"Iain Churches" wrote in message

"Arny Krueger" wrote in message
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"Iain Churches" wrote in message

"Arny Krueger" wrote in message
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"Iain Churches" wrote in message


Interesting to note that the "1 000 recordings" which
you mentioned last year, have now expanded to "several
thousand recordings "

That's what happens when you make recordings at the
rate of 40-80 a week for a few weeks.

80 a week? Gadzooks!

What about the planning and pre-production?

Little to none.

Vital for a successful result.

What about recording rehearsals?

none, definitely.

The finest professional orchestras with
players whol know the standard
repertoire well, and can sight-read almost
anything, rehearse intensively before recording.

If you haven't figured it out already Iain, I'm not dealing with a
professional orchestra of any magnitude. Of course I know about the
capabilities of those folks.

So do the recording personnel - it's
attention to detail that makes a fine recording.

If you haven't figured it out already Iain, I'm not trying to make fine
recordings. If I were, my priorities would be all wrong.


So how can anyone, especially amateurs hope
to achieve anything resembling a semi decent
performance without proper recording
rehearsal?

I don't believe that the music in question is anything resembling a
semi-decent performance by professional standards.

What about post production planning,

none, there is no post-production.

????????


What about editing and mastering?

none. All editing is done with the front panel controls
of a standard professional CD recorder.

I am starting to understand why your work sounds
like it does.

Iain, the recordings I make are working tools for people with very limited
resources.

It's clear that recording quality and
performance standards are of little or no
concern to you, Arny

Iain, I love music and love hearing it performed excellently. Unfortunately,
that's not what I am tasked to do at this time.

That's very sad:-(

It is called reality, Iain. Try it some time! ;-)