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HY60
In article , Jim Lesurf
scribeth thus In article , tony sayer wrote: In article , Jim Lesurf scribeth thus Well, to me the results on R3 sound preferrable to the results via FM. And of course Freeview is a more logical choice than FM for World Service and R7 since they aren't available here on FM. Well there seems to be a lot of instances of distortion via Freeview on Radio 4 recently which the BBC seems unaware of which isn't quite how it should be... Can't say I've noticed that. However I mostly listen to R3 via DTTV, not R4. And I am getting signals from Durris/Angus not CP. Maybe I notice the drawbacks of FM more easily than yourself. Maybe we have a better TX feed than you do;?.. Which gives you less ignition interference and level compression? Not a problem here at home or in my car, and the radio in that is nothing special!.. The compression isn't the fault of the FM system as such, its more to do with how the broadcaster sees it!.. [snip] And to think they, the BBC, have all that bandwidth available on satellite and they still stick with 192K MP2... An utter disgrace for a broadcaster:((... I can understand their dilemma on DAB. But I'd agree than I'd much prefer it if all 'sound radio' used 256k for the sound. DTTV has much larger capacity than DAB so that shouldn't really be a problem for the BBC even if commercial broadcasters are driven by 'bits cost cash' worries. Ditto for satellite. Cost is hardly an issue, its more to do with bloody mindedness and stupidity:(.. Consider how much it must cost to distribute upteen variations of BBC One!.. Personally, I would not weep if the BBC were simply allowed to spread across the bandwidth left largely vacent or vacuous by commercial stations. I could like without 'telesales' and similarly brain-dead commercial fillers. I also think they'd be better off dumping BBC3 and combining their two kiddie channels to give more bitspace for their other channels. Its still not a problem -space- and -bandwidth- on satellite that is.. But regardless, I find that R3 and BBC4 on DTTV do generally deliver good results. And I welcome WS and R7 even if they are squeezed in at low rates. Problem here is that 'regulation' aimed at keeping up quality has essentially been abandoned by all and sundry, and the BBC have been made to feel that they have to be 'popular' to 'justify' the fees. Gresham's Law then comes into force with the results we have. In some ways I'd say it was remarkable that the BBC have resisted this to the extent they have given the commercial interests that would just as soon have the BBC evaporate. I don't see the BBC would have a problem if it dropped its silly ratings war. I don't think the viewing public are quite as stupid as they think and they should educate them anyway!.. Given my 'druthers I'd have blocked all the 'flogging crap to bored dimwits' channels and the 'delayed 10 mins for those who made a cup of tea' ones. I'd also have kept much of the old limits on levels of repeats, durations of adverts, etc, and made them apply to DTTV. This would have swept out the crud that takes up so much bandspace. But maybe then we simply would not have as many muxes... My bias is that to me the bulk of commercial broadcasting seems to be things I'd be happy to see vanish. But then a lot of daytime BBC1 strikes me as also being in this category. One prog after another about buying and selling homes or antiques. sigh So I must be one of the "Toff's TV" sector. :-) Well lets hope the British obsession with the worth if their homes is coming to an end... With some of the above especially the children's programming one could conclude that the learned gent is shall we say .. showing is age a bit;!.. -- Tony Sayer |
HY60
In article , Dave Plowman (News)
scribeth thus In article , tony sayer wrote: Well, to me the results on R3 sound preferrable to the results via FM. And of course Freeview is a more logical choice than FM for World Service and R7 since they aren't available here on FM. Well there seems to be a lot of instances of distortion via Freeview on Radio 4 recently which the BBC seems unaware of which isn't quite how it should be... I've experienced it and am at a loss to explain it. Sounds like something in an analogue part of the chain to me. It's intermittent - and no real pattern to it. I've heard it on live broadcasts which would rule out a rogue play in device. It could also be local to just one transmitter or group of transmitters. Whatever make you think its an analogue component it the chain Dave thats all digital now?.. -- Tony Sayer |
