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Apogee mini dac or Benchmark DAC1
APR wrote: "Eeyore" wrote in message ... wrote: Eeyore wrote: wrote: Eeyore wrote: Iain Churches wrote: wrote in message Eeyore wrote: Keith G wrote: After an hour I can say it's fine/OK and if it was all I had I wouldn't be too unhappy, but usually when I swap back to the valves (haven't got time atm) I find the *improvement* is instantaneous and reaffirming. It's called listening fatigue. The break that you give yourself so doing allows the ear to recover. Now try it the other way round ! Hmmm I read somewhere that the opposite is usually in play. There seems to be a common bias to prefer the second smaple in an A/B comparison. Actually it seems that was what I was saying ! I wasn't thinking of an A/B comparison per se actually but I can well believe it. Interesting becuase i always thought listener fatigue happened after extensive listening, that would be the B in an A/B comparison How about after an hour ? depends on the system. But I think you missed the point the B will always follow the A so it will always involve greater listener fatigue But if there's a short break between A and B ? Graham To solve this problem why don't we do the B sample first??? Good one. Scott |
Apogee mini dac or Benchmark DAC1
"Eeyore" wrote in message ... Iain Churches wrote: Yes. This is a ploy used in some demos. Also if you can make the second a little louder, this too will tip the balance. Yes. I had the trick about the level tweak explained to me by a guy who's familiar with hi-fi reviewers a couple of weeks ago. Works every time apparently ! Graham You can make use of this in studio work too. When you get to V7 of a mix, and are convinced that V2 is the one, you can play then back to the client V7 first, and then V2 +2dB. He usually responds, "Yes you are right, that's the one!" Iain |
Apogee mini dac or Benchmark DAC1
In article , Keith G
wrote: "Jim Lesurf" wrote in message ... In article .com, Absolutely I believe any real audible difference is scientifically measuable. Well, I think people should at least *try* to do this, particularly where there is some dispute and/or the experiences of different people contradict. The problem is that they often seem not to want to bother. I would like to observe that I believe it isn't a trivial matter for ordinary people to make accurate and meaningful 'scientifice measurements' I agree - although: 1) It will depend on the circumstances and what specific 'measurements' we are talking about 2) I was not necessarily talking about 'measurements'. Slainte, Jim -- Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm Audio Misc http://www.st-and.demon.co.uk/AudioMisc/index.html Armstrong Audio http://www.st-and.demon.co.uk/Audio/armstrong.html Barbirolli Soc. http://www.st-and.demon.co.uk/JBSoc/JBSoc.html |
Apogee mini dac or Benchmark DAC1
In article . com, Andy
Evans wrote: I think you may be missinterpreting Jim's intentions here. What may be frustrating Jim is that people propose scenarios that they will argue for using intangibles, and will not make any attempt to provide something tangible to support their arguements. This does tend to cause some level of frustration in those who have knowledge anad experience, and are use to working with facts. APR I've been having this discourse with Jim for quite some time and I think I understand his intentions quite well. The basic facts of the case are that the home audio industry - unlike other arenas like medicine where stringent tests are required (quite rightly) for products - has almost universally based its recommendations of products on comparative listening tests. Jim wants to take an unusual step for the home audio scene and ask for scientific proof of the superiority of A over B or the claim that A sounds better than B. Another misunderstanding, I'm afraid. What I am primarily asking for is evidence/details I and others could use to assess a claim or conclusion someone reports. Not "scientific proof". I was also primarily talking about what professional reviewers and workers in the field might do, not just in the "home". Nor anything to do with "superiority". Just to be able to have details that would help us distinguish reliable reports and conclusions from incorrect ones. He seems oblivious to the reality that this is a highly unusual demand, but continues to "demand" that people supply him with such data. Neat use of quotation marks to invent something and attribute it to me. I have not "demanded" anything of the kind. Just asked for details and pointed out that if they are not given we may be unable to make sense of a claim. As on various other recent occasions, your posting misunderstand and misreprents both what I have been saying, and what I mean. You then criticise your own inventions/misrepresentations, not what I actually said. [snip other misunderstandings] Slainte, Jim -- Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm Audio Misc http://www.st-and.demon.co.uk/AudioMisc/index.html Armstrong Audio http://www.st-and.demon.co.uk/Audio/armstrong.html Barbirolli Soc. http://www.st-and.demon.co.uk/JBSoc/JBSoc.html |
Apogee mini dac or Benchmark DAC1
In article , Keith G
