A Audio, hi-fi and car audio  forum. Audio Banter

Go Back   Home » Audio Banter forum » UK Audio Newsgroups » uk.rec.audio (General Audio and Hi-Fi)
Site Map Home Register Authors List Search Today's Posts Mark Forums Read Web Partners

uk.rec.audio (General Audio and Hi-Fi) (uk.rec.audio) Discussion and exchange of hi-fi audio equipment.

Opinion needed re power amp building



 
 
LinkBack Thread Tools Display Modes
  #1 (permalink)  
Old November 3rd 09, 09:11 PM posted to uk.rec.audio
Trevor Wilson
external usenet poster
 
Posts: 801
Default Opinion needed re power amp building


"David Looser" wrote in message
...
"Trevor Wilson" wrote

**DBTs are not metaphysical. They allow REAL differences to be heard.
Tell me about your experiences with DBTs between MOSFET and BJT amps.

I'd be interested to know how these DBTs were conducted. How many
listeners did you use?


**10. I arranged for a person who had no knowledge of which amp (he was no
present at set-up time) was which to throw the switch, whilst keeping a
record of which position the switch was in at each change. I set the
equipment up and was present for the test, but took no part.

, how were they recruited, how much did they know about the
purpose of the test? etc.


**They only knew that there might be a change in the system when the light
changed from green to red. The listeners were all those who considered
themselves to be audiophiles. They were not 'people off the street'. I was
already familiar with the listening preferences of each. They were tested in
groups of two, over a period of several days.

I performed the test, because I heard about these "new" (back in the early
1980s) MOSFET amps and how wonderful they allegedly were. I was surprised at
how bad they sounded, despite glowing reviews in places like Stereophile. I
decided to recruit others to see if their perceptions agreed with mine. They
did. All listeners reported similar findings. The MOSFET amps sounded
'compressed' and lacking in dynamics.


--
Trevor Wilson
www.rageaudio.com.au


  #2 (permalink)  
Old November 4th 09, 07:47 AM posted to uk.rec.audio
Jim Lesurf[_2_]
external usenet poster
 
Posts: 2,668
Default Opinion needed re power amp building

In article , Trevor Wilson
wrote:

"David Looser" wrote in message
...
"Trevor Wilson" wrote

**DBTs are not metaphysical. They allow REAL differences to be heard.
Tell me about your experiences with DBTs between MOSFET and BJT amps.

I'd be interested to know how these DBTs were conducted. How many
listeners did you use?


**10. I arranged for a person who had no knowledge of which amp (he was
no present at set-up time) was which to throw the switch, whilst
keeping a record of which position the switch was in at each change. I
set the equipment up and was present for the test, but took no part.


So the person throwing the switch did know which choice (A or B) they had
made at each time? That means the result isn't double-blind. The point of
double blind is that *noone* involved in either running or taking the test
has *any* idea which - A or B - is being presented at the time.

Where was the 'switch'?

, how were they recruited, how much did they know about the
purpose of the test? etc.


**They only knew that there might be a change in the system when the
light changed from green to red.


Which "light" controlled how?

The listeners were all those who considered themselves to be
audiophiles. They were not 'people off the street'. I was already
familiar with the listening preferences of each. They were tested in
groups of two, over a period of several days.


I performed the test, because I heard about these "new" (back in the
early 1980s) MOSFET amps and how wonderful they allegedly were. I was
surprised at how bad they sounded, despite glowing reviews in places
like Stereophile. I decided to recruit others to see if their
perceptions agreed with mine. They did. All listeners reported similar
findings. The MOSFET amps sounded 'compressed' and lacking in dynamics.


Raw data of results? Statistical analysis and outcomes in terms of levels
of confidence, etc?

Which 'amps' did you try? What were the details of the level matching,
avoidance of clipping/saturation etc?

How did you establish the results *were* a basis for conclusions about one
form of transistor versus another rather than being a problem with some
specific designs or devices?