HY60
In article ,
tony sayer wrote: I've experienced it and am at a loss to explain it. Sounds like something in an analogue part of the chain to me. It's intermittent - and no real pattern to it. I've heard it on live broadcasts which would rule out a rogue play in device. It could also be local to just one transmitter or group of transmitters. Whatever make you think its an analogue component it the chain Dave thats all digital now?.. It's not. Starting with the microphone...;-) It sort of sounds like overload on an analogue circuit, not something I've heard with a digits fault. But I'm willing to be educated. How would you describe it? Incidentally, not noticed it during the last couple of days despite being in all day with R4 on. -- *Depression is merely anger without enthusiasm * Dave Plowman London SW To e-mail, change noise into sound. |
HY60
In article , tony sayer
wrote: In article , Jim Lesurf scribeth thus Maybe I notice the drawbacks of FM more easily than yourself. Maybe we have a better TX feed than you do;?.. Which gives you less ignition interference and level compression? Not a problem here at home or in my car, Odd that you don't notice the level compression on R3 when at home. and the radio in that is nothing special!.. The compression isn't the fault of the FM system as such, its more to do with how the broadcaster sees it!.. You can also say that the level of data compression on DAB/DTTV isn't a fault of the system as such, its more to do with how the broadcaster sees it! :-) Problem here is that 'regulation' aimed at keeping up quality has essentially been abandoned by all and sundry, and the BBC have been made to feel that they have to be 'popular' to 'justify' the fees. Gresham's Law then comes into force with the results we have. In some ways I'd say it was remarkable that the BBC have resisted this to the extent they have given the commercial interests that would just as soon have the BBC evaporate. I don't see the BBC would have a problem if it dropped its silly ratings war. I don't think the viewing public are quite as stupid as they think and they should educate them anyway!.. But some of the critics of the BBC in our journalistic and political classes *are* that stupid as it suits their agenda. The argument they shove out is the weary one "how can you justify making everyone pay the fee if you only make programmes a minority will view/hear?" They rely on people resenting paying for anything at all, combined with them not realising how output aimed at educating and informing can raise standards and provide info which even those who don't watch/hear will find affecting and informing the debate or environment around them. Good programmes put out into the public domain information, etc, that then can spread by other means to those who didn't see/hear the orginal programmes. Alas, ideas like that aren't on the radar for critics who follow the line that only having an 'audience' can justify the fees. BTW If you haven't read it already, try reading "Flat Earth News" by Nick Davies. It does a good job of exposing the way journalism, etc, have essentially been dumbed down by the mentality of grocers and accountants whose only interest is making a cash return. Including its effect upon the BBC who are expected to 'compete' on a similar basis. Slainte, Jim -- Change 'noise' to 'jcgl' if you wish to email me. Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm Armstrong Audio http://www.audiomisc.co.uk/Armstrong/armstrong.html Audio Misc http://www.audiomisc.co.uk/index.html |
Stevenson = Charlatan
"Eeyore" wrote in message ... bassett wrote: "Eeyore" wrote TT wrote: "Eeyore" wrote Fleetie wrote: "Phil Allison" wrote "Eeysore = Graham Stevenson = Lying Criminal Charlatan ** You will not go back three posts - to one YOU replied to. You will not go back even one. You REFUSE to read the one in front of you as well. Go get cancer and die - you CRIMINALLY INSANE POMMY MANIAC ...... Phil Well, Graham? Phil has thrown down the gauntlet. Now what are you going to do? Are you going to remove him from usenet as you threatened? He's back to the wishing fatal cancer on people that outraged you last time. So, your move. Valid comment. I'm absolutely tied up in stuff right now though and couldn't give a tinker's cuss about Phyllis. Perhaps spend less time swapping abuse with Philthy and use that time to get his account pulled. Only a thought to help with your time management problem ;-) FFS, I want to get Bwian pulled and now you want me to get Phyllis burnt at the stake too ? Gimme a break ! Your the one running his mouth Graham,, nice to see your still cross posting.. 'Fleetie' originated the cross-post. I hadn't noticed it. You DO know how to work that out do you ? Woof Woof ? Graham I know how to work out most things, including you. I had the lady from the RSPCA round the other day .. She's of the same opinion as me, about you. All bluff and no bloody grunt. bassett |
