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Is this too mellow?
Normally, I don't solicit (or usually get) comments and/or criticisms when I post little 'fun' recordings and vinyl transcription clips but this time I'm curious - anybody got any comments on this one: http://www.moirac.adsl24.co.uk/showntell/GeorgiaM.mp3 Is it *too* mellow? |
Is this too mellow?
Keith Garratt wrote:
Normally, I don't solicit (or usually get) comments and/or criticisms when I post little 'fun' recordings and vinyl transcription clips but this time I'm curious - anybody got any comments on this one: http://www.moirac.adsl24.co.uk/showntell/GeorgiaM.mp3 Is it *too* mellow? Dunno about that but it had a good sound stage listening through the X-Fi sound card and Sennheisers. |
Is this too mellow?
"Keith Garratt" wrote in message
Normally, I don't solicit (or usually get) comments and/or criticisms when I post little 'fun' recordings and vinyl transcription clips but this time I'm curious - anybody got any comments on this one: http://www.moirac.adsl24.co.uk/showntell/GeorgiaM.mp3 Is it *too* mellow? Yes. Sounded better with a broad dip around 100 Hz, and a linear 15 dB rise starting at 1 KHz and ending at 15 KHz. |
Is this too mellow?
On 10/01/2010 21:12, Arny Krueger wrote:
"Keith wrote in message Normally, I don't solicit (or usually get) comments and/or criticisms when I post little 'fun' recordings and vinyl transcription clips but this time I'm curious - anybody got any comments on this one: http://www.moirac.adsl24.co.uk/showntell/GeorgiaM.mp3 Is it *too* mellow? Yes. Sounded better with a broad dip around 100 Hz, and a linear 15 dB rise starting at 1 KHz and ending at 15 KHz. OK. |
Is this too mellow?
"Keith Garratt" wrote in message ... On 10/01/2010 21:12, Arny Krueger wrote: "Keith wrote in message Normally, I don't solicit (or usually get) comments and/or criticisms when I post little 'fun' recordings and vinyl transcription clips but this time I'm curious - anybody got any comments on this one: http://www.moirac.adsl24.co.uk/showntell/GeorgiaM.mp3 Is it *too* mellow? Yes. Sounded better with a broad dip around 100 Hz, and a linear 15 dB rise starting at 1 KHz and ending at 15 KHz. OK. No. Not OK. An EQ slope starting at 1kHz and rising to +15dB at 15kHz makes the track glassy and unnatural. Arny should be taught how to evaluate a track by listening, not by looking at a frequency analysis plot on a PC, and trying to fill in what he thinks might be missing. One should listen carefully to the instruments in their own acoustic environment before even attempting to capture them in a recording. EQ on overall mixes is best kept to very moderate amounts, perhaps 2-3dB. Larger changes need to be made on individual instruments if they are required. For example, an attempt to brighten the piano on a overall mix can easily turn the clarinet (woodwind) into a glasswind instrument. I thought your clarinet sound was good, Keith - clean, sufficiently bright, and nicely woody. Iain |
Is this too mellow?
On 11/01/2010 10:39, Iain Churches wrote:
"Keith wrote in message ... On 10/01/2010 21:12, Arny Krueger wrote: "Keith wrote in message Normally, I don't solicit (or usually get) comments and/or criticisms when I post little 'fun' recordings and vinyl transcription clips but this time I'm curious - anybody got any comments on this one: http://www.moirac.adsl24.co.uk/showntell/GeorgiaM.mp3 Is it *too* mellow? Yes. Sounded better with a broad dip around 100 Hz, and a linear 15 dB rise starting at 1 KHz and ending at 15 KHz. OK. No. Not OK. An EQ slope starting at 1kHz and rising to +15dB at 15kHz makes the track glassy and unnatural. Arny should be taught how to evaluate a track by listening, not by looking at a frequency analysis plot on a PC, and trying to fill in what he thinks might be missing. One should listen carefully to the instruments in their own acoustic environment before even attempting to capture them in a recording. EQ on overall mixes is best kept to very moderate amounts, perhaps 2-3dB. Larger changes need to be made on individual instruments if they are required. For example, an attempt to brighten the piano on a overall mix can easily turn the clarinet (woodwind) into a glasswind instrument. I thought your clarinet sound was good, Keith - clean, sufficiently bright, and nicely woody. Thanks, Iain - that's the AKG 'SolidTube' valve mic through the 'ultra low noise' SS mic amp I mentioned on here a few months back. (I prefer the idea of not using 'valve on valve'...??) Anyway, here's the original again: http://www.moirac.adsl24.co.uk/showntell/GeorgiaM.mp3 And here's Arny's suggestion (EQ is not *my* work): http://www.moirac.adsl24.co.uk/showntell/GeorgiaMEQ.mp3 So, it's a simple case of 'better or worse?'...?? What does the team think? |
Is this too mellow?
