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Out of thread because I couldn't send it: "Arny Krueger" wrote in message ... "Keith G" wrote in message "Arny Krueger" wrote in message ... "Iain Churches" wrote in message Why don't you telephone John Gilby and advise him to use a Roland keyboard instead, Arny? He might not like the touch of the keyboard. He surely knows what exists and what he wants. I am sure you could get him a good deal from Walmart. Iain's ignorance of the US professional audio market demonstrated yet again. WalMart is far from being a Roland dealer. Since when has any knowledge of the 'US professional audio market' been a requirement or even a legitimate expectation of any poster to this *UK recreational* newsgroup? When they pretend they have expertise but post total ********. If you are referring to Iain, why do you doubt he has the expertise? His highly detailed and fact-rich responses here go far beyond (and are too quick for) the usual 'Googlemeister' BS we see from a certain quarter...?? Almost all of the recording industry 'lantern swinging' (memoirs) we see here goes over my head but I do find quite a lot of it quite interesting. |
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Keith G wrote: When they pretend they have expertise but post total ********. If you are referring to Iain, why do you doubt he has the expertise? His highly detailed and fact-rich responses here go far beyond (and are too quick for) the usual 'Googlemeister' BS we see from a certain quarter...?? No one could ever accuse Iain of not having a high opinion of himself - by his posts, at least. ;-) -- *Dance like nobody's watching. Dave Plowman London SW To e-mail, change noise into sound. |
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"Dave Plowman (News)" wrote in message ... In article , Keith G wrote: When they pretend they have expertise but post total ********. If you are referring to Iain, why do you doubt he has the expertise? His highly detailed and fact-rich responses here go far beyond (and are too quick for) the usual 'Googlemeister' BS we see from a certain quarter...?? No one could ever accuse Iain of not having a high opinion of himself - by his posts, at least. ;-) That's not quite the same as expressing disbelief in what he posts, is it? FWIW, I don't think *anyone* here goes out of their way to post anything they didn't know for certain or at least didn't believe to be the truth and it's been a good long time since we saw the word 'liar' being hurled about in here. |
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"Keith G" No one could ever accuse Iain of not having a high opinion of himself - by his posts, at least. ;-) ** The arrogant fool is a total egomaniac. That's not quite the same as expressing disbelief in what he posts, is it? ** The fool is a pseudo technical nincompoop. The problem is YOU have no way of telling. FWIW, I don't think *anyone* here goes out of their way to post anything they didn't know for certain or at least didn't believe to be the truth and it's been a good long time since we saw the word 'liar' being hurled about in here. ** ROTFLMAO !! Nearly EVERYONE here constantly posts their ignorant, emotional OPINIONS as IF they are facts. Presenting opinion as fact is both aggressive and more than a little crazy. Just like Iain. ..... Phil |
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"Keith G" wrote in message ... Out of thread because I couldn't send it: "Arny Krueger" wrote in message ... "Keith G" wrote in message "Arny Krueger" wrote in message ... "Iain Churches" wrote in message Why don't you telephone John Gilby and advise him to use a Roland keyboard instead, Arny? He might not like the touch of the keyboard. He surely knows what exists and what he wants. I am sure you could get him a good deal from Walmart. Iain's ignorance of the US professional audio market demonstrated yet again. WalMart is far from being a Roland dealer. Since when has any knowledge of the 'US professional audio market' been a requirement or even a legitimate expectation of any poster to this *UK recreational* newsgroup? When they pretend they have expertise but post total ********. If you are referring to Iain, why do you doubt he has the expertise? Morning Keith. Two things here. It is difficult for our amateur church recordist to come to terms with the fact that there are people out there who do the job professionally (with formal training and a lifetime of experience far greater than his own) and that his church activities are worlds away from "real" professional commercial recording. Working as a church volunteer is highly commendable in itself, so why try to make it into something which it is not? To anyone who sings in Arny's choir, the recordings are of "internal" interest. To anyone else, particular someone who is musical or knows something about recording they are dismal beyond words:-( Most people of my acquaintance who have heard "Domine" stare blankly in disbelief. The other point is that it must be very difficult indeed to take part in a British (or Australian) group, while having no concept of their humour. In all probabiluty, Arny could not see that I was pulling his chain re Roland/Bosendorfer/Walmart. Over on the Oz group, they had him running round in circles, and on RAO the excellent (and *very* English) John