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New webpage on loudspeaker cables
Hi,
I've just put up a new webpage that provides some measurements on the properties of a variety of loudspeaker cables. The page is at http://www.audiomisc.co.uk/HFN/Cables3/TakeTheLead.html It is an expanded version of the article published in 'Hi Fi News' a few months ago. Slainte, Jim -- Please use the address on the audiomisc page if you wish to email me. Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm Armstrong Audio http://www.audiomisc.co.uk/Armstrong/armstrong.html Audio Misc http://www.audiomisc.co.uk/index.html |
New webpage on loudspeaker cables
On Fri, 07 Aug 2009 09:10:40 +0100, Jim Lesurf
wrote: Hi, I've just put up a new webpage that provides some measurements on the properties of a variety of loudspeaker cables. The page is at http://www.audiomisc.co.uk/HFN/Cables3/TakeTheLead.html It is an expanded version of the article published in 'Hi Fi News' a few months ago. Slainte, Jim No conclusions section there, but maybe as follows? 1. If you open circuit the cable at the loudspeaker end, it is better if the cable is somewhat lossy, as this will prevent the quarter wave Mod Z dropping to too low (potentially damaging) a value. 2. Provided you have a speaker on the far end, none of the cables result in a particularly problematic load at RF. The minimum impedance variations tend to come from the cables with lower characteristic impedance (closest conductor spacing). 3. The Isolda behaves very differently to the rest, and provided it is used as recommended, presents the most consistent and friendly load of any. I could do with some more info on the Isolda cable - what the inductor is all about and how come the impedance drops so low without it. d |
New webpage on loudspeaker cables
On 2009-08-07, Don Pearce wrote:
On Fri, 07 Aug 2009 09:10:40 +0100, Jim Lesurf wrote: Hi, I've just put up a new webpage that provides some measurements on the properties of a variety of loudspeaker cables. The page is at http://www.audiomisc.co.uk/HFN/Cables3/TakeTheLead.html It is an expanded version of the article published in 'Hi Fi News' a few months ago. No conclusions section there, but maybe as follows? 1. If you open circuit the cable at the loudspeaker end, it is better if the cable is somewhat lossy, as this will prevent the quarter wave Mod Z dropping to too low (potentially damaging) a value. Alternatively, perhaps, that a well-designed amplifier will have about 2 uH of good quality inductance in series with its output to avoid such a case becoming damaging? -- John Phillips |
New webpage on loudspeaker cables
In article 4a7be630.269829187@localhost, Don Pearce
wrote: On Fri, 07 Aug 2009 09:10:40 +0100, Jim Lesurf wrote: Hi, I've just put up a new webpage that provides some measurements on the properties of a variety of loudspeaker cables. The page is at http://www.audiomisc.co.uk/HFN/Cables3/TakeTheLead.html It is an expanded version of the article published in 'Hi Fi News' a few months ago. Slainte, Jim No conclusions section there, but maybe as follows? There are a couple of 'follow on' articles which I wrote a while ago but are currently unpublished. At present I'm deciding what to do with them. Put them directly onto the web, or see if a magazine wants them first. When they appear the 'conclusions' may be a bit clearer. 1. If you open circuit the cable at the loudspeaker end, it is better if the cable is somewhat lossy, as this will prevent the quarter wave Mod Z dropping to too low (potentially damaging) a value. In general, cable losses will reduce the amplitude in the presented impdance changes with frequency in the RF region. The snag being that if too large, they could also upset performance in the audio region. IIUC one aspect of DNM's argument is that his cables do include RF loss. (My interpretation of what he says is this is due to internal impedance as the cable uses solid core wire. Thus introducing a loss at RF.) 2. Provided you have a speaker on the far end, none of the cables result in a particularly problematic load at RF. The minimum impedance variations tend to come from the cables with lower characteristic impedance (closest conductor spacing). Yes, although I'd qualify that as below... 3. The Isolda behaves very differently to the rest, and provided it is used as recommended, presents the most consistent and friendly load of any. I could do with some more info on the Isolda cable - what the inductor is all about and how come the impedance drops so low without it. The inductor (and LS end load) are to deal with the loading at RF. If you look, without these the dips go *very* low. That might upset poor amplifier designs which don't have unconditional stability, or, say, whose distortion behaviour could be affected. You'd need to check with Max, but my understanding is that the networks are included as standard with lengths of their cable. Although if you know your amp isn't fussed by a severe RF dip or resonances then I'd say you could dispense with them. FWIW I like the technical performance of the Isolda. But I'd find it a PITA to use as you have to take care laying it out, etc. However if you have very long, essentially straight, cable runs, it should do the job well. Apart from the above, I've continued to use the Maplin 'monster cable' for my own systems. But the runs are only a couple of metres. Slainte, Jim -- Please use the address on the audiomisc page if you wish to email me. Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm Armstrong Audio http://www.audiomisc.co.uk/Armstrong/armstrong.html Audio Misc http://www.audiomisc.co.uk/index.html |
New webpage on loudspeaker cables
On Fri, 07 Aug 2009 10:40:08 +0100, Jim Lesurf
wrote: In article 4a7be630.269829187@localhost, Don Pearce wrote: On Fri, 07 Aug 2009 09:10:40 +0100, Jim Lesurf wrote: Hi, I've just put up a new webpage that provides some measurements on the properties of a variety of loudspeaker cables. The page is at http://www.audiomisc.co.uk/HFN/Cables3/TakeTheLead.html It is an expanded version of the article published in 'Hi Fi News' a few months ago. Slainte, Jim No conclusions section there, but maybe as follows? There are a couple of 'follow on' articles which I wrote a while ago but are currently unpublished. At present I'm deciding what to do with them. Put them directly onto the web, or see if a magazine wants them first. When they appear the 'conclusions' may be a bit clearer. 1. If you open circuit the cable at the loudspeaker end, it is better if the cable is somewhat lossy, as this will prevent the quarter wave Mod Z dropping to too low (potentially damaging) a value. In general, cable losses will reduce the amplitude in the presented impdance changes with frequency in the RF region. The snag being that if too large, they could also upset performance in the audio region. I can think of certain brand amplifiers which would sing a loud and shrill song to such a load. IIUC one aspect of DNM's argument is that his cables do include RF loss. (My interpretation of what he says is this is due to internal impedance as the cable uses solid core wire. Thus introducing a loss at RF.) I can't see that impedance per se introduces loss. Maybe he meant resistance. Do you suppose he was talking solely about skin effect, or does he use a particularly lossy dielectric? 