
March 17th 06, 11:37 AM
posted to uk.rec.audio
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Why moving coil
"Trevor Wilson" wrote in
message
**Er, not quite. The FR plots of MC carts, in some cases,
CAN be shown to be superior.
In some cases the FR of MM cartriges are at worst the equal.
No, the true hard parameter in the design of a cartridge is the moving mass,
not the inductance of its pickup coils. Less moving mass for a given amount
of brute force strength, the greater the potential of the design.
Brute force strength is an important parameter of a cartrdige for two main
reasons:
(1) Durabilty.
(2) Ability to tracking the rapid undulations of the LP groove.
The beauty of the MM design is that the moving magnet can be structural as
well as being the primary signal generating element. With modern
high-energy magnetic materials the magnetic generating element can be made
as virtually as small as is desired.
A moving coil cartridge's coils can't be as strong of a structural element.
The coils work best if there is also a moving magnetic core. This adds up to
excess weight. Furthermore it is far more difficult to make small coils of
wire and wire leads to transmit the signal, as opposed to simple small
blocks of solid magnetic material that itself has considerable inherent
strength.
The reason, of course, is
blindingly simple. It's all about inductance. The
inductance of (LOW OUTPUT) MC carts is very low, indeed.
The inductance of a MC cartrridge is irrelevant because it can be made to be
whatever is desired. The cost of reducing it is reduced output, but that is
pretty much a given with MC cartridges.
The inductance of a coil is proportional to the square of the number of
turns. The output voltage of a coil in a varying magnetic field is
proportional to the number of turns. Thus, if a cartridge is allowed to have
a mere 3 dB less output, it has half the inductance.
In fact the inductance of MM cartridges is optimized to provide smooth
response, not minimize inductance. Fools that they are, designers of MM
cartrdiges tend to be most interested in high fidelity.
This enables them to produce a very flat, very wide (up
to around 60kHz) frequency response, with a
correspondingly superior rise time.
All of which are well-known to have zero audible benefits.
The real benefit of
such a system is that LC resonance effects are often well
outside the audible range.
Ignores the fact that the resonance that actually dictates the response of a
cartridge in ways that can't be managed is the resonance between the moving
mass of the cartridge stylus and paraphenalia that is attached to it, and
the compliance of the vinyl.
This means that a low output
MC cart may exhibit a very flat phase response within the
audio band.
Which is again well-known to have zero audible benefits.
This may not be the case with high output MC
carts nor with some MM carts.
For the record: Many, well designed, MM carts do not
exhibit any resonance problems without the audio band.
Thus invalidating Trevor's entire argument.
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March 17th 06, 11:37 AM
posted to uk.rec.audio
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Why moving coil
"Ian Bell" wrote in message
news:4419d747.0@entanet
Serge Auckland wrote:
My question is why Moving Coils should be thought to be
better than moving magnets. I can think of several
reasons why they should be worse, lower compliance and
higher mass, but not why they should be better.
Trackability should be better on a MM, as should record
wear due to lower tracking weights.
I am surprised there has been so little development of
cartridges beyond the two basic magnetic types and good
old ceramic. What about an optical cartridge for example?
They exist. One example is the ELP laser turntable.
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March 17th 06, 11:38 AM
posted to uk.rec.audio
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Why moving coil
"AZ Nomad" wrote in message
On Thu, 16 Mar 2006 21:21:59 +0000, Ian Bell
wrote:
Serge Auckland wrote:
My question is why Moving Coils should be thought to be
better than moving magnets. I can think of several
reasons why they should be worse, lower compliance and
higher mass, but not why they should be better.
Trackability should be better on a MM, as should record
wear due to lower tracking weights.
I am surprised there has been so little development of
cartridges beyond the two basic magnetic types and good
old ceramic. What about an optical cartridge for example?
Are you talking about bouncing a laser off the record
groove? It was a failu it was too expensive and
worked worse than traditional methods as it was best at
reading the crud in the groove instead of just pushing it
aside.
I heard and saw an example of that failure producing music at HE2005 about a
year ago. AFAIK its still on the market. If you have the money - they have
the product!
