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Independent View Of LP versus CD
"Steven Sullivan" wrote in message ... In rec.audio.tech Jeff Findley wrote: A guy I work with used to work at a CD plant and from what he understands from working there, the type of media used to deliver the master to the CD plant could make some difference. If the media was digital, then the CD's pressed would be exact digital copies, but if the media was analog, that meant that what the plant got was going to be an "AAD" CD with the additional possibility that the CD plant's analog to digital conversion might not be as good as what could be done by a recording/mixing studio. SPARS Code http://en.wikipedia.org/wiki/SPARS_Code When was the last time anyone delivered analog media to a CD pressing plant? Was this something done in the early 80s? I always took 'AAD' to mean that the CD was mastered digitally -- redundant, really, since by definition all CDs involve digital mastering. I believe this was actually the early 90's, but he did say by then delivery of analog audio to them was becoming less and less common. Still, he still tends to avoid buying AAD CD's based on what he saw going on at the plant since you can't tell from the AAD code who did the mastering from the analog tapes. Jeff -- "They that can give up essential liberty to obtain a little temporary safety deserve neither liberty nor safety" - B. Franklin, Bartlett's Familiar Quotations (1919) |
Independent View Of LP versus CD
"Jeff Findley" wrote in message ... "Steven Sullivan" wrote in message ... In rec.audio.tech Jeff Findley wrote: A guy I work with used to work at a CD plant and from what he understands from working there, the type of media used to deliver the master to the CD plant could make some difference. If the media was digital, then the CD's pressed would be exact digital copies, but if the media was analog, that meant that what the plant got was going to be an "AAD" CD with the additional possibility that the CD plant's analog to digital conversion might not be as good as what could be done by a recording/mixing studio. SPARS Code http://en.wikipedia.org/wiki/SPARS_Code When was the last time anyone delivered analog media to a CD pressing plant? Was this something done in the early 80s? I always took 'AAD' to mean that the CD was mastered digitally -- redundant, really, since by definition all CDs involve digital mastering. I believe this was actually the early 90's, but he did say by then delivery of analog audio to them was becoming less and less common. Still, he still tends to avoid buying AAD CD's based on what he saw going on at the plant since you can't tell from the AAD code who did the mastering from the analog tapes. Jeff I always purchased CDs based on the quality of the music. The SPARS code was irrelevant to me, but I always took comfort that if it said AAD, it meant that the master tape ensured adequate dithering for the CD. :-) |
Independent View Of LP versus CD
Arny Krueger wrote:
"Rob" wrote in message Arny Krueger wrote: "Rob" wrote in message Arny Krueger wrote: "Rob" wrote in message " Of course LP playback equipment varies far more in its audible sound quality than CD playback equipment does. But your method eliminates that variable completely, and the mastering decisions of a commercial CD aren't a factor, either. " Leaping assumptions there - the independent observer has managed two maxims from anecdote. No assumptions there at all. Just the facts. Assumption 1 - CD-standard recording captures the entire LP music recording. Not all of the recording, just all of the audible parts, and with a very considerable safety magin. But this is not an assumption, it is a proven fact. It can be verified with both listening tests and measurements. Assumption 2 - CD-standard recording captures in entirety any variance in sources. Not all of the sources, just all of the audible parts, and with a considerable margin. But this is not an assumption, it is a proven fact. It can be verified with both listening tests and measurements. The measurements need to be coordinated with what is known about human perception of sound. This has been done. That's fine - I didn't know that. Reading lots of waffle about supertweeters you can't hear, and subwoofers you shouldn't hear, makes the notion of 'audible' a problem for dunces like me :-) These assumptions aren't facts. Sure they are, as the word fact is commonly used. Properly stated they are findings of science that have been verified by just about anybody who has bothered to take an unbiased look at the relevant empircal data, or even collect their own data. There are no known adverse findings that are anywhere as near unbiased. Okeydokey. I'm probably expecting too much, but do you have a reference to a (preferably peer reviewed) source to substantiate this? Here's an example of some people who tried to collect their own data: http://www.provide.net/~djcarlst/abx_digi.htm The digital delay device being tested used the identical same data format as audio CDs and was of professional grade. It acted like a CD recorder and CD player back-to-back. Similar tests have been rerun from time to time in more modern contexts with identical results. OK - I can't see any clear reference to method - just a list of (incomplete) variables and population. Googling gets me to: http://www.pcabx.com/ with an odd statement about methodology. What exactly is the ontological and epistemological basis of the 'virtual reality' methodology? I have to be absolutely clear on these points to accept what you say. The bibliography is rather narrow and doesn't (of course) guide the reader towards references. What made the inventor choose that method? It didn't just come out of the air! This is a problem because it still doesn't explain *why* some people prefer a similar/same recording on vinyl. That wasn't the point. Mmm. To clarify - the 'point' is problematic because no attempt is made to explain cause. The cause is pretty easy to figure out. Preference is based on stimulus and perception. Perception is based on the body's sensory reaction to stimulus and how the brain processes those reactions. If you trace through the steps, you find the most variations in how different people's brains work. Is this your opinion or another robust fact? Robust fact. If you're not interested in 'why' then fine. The reason why can be easily understood if you are well-informed about sensation and perception. I think you're steering towards a rational/'nature'/positivist explanation. Nothing wrong with that in itself, but you do understand there are different ways of thinking about things?! It seems to me that when a bunch of audiophiles and recording engineers listen to high quality live and recorded analog sources and find that they can't tell the difference between a short piece of wire and relatively complex digital encoding and decoding in the signal path, a lot of heavy philosophical thinking can be bypassed. Of course - but it's obvious to anyone looking at those tests that it's a pretty narrow respondent sample. To turn it round and say "Well, they are the most qualified to comment" is IMO elitist claptrap. |
Independent View Of LP versus CD
"Rob" wrote in
message Arny Krueger wrote: "Rob" wrote in message Arny Krueger wrote: "Rob" wrote in message Arny Krueger wrote: Sure they are, as the word fact is commonly used. Properly stated they are findings of science that have been verified by just about anybody who has bothered to take an unbiased look at the relevant empircal data, or even collect their own data. There are no known adverse findings that are anywhere as near unbiased. Okeydokey. I'm probably expecting too much, but do you have a reference to a (preferably peer reviewed) source to substantiate this? Here's an example of some people who tried to collect their own data: http://www.provide.net/~djcarlst/abx_digi.htm The digital delay device being tested used the identical same data format as audio CDs and was of professional grade. It acted like a CD recorder and CD player back-to-back. Similar tests have been rerun from time to time in more modern contexts with identical results. OK - I can't see any clear reference to method - just a list of (incomplete) variables and population. Googling gets me to: http://www.pcabx.com/ with an odd statement about methodology. What exactly is the ontological and epistemological basis of the 'virtual reality' methodology? I have to be absolutely clear on these points to accept what you say. Nice job of raising the bar to impossible heights. I've seen this technique used many times before and I'm not playing. |
Independent View Of LP versus CD
Arny Krueger wrote:
"Rob" wrote in message OK - I can't see any clear reference to method - just a list of (incomplete) variables and population. Googling gets me to: http://www.pcabx.com/ with an odd statement about methodology. What exactly is the ontological and epistemological basis of the 'virtual reality' methodology? I have to be absolutely clear on these points to accept what you say. Nice job of raising the bar to impossible heights. I've seen this technique used many times before and I'm not playing. Well, it's your ball :-) |
Independent View Of LP versus CD
In article ,
Rob wrote: What exactly is the ontological and epistemological basis of the 'virtual reality' methodology? I have to be absolutely clear on these points to accept what you say. Nice job of raising the bar to impossible heights. I've seen this technique used many times before and I'm not playing. Well, it's your ball :-) Out of curiosity: Perhaps you could explain your question to me in plain English? I'm afraid that when I read it the jargon and context passed me by. :-) Slainte, Jim -- Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm Audio Misc http://www.st-and.demon.co.uk/AudioMisc/index.html Armstrong Audio http://www.st-and.demon.co.uk/Audio/armstrong.html Barbirolli Soc. http://www.st-and.demon.co.uk/JBSoc/JBSoc.html |