HY60
"Woody" wrote in message ... "Serge Auckland" wrote in message ... "TonyL" wrote in message ... I've found a couple of HY60 amplifier modules in my junk box. I have a data sheet which indicates a +/- 25v power supply voltage rails requirement but no indication of current. Power into 8 ohms is 30W. If I put a power supply together what sort of current should I be expecting to supply to each module ? Presumably, a simple dual rail transformer/rectifier/electrolytic type of supply would be OK ? Any gotchas with this project ? Thanks TonyL Nice little amps! Assuming that you're not going to be using these amps to drive some extreme loads, then 30 watts into 8 ohms is a current of 1.94 amps, add a little for the amp's overhead, and so you need a minimum of 2 amps per amplifier. If you're building a single supply to power both amps, then I would go for a 5 amp supply. If the 'speakers you're going to use are closer to 4 ohms than 8, you may like to double the current capacity. No particular "gotchas" with these as far as I'm aware, they do what they say they do. S. -- http://audiopages.googlepages.com Agreed. Of their time superb amps. They were later replaced with a power MOSFET version which had a somewhat higher slew rate, but nontheless the HY was a very good amp. Just make sure, as above, that the supply can provide the current. You should even consider a regulated supply as (and I'm sure someone will enlighten us) you will get better and cleaner bass. Although the HY60s have built-on heatsinks it would still be wise to attach them to a chassis that is capable of dissipating at least some of the heat. I built a dual mono MOSFET power amp based on the Ambit boards containing a Hitachi design. It was good and provided 110wpc without difficulty. I then built the regulated supply designed by the late great John Lindsey-Hood and fitted that - and the aural difference was dramatic, and not least that it did 110W into 8R and 220W into 4R. The PSU design also provides d.c. offset protection for the speakers. I think I have a copy of the circuit of anyone wants it. **Those figures are, of course, impossible in this universe. Particularly with MOSFETs. You may get close to a doubling in power, but You'll never quite get there, regardless of power supply regulation. -- Trevor Wilson www.rageaudio.com.au |
HY60
"Rob" wrote in message ... Eeyore wrote: TonyL wrote: I've found a couple of HY60 amplifier modules in my junk box. I have a data sheet which indicates a +/- 25v power supply voltage rails requirement but no indication of current. Power into 8 ohms is 30W. If I put a power supply together what sort of current should I be expecting to supply to each module ? Presumably, a simple dual rail transformer/rectifier/electrolytic type of supply would be OK ? Yes. You can work out the current for yourself of course, but then it varies depending on whether you plan to drive it hard continuously or just play light orchestral. Graham Do you think most off the shelf amplifiers are designed to be driven hard continuously, and if not, how is the sound affected? **Yep and not at all. Unless it is utter crap, of course. I still don't understand this 'all modern amplifiers sound the same' thing - hence the question! **Few people actually say such things. Amplifiers may sound different for a variety of reasons. Mostly when they are presented with abnormal operating requirements. Some amplifier cope better with being asked to operate beyond what many designers consider 'normal'. Then there's these quite silly SET amplifiers. They are deliberately designed to distort. -- Trevor Wilson www.rageaudio.com.au |
Stevenson = Charlatan
