish compared to mine and I would be able to prove it (if you let me choose the amplifier, speakers and source). |
ZU Wax Speaker Cable (a Kimber basher?)
In article , SteveB
sbrads@nildramDOTcoDOTuk wrote: Come off it, I can't see there being any problem with me being able to hear differences, but you would just say there's no difference. The test Stewart is inviting you to pick up cash for passing does not rely on anyone's opinions. The test is a form of blind ABX where you have a three way switch between cable 'A', cable 'B', and cable 'X'. Setting 'X' will use either 'A' or 'B', but you will have no prior info on which during each test. If you then listen and can show - with statistical significance - that you can reliably identify when 'X' is 'A' from when 'X' is 'B' then you get the cash. Thus what anyone else can hear, or not, and their opinions, don't affect how often you may write down 'A' or 'B' when deciding which 'X' may be at that time. If it is a double-blind test, no-one in the room will know by any prior knowledge... Perhaps people's hearing is different in ways we can't describe, it would be unprovable, which is why there's no way of resolving debates about the existence or not of 'cable sound'. The above is a way to test your claim that you can hear "night and day" differences. If they are obvious to you I'd assume you'd welcome the chance to rip some easy money out of Stewart's wallet. :-) BTW If you fail to back up your claim, you pay nothing. All you get is the opportunity to realise you may have been mistaken in your previous beliefs. :-) This gives you an advantage as you have nothing (in terms of cash) to 'lose', but you might get lucky and guess well even if your beliefs are unfounded. If you *can* hear "night and day"[1] differences then it is easy cash. :-) As an electronics engineer mainly working on switch mode power supplies running between frequencies of 10kHz and 2 MHz, I can see scope waveforms or spectrum analysis change dramatically with cable lengths of 2 inches or copper track changes of a few mm, so 4 metres of audio cable has a lot of potential with all that nasty music stuff flying around but music's 'jumbled mess' just doesn't lend itself to easy analytical observation, that's what our ears are for. As an electronics engineer and physicist, as well as a music lover and audio enthusiast, I don't think the above has much to do with what Stewart is inviting you to do. :-) Slainte, Jim [1] Is there some reason why Cole Porter songs seem to make differences in audio equipment easier for people to detect? ;- -- Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm Audio Misc http://www.st-and.demon.co.uk/AudioMisc/index.html Armstrong Audio http://www.st-and.demon.co.uk/Audio/armstrong.html Barbirolli Soc. http://www.st-and.demon.co.uk/JBSoc/JBSoc.html |
ZU Wax Speaker Cable (a Kimber basher?)
Wally wrote:
Rob wrote: That's what a double blind test is for. It doesn't matter what he says - it's purely down to whether you can consistently tell the difference. Eggzackly! Again and as usual in this context - read 'in ways we *can't* describe'. This isn't about some airy-fairy review of the qualities of the cables - nobody is being asked to describe the differences. The person taking the challenge just has to *identify* them as 'A' or 'B'. OK. Do you accept: 1. Some people can differentiate between cables; 2. DBT doesn't reliably support that finding; 3. DBT, for this purpose, is a flawed method? Rob |
ZU Wax Speaker Cable (a Kimber basher?)
On Tue, 31 May 2005 08:31:39 +0000 (UTC), Rob
wrote: OK. Do you accept: 1. Some people can differentiate between cables; No 2. DBT doesn't reliably support that finding; Yes 3. DBT, for this purpose, is a flawed method? No Rob d Pearce Consulting http://www.pearce.uk.com |
ZU Wax Speaker Cable (a Kimber basher?)
Don Pearce wrote:
On Tue, 31 May 2005 08:31:39 +0000 (UTC), Rob wrote: OK. Do you accept: 1. Some people can differentiate between cables; No The evidence, I'm afraid, is against you: http://www.reviewcentre.com/products45.html http://www.audionote.co.uk/reviews/anspaanspe.htm http://www.audience-av.com/cable%20reviews.htm (etc - try Google) 2. DBT doesn't reliably support that finding; Yes Probably agreed (from Arnie's test reports). 3. DBT, for this purpose, is a flawed method? No This is always going to be difficult for you to explain given your answer to (1). Rob |
ZU Wax Speaker Cable (a Kimber basher?)
On Tue, 31 May 2005 09:11:11 +0000 (UTC), Rob
wrote: Don Pearce wrote: On Tue, 31 May 2005 08:31:39 +0000 (UTC), Rob wrote: OK. Do you accept: 1. Some people can differentiate between cables; No The evidence, I'm afraid, is against you: http://www.reviewcentre.com/products45.html http://www.audionote.co.uk/reviews/anspaanspe.htm http://www.audience-av.com/cable%20reviews.htm (etc - try Google) OK - in these terms, everybody can distinguish between cables, by looking at them. Nobody has yet (to my knowledge) distinguished between cables on the basis of sound. 2. DBT doesn't reliably support that finding; Yes Probably agreed (from Arnie's test reports). 3. DBT, for this purpose, is a flawed method? No This is always going to be difficult for you to explain given your answer to (1). Rob DBT reveals that there is no audible difference between cables that meet a minimum condition of basic competence for an application. Therefore DBT is NOT a flawed method. Unless you consider it a flaw to fail to reveal a difference that doesn't exist. d Pearce Consulting http://www.pearce.uk.com |
ZU Wax Speaker Cable (a Kimber basher?)
