In article ,
Iain Churches wrote:
"Dave Plowman (News)" wrote in message
...
In article ,
Keith G wrote:

I worked on a prog once where the plot revolved around unexploded home
made bombs. And hinged on the fact that the timers had been bought in
a bubble pack of four from a DIY store. The ones they showed were -
standard plug in mains timers with synchronous motors. But the bombs
which exploded weren't plugged into the mains...

Artistic licence?

Poor research by the art department. Plenty of engineers around they could
have asked - even if they couldn't find something on the web.

--
*OK, so what's the speed of dark? *

Dave Plowman London SW
To e-mail, change noise into sound.

In article ,
Iain Churches wrote:
Why would you avoid the D12 in that application ?

Just my personal choice. There are better mics, with switchable
attenuators more suited.

The very fact it's widely used for kick drum ilustrates it handles high
SPLs
very well.

Indeed it does. The real reason it is used on BD is because its a fairly
cheap, dispensable mic.

I'd have thought because of their age now quite valuable?

Few are willing to use a condenser there. In
the same way the few people use large condensers for drum overheads.
With flailing sticks there is a good chance they will get damaged or at
least dented. Here the AKG C451 family is ideal.

I've never had an overhead damaged by a drummer. Perhaps TV ones are less
maniacal.

--
*Born free...Taxed to death.

Dave Plowman London SW
To e-mail, change noise into sound.