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Slam
"Parker" wrote in message .. . Would you mind not telling me or others what they should or shouldn't do, or write here in this public debate? Are you not tired (and some others here) of restricting to just a few ones the conditions of every aspect in life, in order to pretend you are acting scientifically? Stop lying to yourself. The man did define slam; with ironic terms you said it was b.s. and subjective misconception. Very rude in disguise. According to your rather instantaneous judgement I acted with rudeness and that is a subjective impression of yours. Who gave you the power to decide which subjective perceptions are based on real facts and which are not? Perhaps you have a definition of rudeness somewhere. Slam: what the O.P. defined in nice and clear terms. As a human subjective construction based on natural facts it is specially noticeable when in two given music reproduction equipments or rooms, one of them gives it (as defined by the O.P.) and the other not. "Don Pearce" escribió en el mensaje ... On Thu, 02 Oct 2003 09:56:08 GMT, "Parker" wrote: Good, you felt my rudeness. It took you less than one minute. How can such a simple thing like "SLAMMMM" an auditive impression commented and defined by humans thousand times in a very long period of years escape your ears and brain? Rudeness to logical reasoning, perhaps. If you had any idea what it was, you could have simply told the OP and everybody would have been happy. But no, instead you chose the route of the pig ignorant. As it is, you have simply repeated the hand-waving by saying it has been defined a thousand times; it hasn't - and more specifically, you haven't defined it. So please either put up or shut up - define slam or quit. Please understand that simply spelling it wrongly and in capitals doesn't actually demonstrate your knowledge in any measurable way. Your choice d HEY, YOU GUYS !!!!!!! I think I'll leave this one to you........... regards jim |
Slam
"Don Pearce" escribió en el mensaje ... On Thu, 02 Oct 2003 16:16:29 GMT, "Parker" wrote: Would you mind not telling me or others what they should or shouldn't do, or write here in this public debate? Are you not tired (and some others here) of restricting to just a few ones the conditions of every aspect in life, in order to pretend you are acting scientifically? Stop lying to yourself. The man did define slam; with ironic terms you said it was b.s. and subjective misconception. Very rude in disguise. According to your rather instantaneous judgement I acted with rudeness and that is a subjective impression of yours. Who gave you the power to decide which subjective perceptions are based on real facts and which are not? Perhaps you have a definition of rudeness somewhere. Slam: what the O.P. defined in nice and clear terms. As a human subjective construction based on natural facts it is specially noticeable when in two given music reproduction equipments or rooms, one of them gives it (as defined by the O.P.) and the other not. Parker, you are entirely clueless - and still rude. Thank you for this piece of slimy patronisation. It is just a shame that it is entirely without any basis in fact. Goodbye d _____________________________ http://www.pearce.uk.com That was door slam! Oh, how impolite! |
Slam
"Don Pearce" escribió en el mensaje ... On Thu, 02 Oct 2003 16:16:29 GMT, "Parker" wrote: Would you mind not telling me or others what they should or shouldn't do, or write here in this public debate? Are you not tired (and some others here) of restricting to just a few ones the conditions of every aspect in life, in order to pretend you are acting scientifically? Stop lying to yourself. The man did define slam; with ironic terms you said it was b.s. and subjective misconception. Very rude in disguise. According to your rather instantaneous judgement I acted with rudeness and that is a subjective impression of yours. Who gave you the power to decide which subjective perceptions are based on real facts and which are not? Perhaps you have a definition of rudeness somewhere. Slam: what the O.P. defined in nice and clear terms. As a human subjective construction based on natural facts it is specially noticeable when in two given music reproduction equipments or rooms, one of them gives it (as defined by the O.P.) and the other not. Parker, you are entirely clueless - and still rude. Thank you for this piece of slimy patronisation. It is just a shame that it is entirely without any basis in fact. Goodbye d _____________________________ http://www.pearce.uk.com That was door slam! Oh, how impolite! |
Slam
"The Old Fogey" wrote in message om... Can anyone define 'Slam' in the context of audio power amps? The ability to deal with sudden short lived transient sounds - preferably without affecting the rest of the output of the amp. Normally acheived with good PSU design and big power reserves and capable of transient output well beyond the units continuous ratings. |
