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uk.rec.audio (General Audio and Hi-Fi) (uk.rec.audio) Discussion and exchange of hi-fi audio equipment.

rca phono - 4 pin DIN



 
 
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  #41 (permalink)  
Old September 1st 08, 02:07 PM posted to uk.rec.audio
Dave Plowman (News)
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Posts: 5,872
Default rca phono - 4 pin DIN

In article ,
Iain Churches wrote:
Those miniature XLRs are nifty too, but expensive


Expensive? They're less than 5 Euro/piece.

I don't mean the standard XLR but the miniature type.


A DIN connector is about Euro 0.015


And not worth even that. ;-)

--
*You can't teach an old mouse new clicks *

Dave Plowman London SW
To e-mail, change noise into sound.
  #42 (permalink)  
Old September 1st 08, 02:09 PM posted to uk.rec.audio
Dave Plowman (News)
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Posts: 5,872
Default rca phono - 4 pin DIN

In article ,
Phil Allison wrote:
I'm referring to the common Hi-Fi practice of taking a cartridge,
which, agreed is normally floating, into an unbalanced input. The
floating cartridge is also usually pretty well balanced,



** Utterly meaningless drivel - the correct term is " floating ".
Balancing infers differential mode amplification, twisted pair cables
etc, etc.


Then there is no such thing as a dynamic balance output microphone.

But of course you're wrong - again.

--
*It sounds like English, but I can't understand a word you're saying.

Dave Plowman London SW
To e-mail, change noise into sound.
  #43 (permalink)  
Old September 1st 08, 02:56 PM posted to uk.rec.audio
Phil Allison
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Posts: 927
Default rca phono - 4 pin DIN


"Dave Plowman (UTTER MORON )"

I'm referring to the common Hi-Fi practice of taking a cartridge,
which, agreed is normally floating, into an unbalanced input. The
floating cartridge is also usually pretty well balanced,



** Utterly meaningless drivel - the correct term is " floating ".
Balancing infers differential mode amplification, twisted pair cables
etc, etc.


Then there is no such thing as a dynamic balance output microphone.



** Dynamic " balanced " mics are simply floating signal sources.

Unbalanced mics have one signal connection in common with the earth or
case/handle of the mic.

There is no other distinction,

- you pig ignorant, insufferable, congenital pommy ASS.





...... Phil







  #44 (permalink)  
Old September 1st 08, 03:59 PM posted to uk.rec.audio
David Looser
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Posts: 1,883
Default rca phono - 4 pin DIN

"Phil Allison" wrote in message
...


** Not even possible - for the damn obvious reasons that normal tone arm
leads preclude it.


Most tone-arm wiring that I've seen uses an thin, unscreened wires, two per
channel twisted together. This would suit balanced operation rather better
than unbalanced.

David.


  #45 (permalink)  
Old September 1st 08, 06:40 PM posted to uk.rec.audio
Dave Plowman (News)
external usenet poster
 
Posts: 5,872
Default rca phono - 4 pin DIN

In article ,
Phil Allison wrote:
I'm referring to the common Hi-Fi practice of taking a cartridge,
which, agreed is normally floating, into an unbalanced input. The
floating cartridge is also usually pretty well balanced,



** Utterly meaningless drivel - the correct term is " floating ".
Balancing infers differential mode amplification, twisted pair cables
etc, etc.


Then there is no such thing as a dynamic balance output microphone.


** Dynamic " balanced " mics are simply floating signal sources.


Exactly the same as many pickup cartridges, then.

Unbalanced mics have one signal connection in common with the earth or
case/handle of the mic.


Or ground, even.

There is no other distinction,


Most unbalanced mics are also high impedance - saving the cost of an
output transformer etc.

- you pig ignorant, insufferable, congenital pommy ASS.


Isn't it about time you learned some new insults?

--
*The first rule of holes: If you are in one, stop digging!