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March 17th 06, 11:40 AM
posted to uk.rec.audio
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Why moving coil
"Serge Auckland" wrote in
message
Interesting theories. Can you tell me a bit more as to
why a compliance of 10-12cu is sufficient for all
records?
It has to do with the mass of the element that tracks the groove and the
compliance of the vinyl.
Interesting that in vinyl's heyday, some
cartridges were providing 30-40 cu.
Static compliance is really mostly a low frequency effect. Low frequency
tracking isn't much of an issue. Tracking high frequencies is a big issue.
It could be a
marketing exercise rather than having a sound engineering
reason for it, but it would be useful to know why such
high compliances are not necessary.
They were just numbers for the sake of numbers.
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March 17th 06, 01:14 PM
posted to uk.rec.audio
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Why moving coil
"Arny Krueger" wrote in message
...
"Trevor Wilson" wrote in
message
**Er, not quite. The FR plots of MC carts, in some cases,
CAN be shown to be superior.
In some cases the FR of MM cartriges are at worst the equal.
No, the true hard parameter in the design of a cartridge is the moving
mass, not the inductance of its pickup coils. Less moving mass for a
given amount of brute force strength, the greater the potential of the
design.
Brute force strength is an important parameter of a cartrdige for two main
reasons:
(1) Durabilty.
(2) Ability to tracking the rapid undulations of the LP groove.
The beauty of the MM design is that the moving magnet can be structural as
well as being the primary signal generating element. With modern
high-energy magnetic materials the magnetic generating element can be made
as virtually as small as is desired.
A moving coil cartridge's coils can't be as strong of a structural
element. The coils work best if there is also a moving magnetic core. This
adds up to excess weight. Furthermore it is far more difficult to make
small coils of wire and wire leads to transmit the signal, as opposed to
simple small blocks of solid magnetic material that itself has
considerable inherent strength.
The reason, of course, is
blindingly simple. It's all about inductance. The
inductance of (LOW OUTPUT) MC carts is very low, indeed.
The inductance of a MC cartrridge is irrelevant because it can be made to
be whatever is desired. The cost of reducing it is reduced output, but
that is pretty much a given with MC cartridges.
The inductance of a coil is proportional to the square of the number of
turns. The output voltage of a coil in a varying magnetic field is
proportional to the number of turns. Thus, if a cartridge is allowed to
have a mere 3 dB less output, it has half the inductance.
In fact the inductance of MM cartridges is optimized to provide smooth
response, not minimize inductance. Fools that they are, designers of MM
cartrdiges tend to be most interested in high fidelity.
This enables them to produce a very flat, very wide (up
to around 60kHz) frequency response, with a
correspondingly superior rise time.
All of which are well-known to have zero audible benefits.
The real benefit of
such a system is that LC resonance effects are often well
outside the audible range.
Ignores the fact that the resonance that actually dictates the response of
a cartridge in ways that can't be managed is the resonance between the
moving mass of the cartridge stylus and paraphenalia that is attached to
it, and the compliance of the vinyl.
This means that a low output
MC cart may exhibit a very flat phase response within the
audio band.
Which is again well-known to have zero audible benefits.
This may not be the case with high output MC
carts nor with some MM carts.
For the record: Many, well designed, MM carts do not
exhibit any resonance problems without the audio band.
Thus invalidating Trevor's entire argument.
Interesting, succinct and AFAIAC (from what little I know) right on the
money - quite surprising really, as it comes from Usenet's No1 antivinyl
bigot!! :-)
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March 17th 06, 01:51 PM
posted to uk.rec.audio
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|
Why moving coil
"Keith G" wrote in message
"Arny Krueger" wrote in message
...
"Trevor Wilson" wrote
in message
**Er, not quite. The FR plots of MC carts, in some
cases, CAN be shown to be superior.
In some cases the FR of MM cartriges are at worst the
equal. No, the true hard parameter in the design of a cartridge
is the moving mass, not the inductance of its pickup
coils. Less moving mass for a given amount of brute
force strength, the greater the potential of the design.
