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bi-wire config question
In article , Don Pearce
writes On Sun, 18 Jun 2006 14:45:02 +0100, Glenn Richards wrote: Don Pearce wrote: OK Glenn, maybe you can't be bothered (yeah, right) but I can. I've done the work for you and simulated the two effects - biwire, or parallel wire, joined at the far end - in PSpice. The results vindicate my position completely. No they don't. You've only placed a "lossy" cable on one leg of the speaker cable. So you've got effectively a 5 metre run of cable from the positive speaker output, then a short (as close to zero ohms as possible) run back to the ground point on the amplifier. Also, most crossovers I've seen often only have a series inductor (for LF) or series capacitor (for HF), and don't bother strapping L or C across the load. Admittedly some do, but I just took the plate off the back of one of my Mission 760iSE speakers, there's a single inductor in series with the LF driver and a single cap in series with the HF driver. Clearly a case of KISS (Keep It Simple, Stupid). Of course, Spice could be totally invalid along with a couple of hundred years of theory, I suppose... So how do you explain the fact that when the speakers are bi-wired they sound better (clearer and sharper treble, more detail etc)? And when single-wired they sound muddy by comparison? Hint: the standard uk.rec.audio cop-out of "it's all in your mind" is not a valid response. Of course it's all "in your mind", your ear only gathers sound and turns it into electrical signals. It's your mind (or more technically your brain) that interprets those electrical signals as noises, whether pleasant or unpleasant. Just in case you feel like getting pedantic. Remember that computers do what you tell them to do, not what you want them to do. So if your model isn't tying up with the observed effects then your model is obviously wrong. I'll give you a B+ for effort, E for accuracy. Your computer model does not match the observed effects. Now, take the effort you're about to expend on trying to prove me wrong and channel it into finding out why the observable and repeatable effects occur. Head teacher's comment: Plenty of enthusiasm, needs to channel self better. D-. Good grief - there really is no end to it. OK, I've done all I can - anybody else feel like trying? d 'ere guv, how can I bi- or tri wire me ESL63's cos if the squirrelsounds is right.. I want some of what he's on:)) -- Tony Sayer |
bi-wire config question
FWIW I tend to prefer the Maplin cables as they give low series resistance
for just a few quid per cable. The above URL uses them for example, so people can decide for themselves what might suit for the lengths they need. Slainte, Maplin guv?, pon me life their pricy.. Someone left some cables from the 400 kV re-wire their doing round this way and the insulators..you've never seen anything like 'em. Missus has said either the Pylons go or I do.. so she's packin 'er bags;))) Jim -- Tony Sayer |
bi-wire config question
On Sun, 18 Jun 2006 15:57:05 +0100, tony sayer
wrote: 'ere guv, how can I bi- or tri wire me ESL63's cos if the squirrelsounds is right.. I want some of what he's on:)) -- Tony Sayer Troll juice, maybe? d -- Pearce Consulting http://www.pearce.uk.com |
bi-wire config question
On Sun, 18 Jun 2006 16:00:00 +0100, tony sayer
wrote: FWIW I tend to prefer the Maplin cables as they give low series resistance for just a few quid per cable. The above URL uses them for example, so people can decide for themselves what might suit for the lengths they need. Slainte, Maplin guv?, pon me life their pricy.. Someone left some cables from the 400 kV re-wire their doing round this way and the insulators..you've never seen anything like 'em. Missus has said either the Pylons go or I do.. so she's packin 'er bags;))) Jim Do what I do - say to the bloke "I'll give you two quid for what's left on that roll". Anything less than half a roll, and they will generally go for it rather than be bothered measuring off what's left. d -- Pearce Consulting http://www.pearce.uk.com |
bi-wire config question
On Sun, 18 Jun 2006 13:36:03 +0100, Jim Lesurf