Atkinson, eloquent, intellectual, talented producer, fine musician, skilled engineer, respected journalist and magazine editor, had Arny changing between dunce and clown cap with remarkable rapidity. Arny has taken exception to amost everyone whom I hold in high regard appearing on the groups to which he has access, so I am flattered to be on his list:-) Jenn Martin is a very good example - teacher, composer, arranger, musician, charming lady and very capable sound recordist (in a very modest and endearing way:-) Arny's exchanges with her make interesting reading. Almost all of the recording industry 'lantern swinging' (memoirs) we see here goes over my head but I do find quite a lot of it quite interesting. The "good old days" were in many ways more eventful and interesting. There were far more "characters" in the business than there are now, and you found yourself flying by the seat of your pants much more so than you do these days. Digital techniques, editing in particular, have made things quicker and much easier. I still keep a 2" analogue tape editing block on my desk to remind me:-) Iain |
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"Phil Allison" wrote in message
"Keith G" No one could ever accuse Iain of not having a high opinion of himself - by his posts, at least. ;-) ** The arrogant fool is a total egomaniac. That's not quite the same as expressing disbelief in what he posts, is it? ** The fool is a pseudo technical nincompoop. The problem is YOU have no way of telling. Agreed. |
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"Keith G" wrote in message
If you are referring to Iain, why do you doubt he has the expertise? Because I've been reading his posts for several years. And, I've been reading your posts for several years more and know that you lack what it takes to make valid judgements in this area. |
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Iain Churches wrote: It is difficult for our amateur church recordist to come to terms with the fact that there are people out there who do the job professionally (with formal training and a lifetime of experience far greater than his own) and that his church activities are worlds away from "real" professional commercial recording. But then you judge everything by your own very narrow experience. To the extent of 'telling' pros in other branches of the industry how they should be doing their jobs. All of which simply shows tunnel vision. Just how one particular branch of the industry has arrived at a way of working doesn't make it necessarily the best way for everyone. It just works for them. And if you'd taken any real interest in all those tours of other facilities you claim to have been on, you'd have observed and learned. -- *Do they ever shut up on your planet? Dave Plowman London SW To e-mail, change noise into sound. |
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"Arny Krueger" wrote in message ... "Keith G" wrote in message If you are referring to Iain, why do you doubt he has the expertise? Because I've been reading his posts for several years. And, I've been reading your posts for several years more and know that you lack what it takes to make valid judgements in this area. Don't make the mistake of believing a lifetime's experience (real or imagined) of 'practical audio' and/or a degree of technical 'knowledge' are any substitute for common sense and good instincts.... ;-) P.S. Note I don't subscribe/post to any of the 'pro', 'technical' or 'high end' audio groups. |
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"Iain Churches" wrote in message ... "Keith G" wrote Since when has any knowledge of the 'US professional audio market' been a requirement or even a legitimate expectation of any poster to this *UK recreational* newsgroup? When they pretend they have expertise but post total ********. If you are referring to Iain, why do you doubt he has the expertise? Morning Keith. Afternoon Iain! Two things here. It is difficult for our amateur church recordist to come to terms with the fact that there are people out there who do the job professionally (with formal training and a lifetime of experience far greater than his own) and that his church activities are worlds away from "real" professional commercial recording. sneep I think it's to Arny's credit that he has so steadfastly 'walked the walk' as he puts it for so long as a volunteer but it's my experience in life that a ton of 'volunteer' doesn't make an ounce of the real thing in the professional world. Mind you, that said in light of recent events, my fairly low opinion of even well-meaning 'experts' has only been reinforced! The other point is that it must be very difficult indeed to take part in a British (or Australian) group, while having no concept of their humour. In all probabiluty, Arny could not see that I was pulling his chain re Roland/Bosendorfer/Walmart. Over on the Oz group, they had him running round in circles, and on RAO the excellent (and *very* English) John Atkinson, eloquent, intellectual, talented producer, fine musician, skilled engineer, respected journalist and magazine editor, had Arny changing between dunce and clown cap with remarkable rapidity. It's a fact that Yanks don't do 'irony'! I've lost count of the number of times my little attempts at humour appear to have gone right over his head! Almost all of the recording industry 'lantern swinging' (memoirs) we see here goes over my head but I do find quite a lot of it quite interesting. The "good old days" were in many ways more eventful and interesting. There were far more "characters" in the business than there are now, and you found yourself flying by the seat of your pants much more so than you do these days. Digital techniques, editing in particular, have made things quicker and much easier. I still keep a 2" analogue tape editing block on my desk to remind me:-) One day Joe Ordinaire will wake up to the fact that 'digital' has done him no real favours - especially when it comes to music. |
