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The role of 'fake science' in audio



 
 
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  #101 (permalink)  
Old September 19th 06, 07:45 PM posted to uk.rec.audio
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Default The role of 'fake science' in audio


Eeyore wrote:
Keith G wrote:

wrote in message
Eeyore wrote:

No. What we're talking abou is the confusion of objective science with
subjective preferences, with the subjectivists believing that 'what they
like' must be inherently technically superior but with no regard to any
supporting science and a wholesale dismissal of the science that counters
their ideas.


If it sounds better it is technically superior. What do you believe?
that in audio technology serves the aesthetic or that the aesthetic
serves the technology?


Of course if any item of 'audio kit' sounds better it is technically
superior in the strictest sense because it better serves the *purpose*.


Better by whose standard ? Yours or mine ? Subjectivism is no more or less than
opinion.


How could anybody possibly claim otherwise....??


By reference to technical *accuracy*.



I see. you finally did answer the question. In your world the aesthetic
serves technology. In my world it is the other way around. Anything
that gets me closer to my aesthetic goal, the beauty of live acoustic
music, is inherently technically better because the technology is
better serving my goal.




What may sound good isn't neccessarily accurate.




Can't see the forrest for the trees again. Heaven forbid we should
sacrafice accuracy in components for accuracy to the sound of live
music.


Scott

  #107 (permalink)  
Old September 19th 06, 07:54 PM posted to uk.rec.audio
Eeyore
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Posts: 303
Default The role of 'fake science' in audio



Keith G wrote:

wrote
snip pointless argument with another member of the 'it might sound ****e
but it measures better' brigade

So - are you now going to argue in favour of high distortion figures ?


Nope just greater sense of realism. You can argue measurements all by
yourself.


And you can't measure arguments aka opinion.


Hmm, uou seem to have a 'basher' on your hands...??

It looks like you're doing perfectly fine, but it might help you to know
that some of choose to use valves for a greater sense of realism *and*
naturalness. What makes me die is some of these clowns think we would
*actually* choose summat that sounded *worse* (than SS)....???


So how do you explain that the recording travelled intact through an entirely ss
recording and production chain - only to be be allegedly 'revealed' by the sonic
purity of thermionics at the 'eleventh hour' ?

Graham

  #108 (permalink)  
Old September 19th 06, 07:57 PM posted to uk.rec.audio
Eeyore
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Posts: 303
Default The role of 'fake science' in audio



Keith G wrote:

It looks like you're doing perfectly fine, but it might help you to know
that some of choose to use valves for a greater sense of realism *and*
naturalness. What makes me die is some of these clowns think we would
*actually* choose summat that sounded *worse* (than SS)....???


Let me put the following suggestion to you.

Let's imagine we have a superlative recodring but made ina near anechoic
environment.

When played back it sounds 'lifeless' from the absence of natural reverberation.

Would discretely adding an effect in the form of artifical reverb be more or
less 'accurate', realisitic, natural or 'better' ?

Graham

  #109 (permalink)  
Old September 19th 06, 08:00 PM posted to uk.rec.audio
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Posts: 277
Default The role of 'fake science' in audio


Eeyore wrote:
Keith G wrote:

wrote
snip pointless argument with another member of the 'it might sound ****e
but it measures better' brigade

So - are you now going to argue in favour of high distortion figures ?

Nope just greater sense of realism. You can argue measurements all by
yourself.


And you can't measure arguments aka opinion.



Actually you can measure subjective imrpessions. It's done all the
time.




Hmm, uou seem to have a 'basher' on your hands...??

It looks like you're doing perfectly fine, but it might help you to know
that some of choose to use valves for a greater sense of realism *and*
naturalness. What makes me die is some of these clowns think we would
*actually* choose summat that sounded *worse* (than SS)....???


So how do you explain that the recording travelled intact through an entirely ss
recording and production chain



Please cite an example of an original performance ever surviving intact
through any SS recording and production chain.



Scott

 




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