2. Provided you have a speaker on the far end, none of the cables result in a particularly problematic load at RF. The minimum impedance variations tend to come from the cables with lower characteristic impedance (closest conductor spacing). Yes, although I'd qualify that as below... 3. The Isolda behaves very differently to the rest, and provided it is used as recommended, presents the most consistent and friendly load of any. I could do with some more info on the Isolda cable - what the inductor is all about and how come the impedance drops so low without it. The inductor (and LS end load) are to deal with the loading at RF. If you look, without these the dips go *very* low. That might upset poor amplifier designs which don't have unconditional stability, or, say, whose distortion behaviour could be affected. You'd need to check with Max, but my understanding is that the networks are included as standard with lengths of their cable. Although if you know your amp isn't fussed by a severe RF dip or resonances then I'd say you could dispense with them. Ok, I can see that. The inductor is taking the place of the one that should really already be inside the amplifier. And of course being low loss and low Z, this cable will invert the high Z speaker resonances very nicely into an extremely low Z dip. If only speakers were resistive, we could avoid all this - sigh. FWIW I like the technical performance of the Isolda. But I'd find it a PITA to use as you have to take care laying it out, etc. However if you have very long, essentially straight, cable runs, it should do the job well. Apart from the above, I've continued to use the Maplin 'monster cable' for my own systems. But the runs are only a couple of metres. Same distance here, but I haven't bothered with the sophistication of Maplin cable. I just use some old wire from the junk box. d |
New webpage on loudspeaker cables
In article , John Phillips
wrote: On 2009-08-07, Don Pearce wrote: 1. If you open circuit the cable at the loudspeaker end, it is better if the cable is somewhat lossy, as this will prevent the quarter wave Mod Z dropping to too low (potentially damaging) a value. Alternatively, perhaps, that a well-designed amplifier will have about 2 uH of good quality inductance in series with its output to avoid such a case becoming damaging? That is the 'solution' I personally tend to prefer. It also helps deter entry of RF into the amp via the live speaker lead. Slainte, Jim -- Please use the address on the audiomisc page if you wish to email me. Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm Armstrong Audio http://www.audiomisc.co.uk/Armstrong/armstrong.html Audio Misc http://www.audiomisc.co.uk/index.html |
New webpage on loudspeaker cables
In article 4a7cf91f.274676328@localhost, Don Pearce
wrote: On Fri, 07 Aug 2009 10:40:08 +0100, Jim Lesurf wrote: 1. If you open circuit the cable at the loudspeaker end, it is better if the cable is somewhat lossy, as this will prevent the quarter wave Mod Z dropping to too low (potentially damaging) a value. In general, cable losses will reduce the amplitude in the presented impdance changes with frequency in the RF region. The snag being that if too large, they could also upset performance in the audio region. I can think of certain brand amplifiers which would sing a loud and shrill song to such a load. Would you care to Naim one? :-) IIUC one aspect of DNM's argument is that his cables do include RF loss. (My interpretation of what he says is this is due to internal impedance as the cable uses solid core wire. Thus introducing a loss at RF.) I can't see that impedance per se introduces loss. Maybe he meant resistance. Do you suppose he was talking solely about skin effect, or does he use a particularly lossy dielectric? It is difficult to be sure as I've had to 'interpret' his descriptions for myself. But I think his argument is essentially a mix of things which include. A) The cable series inductance and the cable having a high characteristic impedance. This tends to shove up all the peaks and dips. b) The internal impedance ('skin effect') adding in higher series resistance at RF than at audio. So damping the peaks and dips at RF without affecting audio so much. FWIW what I did find interesting here is that the mulltistranded cables also showed signs of internal impedance pushing up the series resistance at RF. So faith that multistrands suppress internal imedance effects may be unfounded for - I assume - the simple reason that, usually, there is no insulation of the individual strands. So the bundles act like a single core with a rough boundary. [snip] Ok, I can see that. The inductor is taking the place of the one that should really already be inside the amplifier. And of course being low loss and low Z, this cable will invert the high Z speaker resonances very nicely into an extremely low Z dip. If only speakers were resistive, we could avoid all this - sigh. Yes. Hence my reference back to the 'SCAMP' article. Loudspeaker designers have a lot to answer for, but rhwy usually chuck the problems onto the lawn of the amp designers and pretend it is nothing to do with them! 8-] FWIW I'd have liked to also do results with C and L loadings as they can give even nastier peaks and dips, dragging them down to lower frequencies. But I could not find any in time that were sifficiently 'pure single value' over the range to make the results easy to assess. May return to this in the far future, though... Curiously, this was all a nice preparation for some later work on the claims about mains cables behaving as 'interference filters'. :-) Slainte, Jim -- Please use the address on the audiomisc page if you wish to email me. Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm Armstrong Audio http://www.audiomisc.co.uk/Armstrong/armstrong.html Audio Misc http://www.audiomisc.co.uk/index.html |
New webpage on loudspeaker cables
On Fri, 07 Aug 2009 12:56:52 +0100, Jim Lesurf
wrote: Yes. Hence my reference back to the 'SCAMP' article. Loudspeaker designers have a lot to answer for, but rhwy usually chuck the problems onto the lawn of the amp designers and pretend it is nothing to do with them! 8-] All it would take is a 22nF cap in series with 8.2 ohms across the speaker terminals. A turnover frequency about 1MHz, and virtually no power to dissipate. That would certainly tame the out-of-band impedance of your Spendor LS3/5A nicely. d |
Jim Lesurf Criminal Audiophool Facillitator
"Jim Lesurf Criminal Audiophool Facillitator " I've just put up a new webpage that provides some measurements on the properties of a variety of loudspeaker cables. The page is at http://www.audiomisc.co.uk/HFN/Cables3/TakeTheLead.html It is an expanded version of the article published in 'Hi Fi News' a few months ago. ** Dear UKRA readers, the religious among us can take some comfort from the fact that *SATAN* is currently preparing a special blast furnace in HELL ready to take the putrid soul of one " Jim Leserf " any time soon. SATAN is very proud of this particular, asinine pommy ****head for spreading chaos and confusion among the masses. So he deserves a special reward. Burn you ****ing *******, burn. ..... Phil |
New webpage on loudspeaker cables