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Keith G wrote: One day Joe Ordinaire will wake up to the fact that 'digital' has done him no real favours - especially when it comes to music. That comment simply says you have no grasp of the issues. Digital recording made a huge difference to vinyl - for a start. Ended the need for direct cut recordings where the very best results were required. You seem to think analogue means perfection. Perhaps you don't remember just how poor the average cassette recording was. -- *Local Area Network in Australia : The LAN down under* Dave Plowman London SW To e-mail, change noise into sound. |
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"Keith G" wrote in message
"Arny Krueger" wrote in message ... "Keith G" wrote in message If you are referring to Iain, why do you doubt he has the expertise? Because I've been reading his posts for several years. And, I've been reading your posts for several years more and know that you lack what it takes to make valid judgements in this area. Don't make the mistake of believing a lifetime's experience (real or imagined) of 'practical audio' and/or a degree of technical 'knowledge' are any substitute for common sense and good instincts.... ;-) I wouldn't claim any unique grounding in common sense or good instincts, if I were you. |
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"Keith G" wrote in message
"Iain Churches" wrote in message ... Two things here. It is difficult for our amateur church recordist to come to terms with the fact that there are people out there who do the job professionally (with formal training and a lifetime of experience far greater than his own) and that his church activities are worlds away from "real" professional commercial recording. Iain is impossible to convince that volunteer work is only part of what I do in professional audio. I think it's to Arny's credit that he has so steadfastly 'walked the walk' as he puts it for so long as a volunteer but it's my experience in life that a ton of 'volunteer' doesn't make an ounce of the real thing in the professional world. The volunteer work hasn't worked against me except on audio conferences where people often spew mounds of BS, anyway. Mind you, that said in light of recent events, my fairly low opinion of even well-meaning 'experts' has only been reinforced! The other point is that it must be very difficult indeed to take part in a British (or Australian) group, while having no concept of their humour. Americans haven't made millionaires out of certain British comedians because they don't get British humor. In all probabilty, Arny could not see that I was pulling his chain re Roland/Bosendorfer/Walmart. As usual Iain, you were just being as objectionable as possible. Over on the Oz group, they had him running round in circles, LOL! The Oz group had their hands full simply keeping the group alive. and on RAO A group that managed to largely talk themselves out of existence. Iain clearly has no idea what it was like in its glory days. the excellent (and *very* English) John Atkinson, eloquent, intellectual, talented producer, fine musician, skilled engineer, respected journalist and More like: ...widely reviled journalist and apologist for a wide variety of pseudo science for fun and quite a bit of profit... magazine editor, had Arny changing between dunce and clown cap with remarkable rapidity. All figments of Iain's imagination. |
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"Dave Plowman (News)" wrote in message ... In article , Keith G wrote: One day Joe Ordinaire will wake up to the fact that 'digital' has done him no real favours - especially when it comes to music. That comment simply says you have no grasp of the issues. And yours that you don't see the bigger picture - i.e. past 'plentiful, cheap crap' which has no real value or long-lasting appeal. Digital recording made a huge difference to vinyl - for a start. Ended the need for direct cut recordings where the very best results were required. Like in photography these days, you can 'Photoshop' any crap into some semblance of respectability? See: "But the gain in sound quality was considered worth the trouble. (As typical commercial Lp releases were cut from fourth-generation analog tape copies, the improvement in sound offered by eliminating all those layers of tape and electronics was not illusory.)" he http://www.auldworks.com/AESDD/dd1.htm You seem to think analogue means perfection. No, but I certainly think good analogue beats digital in anything which interacts with the human senses. Perhaps you don't remember just how poor the average cassette recording was. No, not really - I never got into them and what I did hear was only on a car radio/cassette or the kids' cheapo portable cassette decks. NP. Senor Coconut And His Orchestra 'Behind The Mask' at 45rpm - ********y 'disco' music really, but *stunning* sound quality! :-) |