Slam
"The Old Fogey" wrote in message om... Can anyone define 'Slam' in the context of audio power amps? The ability to deal with sudden short lived transient sounds - preferably without affecting the rest of the output of the amp. Normally acheived with good PSU design and big power reserves and capable of transient output well beyond the units continuous ratings. |
Slam
In message , Tim S Kemp
writes "The Old Fogey" wrote in message . com... Can anyone define 'Slam' in the context of audio power amps? The ability to deal with sudden short lived transient sounds - preferably without affecting the rest of the output of the amp. Normally acheived with good PSU design and big power reserves and capable of transient output well beyond the units continuous ratings. Apart from the fact that good PSU design means that the amp has no power reserve! ie, that it has a well regulated PSU, so the long term output power capability is the same as the short term one. -- Chris Morriss |
Slam
In message , Tim S Kemp
writes "The Old Fogey" wrote in message . com... Can anyone define 'Slam' in the context of audio power amps? The ability to deal with sudden short lived transient sounds - preferably without affecting the rest of the output of the amp. Normally acheived with good PSU design and big power reserves and capable of transient output well beyond the units continuous ratings. Apart from the fact that good PSU design means that the amp has no power reserve! ie, that it has a well regulated PSU, so the long term output power capability is the same as the short term one. -- Chris Morriss |
Slam
On Thu, 2 Oct 2003 19:16:30 +0100, "Tim S Kemp"
wrote: "The Old Fogey" wrote in message . com... Can anyone define 'Slam' in the context of audio power amps? The ability to deal with sudden short lived transient sounds - preferably without affecting the rest of the output of the amp. Normally acheived with good PSU design and big power reserves and capable of transient output well beyond the units continuous ratings. This doesn't feel right. A transient capability well beyond the continuous rating of an amplifier speaks of poor design and an inability to handle large signals well. In fact it is one of the fake-power-ratings refuges of the charlatan - the old instantaneous peak power syndrome beloved of Sinclair Radionics. Any really good amplifier will be able to handle full power more-or-less continuously - certainly for several minutes - without a problem. If slam really isn't just another piece of marketing nonsense, then it must have a reality based in a particular sound produced by an amplifier - that would make it some sort of specialist device for music production, not Hi Fi reproduction. d _____________________________ http://www.pearce.uk.com |
Slam
On Thu, 2 Oct 2003 19:16:30 +0100, "Tim S Kemp"
wrote: "The Old Fogey" wrote in message . com... Can anyone define 'Slam' in the context of audio power amps? The ability to deal with sudden short lived transient sounds - preferably without affecting the rest of the output of the amp. Normally acheived with good PSU design and big power reserves and capable of transient output well beyond the units continuous ratings. This doesn't feel right. A transient capability well beyond the continuous rating of an amplifier speaks of poor design and an inability to handle large signals well. In fact it is one of the fake-power-ratings refuges of the charlatan - the old instantaneous peak power syndrome beloved of Sinclair Radionics. Any really good amplifier will be able to handle full power more-or-less continuously - certainly for several minutes - without a problem. If slam really isn't just another piece of marketing nonsense, then it must have a reality based in a particular sound produced by an amplifier - that would make it some sort of specialist device for music production, not Hi Fi reproduction. d _____________________________ http://www.pearce.uk.com |
Slam
Any really good amplifier will be able to handle full power more-or-less continuously - certainly for several minutes - without a problem. Hmmm, yeah - I spend my life listening to square waves and pink noise so I don't need any transient handling capability, but those who listen to real music do! If slam really isn't just another piece of marketing nonsense, then it must have a reality based in a particular sound produced by an amplifier - that would make it some sort of specialist device for music production, not Hi Fi reproduction. It's mostly marketing nonsense, and used a lot in the pro audio world where transient response is vastly important, and multirail amps (class G or H I can't remember) are more common. You should only hear a "slam" if a "slam" was recorded or intended by the producer/artist/engineer. |
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