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Dynamics and level compression - FM vs DAB



 
 
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  #1 (permalink)  
Old September 16th 08, 11:28 AM posted to uk.rec.audio
Tony
external usenet poster
 
Posts: 19
Default Dynamics and level compression - FM vs DAB

"Jim Lesurf" wrote in message
...

The problem here, I suspect (again as IIRC Hawker indicates), is that the
broadcasters and set makers were 'promoting' FM for many years and this
was uphill work [pun].

Eh? Sorry I am being thick here! Clue please.

This was fair enough as the competition in those days
was AM, and so FM was pretty likely to be better. But it may mean they
glossed over - and then forgot about - these problems and just how likely
they are. Again fair enough if the choice is FM with some multipath versus
the interference-ridden AM.


I don't remember Pat Hawker's articles, but I have done a bit of work in
the past with a multipath 'scope display. I have to say that I am a bit
surprised that the problem is as severe as you describe. I nearly always
found that multipath could be made acceptable with the right aerial in the
right direction. But I wonder if the change to mixed or circular
polarisation might have made multipath more difficult to get rid of.

As regards the engineering decisions, multipath is not nearly so much of a
problem in mono as in stereo, as it is usually worst for high audio
frequencies with a large S content. So I think the problem mainly arose
with the change to stereo rather than the change from AM to FM. There was
pressure on the BBC to do stereo, and I suppose they thought that anyone who
was interested enough to get a stereo receiver would also get (or already
have) a good outside aerial, which would nearly always be needed anyway for
adequate signal to noise ratio. But I'm sure the engineers never forgot
multipath, which is one reason why they thought DAB was such a good idea.
--
Tony W
My e-mail address has no hyphen
- but please don't use it, reply to the group.







  #2 (permalink)  
Old September 16th 08, 12:26 PM posted to uk.rec.audio
Jim Lesurf[_2_]
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Posts: 2,668
Default Dynamics and level compression - FM vs DAB

In article , Tony
wrote:
"Jim Lesurf" wrote in message
...


The problem here, I suspect (again as IIRC Hawker indicates), is that
the broadcasters and set makers were 'promoting' FM for many years and
this was uphill work [pun].

Eh? Sorry I am being thick here! Clue please.


Pun based on the preference for transmit and receive antennas being high.

The problem which I was meaning is that for many years the general public
tended to stick with AM and ignored FM. But the BBC - and set makers - were
trying to get them to buy FM sets.

This was fair enough as the competition in those days was AM, and so
FM was pretty likely to be better. But it may mean they glossed over -
and then forgot about - these problems and just how likely they are.
Again fair enough if the choice is FM with some multipath versus the
interference-ridden AM.


I don't remember Pat Hawker's articles, but I have done a bit of work
in the past with a multipath 'scope display. I have to say that I am a
bit surprised that the problem is as severe as you describe. I nearly
always found that multipath could be made acceptable with the right
aerial in the right direction. But I wonder if the change to mixed or
circular polarisation might have made multipath more difficult to get
rid of.


This is one of the points he deals with. He reports German work that showed
that moving away from H polarization to V or non-planar *does* tend to make
multipath worse. Quite interesting to read what he says as he makes clear
he is aware that because he worked for the IBA he might be felt to engaging
in BBC bashing to question their decision to move away from H polarisation
for VHF/FM.

As regards the engineering decisions, multipath is not nearly so much of
a problem in mono as in stereo, as it is usually worst for high audio
frequencies with a large S content.


Agreed. This also means it is easier for people to overlook if they aren't
familiar with what FM can sound like when there is no multipath. This was
also something Hawker discussed.

So I think the problem mainly arose with the change to stereo rather
than the change from AM to FM.


The problems probably grew worse when stereo was introduced.


There was pressure on the BBC to do stereo, and I suppose they thought
that anyone who was interested enough to get a stereo receiver would
also get (or already have) a good outside aerial, which would nearly
always be needed anyway for adequate signal to noise ratio. But I'm
sure the engineers never forgot multipath, which is one reason why they
thought DAB was such a good idea.


My recollection is that they were aware of fading and flutter problems for
FM, but I can't recall those involved saying much about multipath
distortion on FM being an audible problem. The multipath resistance of
digital transmissions was, I think, mainly to ensure reliable reception
cover without fades (or ignition interference). Of course, the goalposts
moved here as we have gone from DAB for cars to DAB for general use!

TBH I am not sure about the engineers. May depend on the era you have in
mind. Only aware that the broadcasters essentially fell silent on the
matter. The articles by Hawker are the only ones I have found thus far.
I've been reading mags like the audio ones and WW on and off for decades
and I can't off-hand recall any other articles that examine multipath in
anything more than general terms - and assume it is a minor problem.

Interestingly, Hawker does mention some research the BBC engineers did, but
this was never officially published! That, I think, also says something
about the attitude at the time, but it is hard to know who made the
decision to not publish the results as a normal BBC paper.

Also my experience is that when I have in the past read about or asked
about multipath the 'standard response' has been along the lines of your
own initial comments. i.e. That it isn't much of a problem, and can
generally be cured by a good RX and carefully aligned antenna.