Given all the work, where did you publish the results? Since your results
seem to run contrary to all the published results I've seen - and I suspect
would have been welcomed by many 'subjective reviewers' I would expect them
to have been eager to have them published.

The problem is that you've only now given us your selected recollections.
Not the evidence anyone else would need to see if what you say stands up as
a conclusion.

Slainte,

Jim

--
Please use the address on the audiomisc page if you wish to email me.
Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm
Armstrong Audio http://www.audiomisc.co.uk/Armstrong/armstrong.html
Audio Misc http://www.audiomisc.co.uk/index.html

  #3 (permalink)  
Old November 5th 09, 12:23 AM posted to uk.rec.audio
Trevor Wilson
external usenet poster
 
Posts: 801
Default Opinion needed re power amp building


"Jim Lesurf" wrote in message
...
In article , Trevor Wilson
wrote:

"David Looser" wrote in message
...
"Trevor Wilson" wrote

**DBTs are not metaphysical. They allow REAL differences to be heard.
Tell me about your experiences with DBTs between MOSFET and BJT amps.

I'd be interested to know how these DBTs were conducted. How many
listeners did you use?


**10. I arranged for a person who had no knowledge of which amp (he was
no present at set-up time) was which to throw the switch, whilst
keeping a record of which position the switch was in at each change. I
set the equipment up and was present for the test, but took no part.


So the person throwing the switch did know which choice (A or B) they had
made at each time?


**They knew whether it was A or B, but not which amp was which.

That means the result isn't double-blind. The point of
double blind is that *noone* involved in either running or taking the test
has *any* idea which - A or B - is being presented at the time.


**True enough. I never claimed that the test was perfect.


Where was the 'switch'?


**In different room to the speakers systems being listened to.


, how were they recruited, how much did they know about the
purpose of the test? etc.


**They only knew that there might be a change in the system when the
light changed from green to red.


Which "light" controlled how?


**The light in the listening room.


The listeners were all those who considered themselves to be
audiophiles. They were not 'people off the street'. I was already
familiar with the listening preferences of each. They were tested in
groups of two, over a period of several days.


I performed the test, because I heard about these "new" (back in the
early 1980s) MOSFET amps and how wonderful they allegedly were. I was
surprised at how bad they sounded, despite glowing reviews in places
like Stereophile. I decided to recruit others to see if their
perceptions agreed with mine. They did. All listeners reported similar
findings. The MOSFET amps sounded 'compressed' and lacking in dynamics.


Raw data of results?


**Lost in the mists of time. The results were 100% anyway.

Statistical analysis and outcomes in terms of levels
of confidence, etc?


**The participants picked which amp was playing 100% of the time.


Which 'amps' did you try?


**Phase Linear 400(b) and Perreaux 2150.

What were the details of the level matching,
avoidance of clipping/saturation etc?


**I installed level pots in each amp and matched levels to within 0.1dB or
better. Prior to the testing, I used my CRO (Tek 465b) to ensure that the
amps never reached Voltage limiting with the music used for the test. The
main volume control was marked with a line and instructions that it always
remain below that line (Voltage limiting). In my prior testing, I found that
normal listening levels rarely exceeded 15 - 16 Volts RMS.


How did you establish the results *were* a basis for conclusions about one
form of transistor versus another rather than being a problem with some
specific designs or devices?


**I didn't, though I've noted (informally) that most (all?) Class A/B MOSFET
amps exhibit similar sonic issues to those I heard several decades ago.


Given all the work, where did you publish the results?


**It was for me and to prove a point to some of my sceptical clients. As you
have already discovered, the test was hardly rigorous enough to publish.

Since your results
seem to run contrary to all the published results I've seen


**Do they? Can you cite where a DBT was performed using a Phase Linear vs. a
Perreaux?

- and I suspect
would have been welcomed by many 'subjective reviewers' I would expect
them
to have been eager to have them published.


**Subjective reviewers tend to avoid DBTs.


The problem is that you've only now given us your selected recollections.
Not the evidence anyone else would need to see if what you say stands up
as
a conclusion.