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"Arny Krueger" wrote in message ... "Keith G" wrote in message "Iain Churches" wrote in message ... Two things here. It is difficult for our amateur church recordist to come to terms with the fact that there are people out there who do the job professionally (with formal training and a lifetime of experience far greater than his own) and that his church activities are worlds away from "real" professional commercial recording. Iain is impossible to convince that volunteer work is only part of what I do in professional audio. So what work in 'professional audio' do you do or have you done? Perhaps if you make it crystal clear Iain will be convinced...?? |
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"Arny Krueger" wrote in message ... "Keith G" wrote in message "Arny Krueger" wrote in message ... "Keith G" wrote in message If you are referring to Iain, why do you doubt he has the expertise? Because I've been reading his posts for several years. And, I've been reading your posts for several years more and know that you lack what it takes to make valid judgements in this area. Don't make the mistake of believing a lifetime's experience (real or imagined) of 'practical audio' and/or a degree of technical 'knowledge' are any substitute for common sense and good instincts.... ;-) I wouldn't claim any unique grounding in common sense or good instincts, if I were you. Hmm, doubly naughty - first he *presumes* I am claiming to have common sense and good instincts and secondly he introduces the word 'unique' like I am claiming to be the *only* one (here?) with common sense and good instincts...??? |
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"Keith G" wrote
No, but I certainly think good analogue beats digital in anything which interacts with the human senses. Do you? what leads you to that conclusion? (apart from blind prejudice, that is) I also notice that your post contains a familiar theme of yours, that if something is easy, popular or cheap it *cannot* be any good. Sounds rather like snobbery to me. David. |
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In article ,
Keith G wrote: "Dave Plowman (News)" wrote in message ... In article , Keith G wrote: One day Joe Ordinaire will wake up to the fact that 'digital' has done him no real favours - especially when it comes to music. That comment simply says you have no grasp of the issues. And yours that you don't see the bigger picture - i.e. past 'plentiful, cheap crap' which has no real value or long-lasting appeal. Don't get what you mean. Although it's certainly true a cheap and cheerful music centre with a CD will knock spots off a valve Dansette... Digital recording made a huge difference to vinyl - for a start. Ended the need for direct cut recordings where the very best results were required. Like in photography these days, you can 'Photoshop' any crap into some semblance of respectability? Eh? See: "But the gain in sound quality was considered worth the trouble. (As typical commercial Lp releases were cut from fourth-generation analog tape copies, the improvement in sound offered by eliminating all those layers of tape and electronics was not illusory.)" he http://www.auldworks.com/AESDD/dd1.htm If that's an extract from the URL you've given it's not worth even glancing at. You seem to think analogue means perfection. No, but I certainly think good analogue beats digital in anything which interacts with the human senses. Perhaps you don't remember just how poor the average cassette recording was. No, not really - I never got into them and what I did hear was only on a car radio/cassette or the kids' cheapo portable cassette decks. NP. Senor Coconut And His Orchestra 'Behind The Mask' at 45rpm - ********y 'disco' music really, but *stunning* sound quality! :-) Wonder what you're on tonight? -- *You can't have everything, where would you put it?* Dave Plowman London SW To e-mail, change noise into sound. |
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David Looser wrote: "Keith G" wrote No, but I certainly think good analogue beats digital in anything which interacts with the human senses. Do you? what leads you to that conclusion? (apart from blind prejudice, that is) My guess is 'analogue' to Keith is purely vinyl. But then he's constantly said how much better 'SET' valve amps sound than others - so perhaps those others are classed as digital too by him? A sort of catch all expression for uncoloured sound reproduction? I also notice that your post contains a familiar theme of yours, that if something is easy, popular or cheap it *cannot* be any good. Sounds rather like snobbery to me. Could be. Certainly in my experience high cost doesn't necessarily equate to quality. -- *I believe five out of four people have trouble with fractions. * Dave Plowman London SW To e-mail, change noise into sound. |