Jim Lesurf wrote: Hi, I've just put up a new webpage that provides some measurements on the properties of a variety of loudspeaker cables. The page is at http://www.audiomisc.co.uk/HFN/Cables3/TakeTheLead.html It is an expanded version of the article published in 'Hi Fi News' a few months ago. What IDIOT thinks the reactance at 30 MEGAHERTZ has any influence on the listening experience. And since when ( Fig 1 for example ) do you run a cable open or shorted as a valid test ? WHAT A COMPLETE HEAP OF MINDLESS JUNK ! You should be ashamed of yourself and run some REAL models. Graham -- due to the hugely increased level of spam please make the obvious adjustment to my email address |
Jim Lesurf Criminal Audiophool Facillitator
Phil Allison wrote: "Jim Lesurf Criminal Audiophool Facillitator " I've just put up a new webpage that provides some measurements on the properties of a variety of loudspeaker cables. The page is at http://www.audiomisc.co.uk/HFN/Cables3/TakeTheLead.html It is an expanded version of the article published in 'Hi Fi News' a few months ago. ** Dear UKRA readers, the religious among us can take some comfort from the fact that *SATAN* is currently preparing a special blast furnace in HELL ready to take the putrid soul of one " Jim Leserf " any time soon. SATAN is very proud of this particular, asinine pommy ****head for spreading chaos and confusion among the masses. So he deserves a special reward. Burn you ****ing *******, burn. .... Phil You have my total support. Graham -- due to the hugely increased level of spam please make the obvious adjustment to my email address |
New webpage on loudspeaker cables
John Phillips wrote: On 2009-08-07, Don Pearce wrote: On Fri, 07 Aug 2009 09:10:40 +0100, Jim Lesurf wrote: Hi, I've just put up a new webpage that provides some measurements on the properties of a variety of loudspeaker cables. The page is at http://www.audiomisc.co.uk/HFN/Cables3/TakeTheLead.html It is an expanded version of the article published in 'Hi Fi News' a few months ago. No conclusions section there, but maybe as follows? 1. If you open circuit the cable at the loudspeaker end, it is better if the cable is somewhat lossy, as this will prevent the quarter wave Mod Z dropping to too low (potentially damaging) a value. Alternatively, perhaps, that a well-designed amplifier will have about 2 uH of good quality inductance in series with its output to avoid such a case becoming damaging? Funny, that's very similar to the value I use. And it'll have a series R-C to ground to stabilise the load the amp 'sees'. This technique has been known for many decades. It is even used in long line-level drivers. Graham -- due to the hugely increased level of spam please make the obvious adjustment to my email address |
New webpage on loudspeaker cables
Jim Lesurf wrote: In general, cable losses will reduce the amplitude in the presented impdance changes with frequency in the RF region. How good are your ears at 1MHz ? Graham -- due to the hugely increased level of spam please make the obvious adjustment to my email address |
New webpage on loudspeaker cables
On Fri, 07 Aug 2009 17:31:43 +0100, Eeyore wrote:
Jim Lesurf wrote: Hi, I've just put up a new webpage that provides some measurements on the properties of a variety of loudspeaker cables. The page is at http://www.audiomisc.co.uk/HFN/Cables3/TakeTheLead.html It is an expanded version of the article published in 'Hi Fi News' a few months ago. What IDIOT thinks the reactance at 30 MEGAHERTZ has any influence on the listening experience. And since when ( Fig 1 for example ) do you run a cable open or shorted as a valid test ? WHAT A COMPLETE HEAP OF MINDLESS JUNK ! You should be ashamed of yourself and run some REAL models. I'm unsure about drawing any conclusions from graphs that start at 5x the accepted maximum audible frequency. I hope Jim has included tests on VHF coax as speaker leads too - it makes as much sense to me... ;-) *If* your amp has much output above 100kHz then it is faulty and needs looking at - seriously. It isn't allowed to be a radio transmitter by law and 148kHz upwards interferes with the LW band! :-) -- Mick (Working in a M$-free zone!) Web: http://www.nascom.info Filtering everything posted from googlegroups to kill spam. |
New webpage on loudspeaker cables
Jim Lesurf wrote:
Hi, I've just put up a new webpage that provides some measurements on the properties of a variety of loudspeaker cables. The page is at http://www.audiomisc.co.uk/HFN/Cables3/TakeTheLead.html It is an expanded version of the article published in 'Hi Fi News' a few months ago. Slainte, Jim FWIW it means very little to me. You seem to assume a correlation between frequency, resistance and sound. Perhaps a paragraph or two on what you might expect any measured result in the context of your measurments to mean? Rob |
New webpage on loudspeaker cables
On Fri, 07 Aug 2009 17:31:43 +0100, Eeyore
wrote: Jim Lesurf wrote: Hi, I've just put up a new webpage that provides some measurements on the properties of a variety of loudspeaker cables. The page is at http://www.audiomisc.co.uk/HFN/Cables3/TakeTheLead.html It is an expanded version of the article published in 'Hi Fi News' a few months ago. What IDIOT thinks the reactance at 30 MEGAHERTZ has any influence on the listening experience. And since when ( Fig 1 for example ) do you run a cable open or shorted as a valid test ? WHAT A COMPLETE HEAP OF MINDLESS JUNK ! You should be ashamed of yourself and run some REAL models. Graham Ever heard the term "Unconditionally stable" in reference to an amplifier? Yes, I thought you had. What that means is that it will operate without oscillation into any combination of reactive and resistive load (over the entire Smith chart). The reason why Naim amplifiers don't is that they failed to consider exactly this problem in their design. If they had just used Figure 1 (which you deride) they might have made an acceptable product. In my years of design I discovered something important. It doesn't matter what is the maximum frequency you intend to put through something. Your design must encompass the maximum frequency at which the active devices can produce gain (something like Ft). It is all too easy to end up with an audio amplifier which is so marginally stable at 30MHz that it can oscillate into some loads. When that happens, yes, there will be sonic consequences. So, Graham, have a bit of a rethink, I suggest. d |
New webpage on loudspeaker cables
In message , mick
writes On Fri, 07 Aug 2009 17:31:43 +0100, Eeyore wrote: Jim Lesurf wrote: Hi, I've just put up a new webpage that provides some measurements on the properties of a variety of loudspeaker cables. The page is at http://www.audiomisc.co.uk/HFN/Cables3/TakeTheLead.html It is an expanded version of the article published in 'Hi Fi News' a few months ago. What IDIOT thinks the reactance at 30 MEGAHERTZ has any influence on the listening experience. And since when ( Fig 1 for example ) do you run a cable open or shorted as a valid test ? WHAT A COMPLETE HEAP OF MINDLESS JUNK ! You should be ashamed of yourself and run some REAL models. I'm unsure about drawing any conclusions from graphs that start at 5x the accepted maximum audible frequency. I hope Jim has included tests on VHF coax as speaker leads too - it makes as much sense to me... ;-) *If* your amp has much output above 100kHz then it is faulty and needs looking at - seriously. It isn't allowed to be a radio transmitter by law and 148kHz upwards interferes with the LW band! :-) An audio amplifier with a frequency response well into the RF region will not, itself, transmit RF signals (apart from a little low-level wideband noise). Of course, it will be a different matter if the effects of the load impedance (seen by the amplifier) were to cause instability, and cause the amplifier to oscillate. Such oscillations could occur in the RF region and, even if the oscillation itself was 'sub-RF', there could be substantial levels of RF harmonics. -- Ian |
