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Improving loudspeaker crossovers (SBL's)
"Keith G" wrote in message
... "Serge Auckland" wrote in message ... Keith G" wrote OK, that's an interesting statement - what do you think of these near-identical clips (one CD, the other vinyl)? http://www.apah69.dsl.pipex.com/show/MilesA.mp3 http://www.apah69.dsl.pipex.com/show/MilesB.mp3 Do you have a clear preference? Miles A is a lot cleaner, much lower distortion on the highs, so I assume it to be the CD. Sounds much nicer to me.Miles B is also a fair bit louder and sounds compressed in comparison with A. Interestingly, the frequency spectrum of A cuts off very rapidly at 16k whilst B goes on to 21k. I assume therefore that A is CD, and the relatively limited bandwidth is a function of the original tapes, whilt B is vinyl, and the very top is just noise. You are right - A is the CD. (I 'normalised' both those clips to -16 dB and that's what comes out - Gawd knows what's going on in the software!) Also, the vinyl clip was my first attempt at recording to this (Vista) laptop and it was a nightmare! I think you'll find they were normalised to -1dBFS, at least, that's what my software shows. The CD clip exhibits the 'clarity' (lack of noise floor) that is often associated with CD, but it simply sounds *shouty* to me and the percussion is brittle when compared with the vinyl. Disregarding *measurements* for this purpose and using only my ears, once again, I prefer the vinyl (what new?) by, er, *miles*!! (Oops :-) Strange isn't it, it's B that sounds "shouty" to me, especially the roughness with highs. Ya pays yer money.... (Except in this case I did for *both* the CD and LP....!! ;-) Indeed. S. -- http://audiopages.googlepages.com |
Improving loudspeaker crossovers (SBL's)
"Serge Auckland" wrote The CD clip exhibits the 'clarity' (lack of noise floor) that is often associated with CD, but it simply sounds *shouty* to me and the percussion is brittle when compared with the vinyl. Disregarding *measurements* for this purpose and using only my ears, once again, I prefer the vinyl (what new?) by, er, *miles*!! (Oops :-) Strange isn't it, it's B that sounds "shouty" to me, especially the roughness with highs. The bass is also somewhat recessed on the CD version which is what makes it 'shouty' to me, but I've trimmed the clips down: http://www.apah69.dsl.pipex.com/show/SmallMilesA.mp3 http://www.apah69.dsl.pipex.com/show/SmallMilesB.mp3 .....to enable more direct comparisons to be made and, if anything, the CD is more shouty than ever and completely lacking in 'texture' - by comparison to the vinyl, which is why I consider CD to be less *natural* and certainly less 'listenable'! (I guess one man's 'texture' is another man's *noise*....?? :-) |
Improving loudspeaker crossovers (SBL's)
"Keith G" wrote in message
... "Serge Auckland" wrote The CD clip exhibits the 'clarity' (lack of noise floor) that is often associated with CD, but it simply sounds *shouty* to me and the percussion is brittle when compared with the vinyl. Disregarding *measurements* for this purpose and using only my ears, once again, I prefer the vinyl (what new?) by, er, *miles*!! (Oops :-) Strange isn't it, it's B that sounds "shouty" to me, especially the roughness with highs. The bass is also somewhat recessed on the CD version which is what makes it 'shouty' to me, but I've trimmed the clips down: http://www.apah69.dsl.pipex.com/show/SmallMilesA.mp3 http://www.apah69.dsl.pipex.com/show/SmallMilesB.mp3 ....to enable more direct comparisons to be made and, if anything, the CD is more shouty than ever and completely lacking in 'texture' - by comparison to the vinyl, which is why I consider CD to be less *natural* and certainly less 'listenable'! (I guess one man's 'texture' is another man's *noise*....?? :-) Exactly the other way round for me! A is clean, B is coloured (shouty isn't a bad way of describing it) I suppose your texture is my coloration. By the way, what cartridge did you use for the vinyl? I would guess an AT95 or similar. S. -- http://audiopages.googlepages.com |
Improving loudspeaker crossovers (SBL's)
"Serge Auckland" wrote in message ... "Keith G" wrote in message ... "Serge Auckland" wrote The CD clip exhibits the 'clarity' (lack of noise floor) that is often associated with CD, but it simply sounds *shouty* to me and the percussion is brittle when compared with the vinyl. Disregarding *measurements* for this purpose and using only my ears, once again, I prefer the vinyl (what new?) by, er, *miles*!! (Oops :-) Strange isn't it, it's B that sounds "shouty" to me, especially the roughness with highs. The bass is also somewhat recessed on the CD version which is what makes it 'shouty' to me, but I've trimmed the clips down: http://www.apah69.dsl.pipex.com/show/SmallMilesA.mp3 http://www.apah69.dsl.pipex.com/show/SmallMilesB.mp3 ....to enable more direct comparisons to be made and, if anything, the CD is more shouty than ever and completely lacking in 'texture' - by comparison to the vinyl, which is why I consider CD to be less *natural* and certainly less 'listenable'! (I guess one man's 'texture' is another man's *noise*....?? :-) Exactly the other way round for me! A is clean, B is coloured (shouty isn't a bad way of describing it) I suppose your texture is my coloration. The 'something added vs. something lacking' dichotomy again? :-) By the way, what cartridge did you use for the vinyl? I would guess an AT95 or similar. A Goldring Electro II+ which is a high output (2.5 mV) MC with a van den Hul I stylus. (So, not really!! :-) (That's after having found a busted wire in the connectors on my other deck, which was the one I was going to use - and which you've reminded me needs sorting!) |