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"Keith G" wrote in message ... "Arny Krueger" wrote in message ... "Keith G" wrote in message "Iain Churches" wrote in message ... Two things here. It is difficult for our amateur church recordist to come to terms with the fact that there are people out there who do the job professionally (with formal training and a lifetime of experience far greater than his own) and that his church activities are worlds away from "real" professional commercial recording. Iain is impossible to convince that volunteer work is only part of what I do in professional audio. So what work in 'professional audio' do you do or have you done? Perhaps if you make it crystal clear Iain will be convinced...?? Perhaps Arny is referring to the schools' music festivals, about which he made such a song and dance over on RAO. It turned out that he recorded something like ten esembles an hour - no rehearsals, no editing. Professional? Err.... 'Nuff said:-) Iain |
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On 22/02/2011 00:00, Dave Plowman (News) wrote:
In , David wrote: "Keith wrote No, but I certainly think good analogue beats digital in anything which interacts with the human senses. Do you? what leads you to that conclusion? (apart from blind prejudice, that is) My guess is 'analogue' to Keith is purely vinyl. But then he's constantly said how much better 'SET' valve amps sound than others - so perhaps those others are classed as digital too by him? A sort of catch all expression for uncoloured sound reproduction? I also notice that your post contains a familiar theme of yours, that if something is easy, popular or cheap it *cannot* be any good. Sounds rather like snobbery to me. Could be. Certainly in my experience high cost doesn't necessarily equate to quality. You silly, silly little twerp. |
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In article ,
hunter wrote: Could be. Certainly in my experience high cost doesn't necessarily equate to quality. You silly, silly little twerp. Very useful comment. Perhaps you'd like some examples of where high cost doesn't equate to quality? The 'Hi-Fi' world is full of them... -- *There are 3 kinds of people: those who can count & those who can't. Dave Plowman London SW To e-mail, change noise into sound. |
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"Dave Plowman (News)" wrote in message
... In article , hunter wrote: Could be. Certainly in my experience high cost doesn't necessarily equate to quality. You silly, silly little twerp. Very useful comment. Perhaps you'd like some examples of where high cost doesn't equate to quality? The 'Hi-Fi' world is full of them... -- Don't feed the troll Dave. David. |
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"David Looser" wrote in message ... "Keith G" wrote No, but I certainly think good analogue beats digital in anything which interacts with the human senses. Do you? what leads you to that conclusion? (apart from blind prejudice, that is) I also notice that your post contains a familiar theme of yours, that if something is easy, popular or cheap it *cannot* be any good. No, you are *fabricating* here - try 'if it's easy, popular or cheap the chances are there will be something to better it which probably won't be as easy or cheap' and I'll let you off. Do try to shake off that habit of yours - putting your words into other people's mouths. Sounds rather like snobbery to me. Possibly.... |
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"Dave Plowman (News)" wrote in message ... In article , David Looser wrote: "Keith G" wrote No, but I certainly think good analogue beats digital in anything which interacts with the human senses. Do you? what leads you to that conclusion? (apart from blind prejudice, that is) My guess is 'analogue' to Keith is purely vinyl. Nope. Holds up for TV, radio, watches, photography, some meters &c. but I can't ignore the 'cheap, quick and convenient' aspects of digital photography and sound recording which are both good enough for my purposes. |
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"Dave Plowman (News)" wrote in message ... In article , hunter wrote: Could be. Certainly in my experience high cost doesn't necessarily equate to quality. You silly, silly little twerp. Very useful comment. Perhaps you'd like some examples of where high cost doesn't equate to quality? The 'Hi-Fi' world is full of them... It might help if you weren't trying to twist the words 'high quality is usually expensive' (or similar) into what you said..?? (Or do you really think the rest of the world is unaware of the existence of overpriced crap? ;-) |
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"Dave Plowman (News)" wrote in message ... In article , Keith G wrote: "Dave Plowman (News)" wrote in message ... In article , Keith G wrote: One day Joe Ordinaire will wake up to the fact that 'digital' has done him no real favours - especially when it comes to music. That comment simply says you have no grasp of the issues. And yours that you don't see the bigger picture - i.e. past 'plentiful, cheap crap' which has no real value or long-lasting appeal. Don't get what you mean. It doesn't matter. Although it's certainly true a cheap and cheerful music centre with a CD will knock spots off a valve Dansette... OSAF snip NP. Senor Coconut And His Orchestra 'Behind The Mask' at 45rpm - ********y 'disco' music really, but *stunning* sound quality! :-) Wonder what you're on tonight? What do you mean? |