New webpage on loudspeaker cables
In article , Eeyore
wrote: Jim Lesurf wrote: Hi, I've just put up a new webpage that provides some measurements on the properties of a variety of loudspeaker cables. The page is at http://www.audiomisc.co.uk/HFN/Cables3/TakeTheLead.html It is an expanded version of the article published in 'Hi Fi News' a few months ago. What IDIOT thinks the reactance at 30 MEGAHERTZ has any influence on the listening experience. Perhaps those who have observed more than one audio power amp oscillating at RF as a result of the loading presented to it, and the amp not being unconditionally stable. (Yes, including commercial designs.) Plus perhaps having observed changes in the audio-band distortion behaviour as a result of loading above the audible range. And since when ( Fig 1 for example ) do you run a cable open or shorted as a valid test ? Surprised you don't understand that as I understand you are an engineer, although I guess you may be unfamiliar with the methods that RF and microwave engineering might employ for such things. The measurements into an open and a short allow you to determine the cable's complex impedance and propagation properties as a function of frequency. They also give you some indication of the size of any impedance swings the amp will experience into unpredicted loads. In essence at each frequency the two complex values for the presented impedance allow you to work out the required values for the cable. WHAT A COMPLETE HEAP OF MINDLESS JUNK ! You should be ashamed of yourself and run some REAL models. Alternatively, you could be embarassed by attacking in a way that shows that your objections are based on not pausing first to understand the reasons for the measurements. :-) Slainte, Jim -- Please use the address on the audiomisc page if you wish to email me. Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm Armstrong Audio http://www.audiomisc.co.uk/Armstrong/armstrong.html Audio Misc http://www.audiomisc.co.uk/index.html |
New webpage on loudspeaker cables
In article , Eeyore
wrote: John Phillips wrote: Alternatively, perhaps, that a well-designed amplifier will have about 2 uH of good quality inductance in series with its output to avoid such a case becoming damaging? Funny, that's very similar to the value I use. And it'll have a series R-C to ground to stabilise the load the amp 'sees'. This technique has been known for many decades. Yes. I have always done the same. However some designers don't, and it is possible for people to choose incorrect values, or use an inductor whose self-resonance is too low in frequency. Slainte, Jim -- Please use the address on the audiomisc page if you wish to email me. Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm Armstrong Audio http://www.audiomisc.co.uk/Armstrong/armstrong.html Audio Misc http://www.audiomisc.co.uk/index.html |
New webpage on loudspeaker cables
In article , Eeyore
wrote: Jim Lesurf wrote: In general, cable losses will reduce the amplitude in the presented impdance changes with frequency in the RF region. How good are your ears at 1MHz ? Afraid I can't hear 1MHz. But I have heard - and measured - a change in amplifier performance in cases where the amp has been producing bursts of oscillations at such frequencies with loads it did not like at RF. As before, I am quite surprised that someone who I thought had designed and tested amp may not have encountered this. Slainte, Jim -- Please use the address on the audiomisc page if you wish to email me. Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm Armstrong Audio http://www.audiomisc.co.uk/Armstrong/armstrong.html Audio Misc http://www.audiomisc.co.uk/index.html |
New webpage on loudspeaker cables
In article , mick
wrote: On Fri, 07 Aug 2009 17:31:43 +0100, Eeyore wrote: I'm unsure about drawing any conclusions from graphs that start at 5x the accepted maximum audible frequency. I hope Jim has included tests on VHF coax as speaker leads too - it makes as much sense to me... ;-) The problem is that some amplifier designs can be upset by having a load at RF which does not suit them. The classical symptom is either sustained oscillations in the region around a MHz or above, or bursts of oscillations with particular audio waveforms. This can alter the audio behaviour. The effects are measurable as well as audible. Alas, the amplifier designer has no control over what loads the user connects. And this will change with the choice and length of the loudspeaker cables. *If* your amp has much output above 100kHz then it is faulty and needs looking at - seriously. I agree. However some commercial amps *have* produced oscillations like this with some loadings. For all I know, some still do. And one of the points of the RF measurements is that it allows you to determine the cable properties which you can then apply at audio frequencies to assess what changes may occur *in* the audio band even when the amplifier is stable and happy. So the measurements are useful - if you understand why they were made and how to use the results. :-) Slainte, Jim -- Please use the address on the audiomisc page if you wish to email me. Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm Armstrong Audio http://www.audiomisc.co.uk/Armstrong/armstrong.html Audio Misc http://www.audiomisc.co.uk/index.html |
New webpage on loudspeaker cables
In article , Rob
wrote: Jim Lesurf wrote: Hi, I've just put up a new webpage that provides some measurements on the properties of a variety of loudspeaker cables. The page is at http://www.audiomisc.co.uk/HFN/Cables3/TakeTheLead.html It is an expanded version of the article published in 'Hi Fi News' a few months ago. Slainte, Jim FWIW it means very little to me. You seem to assume a correlation between frequency, resistance and sound. Not sure what you mean, I'm afraid. Perhaps a paragraph or two on what you might expect any measured result in the context of your measurments to mean? The measurements and results serve two purposes. 1) The size of the peaks and dips in impedance will vary with the choice of cable and end-load (speaker). Using 'open' and 'short' means loads with impedances as high and low as you can get compared with the cable impedance. So you can expect the results to give you a guide to which cables give the highest or lowest peaks/dips for real-world loads. Hence the results give a sign of which cables would be more risky with amplifiers that are not unconditionally stable, or whose behaviour can be upset by RF resonances, etc. In particular, sharp dips down to very low impedance can be bad news for a poor amplifier. Hence useful as a warning. 