"Keith G" wrote in message ... On 11/01/2010 10:39, Iain Churches wrote: I thought your clarinet sound was good, Keith - clean, sufficiently bright, and nicely woody. Thanks, Iain - that's the AKG 'SolidTube' valve mic through the 'ultra low noise' SS mic amp I mentioned on here a few months back. (I prefer the idea of not using 'valve on valve'...??) Anyway, here's the original again: http://www.moirac.adsl24.co.uk/showntell/GeorgiaM.mp3 And here's Arny's suggestion (EQ is not *my* work): http://www.moirac.adsl24.co.uk/showntell/GeorgiaMEQ.mp3 So, it's a simple case of 'better or worse?'...?? What does the team think? Hmm. In comparisons, brighter, just like louder, is found by many to be better. One also needs to compare both with a real clarinet, to decide which sounds more like the real thing. A clarinet is made of wood, not glass:-) Iain |
Is this too mellow?
"Iain Churches" wrote in message
"Keith Garratt" wrote in message ... On 10/01/2010 21:12, Arny Krueger wrote: "Keith wrote in message Normally, I don't solicit (or usually get) comments and/or criticisms when I post little 'fun' recordings and vinyl transcription clips but this time I'm curious - anybody got any comments on this one: http://www.moirac.adsl24.co.uk/showntell/GeorgiaM.mp3 Is it *too* mellow? Yes. Sounded better with a broad dip around 100 Hz, and a linear 15 dB rise starting at 1 KHz and ending at 15 KHz. OK. No. Not OK. An EQ slope starting at 1kHz and rising to +15dB at 15kHz makes the track glassy and unnatural. I'm buying some of that, but notice that I only said it sounded better than the origional which is excessively mellow. If someone wants me to really fix something, they can pay my going rate. What I did for free was provide some guidance. Of course in your world Iain, no good deed goes unpunished. Arny should be taught how to evaluate a track by listening, not by looking at a frequency analysis plot on a PC, and trying to fill in what he thinks might be missing. You're shooting off your mouth again, Iain. I did both. One should listen carefully to the instruments in their own acoustic environment before even attempting to capture them in a recording. You're shooting off your mouth again, Iain. I currently spend more time every week listening to instruments in their own acoustical environment than you do, and probably more than you did before they riffed you out of Decca. EQ on overall mixes is best kept to very moderate amounts, perhaps 2-3dB. That depends on how bad the problem is and where, Iain. Iain, you are obviously ignorant of the fact that the ear's sensitivity to equalization changes varies with frequency. A change of 2-3 dB is significant over broader bands like an octave or several octaves between say 100-5000 Hz. Outside that range, or over narrow bands changes of 2-3 dB might not be heard at all. I can cite JAES papers that say this, but they would probably be over your head, Iain. Larger changes need to be made on individual instruments if they are required. And that is one of the charms of multitrack recordings. However, I'm guessing that the recording that was brought to us was undesirably altered during production, after it was mixed. Therefore, there should be some equalization curve that can be applied to the whole recording that would improve it. |
Is this too mellow?
"Iain Churches" wrote in message
Hmm. In comparisons, brighter, just like louder, is found by many to be better. One also needs to compare both with a real clarinet, to decide which sounds more like the real thing. The fallacy here is that a clarinet has only one timbre. In fact, its timbre is highly dependent on its environment. A clarinet is made of wood, not glass:-) Based on the recordings that Iain has brought to us, his monitoring system is on the bright side. My *reference system* on this PC is a pair of ATH-M50 headphones, well known for their neutrality. Again Iain's problem is that he's judging a quick shot for the purpose of guidance as if it were a finished recording, and probably doing so on a playback system that would be too bright for me. |
Is this too mellow?
On 11/01/2010 12:59, Arny Krueger wrote:
"Iain wrote in message "Keith wrote in message ... On 10/01/2010 21:12, Arny Krueger wrote: "Keith wrote in message Normally, I don't solicit (or usually get) comments and/or criticisms when I post little 'fun' recordings and vinyl transcription clips but this time I'm curious - anybody got any comments on this one: http://www.moirac.adsl24.co.uk/showntell/GeorgiaM.mp3 Is it *too* mellow? Yes. Sounded better with a broad dip around 100 Hz, and a linear 15 dB rise starting at 1 KHz and ending at 15 KHz. OK. No. Not OK. An EQ slope starting at 1kHz and rising to +15dB at 15kHz makes the track glassy and unnatural. I'm buying some of that, but notice that I only said it sounded better than the origional which is excessively mellow. If someone wants me to really fix something, they can pay my going rate. What I did for free was provide some guidance. For free? Guidance? Streuth, I only asked for an *opinion* - for free! I already know what *I* think of both the original and EQ'd versions, needless to say, but I was/am still interested in the opinions of others here (includes Poochie's milkman)... (But I ain't paying any damn *consultation fees*..!!! :-)) |
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