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"Iain Churches" wrote in message ... "Keith G" wrote in message ... "Arny Krueger" wrote in message ... "Keith G" wrote in message "Iain Churches" wrote in message ... Two things here. It is difficult for our amateur church recordist to come to terms with the fact that there are people out there who do the job professionally (with formal training and a lifetime of experience far greater than his own) and that his church activities are worlds away from "real" professional commercial recording. Iain is impossible to convince that volunteer work is only part of what I do in professional audio. So what work in 'professional audio' do you do or have you done? Perhaps if you make it crystal clear Iain will be convinced...?? Perhaps Arny is referring to the schools' music festivals, about which he made such a song and dance over on RAO. It turned out that he recorded something like ten esembles an hour - no rehearsals, no editing. Professional? Err.... 'Nuff said:-) If Arny has experience of the *professional audio* world it shouldn't be to hard to list it. (Unpaid, volunteer work doesn't count.) |
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"Keith G" wrote in message
"Dave Plowman (News)" wrote in message ... In article , Keith G wrote: One day Joe Ordinaire will wake up to the fact that 'digital' has done him no real favours - especially when it comes to music. That comment simply says you have no grasp of the issues. Totally agreed. Joe Oridinaire wants to listen to music, not obsess over the means for doing so. And yours that you don't see the bigger picture - i.e. past 'plentiful, cheap crap' which has no real value or long-lasting appeal. The real value of any music playback system lies in the enjoyment it brings from providing pleasureable music to listen to. The most prized lasting value comes from the music, not the media or the hardware for playing it back. Digital recording made a huge difference to vinyl - for a start. Ended the need for direct cut recordings where the very best results were required. Digital generally provided better sound quality that actually lasted past a few playings. Like in photography these days, you can 'Photoshop' any crap into some semblance of respectability? Kieth proves himself to be the same out-of-touch pseudo elitist we've always known. The real value of any photograph lies in the enjoyment it brings from providing rewarding images to view and share. See: "But the gain in sound quality was considered worth the trouble. (As typical commercial Lp releases were cut from fourth-generation analog tape copies, the improvement in sound offered by eliminating all those layers of tape and electronics was not illusory.)" Good point. However especially in the later days, the degradation due to the layers of tape and (by modern standards) mediocre electronics paled compared to the massive trashing of music that happened in the mass distribution step. he http://www.auldworks.com/AESDD/dd1.htm The equipment list makes me smile, particularly the Altec A7. Anybody who hears them in a residential setting understands the massive trashing of sound that we actually accepted in those days. You seem to think analogue means perfection. It actually guarantees substandard reproduction. The analog parts of the current reproduction chain are the seat of virtually all of the audible problems. No, but I certainly think good analogue beats digital in anything which interacts with the human senses. How out of it can one be? Perhaps you don't remember just how poor the average cassette recording was. Indeed. I never thought that cassette could really hold a candle to the LP at least until we had really good metal tapes and equipment that exploited it. No, not really - I never got into them and what I did hear was only on a car radio/cassette or the kids' cheapo portable cassette decks. I did all my taping on a Revox A77 during most of the cassette era. In the last 5 years or so I had a Sony home machine that made Dolby B metal cassettes that I played back on a Sony WM-D3 portable when I was flying. Then I shifted to digital, never to look back. |
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"Dave Plowman (News)" wrote in
message In article , hunter wrote: Could be. Certainly in my experience high cost doesn't necessarily equate to quality. You silly, silly little twerp. Very useful comment. Obviously, a high end fanboy/true believer. Perhaps you'd like some examples of where high cost doesn't equate to quality? The 'Hi-Fi' world is full of them... The leader would arguably be the Sansa Clip+. It is the equivalent of a very good stereo receiver (including analog FM) and CD player with a built-in music library of up to 32 GB that has an entry price of less than $30 in the US. The electronics/display package is only a little larger than its built-in clip for attaching it to your clothing for convenient listening and to keep it from being lost. It plays for up to 15 hours on its built in battery and can be run from the power line to play indefinately. It plays FLAC files so the whole issue of lossy audio files is finessed. |
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"Keith G" wrote in message