**Indeed. Perhaps you may care to relicate my test?


--
Trevor Wilson
www.rageaudio.com.au


  #4 (permalink)  
Old November 5th 09, 07:55 AM posted to uk.rec.audio
David Looser
external usenet poster
 
Posts: 1,883
Default Opinion needed re power amp building

"Trevor Wilson" wrote

**They only knew that there might be a change in the system when the
light changed from green to red.


Which "light" controlled how?


**The light in the listening room.


Why a light? It's existence reduces the validity of your results. The
listeners should not only not know which amp is 'A' and which 'B'. They
should not know whether, at any given time, they are listening to 'A' or
'B'. Listeners will often give a preference when asked to compare 'A' to 'A'
or 'B' to 'B' because they think there *ought* to be a difference! Ideally
they should not even know that the test is a comparative test of amps
(rather than say sources or cables).

David.


  #5 (permalink)  
Old November 5th 09, 08:27 AM posted to uk.rec.audio
Jim Lesurf[_2_]
external usenet poster
 
Posts: 2,668
Default Opinion needed re power amp building

In article , Trevor Wilson
wrote:

"Jim Lesurf" wrote in message
...
In article , Trevor Wilson



So the person throwing the switch did know which choice (A or B) they
had made at each time?


**They knew whether it was A or B, but not which amp was which.


That means the result isn't double-blind. The point of
double blind is that *noone* involved in either running or taking the
test has *any* idea which - A or B - is being presented at the time.


**True enough. I never claimed that the test was perfect.


But the above means that the test can't be established as blind. So the
results could easily be for reasons other than the one you asserted. i.e.
nothing to do with 'MOSFET' being any different to 'Bipolar' as classes of
o/p device. Thus your evidence isn't reliable as a basis for your belief.


Where was the 'switch'?


**In different room to the speakers systems being listened to.


No. I meant where in the experimental system?


, how were they recruited, how much did they know about the
purpose of the test? etc.


**They only knew that there might be a change in the system when the
light changed from green to red.


Which "light" controlled how?


**The light in the listening room.


Controlled *how*?

Raw data of results?


**Lost in the mists of time. The results were 100% anyway.


That has no assessable meaning without knowing how many times the test was
done, if the same material was used, conditions of tests, etc, etc.

Statistical analysis and outcomes in terms of levels
of confidence, etc?


**The participants picked which amp was playing 100% of the time.


Problems as above.

I could easily say "I spent 2 mins listening to one amp, then 1 min
listening to another. I could hear they were different. 100% right." Alas,
as evidence that would be worthless.

Are you not aware of the various proceedural and other flaws that can spoil
a test even when 'blind'? e.g. the flaws with the Stereophile tests they
did at a show some years ago?


Which 'amps' did you try?


**Phase Linear 400(b) and Perreaux 2150.


What were the details of the level matching,
avoidance of clipping/saturation etc?


**I installed level pots in each amp and matched levels to within 0.1dB
or better. Prior to the testing, I used my CRO (Tek 465b) to ensure
that the amps never reached Voltage limiting with the music used for
the test. The main volume control was marked with a line and
instructions that it always remain below that line (Voltage limiting).
In my prior testing, I found that normal listening levels rarely
exceeded 15 - 16 Volts RMS.


How did you establish that *current* limiting never occurred? My experience
with o/p fets from days of yore is that they were far more prone to this
than bipolars.

How did you monitor for any current limiting or clipping *during the
tests*? The problem here is that real-world speakers can be more demanding
of current that you might be aware when playing music.


How did you establish the results *were* a basis for conclusions about
one form of transistor versus another rather than being a problem with
some specific designs or devices?


**I didn't, though I've noted (informally) that most (all?) Class A/B
MOSFET amps exhibit similar sonic issues to those I heard several
decades ago.


Afraid that is an opinion, not assessable evidence.


Given all the work, where did you publish the results?


**It was for me and to prove a point to some of my sceptical clients. As
you have already discovered, the test was hardly rigorous enough to
publish.