2) You can use the measured impedances as a function of frequency to determine the electrical properties of the cables. Choice of 'open' and 'short' here makes calculating the cable properties simpler, although in principle any two choices of loading with significantly different values would do. In the absence of a the amp having an RF problem these values are most useful for telling you the cable series resistance and inductance as a function of frequency in the audio band. (Yes, both values can vary with frequency, although probably not by much in the audio band.) Combined with the loudspeaker impedance, these series values change the frequency response in the audible range. So the values determined from the RF data tell you something about what changes to expect in the *audio* frequency response. In particular, you want low series inductance and resistance to minimise alterations in frequency response in most cases. The snag is that *very* low inductance, in our universe, means *high* shunt capacitance which can change the response from amps that have an output series inductor. (Which I would recommend they *do* have.) I've certainly known about all the above for decades. It was taken as standard knowledge by people I've worked with. Although I guess some audio-only designers may not know how the cable properties can be measured using a VNA in this manner, but it isn't unusual in RF/microwave engineering. There are a couple of follow-on articles, that do look at this further, and include simple techniques - like the use of a series inductor and 'zobel' on the amp to help protect it against (1). That is a method I've always used as it works neatly. But there are commercial amplifier designs that *don't* do this, so are exposed to RF loading by the cable and speaker. And the use of a series inductor may mean you'd have to be wary of ultra-low inductance cables for the perverse reason that they have ultra-high shunt capacitance. Slainte, Jim -- Please use the address on the audiomisc page if you wish to email me. Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm Armstrong Audio http://www.audiomisc.co.uk/Armstrong/armstrong.html Audio Misc http://www.audiomisc.co.uk/index.html |
New webpage on loudspeaker cables
In article 4a7d2929.352510515@localhost, Don Pearce
wrote: The reason why Naim amplifiers don't is that they failed to consider exactly this problem in their design. If they had just used Figure 1 (which you deride) they might have made an acceptable product. I can't comment on any current designs by Naim as I've not measured or studied them. I should also say that it is quite possible to design an amp which is unconditonally stable without it having an explicit output series inductor. However, that said, I did many years ago do bench measurements on a Naim power amp. And, yes, it gave bursts of oscillations on audio waveforms when used with a cable that had low series inductance. So this problem is not simply a theoretical one. In my years of design I discovered something important. It doesn't matter what is the maximum frequency you intend to put through something. Your design must encompass the maximum frequency at which the active devices can produce gain (something like Ft). It is all too easy to end up with an audio amplifier which is so marginally stable at 30MHz that it can oscillate into some loads. When that happens, yes, there will be sonic consequences. Yes. This is my experience as well. Perhaps enhanced for having designed systems for up to over 300GHz as well as for the relatively low audio band. Quite interesting to find harmonics or out-of-band oscillations for these. :-) I also recall using 'RS' UHF modules that all oscillated at about 1.5GHz. I guess the makers only used scopes and analysers that went up to about 1GHz... It is all too easy to make an amplifier that looks OK on a test bench connected directly to a test load - then find it bursts into oscillation, or its other properties alter - when given some other load. I've also seen this happen when someone was using an oscilloscope that didn't reach the oscillation frequency. So the audio waveform became distorted, but with no visible sign of the RF bursts until they tried a faster scope. Must admit I am surprised that Eeyore seems to have missed this point. Although I can appreciate that audio engineers may not know the techniques used by RF and microwave engineers to measure something like cable properties. Slainte, Jim -- Please use the address on the audiomisc page if you wish to email me. Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm Armstrong Audio http://www.audiomisc.co.uk/Armstrong/armstrong.html Audio Misc http://www.audiomisc.co.uk/index.html |
New webpage on loudspeaker cables
On 2009-08-07, Eeyore wrote:
John Phillips wrote: On 2009-08-07, Don Pearce wrote: On Fri, 07 Aug 2009 09:10:40 +0100, Jim Lesurf wrote: I've just put up a new webpage that provides some measurements on the properties of a variety of loudspeaker cables. The page is at http://www.audiomisc.co.uk/HFN/Cables3/TakeTheLead.html It is an expanded version of the article published in 'Hi Fi News' a few months ago. No conclusions section there, but maybe as follows? 1. If you open circuit the cable at the loudspeaker end, it is better if the cable is somewhat lossy, as this will prevent the quarter wave Mod Z dropping to too low (potentially damaging) a value. Alternatively, perhaps, that a well-designed amplifier will have about 2 uH of good quality inductance in series with its output to avoid such a case becoming damaging? Funny, that's very similar to the value I use. And it'll have a series R-C to ground to stabilise the load the amp 'sees'. This technique has been known for many decades. It is even used in long line-level drivers. Yes - I agree. It seems we are in harmony about the need for an amplifer to see a well-defined load at frequencies well above the audio band. Hence my use of "good quality inductance" which needs to avoid self-resonance at too low a frequency to maintain isolation for whatever the user throws at the amplifier in terms of cable and loudspeaker. I learned a lot from designing and building my first power amplifier. I saw undesirable behaviour into the many MHz region whenever I failed to pay enough attention. So, I'm surprised at your reaction elsewhere. Even in the audio band, loudspeakers can present impedances from near zero to high enough to be considered infinite. Out of the audio band this gets no better, from what I have seen. So it seems to me that investigating loudspeaker cables with loads from zero to infinity, and at frequencies well above the audio band, is perfectly reasonable. -- John Phillips |
New webpage on loudspeaker cables
In article , John Phillips