bassett wrote: "Eeyore" wrote bassett wrote: "Eeyore" wrote TT wrote: "Eeyore" wrote Fleetie wrote: "Phil Allison" wrote "Eeysore = Graham Stevenson = Lying Criminal Charlatan ** You will not go back three posts - to one YOU replied to. You will not go back even one. You REFUSE to read the one in front of you as well. Go get cancer and die - you CRIMINALLY INSANE POMMY MANIAC ...... Phil Well, Graham? Phil has thrown down the gauntlet. Now what are you going to do? Are you going to remove him from usenet as you threatened? He's back to the wishing fatal cancer on people that outraged you last time. So, your move. Valid comment. I'm absolutely tied up in stuff right now though and couldn't give a tinker's cuss about Phyllis. Perhaps spend less time swapping abuse with Philthy and use that time to get his account pulled. Only a thought to help with your time management problem ;-) FFS, I want to get Bwian pulled and now you want me to get Phyllis burnt at the stake too ? Gimme a break ! Your the one running his mouth Graham,, nice to see your still cross posting.. 'Fleetie' originated the cross-post. I hadn't noticed it. You DO know how to work that out do you ? Woof Woof ? Graham I know how to work out most things, including you. I had the lady from the RSPCA round the other day . She's of the same opinion as me, about you. All bluff and no bloody grunt. bassett I'm trembling in fear ! |
HY60
Trevor Wilson wrote: "Woody" wrote "Serge Auckland" wrote "TonyL" wrote I've found a couple of HY60 amplifier modules in my junk box. I have a data sheet which indicates a +/- 25v power supply voltage rails requirement but no indication of current. Power into 8 ohms is 30W. If I put a power supply together what sort of current should I be expecting to supply to each module ? Presumably, a simple dual rail transformer/rectifier/electrolytic type of supply would be OK ? Any gotchas with this project ? Nice little amps! For their day, certainly. Still credible I'd say. Assuming that you're not going to be using these amps to drive some extreme loads, then 30 watts into 8 ohms is a current of 1.94 amps, add a little for the amp's overhead, and so you need a minimum of 2 amps per amplifier. If you're building a single supply to power both amps, then I would go for a 5 amp supply. If the 'speakers you're going to use are closer to 4 ohms than 8, you may like to double the current capacity. No particular "gotchas" with these as far as I'm aware, they do what they say they do. -- http://audiopages.googlepages.com Agreed. Of their time superb amps. They were later replaced with a power MOSFET version which had a somewhat higher slew rate, but nontheless the HY was a very good amp. Just make sure, as above, that the supply can provide the current. You should even consider a regulated supply as (and I'm sure someone will enlighten us) you will get better and cleaner bass. Although the HY60s have built-on heatsinks it would still be wise to attach them to a chassis that is capable of dissipating at least some of the heat. I built a dual mono MOSFET power amp based on the Ambit boards containing a Hitachi design. It was good and provided 110wpc without difficulty. I then built the regulated supply designed by the late great John Lindsey-Hood and fitted that - and the aural difference was dramatic, and not least that it did 110W into 8R and 220W into 4R. The PSU design also provides d.c. offset protection for the speakers. I think I have a copy of the circuit of anyone wants it. **Those figures are, of course, impossible in this universe. Particularly with MOSFETs. You may get close to a doubling in power, but You'll never quite get there, regardless of power supply regulation. "Woody" is clearly a Grade One imbecile. Graham |
HY60
"Trevor Wilson" wrote in message
... Do you think most off the shelf amplifiers are designed to be driven hard continuously, Depends on what's meant by "hard and continuously". If you mean "full rated power with a sine-wave" then no, most off-the-shelf domestic amplifiers are not designed to be used that way and will overheat. Of course by the time that happens the speakers will have long since perished! and if not, how is the sound affected? **Yep and not at all. Unless it is utter crap, of course. I still don't understand this 'all modern amplifiers sound the same' thing - hence the question! **Few people actually say such things. Amplifiers may sound different for a variety of reasons. Mostly when they are presented with abnormal operating requirements. Some amplifier cope better with being asked to operate beyond what many designers consider 'normal'. Then there's these quite silly SET amplifiers. They are deliberately designed to distort. Oh but think of the advantages of SET amplifiers! Apart from all that 2nd harmonic distortion adding "musicality", the endless fun that can be had debating the sonic improvement that can be got by using different sorts of filament supply etc. and the useful way they can remove unwanted weight from your wallet; the *real* advantage is the status value, after all how many other people use them? and don't they look pretty? David. |
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