Don Pearce wrote:
Now on the rare occasions I heard her low-fi all I could hear was
speaker cabinet resonance, harmonic distortion and a complete lack
of dynamics. But she couldn't hear the difference.
She obviously didn' invite you round that much then - did you insult
her by dissing her hi fi?
She didn't have a hi-fi. Or even a mid-fi. Low-fi was about the only way
to describe it.
Needless to say she didn't play it that much. I think it got turned on
about 3-4 times while I was round.
The interesting thing is that although she said she couldn't hear any
difference between her low-fi and my setup, she said that for some
reason she enjoyed hearing music more at my place.
So clearly she was *hearing* the differences, just not *perceiving* them.
Right both times. Speaker cables can and do make a difference to
sound. You've been told this over and over again.
You said they didn't. Now you're admitting that they do.
So if you're now agreeing that speaker cables can and do make a
difference, does it not follow that bi-wiring will sound different to
single-wiring?
Ignoring the maths for a moment and concentrating entirely on the sound,
if as you're suggesting bi-wiring produces a less accurate sound, but
that sound is actually more pleasant, surely it then makes sense to bi-wire?
It's the same principle as solid state vs valves. Solid state, when it
distorts, causes distortion on the even harmonics. Valve kit distorts on
the odd harmonics. And distortion on odd harmonics can actually sound
quite good (just ask any rock guitarist).
The bottom line with hi-fi is really quite simple - does it sound good?
If bi-wiring sounds better than single-wiring then bi-wire. If the
system sounds better with the bridging straps left on (so single-wired
but effectively with thicker cable) then leave the bridging straps on.
If your speakers sound better toed in 20 degrees (even though the
manufacturer recommends a toe-in of 5 degrees) then toe them in 20 degrees.
With studio monitoring equipment the goal is to get the most accurate
sonic representation of what's "on the wire". With PA the goal is to
fill a space with sound. And with hi-fi the goal is to get the best and
most desirable sound to actually listen to the music. Which means that
for hi-fi the "rules" can occasionally be broken - and as described
above if it sounds better by doing things differently then do things
differently.
A few years ago I had an amplifier (Ferrograph F307) that actually
sounded better if you ran a 3-core cable from the amp to the speakers,
splitting it halfway between the two speakers into two twin core cables,
with a common return back to the amplifier. (This arrangement obviously
won't work with a bridged amp!) It should have sounded wrong, but on
this particular amp and the particular speakers I was using at the time
it actually sounded better to do things that way.
And at about the same time, I took a smaller pair of speakers, connected
them in series then connected the free ends across the positive
terminals of the speaker outputs, thereby feeding the smaller speakers
with the L-R difference signal. Placing these speakers some way behind
the listening position gave quite an effective surround sound effect.
Purists would have had a heart attack, but it worked, and was a lot of fun.
Horses for courses, I guess.
--
Glenn Richards Tel: (01453) 845735
Squirrel Solutions
http://www.squirrelsolutions.co.uk/
IT consultancy, hardware and software support, broadband installation