wrote: I learned a lot from designing and building my first power amplifier. I saw undesirable behaviour into the many MHz region whenever I failed to pay enough attention. Indeed. In fact there are two stages to this. 1) The designer has to be able to establish if his bench design is unconditionally stable or not. And if not, modify or change, to obtain unconditional stability, without fouling the performance in some other way. 2) To then ensure that this will be true for commercial versions made with components with a tolerance spread of values, slight alterations in wirings, etc. The worry here is the 'WW' effect. That of designs where a prototype (published in Wireless World for example) worked fine for the designer. But when many readers make 'clones' some of them oscillate or misbehave in use due to changes in precise component values, wiring, etc. Hence the old term 'a WW design = a Worked Wunce design' to refer to this possibility. :-) So, I'm surprised at your reaction elsewhere. Even in the audio band, loudspeakers can present impedances from near zero to high enough to be considered infinite. Out of the audio band this gets no better, from what I have seen. So it seems to me that investigating loudspeaker cables with loads from zero to infinity, and at frequencies well above the audio band, is perfectly reasonable. There are two aspects of this that have concerned me. One is that I am far from certain if all current/recent commercial designs are unconditionally stable - particularly as I don't see signs that any reviews routinely check this. The other is the lack of any info on what speakers do above the audio band. When you then throw in a variety of types and lengths of cables, almost anything could happen in some cases. I chose to measure an LS3/5A as I had a pair to hand. No idea what other speakers do above the audio range. There seems to be zero data. I doubt the makers usually know or care. BTW Given Eeyore's reaction I'd suggest people read the previous two 'cables' articles in the series as that did cover some points. e.g. the use of output networks. Although more about this and other factors will be in later articles. Slainte, Jim -- Please use the address on the audiomisc page if you wish to email me. Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm Armstrong Audio http://www.audiomisc.co.uk/Armstrong/armstrong.html Audio Misc http://www.audiomisc.co.uk/index.html |
New webpage on loudspeaker cables
Jim Lesurf wrote:
In article , Rob wrote: Jim Lesurf wrote: Hi, I've just put up a new webpage that provides some measurements on the properties of a variety of loudspeaker cables. The page is at http://www.audiomisc.co.uk/HFN/Cables3/TakeTheLead.html It is an expanded version of the article published in 'Hi Fi News' a few months ago. Slainte, Jim FWIW it means very little to me. You seem to assume a correlation between frequency, resistance and sound. Not sure what you mean, I'm afraid. There's a relationship between three things: frequency and resistance (the things you plot) and sound. If one of the things change, another one will change ('correlation'). On further reading you suggest a relationship between frequency, resistance and risk. Perhaps a paragraph or two on what you might expect any measured result in the context of your measurments to mean? The measurements and results serve two purposes. 1) The size of the peaks and dips in impedance will vary with the choice of cable and end-load (speaker). Using 'open' and 'short' means loads with impedances as high and low as you can get compared with the cable impedance. So you can expect the results to give you a guide to which cables give the highest or lowest peaks/dips for real-world loads. Hence the results give a sign of which cables would be more risky with amplifiers that are not unconditionally stable, or whose behaviour can be upset by RF resonances, etc. In particular, sharp dips down to very low impedance can be bad news for a poor amplifier. Hence useful as a warning. Ah, OK, good. But is it *really* risky for any amplifier that doesn't carry a cable recommendation tag? By risk I assume possibility of component failure. 2) You can use the measured impedances as a function of frequency to determine the electrical properties of the cables. Choice of 'open' and 'short' here makes calculating the cable properties simpler, although in principle any two choices of loading with significantly different values would do. In the absence of a the amp having an RF problem these values are most useful for telling you the cable series resistance and inductance as a function of frequency in the audio band. (Yes, both values can vary with frequency, although probably not by much in the audio band.) Combined with the loudspeaker impedance, these series values change the frequency response in the audible range. So the values determined from the RF data tell you something about what changes to expect in the *audio* frequency response. In particular, you want low series inductance and resistance to minimise alterations in frequency response in most cases. The snag is that *very* low inductance, in our universe, means *high* shunt capacitance which can change the response from amps that have an output series inductor. (Which I would recommend they *do* have.) It'd be nice, although I expect quite difficult, if you could explain how these effects could influence sound. I've certainly known about all the above for decades. It was taken as standard knowledge by people I've worked with. Although I guess some audio-only designers may not know how the cable properties can be measured using a VNA in this manner, but it isn't unusual in RF/microwave engineering. There are a couple of follow-on articles, that do look at this further, and include simple techniques - like the use of a series inductor and 'zobel' on the amp to help protect it against (1). That is a method I've always used as it works neatly. But there are commercial amplifier designs that *don't* do this, so are exposed to RF loading by the cable and speaker. Sounds daft. Do you know which amplifiers? And the use of a series inductor may mean you'd have to be wary of ultra-low inductance cables for the perverse reason that they have ultra-high shunt capacitance. Excellent! It's clear that the technically literate here know what you're driving at, and if Maplin's own is good enough for you etc :-) Rob |
New webpage on loudspeaker cables
"John Phillips" So, I'm surprised at your reaction elsewhere. Even in the audio band, loudspeakers can present impedances from near zero to high enough to be considered infinite. ** Fraid that is absolute crap. Only a FAULTY speaker exhibit shorts or opens in the audio band. So it seems to me that investigating loudspeaker cables with loads from zero to infinity, and at frequencies well above the audio band, is perfectly reasonable. ** Only if you are a pseudo academic, audiophool lunatic. Cap fits you OK. ..... Phil |
New webpage on loudspeaker cables
In article , Rob