Since your results
seem to run contrary to all the published results I've seen


**Do they? Can you cite where a DBT was performed using a Phase Linear
vs. a Perreaux?


Sorry. I thought you were claiming that *MOSFETS* sounded different as a
class of device to *Bipolars*. Are you now *only* saying that the Phase
Linear sounded different to 'a Perraux'?

So are you making no claim wrt this being a general result for the two
types of output device regardless of the choice of individual device type
or circuitry?

- and I suspect
would have been welcomed by many 'subjective reviewers' I would expect
them to have been eager to have them published.


**Subjective reviewers tend to avoid DBTs.


I wonder why? :-)


The problem is that you've only now given us your selected
recollections. Not the evidence anyone else would need to see if what
you say stands up as a conclusion.


**Indeed. Perhaps you may care to relicate my test?


You are offering to send me a Phase Linear and 'a Perraux' so I can do this
with no costs to myself?

If so, then I still would have some problems. One is that I can't
'replication your test' because you haven't actually defined all that was
involved and given me your raw data, etc so I could see if I could either
match what you did, or spot any flaws that would make a repeat pointless.
If I did the test differently, then I might not replicate your results for
that (unknown) reason.

Or are you asking me to (again) compare different amps using a better
defined method which might differ from the one you used?

If the latter, it is something I have done many times in past decades. The
results in general were that neither I - nor others I tried them on - could
relaibly tell one amp from another. i.e. they/I showed no ability to do so
with statistical reliability.

Only exceptions were when there was a measureable difference like one amp
was clipping/saturating or the gain levels or frequency response were
sufficiently different.

Yes, I did experiment with MOSFET amps. I found they worked OK provided you
could ensure the circuit drove them without allowing RF bursts, and you
kept within their limited current range. I preferred bipolars because I
personally found them easy to use, and they could provide large peak
currents, etc. So seemed to me more suited to real music.

And I'm afraid that these days I don't think it would be fair to do such a
test simply using my own ears. Afraid I am now too old for that to be
reliable. So I'd need to line up a set of listeners generally younger and
more alert than myself. Would you be paying for any of this?

Slainte,

Jim

--
Please use the address on the audiomisc page if you wish to email me.
Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm
Armstrong Audio http://www.audiomisc.co.uk/Armstrong/armstrong.html
Audio Misc http://www.audiomisc.co.uk/index.html

  #6 (permalink)  
Old November 5th 09, 10:25 PM posted to uk.rec.audio
Trevor Wilson
external usenet poster
 
Posts: 801
Default Opinion needed re power amp building


"Jim Lesurf" wrote in message
...
In article , Trevor Wilson
wrote:

"Jim Lesurf" wrote in message
...
In article , Trevor Wilson



So the person throwing the switch did know which choice (A or B) they
had made at each time?


**They knew whether it was A or B, but not which amp was which.


That means the result isn't double-blind. The point of
double blind is that *noone* involved in either running or taking the
test has *any* idea which - A or B - is being presented at the time.


**True enough. I never claimed that the test was perfect.


But the above means that the test can't be established as blind.


**Like I said: It was not a perfect test.

So the
results could easily be for reasons other than the one you asserted. i.e.
nothing to do with 'MOSFET' being any different to 'Bipolar' as classes of
o/p device. Thus your evidence isn't reliable as a basis for your belief.


**It is not a belief. The test was constructed in an attempt to verify what
I and others had already informally noted as having heard.



Where was the 'switch'?


**In different room to the speakers systems being listened to.


No. I meant where in the experimental system?


**At the speaker terminals of the amplifiers. The switches were relays.



, how were they recruited, how much did they know about the
purpose of the test? etc.

**They only knew that there might be a change in the system when the
light changed from green to red.

Which "light" controlled how?


**The light in the listening room.


Controlled *how*?


**By the person throwing the switch. He also controlled the lights. The
lights merely indicated a POSSIBLE change in amplifier.


Raw data of results?


**Lost in the mists of time. The results were 100% anyway.


That has no assessable meaning without knowing how many times the test was
done, if the same material was used, conditions of tests, etc, etc.


