Does anyone have a favourite recording, or good demonstration, of
imaging? The sort of thing where you pick out an individual instrument
and get an accurate sense of where the musician is relative to anything
else that's going on?

--
Cheers, Rob

On 25/01/17 08:28, RJH wrote:
Does anyone have a favourite recording, or good demonstration, of
imaging? The sort of thing where you pick out an individual instrument
and get an accurate sense of where the musician is relative to anything
else that's going on?

What's gonna happen with that request is that peeps dump their lists
full of vocals recorded dead centre accompanied by the main instruments,
with the sides shifted far left and right.

Some rather dynamic suggestions ...

Tiger, Paula Cole
from 'This Fire'

Secret Smile, Dan Wilson
from 'Live at the Pantages'

When I Need You, Jocelyn B. Smith
from 'Live in Berlin'

Mercy Street, Miriam Stockley
from 'Miriam'

Shine, Vienna Teng
from 'Warm Strangers'

Wish You Were Here, Pink Floyd
from 'Wish You Were Here'

Don't Give Up, Herbie Hancock
from 'The Imagine Project'


--
Adrian C

On 25/01/2017 12:32, Adrian Caspersz wrote:
On 25/01/17 08:28, RJH wrote:
Does anyone have a favourite recording, or good demonstration, of
imaging? The sort of thing where you pick out an individual instrument
and get an accurate sense of where the musician is relative to anything
else that's going on?

What's gonna happen with that request is that peeps dump their lists
full of vocals recorded dead centre accompanied by the main instruments,
with the sides shifted far left and right.

Some rather dynamic suggestions ...

Tiger, Paula Cole
from 'This Fire'

Secret Smile, Dan Wilson
from 'Live at the Pantages'

When I Need You, Jocelyn B. Smith
from 'Live in Berlin'

Mercy Street, Miriam Stockley
from 'Miriam'

Shine, Vienna Teng
from 'Warm Strangers'

Wish You Were Here, Pink Floyd
from 'Wish You Were Here'

Don't Give Up, Herbie Hancock
from 'The Imagine Project'



I seem to remember a version of the Stones, Paint it Black that was
recorded with exaggerated stereo, possibly intended as a demo of
"binaural' listening.

--
Graeme Wall
This account not read.

On 25/01/2017 12:32, Adrian Caspersz wrote:
On 25/01/17 08:28, RJH wrote:
Does anyone have a favourite recording, or good demonstration, of
imaging? The sort of thing where you pick out an individual instrument
and get an accurate sense of where the musician is relative to anything
else that's going on?

What's gonna happen with that request is that peeps dump their lists
full of vocals recorded dead centre accompanied by the main instruments,
with the sides shifted far left and right.

Some rather dynamic suggestions ...

Wish You Were Here, Pink Floyd
from 'Wish You Were Here'

Wherever you think the instruments were in the studio, you are wrong.
Of course, you might be able to hear where the engineer decided to place
them.

ISTR that the Cowboy Junkies Trinity Sessions is pretty good,
though I haven't listened to it since I got the ESLs.

And I would have to listen to my Thomas Tallis collection to choose the
best.

--
Eiron.

In article , RJH
wrote:
Does anyone have a favourite recording, or good demonstration, of
imaging? The sort of thing where you pick out an individual instrument
and get an accurate sense of where the musician is relative to anything
else that's going on?

Try some of the chamber works provided with some issues of 'BBC Music
Magazine'. They vary, but some are pretty good. The best are essentially an
LPCM link from Radio 3 with minimal furtling along the way.

Jim

--
Please use the address on the audiomisc page if you wish to email me.
Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm
Armstrong Audio http://www.audiomisc.co.uk/Armstrong/armstrong.html
Audio Misc http://www.audiomisc.co.uk/index.html

I was going to say, this is almost impossible also due to room effects and
the like.
I was quite impressed by some of the older Telarc classical titles that
appeared shortly after cds came in. still sound very deep and yet precise
today, so somebody obviously knew what they were about.
Brian

--
----- -
This newsgroup posting comes to you directly from...
The Sofa of Brian Gaff...

Blind user, so no pictures please!
"Adrian Caspersz" wrote in message
...
On 25/01/17 08:28, RJH wrote:
Does anyone have a favourite recording, or good demonstration, of
imaging? The sort of thing where you pick out an individual instrument
and get an accurate sense of where the musician is relative to anything
else that's going on?

What's gonna happen with that request is that peeps dump their lists full
of vocals recorded dead centre accompanied by the main instruments, with
the sides shifted far left and right.

Some rather dynamic suggestions ...

Tiger, Paula Cole
from 'This Fire'

Secret Smile, Dan Wilson
from 'Live at the Pantages'

When I Need You, Jocelyn B. Smith
from 'Live in Berlin'

Mercy Street, Miriam Stockley
from 'Miriam'

Shine, Vienna Teng
from 'Warm Strangers'

Wish You Were Here, Pink Floyd
from 'Wish You Were Here'

Don't Give Up, Herbie Hancock
from 'The Imagine Project'


--
Adrian C

On 25/01/2017 18:40, Brian Gaff wrote:
I was going to say, this is almost impossible also due to room effects and
the like.
I was quite impressed by some of the older Telarc classical titles that
appeared shortly after cds came in. still sound very deep and yet precise
today, so somebody obviously knew what they were about.

That Telarc 1812 was severely clipped. Too much gunpowder!

--
Eiron.

Graeme Wall wrote:



I seem to remember a version of the Stones, Paint it Black that was
recorded with exaggerated stereo, possibly intended as a demo of
"binaural' listening.


** This one?

https://www.youtube.com/watch?v=zga1NvZS4_I

Try listening on headphones.




..... Phil

On 26/01/2017 05:33, Phil Allison wrote:
Graeme Wall wrote:



I seem to remember a version of the Stones, Paint it Black that was
recorded with exaggerated stereo, possibly intended as a demo of
"binaural' listening.


** This one?

https://www.youtube.com/watch?v=zga1NvZS4_I

Try listening on headphones.



That's the bunny, thanks. Haven't heard it for decades.

--
Graeme Wall
This account not read.

"Eiron" wrote in message
...
On 25/01/2017 18:40, Brian Gaff wrote:
I was going to say, this is almost impossible also due to room
effects and
the like.
I was quite impressed by some of the older Telarc classical titles
that
appeared shortly after cds came in. still sound very deep and yet
precise
today, so somebody obviously knew what they were about.

That Telarc 1812 was severely clipped. Too much gunpowder!

--


Clipped they might have been but they were hellish big bangs -
especially on the LP version played through a pair of transmission
lines!


--
Woody

harrogate3 at ntlworld dot com