wrote: "APR" wrote in message ... I think you may be missinterpreting Jim's intentions here. What may be frustrating Jim is that people propose scenarios that they will argue for using intangibles, and will not make any attempt to provide something tangible to support their arguements. This does tend to cause some level of frustration in those who have knowledge anad experience, and are use to working with facts. Given that this group is not entirely made up from 'industry pros' (real or imagined) or 'audio/electronics engineers' (?), there will be instances where people cannot easily argue their case with *tangibles* and/or supply meaningful research data. It is up to the 'technical types' here to find out what point such a person is making without expecting said 'tangibles', if they wish to take issue with such points without the frustration you mention. The problem is that if someone makes a claim but provides no assessable evidence or details, then may be impossible to assess what they say. This isn't a matter of how technically capable anyone may be, but of having no assessable information. Of course, it is up to the person making the claims if they are willing to give any evidence/details when asked. Just as it is up to others to decide if the claim is worth taking seriously or not. Slainte, Jim -- Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm Audio Misc http://www.st-and.demon.co.uk/AudioMisc/index.html Armstrong Audio http://www.st-and.demon.co.uk/Audio/armstrong.html Barbirolli Soc. http://www.st-and.demon.co.uk/JBSoc/JBSoc.html |
Apogee mini dac or Benchmark DAC1
In article . com,
Andy Evans wrote: Who are you to re-interpret his position and then claim he's lying ? Graham I'm a psychologist - like it or not, my job is to interpret what people say or do. And yet on more than one occasion you have attributed to me things I neither said nor meant. Those reading recent postings may have seen a number of exampless where I point out where you do this. I didn't say Jim was lying, and I wouldn't. He doesn't strike me as the sort of person who would deliberately lie. I said his attitide was hypocritical. You can't pretend to be the good guy and then turn on people without expecting some comeback. But I can hope that you might read and understand what I wrote, and deal with that - rather than other ideas which you invent and attribute to me but which I did not say, nor mean. You either accept that you're being critical and deal with the consequences or you do the whole nice guy thing and treat people with grace and acceptance. I don't fall for all this faux ingenue stuff of "I'm only asking for scentific proof, and I really don't see what all the fuss is about". Therein perhaps lays the key to the problem you have in not understanding what I write. :-) BTW I have also never asked for "proof". That is not at all the same thing as evidence. Do you not understand the distinction? But once again it shows an example of you inventing something and using using quotation marks to make it seem as if it was something I said or meant. Slainte, Jim -- Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm Audio Misc http://www.st-and.demon.co.uk/AudioMisc/index.html Armstrong Audio http://www.st-and.demon.co.uk/Audio/armstrong.html Barbirolli Soc. http://www.st-and.demon.co.uk/JBSoc/JBSoc.html |
Apogee mini dac or Benchmark DAC1
"Iain Churches" wrote in message . .. You can make use of this in studio work too. When you get to V7 of a mix, and are convinced that V2 is the one, you can play then back to the client V7 first, and then V2 +2dB. He usually responds, "Yes you are right, that's the one!" Iain Iain, I wouldn't have thought of you as a person to use this form of psychoacoustic deception ;-) |
Apogee mini dac or Benchmark DAC1
wrote in message ups.com... Eeyore wrote: wrote: Eeyore wrote: wrote: Eeyore wrote: Iain Churches wrote: wrote in message Eeyore wrote: Keith G wrote: After an hour I can say it's fine/OK and if it was all I had I wouldn't be too unhappy, but usually when I swap back to the valves (haven't got time atm) I find the *improvement* is instantaneous and reaffirming. It's called listening fatigue. The break that you give yourself so doing allows the ear to recover. Now try it the other way round ! Hmmm I read somewhere that the opposite is usually in play. There seems to be a common bias to prefer the second smaple in an A/B comparison. Actually it seems that was what I was saying ! I wasn't thinking of an A/B comparison per se actually but I can well believe it. Interesting becuase i always thought listener fatigue happened after extensive listening, that would be the B in an A/B comparison How about after an hour ? depends on the system. But I think you missed the point the B will always follow the A so it will always involve greater listener fatigue But if there's a short break between A and B ? The shorter the break the worse it is for B. Comparison should be switchable and seamless. Iain |
Apogee mini dac or Benchmark DAC1
wrote in message ups.com... Eeyore wrote: wrote: Eeyore wrote: Iain Churches wrote: wrote in message Eeyore wrote: Keith G wrote: After an hour I can say it's fine/OK and if it was all I had I wouldn't be too unhappy, but usually when I swap back to the valves (haven't got time atm) I find the *improvement* is instantaneous and reaffirming. It's called listening fatigue. The break that you give yourself so doing allows the ear to recover. Now try it the other way round ! Hmmm I read somewhere that the opposite is usually in play. There seems to be a common bias to prefer the second smaple in an A/B comparison. Actually it seems that was what I was saying ! I wasn't thinking of an A/B comparison per se actually but I can well believe it. Interesting becuase i always thought listener fatigue happened after extensive listening, that would be the B in an A/B comparison How about after an hour ? depends on the system. But I think you missed the point the B will always follow the A so it will always involve greater listener fatigue Not necessarily Scott, if one is switching between the two at intervals. During an A/B most people seem to listen to segments of about 30 secs, not much more. Iain |
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