Dave Plowman London SW
To e-mail, change noise into sound.
  #46 (permalink)  
Old September 1st 08, 11:28 PM posted to uk.rec.audio
Phil Allison
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Posts: 927
Default rca phono - 4 pin DIN


"Dave Plowman ( TOTAL MORON )

Phil Allison

I'm referring to the common Hi-Fi practice of taking a cartridge,
which, agreed is normally floating, into an unbalanced input. The
floating cartridge is also usually pretty well balanced,


** Utterly meaningless drivel - the correct term is " floating ".
Balancing infers differential mode amplification, twisted pair cables
etc, etc.

Then there is no such thing as a dynamic balance output microphone.


** Dynamic " balanced " mics are simply floating signal sources.


Exactly the same as many pickup cartridges, then.



** You are going round in tiny circles - ****wit.


Unbalanced mics have one signal connection in common with the earth or
case/handle of the mic.


There is no other distinction,


Most unbalanced mics are also high impedance - saving the cost of an
output transformer etc.



** ROTFLMAO !!!

Wot a know nothing IDIOT.

It is high impedance mics that have a transfomer

- you pig ignorant, insufferable, congenital pommy ASS.




....... Phil




  #47 (permalink)  
Old September 1st 08, 11:30 PM posted to uk.rec.audio
Phil Allison
external usenet poster
 
Posts: 927
Default rca phono - 4 pin DIN


"David Looser"
"Phil Allison"


** Not even possible - for the damn obvious reasons that normal tone
arm leads preclude it.


Most tone-arm wiring that I've seen uses an thin, unscreened wires, two
per channel twisted together. This would suit balanced operation rather
better than unbalanced.


** A tone arm lead is what I wrote.

That is a thing abut 1 metre long with 2 RCAs one end and a five pin plug
on the other.



....... Phil





  #48 (permalink)  
Old September 2nd 08, 09:08 AM posted to uk.rec.audio
David Looser
external usenet poster
 
Posts: 1,883
Default rca phono - 4 pin DIN

"Phil Allison" wrote in message
...

"David Looser"
"Phil Allison"


** Not even possible - for the damn obvious reasons that normal tone
arm leads preclude it.


Most tone-arm wiring that I've seen uses an thin, unscreened wires, two
per channel twisted together. This would suit balanced operation rather
better than unbalanced.


** A tone arm lead is what I wrote.

That is a thing abut 1 metre long with 2 RCAs one end and a five pin plug
on the other.

And *very* easy to change for one more suitable for balanced operation if
desired.

David.


  #49 (permalink)  
Old September 2nd 08, 09:29 AM posted to uk.rec.audio
Phil Allison
external usenet poster
 
Posts: 927
Default rca phono - 4 pin DIN


"David Poser"


** Not even possible - for the damn obvious reasons that normal tone
arm leads preclude it.


Most tone-arm wiring that I've seen uses an thin, unscreened wires, two
per channel twisted together. This would suit balanced operation rather
better than unbalanced.


** A tone arm lead is what I wrote.

That is a thing abut 1 metre long with 2 RCAs one end and a five pin plug
on the other.

And *very* easy to change for one more suitable for balanced operation if
desired.



** Another blatant LIE.

Stock in trade for this know nothing, pommy charlatan.



....... Phil


  #50 (permalink)  
Old September 2nd 08, 09:54 AM posted to uk.rec.audio
David Looser
external usenet poster
 
Posts: 1,883
Default rca phono - 4 pin DIN

"Phil Allison" wrote in message
...

"David Poser"


** Not even possible - for the damn obvious reasons that normal tone
arm leads preclude it.


Most tone-arm wiring that I've seen uses an thin, unscreened wires, two
per channel twisted together. This would suit balanced operation rather
better than unbalanced.

** A tone arm lead is what I wrote.

That is a thing abut 1 metre long with 2 RCAs one end and a five pin
plug on the other.

And *very* easy to change for one more suitable for balanced operation if
desired.



** Another blatant LIE.


So, are you incapable of unplugging one 5-pin plug and plugging in another
one?

David.


 




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