**I understand and have acknowledged the imperfect nature of the test.


Statistical analysis and outcomes in terms of levels
of confidence, etc?


**The participants picked which amp was playing 100% of the time.


Problems as above.

I could easily say "I spent 2 mins listening to one amp, then 1 min
listening to another. I could hear they were different. 100% right." Alas,
as evidence that would be worthless.


**Indeed. Except that the listeners were able to correctly identify each
amplifier perfectly.


Are you not aware of the various proceedural and other flaws that can
spoil
a test even when 'blind'? e.g. the flaws with the Stereophile tests they
did at a show some years ago?


**I am now, but was not then. If I were to perform a similar test today, I
would certainly be doing things very differently.



Which 'amps' did you try?


**Phase Linear 400(b) and Perreaux 2150.


What were the details of the level matching,
avoidance of clipping/saturation etc?


**I installed level pots in each amp and matched levels to within 0.1dB
or better. Prior to the testing, I used my CRO (Tek 465b) to ensure
that the amps never reached Voltage limiting with the music used for
the test. The main volume control was marked with a line and
instructions that it always remain below that line (Voltage limiting).
In my prior testing, I found that normal listening levels rarely
exceeded 15 - 16 Volts RMS.


How did you establish that *current* limiting never occurred?


**I didn't. In fact, when using the Quad ESL63 speakers (I also used KEF
104.2 speakers), I suspect that both amps would have experienced current
limiting at some point.

My experience
with o/p fets from days of yore is that they were far more prone to this
than bipolars.


**Indeed. However, the current limiting of MOSFETs has always tended to be
more benign than BJTs (depending on how the BJT current limiting is
employed).


How did you monitor for any current limiting or clipping *during the
tests*?


**No. As I previously stated though, I checked the music, prior to the test
with my CRO and did not note any significant issues. Yes, I am well aware of
how transient the nature of current limiting can be and, thus how current
limiting could have occured.

The problem here is that real-world speakers can be more demanding
of current that you might be aware when playing music.


**Indeed. OTOH, the KEFs were chosen for a couple of reasons. One is the
extensive use of Zobels throughout the crossover and the consequently
relatively smooth 4 Ohm load presented. The ESL63 was not as easy to drive.
In fact, the differences between the two amps was far more profound with the
Quads, than with the KEFs.



How did you establish the results *were* a basis for conclusions about
one form of transistor versus another rather than being a problem with
some specific designs or devices?


**I didn't, though I've noted (informally) that most (all?) Class A/B
MOSFET amps exhibit similar sonic issues to those I heard several
decades ago.


Afraid that is an opinion, not assessable evidence.


**Indeed. Hence the inclusion of the word: "informally".



Given all the work, where did you publish the results?


**It was for me and to prove a point to some of my sceptical clients. As
you have already discovered, the test was hardly rigorous enough to
publish.


Since your results
seem to run contrary to all the published results I've seen


**Do they? Can you cite where a DBT was performed using a Phase Linear
vs. a Perreaux?


Sorry. I thought you were claiming that *MOSFETS* sounded different as a
class of device to *Bipolars*. Are you now *only* saying that the Phase
Linear sounded different to 'a Perraux'?


**Nope. Those are the two amps I tested. I have not performed any tests
since. All listening has been done on a much more informal basis.


So are you making no claim wrt this being a general result for the two
types of output device regardless of the choice of individual device type
or circuitry?


**The measured performance of both amplifiers significantly exceeded the
limits of human hearing WRT frequency response, THD, IMD et al. Both amps
had roughly similar power output capability. Certainly, the topology of both
amps is somewhat different, but the big differences lie in the use of
different technology output devices.



- and I suspect
would have been welcomed by many 'subjective reviewers' I would expect
them to have been eager to have them published.


**Subjective reviewers tend to avoid DBTs.


I wonder why? :-)


The problem is that you've only now given us your selected
recollections. Not the evidence anyone else would need to see if what
you say stands up as a conclusion.


