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Vinyl 'bitrates'



 
 
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  #121 (permalink)  
Old November 15th 04, 12:45 PM posted to uk.rec.audio
Arny Krueger
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Posts: 3,850
Default Vinyl 'bitrates'

"Dave Plowman (News)" wrote in message

In article ,
Arny Krueger wrote:
The market is now full of digital recordings that could never be
played as LPs without very audible remastering.


Nothing really new there then - despite what some would have you
believe. ;-)

Very few analogue master tapes ever went 'straight' to vinyl either.


Agreed - mastering vinyl was often about trying to squeeze 5 pounds of sound
into a 3 pound vinyl bag.


  #122 (permalink)  
Old November 16th 04, 08:54 PM posted to uk.rec.audio
Trevor Wilson
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Posts: 801
Default Vinyl 'bitrates'


"Jim Lesurf" wrote in message
...
In article , Trevor Wilson
wrote:

"Tat Chan" wrote in message
...


**16/44 digital can't even reproduce a decent 5kHz square wave. Such a
feat is a doddle for a good vinyl system. Do you think you can hear the
difference between a 5kHz square wave and a 5kHz sine wave? Hint: You
probably can.


What definition of 'decent' are you using here? Just been looking at some
reviews that show 1kHz squarewaves and these show all sorts of ringing,
rounding, droop, etc. Some of which is reported as cutter produced.


**The square waves from my CBS test disk are excellent (when played on the
right equipment). Far better than any CD player I've tested (at 5kHz).



Vinyl only has (at best) 70 - 78 dB of dynamic range, which equates to
12 - 13 bits resolution, and I am sure vinyl is bandwidth limited as
well (cuts off at 16kHz?).


**Nope. In fact, a good vinyl recording can go well past 50kHz. The
mighty Dynavector 10D-II can operate to 60kHz. The square wave
performance of this very fine cartridge is exemplary.


At what level, and at what distortion? I'd also wonder what the cut
squarewave might look like after a few dozen playings...

I don't have info on the 10D/II to hand, but I'm looking at squarewaves
for
the 20A/II and DV100R. No idea how similar these are, but the results do
show a wide bandwidth, albeit with an overshoot and ultrasonic ringing.
Not
clear how much of this is due to the cutter or a matching resonance with
the preamp, though.


**Sorry Jim. Brain fart. I meant a Dynavector 17D-II.



Isn't the extra "frequency content" associated with vinyl a byproduct
of the mechanical replay system?


**In poor systems, yes. In good systems, no.


Depends what you mean. The dynavectors I just mentioned seem to have THDs
similar to most others. i.e. order of 1% around 0dB/1kHz and rising with
both frequency and amplitude, as well as worse as you approach the inner
groove. Hence I would expect them to produce some ultrasonic components
due
to nonlinearity. (This is one reason we have to treat squarewave tests
with
care as the distortion may be making the shape look 'sharper' than a
linear
response sweep would confirm if filtered to remove distortion products. My
experience is that these sorts of things in cartdidges are subject to the
same sort of 'pass the parcel' tweaking as the distortion, etc, in FM
receivers. You can make some measures look nicer by allowing others to
degrade, or by choosing specific circumstances with care.)


**All good points. I'll dig out some 'scope shots for you.


--
Trevor Wilson
www.rageaudio.com.au


 




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