wrote: Jim Lesurf wrote: FWIW it means very little to me. You seem to assume a correlation between frequency, resistance and sound. Not sure what you mean, I'm afraid. There's a relationship between three things: frequency and resistance (the things you plot) and sound. All the plots show relationships between frequency and apparent load 'resistance' (actually magnitude of impedance). But that isn't directly related to 'sound' as such. If one of the things change, another one will change ('correlation'). On further reading you suggest a relationship between frequency, resistance and risk. As above. Sharp/deep dips in the 'resistance' as you change frequency tend to give more 'risk' that the amplifier will be affected in a significant manner. But this isn't a simple relationship with 'risk' as that depends on 'risk of what' and choice of amp, etc. Decent amplifier designs will be essentially unaffected by all this. But some amps might be unhappy. Perhaps a paragraph or two on what you might expect any measured result in the context of your measurments to mean? The measurements and results serve two purposes. 1) The size of the peaks and dips in impedance will vary with the choice of cable and end-load (speaker). Using 'open' and 'short' means loads with impedances as high and low as you can get compared with the cable impedance. So you can expect the results to give you a guide to which cables give the highest or lowest peaks/dips for real-world loads. Hence the results give a sign of which cables would be more risky with amplifiers that are not unconditionally stable, or whose behaviour can be upset by RF resonances, etc. In particular, sharp dips down to very low impedance can be bad news for a poor amplifier. Hence useful as a warning. Ah, OK, good. But is it *really* risky for any amplifier that doesn't carry a cable recommendation tag? By risk I assume possibility of component failure. It is certainly possible for an amplifier to exhibit uncontrolled RF oscillations, and for those to then damage the amplifier. Possibly also the speaker. But I can't tell you any value for the 'risk' of this happening as it would depend on things we don't know. More likely is that the audio behaviour may be affected without the amp failing. Again, well designed amplifiers aren't at any 'risk'. If the designer knew what he was doing they will be stable into any load. [snip] It'd be nice, although I expect quite difficult, if you could explain how these effects could influence sound. Again, depends on the circumstances. High cable series impedance will alter the frequency response in ways that depend on your choice of speaker. High cable shunt capacitance may affect response if the amp has a high output impedance (very low 'damping factor'). But the details will depend on the specific case. The alterations may be too small to be bothered with, or not... There are a couple of follow-on articles, that do look at this further, and include simple techniques - like the use of a series inductor and 'zobel' on the amp to help protect it against (1). That is a method I've always used as it works neatly. But there are commercial amplifier designs that *don't* do this, so are exposed to RF loading by the cable and speaker. Sounds daft. Do you know which amplifiers? I can't comment on any current or recent commercial designs as I've not measured them, and reviews generally ignore this area. So no data. I think it likely that most (indeed almost all) are fine as this should be a known problem, and engineers determined how to fix it decades ago. Maybe they are all fine. But... no data. However I do tend to get an uneasy feeling when reviews ignore issues like this for decades. It can mean eyes are not on the ball and problems familiar to past generations of engineers may end up in new designs because no-one is alert. I confess I do wonder when I see some of the more 'quirky' designs sold at high prices that have all kinds of of characteristics. I can only say that I've personally seen such effects in amps many years ago. e.g. in the Naim amps of some decades ago. It is a common problem with experimental designs which the designer then has to iron out. The problem here is that it can make good sense to choose loudspeaker cables with very low series resistance and inductance, but that this means high capacitance with minimal damping losses, and unless the amplifier is happy with this there may be drawbacks. In our universe, the product of series inductance and shunt capacitance for cables is limited by the speed of light. Lowering one tends to shove up the other. To avoid this, invent warp drive, or use a wormhole in space for the cable. ...or just keep down the length of cable needed. :-) Slainte, Jim -- Please use the address on the audiomisc page if you wish to email me. Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm Armstrong Audio http://www.audiomisc.co.uk/Armstrong/armstrong.html Audio Misc http://www.audiomisc.co.uk/index.html |
New webpage on loudspeaker cables
On Sat, 08 Aug 2009 10:17:24 +0100, Jim Lesurf
wrote: It is all too easy to make an amplifier that looks OK on a test bench connected directly to a test load - then find it bursts into oscillation, or its other properties alter - when given some other load. I've also seen this happen when someone was using an oscilloscope that didn't reach the oscillation frequency. So the audio waveform became distorted, but with no visible sign of the RF bursts until they tried a faster scope. There is a general rule in design that everything will oscillate. The only consistent exception to this rule occurs when designing an oscillator. d |
New webpage on loudspeaker cables
Phil Allison wrote:
"John Phillips" So, I'm surprised at your reaction elsewhere. Even in the audio band, loudspeakers can present impedances from near zero to high enough to be considered infinite. ** Fraid that is absolute crap. Only a FAULTY speaker exhibit shorts or opens in the audio band. How about this, the only impedance curve on Trevor's site? http://www.rageaudio.com.au/index.php?p=1_12 -- Eiron. |
New webpage on loudspeaker cables
Jim Lesurf wrote: mick wrote: On Fri, 07 Aug 2009 17:31:43 +0100, Eeyore wrote: I'm unsure about drawing any conclusions from graphs that start at 5x the accepted maximum audible frequency. I hope Jim has included tests on VHF coax as speaker leads too - it makes as much sense to me... ;-) The problem is that some amplifier designs can be upset by having a load at RF which does not suit them. These are simply mis-engineered designs. The methods to make them stable have been known for more decades than I can remember. Amy amp that does it simply needs throwing in the junk or conceivably repairing. Graham due to the hugely increased level of spam please make the obvious adjustment to my email address |
New webpage on loudspeaker cables
Jim Lesurf wrote: Rob wrote: Jim Lesurf wrote: FWIW it means very little to me. You seem to assume a correlation between frequency, resistance and sound. Not sure what you mean, I'm afraid. That much is apparent. Doubt you know much about the concept at all, nor the bases of stability. Graham -- due to the hugely increased level of spam please make the obvious adjustment to my email address |
New webpage on loudspeaker cables
Jim Lesurf wrote: Eeyore wrote: John Phillips wrote: Alternatively, perhaps, that a well-designed amplifier will have about 2 uH of good quality inductance in series with its output to avoid such a case becoming damaging? Funny, that's very similar to the value I use. And it'll have a series R-C to ground to stabilise the load the amp 'sees'. This technique has been known for many decades. Yes. I have always done the same. However some designers don't, and it is possible for people to choose incorrect values, or use an inductor whose self-resonance is too low in frequency. Then those are simply badly or incompetently designed. You'd be amazed at some of the pure **** that has been sold as 'audiophile'. Graham -- due to the hugely increased level of spam please make the obvious adjustment to my email address |