The evidence, I'm afraid, is against you:
http://www.reviewcentre.com/products45.html http://www.audionote.co.uk/reviews/anspaanspe.htm http://www.audience-av.com/cable%20reviews.htm There are a lot of assertions but no evidence that I can find. Can you please indicate a verifiable experiment in the links given that I may have missed? |
ZU Wax Speaker Cable (a Kimber basher?)
On 2005-05-31, Don Pearce wrote:
On Tue, 31 May 2005 08:31:39 +0000 (UTC), Rob wrote: OK. Do you accept: 1. Some people can differentiate between cables; No To add some published evidence, in Fred Davis' JAES paper on cable, loudspeaker and amplifier interactions (see http://bruce.coppola.name/audio/cableInteractions.pdf) the normal RLC parameters of the cables (no snake oil here) seem to produce quite significant variations in the frequency responses of the amp-cable-speaker system above 5 kHz. See for example figure 14, where there is a 0.5 dB variation at 20 kHz, 0.4 dB at 15 kHz and about 0.2 dB at 10 kHz. However, looking at JAES figures on audibility threshold (see for example http://www.pcavtech.com/soundcards/t...LevelMatch.gif) the differences above are probably not even audible to to someone whose hearing is still "young" and extends to 20 kHz. For most "mature" ears I am sure the reported differences due to the cable are not audible. However as Trevor Wilson has pointed out on this newsgroup a few loudspeakers do have extreme impedance curves. The above paper deals with two loudspeakers whose minimum |Z| is 4.8 Ohms and 5.8 Ohms, so maybe the "No" above (which I agree with under almost all circumstances from the published research) could become a "Yes" under a few specialist conditions where, for example, the loudspeaker |Z| falls, say, to 1 Ohm. Note that someone doing Stewart Pinkerton's tests with the same set of kit and cables as Fred Davis would apparently fail the 0.1 dB threshold test. -- John Phillips |
ZU Wax Speaker Cable (a Kimber basher?)
On 31 May 2005 09:48:25 GMT, John Phillips
wrote: On 2005-05-31, Don Pearce wrote: On Tue, 31 May 2005 08:31:39 +0000 (UTC), Rob wrote: OK. Do you accept: 1. Some people can differentiate between cables; No To add some published evidence, in Fred Davis' JAES paper on cable, loudspeaker and amplifier interactions (see http://bruce.coppola.name/audio/cableInteractions.pdf) the normal RLC parameters of the cables (no snake oil here) seem to produce quite significant variations in the frequency responses of the amp-cable-speaker system above 5 kHz. See for example figure 14, where there is a 0.5 dB variation at 20 kHz, 0.4 dB at 15 kHz and about 0.2 dB at 10 kHz. However, looking at JAES figures on audibility threshold (see for example http://www.pcavtech.com/soundcards/t...LevelMatch.gif) the differences above are probably not even audible to to someone whose hearing is still "young" and extends to 20 kHz. For most "mature" ears I am sure the reported differences due to the cable are not audible. However as Trevor Wilson has pointed out on this newsgroup a few loudspeakers do have extreme impedance curves. The above paper deals with two loudspeakers whose minimum |Z| is 4.8 Ohms and 5.8 Ohms, so maybe the "No" above (which I agree with under almost all circumstances from the published research) could become a "Yes" under a few specialist conditions where, for example, the loudspeaker |Z| falls, say, to 1 Ohm. Note that someone doing Stewart Pinkerton's tests with the same set of kit and cables as Fred Davis would apparently fail the 0.1 dB threshold test. Do bear in mind the Fred Davis's maths is deeply flawed in this article. d Pearce Consulting http://www.pearce.uk.com |
ZU Wax Speaker Cable (a Kimber basher?)
On 2005-05-31, Don Pearce wrote:
On 31 May 2005 09:48:25 GMT, John Phillips wrote: On 2005-05-31, Don Pearce wrote: On Tue, 31 May 2005 08:31:39 +0000 (UTC), Rob wrote: OK. Do you accept: 1. Some people can differentiate between cables; No To add some published evidence, in Fred Davis' JAES paper on cable, loudspeaker and amplifier interactions (see http://bruce.coppola.name/audio/cableInteractions.pdf) ... Do bear in mind the Fred Davis's maths is deeply flawed in this article. I have not been through the maths. Could you give me an example? -- John Phillips |
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