Independent View Of LP versus CD
"Rob" wrote in message ... Arny Krueger wrote: "Rob" wrote in message OK - I can't see any clear reference to method - just a list of (incomplete) variables and population. Googling gets me to: http://www.pcabx.com/ with an odd statement about methodology. What exactly is the ontological and epistemological basis of the 'virtual reality' methodology? I have to be absolutely clear on these points to accept what you say. Nice job of raising the bar to impossible heights. I've seen this technique used many times before and I'm not playing. Well, it's your ball :-) What's this? Arny crying 'no fair'...!!?? :-) (That's Game, Set and Match to Dr Rob, I think...!! :-) |
Independent View Of LP versus CD
"Keith G" wrote in message ... "Rob" wrote in message ... Arny Krueger wrote: "Rob" wrote in message OK - I can't see any clear reference to method - just a list of (incomplete) variables and population. Googling gets me to: http://www.pcabx.com/ with an odd statement about methodology. What exactly is the ontological and epistemological basis of the 'virtual reality' methodology? I have to be absolutely clear on these points to accept what you say. Nice job of raising the bar to impossible heights. I've seen this technique used many times before and I'm not playing. Well, it's your ball :-) What's this? Arny crying 'no fair'...!!?? :-) (That's Game, Set and Match to Dr Rob, I think...!! :-) It seems to me, the sudden change in terminology (without definitions) by Dr Rob seems to indicate a B.S. gambit here. Frankly, I don't know why they're discussing (or I'm reading) an issue that was already settled 25 years ago by anyone willing to accept the obvious physical, mathematical and usability advantages of digital audio, instead of, oh, I don't know, whether Western Civilization has the nerve to fight a dangerous religious war to the death, or if we're in life-threatening denial. At least we have our priorities straight. :-) |
Independent View Of LP versus CD
Karl Uppiano wrote:
"Keith G" wrote in message ... "Rob" wrote in message ... Arny Krueger wrote: "Rob" wrote in message OK - I can't see any clear reference to method - just a list of (incomplete) variables and population. Googling gets me to: http://www.pcabx.com/ with an odd statement about methodology. What exactly is the ontological and epistemological basis of the 'virtual reality' methodology? I have to be absolutely clear on these points to accept what you say. Nice job of raising the bar to impossible heights. I've seen this technique used many times before and I'm not playing. Well, it's your ball :-) What's this? Arny crying 'no fair'...!!?? :-) (That's Game, Set and Match to Dr Rob, I think...!! :-) It seems to me, the sudden change in terminology (without definitions) by Dr Rob seems to indicate a B.S. gambit here. Do you mean ontology and epistemology? They're common enough words when discussing methodology - Arny started that ball rolling. I do tend to agree that a lot of BS accompanies philosophical 'analysis'. Frankly, I don't know why they're discussing (or I'm reading) an issue that was already settled 25 years ago by anyone willing to accept the obvious physical, mathematical and usability advantages of digital audio, Agreed. But I didn't start it :-) instead of, oh, I don't know, whether Western Civilization has the nerve to fight a dangerous religious war to the death, or if we're in life-threatening denial. At least we have our priorities straight. :-) I didn't start that one either! |
Independent View Of LP versus CD
Jim Lesurf wrote:
In article , Rob wrote: What exactly is the ontological and epistemological basis of the 'virtual reality' methodology? I have to be absolutely clear on these points to accept what you say. Nice job of raising the bar to impossible heights. I've seen this technique used many times before and I'm not playing. Well, it's your ball :-) Out of curiosity: Perhaps you could explain your question to me in plain English? I'm afraid that when I read it the jargon and context passed me by. :-) Mmm - I'm not sure if you're trying to be sarcastic or patronising - you've explained the meaning of questions of this kind to me on more than one occasion. But here we go: Arny - what view do you hold relating to what exists to be explained ('your' ontology)? Then, given what exists, how do you propose to set about knowing this reality (your epistemology)? Given what exists and the approach you consider worthwhile to uncover it, what then is the logic of your inquiry (your virtual relaity methodology)? Your method I know, roughly, thank you. The context was several 'facts' Arny laid out earlier in this thread. |
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