Brute force strength is an important parameter of a
cartrdige for two main reasons:
(1) Durabilty.
(2) Ability to tracking the rapid undulations of the LP
groove. The beauty of the MM design is that the moving magnet
can be structural as well as being the primary signal
generating element. With modern high-energy magnetic
materials the magnetic generating element can be made as
virtually as small as is desired. A moving coil cartridge's coils can't
be as strong of a
structural element. The coils work best if there is also
a moving magnetic core. This adds up to excess weight. Furthermore it is
far more difficult to make small coils
of wire and wire leads to transmit the signal, as
opposed to simple small blocks of solid magnetic
material that itself has considerable inherent strength.
The reason, of course, is
blindingly simple. It's all about inductance. The
inductance of (LOW OUTPUT) MC carts is very low, indeed.
The inductance of a MC cartrridge is irrelevant because
it can be made to be whatever is desired. The cost of
reducing it is reduced output, but that is pretty much a
given with MC cartridges. The inductance of a coil is proportional to the
square
of the number of turns. The output voltage of a coil in
a varying magnetic field is proportional to the number
of turns. Thus, if a cartridge is allowed to have a mere
3 dB less output, it has half the inductance. In fact the inductance of
MM cartridges is optimized to
provide smooth response, not minimize inductance. Fools
that they are, designers of MM cartrdiges tend to be
most interested in high fidelity.
This enables them to produce a very flat, very wide (up
to around 60kHz) frequency response, with a
correspondingly superior rise time.
All of which are well-known to have zero audible
benefits.
The real benefit of
such a system is that LC resonance effects are often
well outside the audible range.
Ignores the fact that the resonance that actually
dictates the response of a cartridge in ways that can't
be managed is the resonance between the moving mass of
the cartridge stylus and paraphenalia that is attached
to it, and the compliance of the vinyl.
This means that a low output
MC cart may exhibit a very flat phase response within
the audio band.
Which is again well-known to have zero audible benefits.
This may not be the case with high output MC
carts nor with some MM carts.
For the record: Many, well designed, MM carts do not
exhibit any resonance problems without the audio band.
Thus invalidating Trevor's entire argument.
Interesting, succinct and AFAIAC (from what little I
know) right on the money - quite surprising really, as it
comes from Usenet's No1 antivinyl bigot!! :-)
There's a huge difference between being a bigot and being well-informed
about the properties of various media. I simply know vinyl and digital's
strengths and weaknesses and speak accordingly.
In fact I have an average vinyl rig that I use for making digital
transcriptions. So I'm a funny kind of antivinyl bigot - one who has a
vinyl rig of his own and uses it from time to time for a productive purpose.
It's not as good as the vinyl rig I had when I switched to digital, but its
good enough for the purpose.
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March 17th 06, 01:52 PM
posted to uk.rec.audio
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Why moving coil
In article , Keith G
wrote:
"Bill Taylor" wrote
I recently changed my turntable. The only reasonably priced one that I
felt that I could trust was the Technics DJ turntable (basically a
1970s HiFi turntable with a speed control). The supplied arm has
quite a high effective mass and with the Shure V15-V that I had to buy
as well the LF resonance is plainly much to low, this cartridge has a
more reasonable compliance of about 23c.u., but it is still too high.
Forunately the Shure damper more or less controls the resonance.
I ran the same cart on a (presumably) similar deck - the Technics SL1210
Mk 2 - and found that the damping brush had virtually no effect on
sound quality.
That isn't particularly surprising. The main effect in practice would show
up on LPs with pronounced levels or warp or surface ripples. If the discs
are fairly flat, then the damper wouldn't be doing much.
FWIW I use my V15/III with an old technics TT/arm so the arm mass is 'too
high', but in general I don't hear any problems as a result, despite the LF
resonance being lower than nominally ideal.
Slainte,
Jim
--
Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm
Audio Misc http://www.st-and.demon.co.uk/AudioMisc/index.html
Armstrong Audio http://www.st-and.demon.co.uk/Audio/armstrong.html
Barbirolli Soc. http://www.st-and.demon.co.uk/JBSoc/JBSoc.html
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