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How can I tell music has been an MP3? Quantitative Measurement of Fidelity
"Dave" wrote ...
Have there been no bright PhD students sponsored by the music industry, or are they too busy with their revenue stream? The noise is what is not the notes. For a symphony you have an idea of what the notes should be, because you have the sheet music, and you know what a violin, flute etc should sound like. You may be able to measure something more because that is what the brain does. "Music is the space between the notes." -- Franz Liszt -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
How can I tell music has been an MP3? Quantitative Measurement of Fidelity
Colin B. wrote:
I'd suggest that this isn't a recent phenomenon. I've got plenty of pop vinyl from the 1970s and 1980s that has roughly no dynamics. Making crap sound louder on the radio at the complete expense of quality is decades old. That vinyl was pumped to hell and back with massive compression, BUT it wasn't aggressively limited as well, because aggressive limiting didn't really improve loudness on vinyl much. Today with the CD there is a hard limit for level, and so you hear a lot of heavy peak limiting today. That's more destructive to the overall sound. The combination of the two is an absolute killer. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
How can I tell music has been an MP3? Quantitative Measurement of Fidelity
Serge Auckland wrote:
That's like asking if there's a computer program to confirm a wine is of poor quality, or a piece of art work is of poor quality. Precisely, and if you could do such a thing effectively in a way that would correlate with human judgement, you could probably get a Turing award if not a Nobel. --scott -- "C'est un Nagra. C'est suisse, et tres, tres precis." |
How can I tell music has been an MP3? Quantitative Measurement of Fidelity
"Mr.T" MrT@home wrote in message
u... "Paul Stamler" wrote in message ... Some labels, including Pathe, did put out center-start records during the 78 era. Some radio transcriptions were done that way, too. And radio transcriptions of long shows were sometimes done alternating center-start and rim-start, so there would be no jarring change in sound quality as the operator switched from disc to disc. I can just imagine that operator sometimes got confused which way was next then :-) Even if they are well marked, it's surely a recipe for disaster. The disaster would be short-lived and not on the air; a disc that's cut center-out can't be cued up at the outside rim, as the groove is going in the wrong direction. (Vice versa, of course.) So the operator would realize the error during the cue-up process, which would typically be done as soon as the previous changeover had been accomplished.. Peace, Paul |
How can I tell music has been an MP3? Quantitative Measurement of Fidelity
Classical 78 sets came out in two numbering schemes:
Manual - 1/2, 3/4, 5/6, 7/8 Automatic - 1/8, 2/7, 3/6, 4/5 For an automatic album, you used a changer and stacked the discs in order, with 1 on the bottom and 4 on the top. When 4 was done, you flipped the stack and played through to the end. If someone was playing the discs on air, or in a "gramophone concert", they'd need to either have two copies of the 4/5 disc or do some sort of a break (commercial, commentary, etc.). But this very seldom happened, at least in the USA; classical music on air, when it happened, was mostly live up until the LP era. And we didn't have gramophone concerts much here. As to who had the money for two turntables -- radio stations, that's who. Before satellite networks, when microwave links and equalized phone lines were the norm, some programs went out on transcription discs, 33-1/3 coarse-groove, 15 minutes per segment. Peace, Paul |
How can I tell music has been an MP3? Quantitative Measurement of Fidelity
On Jun 26, 7:54 am, (Scott Dorsey) wrote:
"Dave" wrote ... Have there been no bright PhD students sponsored by the music industry, or are they too busy with their revenue stream? The noise is what is not the notes. For a symphony you have an idea of what the notes should be, because you have the sheet music, and you know what a violin, flute etc should sound like. You may be able to measure something more because that is what the brain does. "Music is the space between the notes." -- Franz Liszt -- "C'est un Nagra. C'est suisse, et tres, tres precis." I thought that "Music is the space between the notes." was John Cage, but more research seems to attribute it to Claude Debussy. I would imagine that it has been paraphrased a few times by other people. |
How can I tell music has been an MP3? Quantitative Measurement of Fidelity
"Paul Stamler" wrote in message ... Classical 78 sets came out in two numbering schemes: Manual - 1/2, 3/4, 5/6, 7/8 Automatic - 1/8, 2/7, 3/6, 4/5 For an automatic album, you used a changer and stacked the discs in order, with 1 on the bottom and 4 on the top. When 4 was done, you flipped the stack and played through to the end. If someone was playing the discs on air, or in a "gramophone concert", they'd need to either have two copies of the 4/5 disc or do some sort of a break (commercial, commentary, etc.). But this very seldom happened, at least in the USA; classical music on air, when it happened, was mostly live up until the LP era. And we didn't have gramophone concerts much here. I grew up in what was then a small village (in the UK) and I'm pretty certain 'gramophone concerts' were held in the village hall from time to time, but that would have been before I was old enough to go. The nearest I got was 'music lessons' in the primary school I attended when the headmaster played records to us and although I can't remember the record player (gramophone?) too clearly, I'm certain it wasn't an autochanger. I do vividly remember the music though - stuff like Greensleeves, Grieg (Peer Gynt) and various Ketelbey tunes. Anyway, this got me interested to Google and I found this site: http://www.cph.rcm.ac.uk/MusicRoom/070115Summary.htm There are some very interesting references and observations, including the notion that the so-called 'WAF' is nearly 100 years old and I particularly like this bit: "To catch a friend listening to the gramophone alone would be equivalent to finding them 'sniffing cocaine'." :-) |
How can I tell music has been an MP3? Quantitative Measurement of Fidelity
"Keith G" wrote in message ... Not as confusing as numbering 2-disc sets of LPs 1/4 and 2/3 for public performance - where the playing order goes/went as follows: Stack the albums with sides in this order from the top: 1/4, 3/2 Play Side 1, flip both discs together Play Side 2, flip top disc only Play Side 3, remove top disc Play Side 4, remove disc, take bow, bring up house lights.... Yes totally stupid, those with 2 decks want disks 1/3 and 2/4 so the change can be seamless. MrT. |
How can I tell music has been an MP3? Quantitative Measurement of Fidelity
"Carey Carlan" wrote in message ... 1/4 & 2/3 is designed for automatic record changers. Put the stack on the changer. 1 drops first, then 2. Flip the two-record stack and put it back on the changer. 3 will drop, then 4. Makes sense then. Never had an automatic changer myself though, and I have never seen any disk sets manufactured in Aus to that format. MrT. |
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