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4 ohm watts and 8 ohm watts
Trevor Wilson wrote:
**Are you serious? What part of the word; "unavailable" requires explanation? What part of the thrust of my original post... ------------------------------------------ I've found a forthcoming power amplifier that I may be interested in, but the only specs available at present are that it does 500W into 8 ohms bridged for mono, and 230W per channel into 4 ohms. What would be its likely stereo output into 8 ohms? ------------------------------------------ ....did you neglect to consider when you decided to dish out a million and one warnings about stuff that has nothing specific to do with the amplifier in question? But there is such a thing as a bargain. **Indeed. However, when it is 'vapourware' it is.......nothing. AFTER the amp has hit the market and AFTER the amp has been independently tested and AFTER the amp has been shown to be reliable, it may be worthy of consideration. Before those facts are known, it is pointless bothering with. If, at the start of the second quarter of 2005, I want to give a product which has been announced as due to be released in the second quarter of 2005 my consideration, then I am entirely at liberty to do so. The fact that you think that nothing should be done until it has not only arrived, but been debugged by the early adopters, is irrelevant to my purpose in starting this thread. The Alesis RA range of amps look somewhat similar to the forthcoming amp from Behringer - same basic configuration, although the RA500 is 3U high instead of the 2U shown on Behringer's web site. Are they the ones you're referring to? -- Wally www.artbywally.com/FiatPandaRally/index.htm www.wally.myby.co.uk |
4 ohm watts and 8 ohm watts
Dave Plowman (News) wrote:
But there is such a thing as a bargain. Yes. Behringer fall into the 'how do they do it for the money' camp. Bit like Chinese cordless drills. More like Nad, perhaps. But with both don't compare in performance to the 'real' thing. Which tends to be rather a large factor in Hi-Fi. All I can say is that I'm impressed with what has happened by adding the active crossover. Limited though it may be, my one and only experience of their kit has been good, and I'm tempted to try some more of it. Nobody has stepped up and cited a specific item from their range that's indubitable crap, never mind explained why. I'm not saying the criticisms that have appeared are not without foundation, but they are rather generalised. Indeed, the only solid *fact* that I have available is that the crossover does the business, for me, and better than expected. -- Wally www.artbywally.com/FiatPandaRally/index.htm www.wally.myby.co.uk |
4 ohm watts and 8 ohm watts
"Arny Krueger" wrote in message ... Wally wrote: And like I said before, pick up a good so-called PA amp - a QSC or a Crown for example, derate it a bit, and get ready to have your socks blown off when you take your measurements. Certainly my experience so far. Early days in my experimenting, but when I started to use an InterM R500 as the power amp on my Mordaunts in a large room, I noticed an immediate improvement in top and depth of bass. I was going to buy new speakers and now am not. I think that headroom is one of the key steps to quality of sound. Peter Scott |
4 ohm watts and 8 ohm watts
In article ,
Wally wrote: But there is such a thing as a bargain. Yes. Behringer fall into the 'how do they do it for the money' camp. Bit like Chinese cordless drills. More like Nad, perhaps. No, NAD produce fine sounding gear with no frills at a reasonable price. My experience of Behringer is that they produce extremely flash looking gear with all the 'functions' - needed or not - without actually worrying so much about the actual sound quality, which will be adequate, but no more. In other words, it's designed to appeal to the mass market, rather than giving exceptional value to the discerning that NAD usually do. Of course, YMMV. But with both don't compare in performance to the 'real' thing. Which tends to be rather a large factor in Hi-Fi. All I can say is that I'm impressed with what has happened by adding the active crossover. Limited though it may be, my one and only experience of their kit has been good, and I'm tempted to try some more of it. Nobody has stepped up and cited a specific item from their range that's indubitable crap, never mind explained why. I'm not saying the criticisms that have appeared are not without foundation, but they are rather generalised. Indeed, the only solid *fact* that I have available is that the crossover does the business, for me, and better than expected. An active crossover might well cure problems of a room/speaker combination, etc, that are far more severe than the minor differences between well and adequately designed electronics. -- *Growing old is inevitable, growing up is optional Dave Plowman London SW To e-mail, change noise into sound. |
4 ohm watts and 8 ohm watts
Dave Plowman (News) wrote:
No, NAD produce fine sounding gear with no frills at a reasonable price. My experience of Behringer is that they produce extremely flash looking gear with all the 'functions' - needed or not - without actually worrying so much about the actual sound quality, which will be adequate, but no more. In other words, it's designed to appeal to the mass market, rather than giving exceptional value to the discerning that NAD usually do. How much of their gear have you actually used? Which bits, specifically? An active crossover might well cure problems of a room/speaker combination, etc, that are far more severe than the minor differences between well and adequately designed electronics. I'm glad I didn't buy an *expensive* active crossover, then - the minor differences between that and the one I did buy would have been lost in the overall change to the system sound that came about by dint of putting *an* active crossover into it. -- Wally www.artbywally.com/FiatPandaRally/index.htm www.wally.myby.co.uk |
4 ohm watts and 8 ohm watts
In article ,
Wally wrote: No, NAD produce fine sounding gear with no frills at a reasonable price. My experience of Behringer is that they produce extremely flash looking gear with all the 'functions' - needed or not - without actually worrying so much about the actual sound quality, which will be adequate, but no more. In other words, it's designed to appeal to the mass market, rather than giving exceptional value to the discerning that NAD usually do. How much of their gear have you actually used? Which bits, specifically? A couple of mixers and compressor /limiters. Ok and good value for money, but... -- *I don't have a license to kill, but I do have a learner's permit. Dave Plowman London SW To e-mail, change noise into sound. |
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