However, I now seriously doubt that is so for many people. Hence my
suspicion that the early engineers did know about this, but felt it didn't
matter, or wasn't something to bother people about. Then - later on - as
stereo and FM grew the mindset may have been established that multipath
wasn't a problem. So the then current engineers tended to assume it wasn't
a problem as FM had been going for years and no-one had told them it *was*
a problem.

As with my 'uphill' pun, I think the mindset was to promote FM and then
Stereo, not to make a meal of any snags. ( ahem You might like to draw a
parallel with DAB here. ;- )

Part of the problem is that a general analysis of this would have been
quite difficult before computers were commonly available. Easy now to
forget this and that the world before about 1970 was different to today in
this respect. General modelling of FM can be quite difficult.

Another part is that a statistically useful survey of the problem takes a
significant amount of time and effort. So not something engineers would do
unless they already thought there was a good reason.

Perhaps the history here is a parallel with 'how to cook a crab' stories...
:-)

Slainte,

Jim

--
Change 'noise' to 'jcgl' if you wish to email me.
Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm
Armstrong Audio http://www.audiomisc.co.uk/Armstrong/armstrong.html
Audio Misc http://www.audiomisc.co.uk/index.html

  #3 (permalink)  
Old September 16th 08, 07:40 PM posted to uk.rec.audio
tony sayer
external usenet poster
 
Posts: 2,042
Default Dynamics and level compression - FM vs DAB

In article , Tony
scribeth thus
"Jim Lesurf" wrote in message
...

The problem here, I suspect (again as IIRC Hawker indicates), is that the
broadcasters and set makers were 'promoting' FM for many years and this
was uphill work [pun].

Eh? Sorry I am being thick here! Clue please.

This was fair enough as the competition in those days
was AM, and so FM was pretty likely to be better. But it may mean they
glossed over - and then forgot about - these problems and just how likely
they are. Again fair enough if the choice is FM with some multipath versus
the interference-ridden AM.


I don't remember Pat Hawker's articles, but I have done a bit of work in
the past with a multipath 'scope display. I have to say that I am a bit
surprised that the problem is as severe as you describe. I nearly always
found that multipath could be made acceptable with the right aerial in the
right direction. But I wonder if the change to mixed or circular
polarisation might have made multipath more difficult to get rid of.

As regards the engineering decisions, multipath is not nearly so much of a
problem in mono as in stereo, as it is usually worst for high audio
frequencies with a large S content. So I think the problem mainly arose
with the change to stereo rather than the change from AM to FM. There was
pressure on the BBC to do stereo, and I suppose they thought that anyone who
was interested enough to get a stereo receiver would also get (or already
have) a good outside aerial, which would nearly always be needed anyway for
adequate signal to noise ratio. But I'm sure the engineers never forgot
multipath, which is one reason why they thought DAB was such a good idea.


I expect that mixed polarisation might just make the problem worse.

One of the main reasons for its introduction was for the vertical
component to be used by cars the horiz to be used by fixed aerials.

But one thing it does do especially in urban areas is that when there is
multipath there is sometimes polarisation skew i.e. what was Vertical is
now Horiz and vice versa. Course take a Horiz TX and some reflections
coming as Vertical will now be discriminated against if you see what I
mean..

The good side is that it helps to reduce flutter for mobile systems in
that if the vertical component gets skewed then the horiz one will be -
bent- to Vertical and thus fill in the -missing- as it were....

You can see this on a spec analyser whilst driving around an area that
has mixed and vertical only stations. The mixed is quite stable in level
whereas the single Vert is UTP and down like the proverbial...
--
Tony Sayer


  #4 (permalink)  
Old September 17th 08, 08:24 AM posted to uk.rec.audio
Jim Lesurf[_2_]
external usenet poster
 
Posts: 2,668
Default Dynamics and level compression - FM vs DAB

In article , tony sayer


I expect that mixed polarisation might just make the problem worse.


Yes. Your comments are in line with what Hawker wrote. That mix poln is
helpful for mobile reception using V rods, etc. But that it makes multipath
more problematic for fixed reception using H plane antennas.

The statistical trade off seems to be: less likely to get flutter/fades but
with the cost of higher amounts of multipath.

Slainte,

Jim

--
Change 'noise' to 'jcgl' if you wish to email me.
Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm
Armstrong Audio http://www.audiomisc.co.uk/Armstrong/armstrong.html
Audio Misc http://www.audiomisc.co.uk/index.html

  #5 (permalink)  
Old September 17th 08, 01:22 PM posted to uk.rec.audio
Dave Plowman (News)
external usenet poster
 
Posts: 5,872
Default Dynamics and level compression - FM vs DAB

In article ,
Jim Lesurf wrote:
I expect that mixed polarisation might just make the problem worse.


Yes. Your comments are in line with what Hawker wrote. That mix poln is
helpful for mobile reception using V rods, etc. But that it makes
multipath more problematic for fixed reception using H plane antennas.


The statistical trade off seems to be: less likely to get flutter/fades
but with the cost of higher amounts of multipath.


This was mentioned recently on uk.tech.broadcast as regards using a
vertical FM aerial to get a better DAB signal.

--
*OK, so what's the speed of dark? *

Dave Plowman London SW
To e-mail, change noise into sound.
 




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