wrote: In article , Glenn Richards wrote: Serge Auckland wrote: No it isn't! Your experiment is being done with dc. Repeat the experiment with 50Hz to one bulb and 10kHz to the second bulb, both bulbs being fed through a single amplifier and fed through a simple capacitor or inductor "crossover". You will now see that the bulbs don't change their brightness. Makes no difference, AC or DC. Do the experiment Serge described and you will find that the results show he is correct in what he says. Then as Don has suggested, investigate diplexing. Bear in mind that what he describes is the kind of technique routinely employed and studied by electronic engineers. Indeed, I'd suspect that more than one undergrad lab may have what Serge describes as an experiment to show this to students. It is the basis of frequency division multiplexing in transmission line systems. :-) Series resistance is still the same, regardless of line frequency. Actually, not necessarily so. It is quite possible for a cable to have a resistance that varies with frequency. :-) However even if we ignore this, what Serge says is correct. That experiment was to illustrate a concept, not specifics. The principle is exactly the same. Only for the specific case you gave. The snag is that loudspeakers aren't simply resistors. Slainte, Jim I think that there is a far more fundamental problem at work here, Jim. Glenn does not appear to understand that what we have is a simple voltage divider, comprising the cable and the speaker impedance. A 1 ohm cable, combined with an 8 ohm speaker will result in a loss of about a dB at all frequencies, and it doesn't matter what signals are present. If the effect he is describing were to be real, then picture a 1kHz signal in combination with a 10Hz signal. The current due to the 10Hz would be changing from a maximum to zero 20 times per second, so the loss at 1kHz would be changing 20 times per second. The 1kHz would actually be amplitude modulated by the 10Hz, rather than simply superposed, which we know to be the case. His misunderstanding of the physics really is happening at a rather fundamental level. d -- Pearce Consulting http://www.pearce.uk.com |
bi-wire config question
In article , Glenn
Richards wrote: Don Pearce wrote: Also, most crossovers I've seen often only have a series inductor (for LF) or series capacitor (for HF), and don't bother strapping L or C across the load. Well, most of the speaker crossovers I've seen were far more complex than that... Admittedly some do, I wonder if anyone has any reliable figures for just what fraction of the models of speaker on sale are as simple as you imply? It would seem that my experience differs from yours. Of course, Spice could be totally invalid along with a couple of hundred years of theory, I suppose... So how do you explain the fact that when the speakers are bi-wired they sound better (clearer and sharper treble, more detail etc)? And when single-wired they sound muddy by comparison? Please give us details of some reliable reports of tests that were carried out in a way that allows their results to be assessed as evidence and which support what you claim. :-) Until such time, your use of the term "fact" above may have to be regarded with some caution... It may mean "error", or "for some other reason that didn't occur to the listener at the time". Hint: the standard uk.rec.audio cop-out of "it's all in your mind" is not a valid response. Alternative hint: Simply reporting along the lines of, "I listened to A, then listened to B, and decided I could hear a difference" isn't reliable evidence for what you assert. :-) Of course it's all "in your mind", your ear only gathers sound and turns it into electrical signals. It's your mind (or more technically your brain) that interprets those electrical signals as noises, whether pleasant or unpleasant. Just in case you feel like getting pedantic. Also for the 'pedants': You may also have to bear in mind a variety of uncorrelated variables, some of which have already been mentioned in this thread. These mean that unless a listening test is carried out in an appropriate way that takes these into account, we may simply be unable to tell if a claim that an 'audible difference' is to due the 'reason' asserted has any worth. Alas, a result which could mean anything, may mean nothing at all - regardless of being called a 'fact'. Remember that computers do what you tell them to do, not what you want them to do. So if your model isn't tying up with the observed effects then your model is obviously wrong. This assumes that the claims about "observed effects" are based on a test method, etc, that was relevant and reliable for the purpose. It is, alas, quite easy to design poor tests which then return misleading 'results', or ones the people involved interpret incorrectly. The classic example being the kind of "magazine reviewer's test" I described above. Unfortunately, people make assertions, but may not give the relevant details of how they arrived at their conclusions. In such cases the 'facts' may have no assessable meaning or value and become indistinguishable from an 'opinion' presented as a 'fact'. I've seen many models/analyses/theories of things which