**Indeed. Perhaps you may care to relicate my test?


You are offering to send me a Phase Linear and 'a Perraux' so I can do
this
with no costs to myself?


**Nope. Both amps are common and cheap.


If so, then I still would have some problems. One is that I can't
'replication your test' because you haven't actually defined all that was
involved and given me your raw data, etc so I could see if I could either
match what you did, or spot any flaws that would make a repeat pointless.
If I did the test differently, then I might not replicate your results for
that (unknown) reason.


**Fair enough.


Or are you asking me to (again) compare different amps using a better
defined method which might differ from the one you used?


**That would be a possibility. If you feel that it might be constructive to
do so.



If the latter, it is something I have done many times in past decades. The
results in general were that neither I - nor others I tried them on -
could
relaibly tell one amp from another. i.e. they/I showed no ability to do so
with statistical reliability.


**You have directly compared Class A/B MOSFET amps with Class A/B BJT amps?


Only exceptions were when there was a measureable difference like one amp
was clipping/saturating or the gain levels or frequency response were
sufficiently different.


**Sure.


Yes, I did experiment with MOSFET amps. I found they worked OK provided
you
could ensure the circuit drove them without allowing RF bursts, and you
kept within their limited current range. I preferred bipolars because I
personally found them easy to use, and they could provide large peak
currents, etc. So seemed to me more suited to real music.


**Indeed. In the early days, BJTs provided significantly more current for
much less money. Not so much today. MOSFETs capable of delivery large
currents are relatively cheap.


And I'm afraid that these days I don't think it would be fair to do such a
test simply using my own ears. Afraid I am now too old for that to be
reliable. So I'd need to line up a set of listeners generally younger and
more alert than myself. Would you be paying for any of this?


**Not a chance. If you are sufficiently motivated you will do what I did. If
you are not, then you won't.


--
Trevor Wilson
www.rageaudio.com.au


  #7 (permalink)  
Old November 6th 09, 08:26 AM posted to uk.rec.audio
Jim Lesurf[_2_]
external usenet poster
 
Posts: 2,668
Default Opinion needed re power amp building

In article , Trevor Wilson
wrote:

"Jim Lesurf" wrote in message
...
In article , Trevor Wilson
wrote:

"Jim Lesurf" wrote in message
...
In article , Trevor Wilson



So the person throwing the switch did know which choice (A or B)
they had made at each time?


**They knew whether it was A or B, but not which amp was which.


That means the result isn't double-blind. The point of
double blind is that *noone* involved in either running or taking
the test has *any* idea which - A or B - is being presented at the
time.


**True enough. I never claimed that the test was perfect.


But the above means that the test can't be established as blind.


**Like I said: It was not a perfect test.


That does seem rather an understatement. Given that your answers indicate
that the test may well have been worthless, certainly so as evidence for a
claim that - as a class of devices - MOSFETs and BJTs 'sound different'.



So the
results could easily be for reasons other than the one you asserted.
i.e. nothing to do with 'MOSFET' being any different to 'Bipolar' as
classes of o/p device. Thus your evidence isn't reliable as a basis
for your belief.


**It is not a belief.


I'm afraid that simply re-asserting a belief does not make that belief
correct as a description of reality.

The test was constructed in an attempt to verify
what I and others had already informally noted as having heard.


But from your own answers since, clearly cannot have done that if what you
wished to verify was if MOSFETs and BJTs sounded different as a class of
devices. So by your own comments since, the test results were worthless for
that purpose.


, how were they recruited, how much did they know about the
purpose of the test? etc.

**They only knew that there might be a change in the system when
the light changed from green to red.

Which "light" controlled how?


**The light in the listening room.


Controlled *how*?


**By the person throwing the switch. He also controlled the lights. The
lights merely indicated a POSSIBLE change in amplifier.


So they also operated this light as often when there was no change as when
there was? To have not done so would be a methodological flaw unless you
dealt with established 'difference' bias in some other way. cf the
Stereophile test that fell foul of this problem and thus produced a false
claim about amps being shown to sound different.


