In article ,
Arny Krueger wrote:
I presume that few jobs involve more than 24 or 32 microphones which can
all be patched to the first layer. Of course you can still handle
larger jobs by using the second and third layers. The DM2000 has 4
layers.

TV types tend to be rather conservative and want discrete faders one per
channel at all times. And long throw 25mm wide ones. Which sort of
determines the size of the console. Rather large, ;-) Recording studios
too in general. Of course if you need portability, things change.

--
*Do infants enjoy infancy as much as adults enjoy adultery?

Dave Plowman London SW
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