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CD transports and resonance
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CD transports and resonance
Stewart Pinkerton wrote:
On Mon, 08 Nov 2004 21:30:27 +1100, Tat Chan wrote: Jim Lesurf wrote: However the channel bit stream is encoded on a number of levels between the sample data and the disc. did you mean 'cross interleaved code' when you said 'encoded on a number of levels between the sample data and the disc'? It's a cross-interleaved Reed-Solomon (CIRC) code, using eight to fourteen (EFM) modulation. Pick your preferred alphabet soup! :-_ All that work to correct burst errors (CIRC) and ensure that the bits can be read off the disc in a practical way (EFM), eh? I suppose the mathematicians laid the foundation to ensure the data on the disc would be self-correcting (up to a certain number of bits) and the engineers found a practical way of getting the data off the disc in real time! ;) |
CD transports and resonance
Jim Lesurf wrote:
In article , Ian Molton wrote: surely (massive) jitter from the *disc* end of things would manifest as read errors rather than jitter in the output stream? The usual academic response. "Depends what you mean by..." :-) Jitter when trying to read the channel bit steam off the disc might mean some bits were lost or repeated. However (in principle) the player might accomodate that, but in doing so end up jittering the 'correct' bit series it outputs so much as to annoy or confuse a following DAC/receiver. So "yes or no"... :-) Again though, the CD is read as fast as required to keep the read-buffer half full, which is, in turn drained at a constant rate. I cant see how jitter filling that buffer could manifest on the output unless it was great enough to drain the buffer or cause a read error that wasnt correctable, neither of which would really be 'normal operating conditions'... |
CD transports and resonance
In article ,
Paul Dormer wrote: A well worn disc is also likely to produce higher error rates (naturally). Wear suggests something which occurs normally with use - as happens with an LP. CDs don't appear to wear as such - my very first one ever still plays as new. Damage would be a better term. -- *No radio - Already stolen. Dave Plowman London SW To e-mail, change noise into sound. |
CD transports and resonance
"Ian Molton" wrote in message
Again though, the CD is read as fast as required to keep the read-buffer half full, which is, in turn drained at a constant rate. I cant see how jitter filling that buffer could manifest on the output unless it was great enough to drain the buffer or cause a read error that wasnt correctable, neither of which would really be 'normal operating conditions'... You've got things right. The buffered read technique used by *every* optical disc transport is in essence, a massive anti-jitter box. The jitter of the digital data stream coming out of an optical disc transport is set by the output clock, not mechanical vibration in the transport. I've done experiements in which I measured the jitter coming out of a CD player suspended a few inches above a large woofer playing various frequencies at loud levels. The jitter showed no increase right up to the point where mistracking started. |
CD transports and resonance
"Kurt Hamster" wrote in message
On Sat, 06 Nov 2004 09:57:26 +0000 (GMT), Dave Plowman (News) used to say... In article , Andy Evans wrote: But evidently you can't explain an obviously audible phenomenon. Trouble is, Andy, most of your posts concern 'audible phenomenon' that only you can hear... If only one person can hear it then by definition it's audible is it not? Since sighted evaluations are being used, it is unclear whether or not hearing is even involved. |
CD transports and resonance
In article ,
Paul Dormer wrote: Wear suggests something which occurs normally with use - as happens with an LP. CDs don't appear to wear as such - my very first one ever still plays as new. Damage would be a better term. Well I did say "well worn", by which I meant to infer scratched or grazed, but OK I accept your correction.. Does a properly setup turntable actually cause audible wear with each and every use?? I've never owned a high end turntable long enough to know. I'd say anything in mechanical contact must wear. My LPs certainly have. ;-) I do have a few elderly CD's which have gained pinholes in the metal layer just sitting on the shelf.. :-( I've heard of this but not experienced it. -- *Why don't you ever see the headline "Psychic Wins Lottery"? Dave Plowman London SW To e-mail, change noise into sound. |
CD transports and resonance
In article ,
Kurt Hamster wrote: But evidently you can't explain an obviously audible phenomenon. Trouble is, Andy, most of your posts concern 'audible phenomenon' that only you can hear... If only one person can hear it then by definition it's audible is it not? To some, yes. Are the voices still troubling you? -- *How can I miss you if you won't go away? Dave Plowman London SW To e-mail, change noise into sound. |
CD transports and resonance
In article ,
Paul Dormer wrote: A legendary Nimbus rot job.. Didn't Nimbus develop their own manufacturing facility - much to the amazement of the majors? Considering how difficult this must have been a few flaws aren't surprising. -- *Sorry, I don't date outside my species. Dave Plowman London SW To e-mail, change noise into sound. |
CD transports and resonance
"Paul Dormer" wrote in message
For sake of argument, wouldn't it be quicker and more fun for Andy to just make whatever changes he feels improves his CD drive to his ears, and get on with his life rather than conducting a series of boring tests?? ;-) I mean.. permutations of stabilization technique could be very long winded. Eg, try some feet under it.. does it sound better? Yes/No... OK let's move on... Not scientific but less tedious... :-) A great opportunity for Andy to intellectually spin his wheels. Show him how, Paul its what you're good at. |
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