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how good are class D amplifiers?
In article l,
jaap wrote: I fully agree equipment needs to be measured. Foolish thing is, we (scientifically) have an incomplete picture of audio. It seems there's no need for so we settle for 'as good as it gets' with digital junk. Differences that can't be measured do not exist because they can't be measured. That's why so many 'voodoo' accessories are for sale. Since you are obviously a vinyl lover, can you explain why on most of my large collection of LPs there is a very noticeable change in audio quality between the start and end of the LP? -- *Those who live by the sword get shot by those who don't* Dave Plowman London SW To e-mail, change noise into sound. |
how good are class D amplifiers?
In article l,
jaap wrote: Don don't be offended, I won't either. The logic behind colorations associated with cables and capacitors are explicable by electrical properties. I can hear the difference between five or six cables, even more capacitors (I have hundreds to play with and I do!) and so can you (I presume). Never heard from James Randi but when we meet I'll buy you a drink, as many as you need to forget your equipment and hard obtained knowledge. Then we have a (blind) test listening to beautiful music. Then if you can truly hear these differences a fortune - and the esteem of millions - awaits you. Unfortunately, you have to *prove* you can here that difference in an accepted scientific way. Snake oil salesmen throughout the ages have made money by claiming such things without proof. Best regards from the home of the worlds largest audio equipment producing company ever. Philips? Not exactly renown for top end audio equipment. Apart from the co-development of the CD far more interested in the mass market than quality. -- *When you've seen one shopping centre you've seen a mall* Dave Plowman London SW To e-mail, change noise into sound. |
how good are class D amplifiers?
"Dave Plowman (News)" wrote in message ... In article l, jaap wrote: I fully agree equipment needs to be measured. Foolish thing is, we (scientifically) have an incomplete picture of audio. It seems there's no need for so we settle for 'as good as it gets' with digital junk. Differences that can't be measured do not exist because they can't be measured. That's why so many 'voodoo' accessories are for sale. Since you are obviously a vinyl lover, can you explain why on most of my large collection of LPs there is a very noticeable change in audio quality between the start and end of the LP? Sure, you've obviously got *no idea* how to set up a turntable/tonearm/cartridge..... -- *Those who live by the sword get shot by those who don't* Dave Plowman London SW To e-mail, change noise into sound. |
how good are class D amplifiers?
Dave Plowman (News) wrote:
In article l, jaap wrote: Don don't be offended, I won't either. The logic behind colorations associated with cables and capacitors are explicable by electrical properties. I can hear the difference between five or six cables, even more capacitors (I have hundreds to play with and I do!) and so can you (I presume). Never heard from James Randi but when we meet I'll buy you a drink, as many as you need to forget your equipment and hard obtained knowledge. Then we have a (blind) test listening to beautiful music. Then if you can truly hear these differences a fortune - and the esteem of millions - awaits you. Unfortunately, you have to *prove* you can here that difference in an accepted scientific way. Snake oil salesmen throughout the ages have made money by claiming such things without proof. Best regards from the home of the worlds largest audio equipment producing company ever. Philips? Not exactly renown for top end audio equipment. Apart from the co-development of the CD far more interested in the mass market than quality. Dave, have you already forgotten DCC? S. -- http://audiopages.googlepages.com |
how good are class D amplifiers?
"Dave Plowman (News)" wrote in message ... In article , Keith G wrote: I run two parallel systems: 100 SS Watts into 82 (84?) dB speakers and 8 or 9 valve Watts into high 90s speaker - the valve setup blows the other one away on the *loudness* front!! Define loudness as you mean it. OK, as I mean it: All my sources are routed through an SS control amp which has two 'pre outs' - one goes to a valve power amp with a volume control on my Lowthers, the other goes to an SS power amp (no volume control on the inputs I'm using) on multiway TLs. To match any given 'sound level' at the same distance (loudness) I have to *turn down* the volume control on the valve amp - say about a third of the way from full volume. IOW, with both power amps at max volume (no attenuation), switching from the SS to the valves (even only 9 Watts' worth) results in a tremendous increase in loudness from the valves/horns. Does that do it for you?? -- *The sooner you fall behind, the more time you'll have to catch up * Dave Plowman London SW To e-mail, change noise into sound. |
how good are class D amplifiers?
"Dave Plowman (News)" wrote What is far more revealing is to compare the analogue master to the LP produced from it. No argument there - they sound totally different... What has the taste of roast beef got to do with the taste of dead cow? -- *They call it PMS because Mad Cow Disease was already taken. Ooh!! Another one! Have you turned up the 'relevancy settings' or summat?? Dave Plowman London SW To e-mail, change noise into sound. |
how good are class D amplifiers?
In article ,
Keith G wrote: Since you are obviously a vinyl lover, can you explain why on most of my large collection of LPs there is a very noticeable change in audio quality between the start and end of the LP? Sure, you've obviously got *no idea* how to set up a turntable/tonearm/cartridge..... I was probably setting up quality arms and cartridges in the days you bopped to your Dansette. And if you've not noticed an LP quality deteriorating as it nears the end it says much about your ears and or equipment. -- *OK, so what's the speed of dark? * Dave Plowman London SW To e-mail, change noise into sound. |
how good are class D amplifiers?
In article ,
Serge Auckland wrote: Philips? Not exactly renown for top end audio equipment. Apart from the co-development of the CD far more interested in the mass market than quality. Dave, have you already forgotten DCC? Hardly - since I've got one somewhere. But Philips were more about inventing a standard to get the royalties from it than actually making the highest quality equipment to use that standard. Compact Cassette being a prime example - they actually tried to prevent improvements to the format. -- *I brake for no apparent reason. Dave Plowman London SW To e-mail, change noise into sound. |
how good are class D amplifiers?
In article ,
Keith G wrote: Define loudness as you mean it. OK, as I mean it: All my sources are routed through an SS control amp which has two 'pre outs' - one goes to a valve power amp with a volume control on my Lowthers, the other goes to an SS power amp (no volume control on the inputs I'm using) on multiway TLs. To match any given 'sound level' at the same distance (loudness) I have to *turn down* the volume control on the valve amp - say about a third of the way from full volume. IOW, with both power amps at max volume (no attenuation), switching from the SS to the valves (even only 9 Watts' worth) results in a tremendous increase in loudness from the valves/horns. Does that do it for you?? Heh heh. It just shows your complete lack of understanding of basic electronics. Bet you look at car speedos too to see which is the fastest... -- *The most wasted day of all is one in which we have not laughed.* Dave Plowman London SW To e-mail, change noise into sound. |
how good are class D amplifiers?
In article ,
Keith G wrote: -- *They call it PMS because Mad Cow Disease was already taken. Ooh!! Another one! Have you turned up the 'relevancy settings' or summat?? Dave Plowman London SW To e-mail, change noise into sound. I had hoped with your new Vista operating system that you boasted about earlier you might have learned how to use the software... -- *Born free - taxed to death * Dave Plowman London SW To e-mail, change noise into sound. |
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