"Arny Krueger" wrote in message ... "Keith G" wrote in message "Iain Churches" wrote in message ... Two things here. It is difficult for our amateur church recordist to come to terms with the fact that there are people out there who do the job professionally (with formal training and a lifetime of experience far greater than his own) and that his church activities are worlds away from "real" professional commercial recording. Iain is impossible to convince that volunteer work is only part of what I do in professional audio. So what work in 'professional audio' do you do or have you done? Asked and answered. But to remind those with impaired memories I'll remind you that I do a goodly number of band and choir festival recordings for educational institutions. Perhaps if you make it crystal clear Iain will be convinced...?? Iain reads what he wants to read. Because some major US cities have serious problems with education and even basic things like literacy, he fantasizes that the whole country is a bunch of illiterates. He forgets that Scandanavia was unable to defend itself successfully against the Nazis and the Communists in WW2. The US used the UK as a proxy to kick their butts. |
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"Iain Churches" wrote in message
Perhaps Arny is referring to the schools' music festivals, about which he made such a song and dance over on RAO. It turned out that he recorded something like ten esembles an hour - no rehearsals, no editing. Shows again that the truth and Iain are strangers. Professional? Err.... 'Nuff said:-) At this time Iain's professional work pales in comparison. In all time Iain never actually did all of the work it takes to bring a recording from performance to its market. His silly claims above are sour grapes, and nothing better. |
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"Keith G" wrote in message
If Arny has experience of the *professional audio* world it shouldn't be to hard to list it. Keith if you weren't suffering from memory loss, you'd know better. (Unpaid, volunteer work doesn't count.) Its the quality of work that makes it professional, not the size of the cash renumeration. |
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"Arny Krueger" wrote
. He forgets that Scandanavia was unable to defend itself successfully against the Nazis and the Communists in WW2. The US used the UK as a proxy to kick their butts. Without in any way wishing to defend or support Iain's comments, I must say that above paragraph appears to be based on ignorance and prejudice, rather than any actual understanding of the history of WW2. David. |
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"David Looser" wrote in
message "Arny Krueger" wrote . He forgets that Scandanavia was unable to defend itself successfully against the Nazis and the Communists in WW2. The US used the UK as a proxy to kick their butts. Without in any way wishing to defend or support Iain's comments, I must say that above paragraph appears to be based on ignorance and prejudice, rather than any actual understanding of the history of WW2. UK chauvinsm noted. Churchill sold the UK to Roosevelt as the largest aircraft carrier in the world, and stood behind it. A brilliant idea. If it wasn't for the US, the number of people in the world speaking German would be vastly increased. Yah vol? ;-) |
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In article ,
Keith G wrote: My guess is 'analogue' to Keith is purely vinyl. Nope. Holds up for TV, radio, watches, photography, some meters &c. but I can't ignore the 'cheap, quick and convenient' aspects of digital photography and sound recording which are both good enough for my purposes. You couldn't be more wrong. Of course some implementations of 'digital' may be way less than perfect for commercial reasons - but that is a different ball game. You seem to confuse pretty looking but flawed analogue devices with performance - or more like your own personal preferences. And we all know about those... -- *Growing old is inevitable, growing up is optional * Dave Plowman London SW To e-mail, change noise into sound. |
1 of 2 'unpostables!
"Arny Krueger" wrote in message
... "David Looser" wrote in message "Arny Krueger" wrote . He forgets that Scandanavia was unable to defend itself successfully against the Nazis and the Communists in WW2. The US used the UK as a proxy to kick their butts. Without in any way wishing to defend or support Iain's comments, I must say that above paragraph appears to be based on ignorance and prejudice, rather than any actual understanding of the history of WW2. UK chauvinsm noted. Since I did not refer to the UK or it's role in WW2 in any way in my post *that* comment shows how little you care about truth. Churchill sold the UK to Roosevelt as the largest aircraft carrier in the world, and stood behind it. A brilliant idea. If it wasn't for the US, the number of people in the world speaking German would be vastly increased. Yah vol? ;-) We cannot know for certain how history would have panned out since 1940 had the US not become involved in the European theatre during WW2. Certainly Russia (with a good deal of help from the weather and Hitler's own egomania, but little from the Western allies) was able to stop, and then reverse, Hitler's eastern expansion. One probable scenario is that most of Europe would have ended up under Soviet, rather than German, domination. Either way, though, the suggestion that German occupied countries would now be speaking German is, of course, ridiculous. David. |
1 of 2 'unpostables!