were utter twaddle. However I've also seen many experimental/test/measurement arrangements and protocols that were simply not fit for purpose and so returned nonsensical or useless results. e.g. Lost count years ago of how many flawed experiments I've seen reported that 'proved' faster-than-light propagation in free space. Would be nice if it were true, but examination of the experimental proceedure dissapoints... Sometimes with subtle flaws, sometimes laughable ones. :-) Slainte, Jim -- Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm Audio Misc http://www.st-and.demon.co.uk/AudioMisc/index.html Armstrong Audio http://www.st-and.demon.co.uk/Audio/armstrong.html Barbirolli Soc. http://www.st-and.demon.co.uk/JBSoc/JBSoc.html |
bi-wire config question
Don Pearce wrote:
On Sun, 18 Jun 2006 13:36:03 +0100, Jim Lesurf wrote: In article , Glenn Richards wrote: Serge Auckland wrote: No it isn't! Your experiment is being done with dc. Repeat the experiment with 50Hz to one bulb and 10kHz to the second bulb, both bulbs being fed through a single amplifier and fed through a simple capacitor or inductor "crossover". You will now see that the bulbs don't change their brightness. Makes no difference, AC or DC. Do the experiment Serge described and you will find that the results show he is correct in what he says. Then as Don has suggested, investigate diplexing. Bear in mind that what he describes is the kind of technique routinely employed and studied by electronic engineers. Indeed, I'd suspect that more than one undergrad lab may have what Serge describes as an experiment to show this to students. It is the basis of frequency division multiplexing in transmission line systems. :-) Series resistance is still the same, regardless of line frequency. Actually, not necessarily so. It is quite possible for a cable to have a resistance that varies with frequency. :-) However even if we ignore this, what Serge says is correct. That experiment was to illustrate a concept, not specifics. The principle is exactly the same. Only for the specific case you gave. The snag is that loudspeakers aren't simply resistors. Slainte, Jim I think that there is a far more fundamental problem at work here, Jim. Glenn does not appear to understand that what we have is a simple voltage divider, comprising the cable and the speaker impedance. A 1 ohm cable, combined with an 8 ohm speaker will result in a loss of about a dB at all frequencies, and it doesn't matter what signals are present. If the effect he is describing were to be real, then picture a 1kHz signal in combination with a 10Hz signal. The current due to the 10Hz would be changing from a maximum to zero 20 times per second, so the loss at 1kHz would be changing 20 times per second. The 1kHz would actually be amplitude modulated by the 10Hz, rather than simply superposed, which we know to be the case. His misunderstanding of the physics really is happening at a rather fundamental level. d Absolutely! Glenn's theory would only be valid if cables were non-linear, but we know that cables are extremely linear, pretty much to the limits of measurement, so no modulation can take place. S. |
bi-wire config question
tony sayer wrote:
'ere guv, how can I bi- or tri wire me ESL63's cos if the squirrelsounds is right.. I want some of what he's on:)) You would be better off multi-amping them. Get rid of that poxy HT delay line and replace it with a digital one driving a separate amp and transformer for the centre and each annulus and bob's your uncle. -- Eiron No good deed ever goes unpunished. |
bi-wire config question
Don Pearce wrote:
Good grief - there really is no end to it. OK, I've done all I can - anybody else feel like trying? Come up with a computer model that matches the observed effects and I might start taking you seriously. -- Glenn Richards Tel: (01453) 845735 Squirrel Solutions http://www.squirrelsolutions.co.uk/ IT consultancy, hardware and software support, broadband installation |
bi-wire config question
Glenn Richards wrote: Don Pearce wrote: OK Glenn, maybe you can't be bothered (yeah, right) but I can. I've done the work for you and simulated the two effects - biwire, or parallel wire, joined at the far end - in PSpice. The results vindicate my position completely. No they don't. You've only placed a "lossy" cable on one leg of the speaker cable. So you've got effectively a 5 metre run of cable from the positive speaker output, then a short (as close to zero ohms as possible) run back to the ground point on the amplifier. God almighty ! Don't you know that's the same as modelling with the resistance equally distributed ? Graham |
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