Raw data of results?


**Lost in the mists of time. The results were 100% anyway.


That has no assessable meaning without knowing how many times the test
was done, if the same material was used, conditions of tests, etc, etc.


**I understand and have acknowledged the imperfect nature of the test.


But not that the results are actually of no worth in supporting the view
you initially expressed re MOSFET versus BJT.



Statistical analysis and outcomes in terms of levels
of confidence, etc?


**The participants picked which amp was playing 100% of the time.


Problems as above.

I could easily say "I spent 2 mins listening to one amp, then 1 min
listening to another. I could hear they were different. 100% right."
Alas, as evidence that would be worthless.


**Indeed. Except that the listeners were able to correctly identify each
amplifier perfectly.


Which is meanignless in this case for the purposes of your initial claim.


How did you establish that *current* limiting never occurred?


**I didn't. In fact, when using the Quad ESL63 speakers (I also used KEF
104.2 speakers), I suspect that both amps would have experienced
current limiting at some point.


In that case any difference could quite easily come from differences in the
current limiting behaviours of the two specific designs using the specific
devices. Nothing to do with MOSFET versus BJT as a class of device.

My experience
with o/p fets from days of yore is that they were far more prone to
this than bipolars.


**Indeed. However, the current limiting of MOSFETs has always tended to
be more benign than BJTs (depending on how the BJT current limiting is
employed).


That depends on how you define 'benign'. I define it as being 'never
happens in the normal use because the saturation level is above the peak
demanded'. You may be defining it to mean 'don't blow up the amplifier'.
But I take that as a safety requirement. :-)

In the above context I regard BJT behaviour as more 'benign' for music as
the devices tend to allow very high peak currents *without* saturation or
failure. Whereas FETs tend to dumbly limit at a specified level, for peaks
or for continuous. That is OK for test sinewaves, but not ideal for music.


How did you monitor for any current limiting or clipping *during the
tests*?


**No. As I previously stated though, I checked the music, prior to the
test with my CRO and did not note any significant issues. Yes, I am
well aware of how transient the nature of current limiting can be and,
thus how current limiting could have occured.


Thus meaning your test can't support the original claim you made.

The problem here is that real-world speakers can be more demanding
of current that you might be aware when playing music.


**Indeed. OTOH, the KEFs were chosen for a couple of reasons. One is the
extensive use of Zobels throughout the crossover and the consequently
relatively smooth 4 Ohm load presented. The ESL63 was not as easy to
drive. In fact, the differences between the two amps was far more
profound with the Quads, than with the KEFs.


If so, that supports what I am saying.



How did you establish the results *were* a basis for conclusions
about one form of transistor versus another rather than being a
problem with some specific designs or devices?


**I didn't, though I've noted (informally) that most (all?) Class A/B
MOSFET amps exhibit similar sonic issues to those I heard several
decades ago.


Afraid that is an opinion, not assessable evidence.


**Indeed. Hence the inclusion of the word: "informally".


And means you can't then quote the results to try and use them to support
your beliefs when making claims about them to other people. As you seem to
have been doing... :-)



Given all the work, where did you publish the results?


**It was for me and to prove a point to some of my sceptical clients.
As you have already discovered, the test was hardly rigorous enough
to publish.


Since your results
seem to run contrary to all the published results I've seen


**Do they? Can you cite where a DBT was performed using a Phase
Linear vs. a Perreaux?


Sorry. I thought you were claiming that *MOSFETS* sounded different as
a class of device to *Bipolars*. Are you now *only* saying that the
Phase Linear sounded different to 'a Perraux'?


**Nope. Those are the two amps I tested. I have not performed any tests
since. All listening has been done on a much more informal basis.


So your claim now is simply about those two amps? Any previous statements
you made should not now be taken to mean you are claiming that MOSFETs
sound any different to BJTs as classes of device?


**Indeed. Perhaps you may care to relicate my test?


You are offering to send me a Phase Linear and 'a Perraux' so I can do
this with no costs to myself?