In article ,
Arny Krueger wrote: Churchill sold the UK to Roosevelt as the largest aircraft carrier in the world, and stood behind it. A brilliant idea. That suggests money flowed from the US to the UK. Whilst this was true in the short term, the US made a *very* large profit out of anything supplied to the UK, when the final sums were done. The US also waited until well after the Battle of Britain before joining in. Makes sense to be on the winning side, I suppose. But were very sadly missing at the times of true peril. Like when there was a very real danger of the UK being invaded. -- *Xerox and Wurlitzer will merge to market reproductive organs. Dave Plowman London SW To e-mail, change noise into sound. |
1 of 2 'unpostables!
"David Looser" wrote in
message "Arny Krueger" wrote in message ... "David Looser" wrote in message "Arny Krueger" wrote . He forgets that Scandanavia was unable to defend itself successfully against the Nazis and the Communists in WW2. The US used the UK as a proxy to kick their butts. Without in any way wishing to defend or support Iain's comments, I must say that above paragraph appears to be based on ignorance and prejudice, rather than any actual understanding of the history of WW2. UK chauvinsm noted. Since I did not refer to the UK or it's role in WW2 in any way in my post *that* comment shows how little you care about truth. Churchill sold the UK to Roosevelt as the largest aircraft carrier in the world, and stood behind it. A brilliant idea. If it wasn't for the US, the number of people in the world speaking German would be vastly increased. Yah vol? ;-) We cannot know for certain how history would have panned out since 1940 had the US not become involved in the European theatre during WW2. That's a truism that can be applied to just about anything that happened or didn't happen in history. Take out the "for sure" and at least you have a possibility of a discussion. Here are the facts: A total of $50.1 billion (equivalent to $759 billion at 2008 prices) worth of supplies were shipped: $31.4 billion to Britain, $11.3 billion to the Soviet Union, $3.2 billion to France and $1.6 billion to China. The $31.4 billion in US direct aid was about 15% of the UK's annual GNP at that time. However, the US provided far more than just direct aid. We had 100.000s of troops on the ground in the UK until most of them left to tour europe. Certainly Russia (with a good deal of help from the weather and Hitler's own egomania, but little from the Western allies) was able to stop, and then reverse, Hitler's eastern expansion. The $11.3 billion in US direct aid to the Soviet Union was about 4% of the USSR's annual GNP at that time. One probable scenario is that most of Europe would have ended up under Soviet, rather than German, domination. Either way, though, the suggestion that German occupied countries would now be speaking German is, of course, ridiculous. Not at all. Had Germany not ever attacked Russia (really stupid and arrogant) and the US not helped the UK (a very smart move on our part), its pretty much a slam dunk: You're all talking German. By 1944 the US production of munitions pretty well matched that of all the other parties to the war combined including Germany. Leave out Germany and we were marching up on doubling that of all the other allies combined. |
1 of 2 'unpostables!
"Dave Plowman (News)" wrote in
message In article , Arny Krueger wrote: Churchill sold the UK to Roosevelt as the largest aircraft carrier in the world, and stood behind it. A brilliant idea. That suggests money flowed from the US to the UK. Whilst this was true in the short term, the US made a *very* large profit out of anything supplied to the UK, when the final sums were done. The US also waited until well after the Battle of Britain before joining in. Makes sense to be on the winning side, I suppose. But were very sadly missing at the times of true peril. Like when there was a very real danger of the UK being invaded. The US had a serious problem with pacifism at the time. Or, perhaps many people anticipated how little our massive efforts would be appreciated once the war was won. I have to admit that I am impressed with the UK's efforts which percentage-wise dwarfed ours. |
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