New webpage on loudspeaker cables
John Phillips wrote: Eeyore wrote: John Phillips wrote: Don Pearce wrote: Jim Lesurf wrote: I've just put up a new webpage that provides some measurements on the properties of a variety of loudspeaker cables. The page is at http://www.audiomisc.co.uk/HFN/Cables3/TakeTheLead.html It is an expanded version of the article published in 'Hi Fi News' a few months ago. No conclusions section there, but maybe as follows? 1. If you open circuit the cable at the loudspeaker end, it is better if the cable is somewhat lossy, as this will prevent the quarter wave Mod Z dropping to too low (potentially damaging) a value. Alternatively, perhaps, that a well-designed amplifier will have about 2 uH of good quality inductance in series with its output to avoid such a case becoming damaging? Funny, that's very similar to the value I use. And it'll have a series R-C to ground to stabilise the load the amp 'sees'. This technique has been known for many decades. It is even used in long line-level drivers. Yes - I agree. It seems we are in harmony about the need for an amplifer to see a well-defined load at frequencies well above the audio band. Hence my use of "good quality inductance" which needs to avoid self-resonance at too low a frequency to maintain isolation for whatever the user throws at the amplifier in terms of cable and loudspeaker. I learned a lot from designing and building my first power amplifier. I saw undesirable behaviour into the many MHz region whenever I failed to pay enough attention. So, I'm surprised at your reaction elsewhere. Even in the audio band, loudspeakers can present impedances from near zero to high enough to be considered infinite. WRONG. Show me one. Out of the audio band this gets no better, from what I have seen. By which time the RLC network in the output stage will be doing its job, so the point is academic. So it seems to me that investigating loudspeaker cables with loads from zero to infinity, and at frequencies well above the audio band, is perfectly reasonable. I do not remotely agree. For most speakers 4 - 60 ohms +/- 4 - 60 j ohms would suffice. I trust you know the meaning of the j Graham -- due to the hugely increased level of spam please make the obvious adjustment to my email address |
New webpage on loudspeaker cables
"Eeyore" wrote in message
... Not sure what you mean, I'm afraid. That much is apparent. Doubt you know much about the concept at all, nor the bases of stability. I wonder why it is that some people on this NG post simply to be offensive to others? Of *course* Jim knows the basis of stability, at least as well as you do, probably a lot better. David. |
New webpage on loudspeaker cables
Eiron wrote: Phil Allison wrote: "John Phillips" So, I'm surprised at your reaction elsewhere. Even in the audio band, loudspeakers can present impedances from near zero to high enough to be considered infinite. ** Fraid that is absolute crap. Only a FAULTY speaker exhibit shorts or opens in the audio band. How about this, the only impedance curve on Trevor's site? http://www.rageaudio.com.au/index.php?p=1_12 I can barely believe how anyone could have produced such a diabolical impedance curve. The alleged 0.8 ohms at 30 something Hz is especially odd. I suspect negligent design of the crossover too. Par for the course for audiophools. Note that the impedance doesn't peak over 9 ohms. Graham -- due to the hugely increased level of spam please make the obvious adjustment to my email address |
New webpage on loudspeaker cables
On Sat, 08 Aug 2009 19:58:06 +0100, Eeyore
wrote: Jim Lesurf wrote: Rob wrote: Jim Lesurf wrote: FWIW it means very little to me. You seem to assume a correlation between frequency, resistance and sound. Not sure what you mean, I'm afraid. That much is apparent. Doubt you know much about the concept at all, nor the bases of stability. Can you explain then? It has me puzzled too. And given Jim's background I am going to tell you he knows precisely what stability means, and how to measure and predict it. Stability circles are the second thing you learn about on the Smith Chart. d |
New webpage on loudspeaker cables
"Eiron" Phil Allison wrote: "John Phillips" So, I'm surprised at your reaction elsewhere. Even in the audio band, loudspeakers can present impedances from near zero to high enough to be considered infinite. ** Fraid that is absolute crap. Only a FAULTY speaker exhibit shorts or opens in the audio band. How about this, the only impedance curve on Trevor's site? http://www.rageaudio.com.au/index.php?p=1_12 ** TW drags that absurd, false example up as a marketing ploy for a brand of amp he supplies. In fact and as he admitted once, the impedance dip at the low end of the range ( circa 35Hz) was due to a wiring MISTAKE made by the factory in a few samples sold only. Cause havoc with owners amplifiers blowing fuses and output devices until they had them fixed. ...... Phil |
New webpage on loudspeaker cables
Phil Allison wrote:
"Eiron" Phil Allison wrote: "John Phillips" So, I'm surprised at your reaction elsewhere. Even in the audio band, loudspeakers can present impedances from near zero to high enough to be considered infinite. ** Fraid that is absolute crap. Only a FAULTY speaker exhibit shorts or opens in the audio band. How about this, the only impedance curve on Trevor's site? http://www.rageaudio.com.au/index.php?p=1_12 ** TW drags that absurd, false example up as a marketing ploy for a brand of amp he supplies. In fact and as he admitted once, the impedance dip at the low end of the range ( circa 35Hz) was due to a wiring MISTAKE made by the factory in a few samples sold only. Cause havoc with owners amplifiers blowing fuses and output devices until they had them fixed. Thanks for the correction. So the only reason for buying an ME 850 is to drive a broken Infinity Kappa. :-) -- Eiron. |
New webpage on loudspeaker cables
In article 4a7eb1fc.387537093@localhost, Don Pearce
wrote: On Sat, 08 Aug 2009 10:17:24 +0100, Jim Lesurf wrote: It is all too easy to make an amplifier that looks OK on a test bench connected directly to a test load - then find it bursts into oscillation, or its other properties alter - when given some other load. I've also seen this happen when someone was using an oscilloscope that didn't reach the oscillation frequency. So the audio waveform became distorted, but with no visible sign of the RF bursts until they tried a faster scope. There is a general rule in design that everything will oscillate. The only consistent exception to this rule occurs when designing an oscillator. Yes. That is one of the maxims I explain to undergrads when teaching about feedback. The distinction between having built an amplifier and an oscillator is that you want one of them *not* to oscillate. :-) The problem for designers of commercial audio power amps is that they have no idea what actual loads will be connected. Slainte, Jim -- Please use the address on the audiomisc page if you wish to email me. Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm Armstrong Audio http://www.audiomisc.co.uk/Armstrong/armstrong.html Audio Misc http://www.audiomisc.co.uk/index.html |
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