**Nope. Both amps are common and cheap.


Which should make it cheap and easy for you to obtain them for me.

Afraid I can't recall the last time I saw either amp. Indeed the name
'Perraux' does not mean anything to me as I can't recall an amp of that
name at present.

If they are so cheap, would you pay the price if I found one of each amp
and told you the asking prices? You are probably safe here as I suspect
no-one in the UK will have both amps for sale at any price!




If the latter, it is something I have done many times in past decades.
The results in general were that neither I - nor others I tried them
on - could relaibly tell one amp from another. i.e. they/I showed no
ability to do so with statistical reliability.


**You have directly compared Class A/B MOSFET amps with Class A/B BJT
amps?


Yes. I repreatedly did that in the past. Remember I was involved in
developing a new amp back in the late 1970s and early 1980s. As part of
that I both 'borrowed' a range of designs from others and built a number of
them myself. Then tested them in listening comparisons as well as on a test
bench. At that time Hitachi and others were bringing in their new FET
designs.

During the late 1980s and into the 1990s I also did some similar things
with a few friends, one of whom is actually a very good amp designer in my
view.

The results were as I have said. That provided we avoided simply and
obvious problems like level mismatch, gross distortions, ensured stability,
avoided clipping or saturation, etc, the amps gave no reliable sign of
producing audible differences.

But then we were careful to allow for the way many other factors can affect
perception. So avoided trying to jump to conclusions.

And as I have said, all the well-performed comparisons I've seen reported
come to the same conclusion.

Some reports initially concluded otherwise - e.g, the Stereophile test. But
when examined the results turn out not to reliably do what was initially
believed.


And I'm afraid that these days I don't think it would be fair to do
such a test simply using my own ears. Afraid I am now too old for that
to be reliable. So I'd need to line up a set of listeners generally
younger and more alert than myself. Would you be paying for any of
this?


**Not a chance. If you are sufficiently motivated you will do what I
did. If you are not, then you won't.


I see no reason to bother at the moment since you haven't actually provided
any evidence that you *did* hear a difference due to MOSFET versus BJT as a
class of device. Instead you may simply have found that currently limiting
can be audible. Which does not surprise me as it agrees with my own
experience and would be so for perfectly understandable reasons. :-)

But if you can find an ultra-cheap pair of the amps you used and are
willing to buy them, I'd enjoy trying them. If only to measure the current
limiting behaviours. :-)

Slainte,

Jim

--
Please use the address on the audiomisc page if you wish to email me.
Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm
Armstrong Audio http://www.audiomisc.co.uk/Armstrong/armstrong.html
Audio Misc http://www.audiomisc.co.uk/index.html

  #8 (permalink)  
Old November 6th 09, 03:36 PM posted to uk.rec.audio
David Pitt[_2_]
external usenet poster
 
Posts: 6
Default Opinion needed re power amp building

Jim Lesurf wrote:

In article , Trevor Wilson
wrote:


[snip - Phase Linear v Preeeaux]

**Nope. Both amps are common and cheap.


Which should make it cheap and easy for you to obtain them for me.

Afraid I can't recall the last time I saw either amp. Indeed the name
'Perraux' does not mean anything to me as I can't recall an amp of that
name at present.


http://www.perreaux.com in New Zealand. Expensive!!

http://uk.cinenow.com/articles/9440-...ntergrated-amp

--
David Pitt
Snow Leopard - MessengerPro
 




Thread Tools
Display Modes

Posting Rules
You may not post new threads
You may not post replies
You may not post attachments
You may not edit your posts

vB code is On
Smilies are On
[IMG] code is On
HTML code is Off
Trackbacks are On
Pingbacks are On
Refbacks are On



All times are GMT. The time now is 09:15 PM.


Powered by vBulletin® Version 3.6.4
Copyright ©2000 - 2025, Jelsoft Enterprises Ltd.SEO by vBSEO 3.0.0
Copyright ©2004-2025 Audio Banter.
The comments are property of their posters.