Improving loudspeaker crossovers (SBL's)
"Keith G" wrote in message
... "Serge Auckland" wrote in message ... "Keith G" wrote in message ... "Serge Auckland" wrote The CD clip exhibits the 'clarity' (lack of noise floor) that is often associated with CD, but it simply sounds *shouty* to me and the percussion is brittle when compared with the vinyl. Disregarding *measurements* for this purpose and using only my ears, once again, I prefer the vinyl (what new?) by, er, *miles*!! (Oops :-) Strange isn't it, it's B that sounds "shouty" to me, especially the roughness with highs. The bass is also somewhat recessed on the CD version which is what makes it 'shouty' to me, but I've trimmed the clips down: http://www.apah69.dsl.pipex.com/show/SmallMilesA.mp3 http://www.apah69.dsl.pipex.com/show/SmallMilesB.mp3 ....to enable more direct comparisons to be made and, if anything, the CD is more shouty than ever and completely lacking in 'texture' - by comparison to the vinyl, which is why I consider CD to be less *natural* and certainly less 'listenable'! (I guess one man's 'texture' is another man's *noise*....?? :-) Exactly the other way round for me! A is clean, B is coloured (shouty isn't a bad way of describing it) I suppose your texture is my coloration. The 'something added vs. something lacking' dichotomy again? :-) Exactly. I find vinyl adds something undesirable, you feel CD lacks something desirable. By the way, what cartridge did you use for the vinyl? I would guess an AT95 or similar. A Goldring Electro II+ which is a high output (2.5 mV) MC with a van den Hul I stylus. (So, not really!! :-) (That's after having found a busted wire in the connectors on my other deck, which was the one I was going to use - and which you've reminded me needs sorting!) I'm surprised, as the Goldring I have (1042) and my memories of Goldring G800 series were of quite smooth cartridges. Maybe the disk is well worn, as I found the loud highs quite rough. S -- http://audiopages.googlepages.com |
Improving loudspeaker crossovers (SBL's)
"Serge Auckland" wrote in message ... "Keith G" wrote The 'something added vs. something lacking' dichotomy again? :-) Exactly. I find vinyl adds something undesirable, you feel CD lacks something desirable. My only problem with CD is they don't hold my attention. I can listen to them for sounds but, for some strange reason, I don't take them seriously for music! And it's not like the (far) superior soundstaging of vinyl has anything to do with it, as I'm often floating about the house when the music is on and everything gets nicely 'monoed' by the time I hear it! (That's after having found a busted wire in the connectors on my other deck, which was the one I was going to use - and which you've reminded me needs sorting!) Aha! A timely reminder!! I'm surprised, as the Goldring I have (1042) and my memories of Goldring G800 series were of quite smooth cartridges. Maybe the disk is well worn, as I found the loud highs quite rough. I didn't get on too well with the G1042 and the only working G800 (ie with a decent needle) I have is with Shiny Nigel atm - I seem to prefer Shure MMs and Ortofon MCs, myself! That said, the Goldring is possibly a little too rare for the work it's doing and I will probably swap it out for an AT110E - which work superbly well on linear trackers! |
Improving loudspeaker crossovers (SBL's)
"Keith G" wrote in message
... My only problem with CD is they don't hold my attention. I can listen to them for sounds but, for some strange reason, I don't take them seriously for music! Because you have an emotional attachment to the *idea* of vinyl, because you like the ritual of cleaning the disc, watching it turn, lowering the stylus into it etc? Perhaps CDs are simply too easy to play for your liking. And it's not like the (far) superior soundstaging of vinyl has anything to do with it, How do you work that one out? Vinyl has a poor crosstalk figure (typically around 25-30dB) whilst with CD the crosstalk is as good as the producer of the recording wants it to be. How does that create "(far) superior soundstaging" for vinyl? David. |
Improving loudspeaker crossovers (SBL's)
Bob Latham wrote:
I have to say I do know exactly what keith means here. The most impressive soundstage or imaging I have ever heard was from an Ortofon MC10 or 20 can't remember which that i owned at one time. I've not heard CD image like that cartridge did. I bet some will argue that this is due to some mid band frequency response error and that may be the case, I don't know. Was lovely though. Did we have soundstaging or imaging in those days? -- Eiron. |
Improving loudspeaker crossovers (SBL's)
"David Looser" wrote in message ... "Keith G" wrote in message ... My only problem with CD is they don't hold my attention. I can listen to them for sounds but, for some strange reason, I don't take them seriously for music! Because you have an emotional attachment to the *idea* of vinyl, because you like the ritual of cleaning the disc, watching it turn, lowering the stylus into it etc? Perhaps CDs are simply too easy to play for your liking. Quite possibly all of that! And it's not like the (far) superior soundstaging of vinyl has anything to do with it, How do you work that one out? Vinyl has a poor crosstalk figure (typically around 25-30dB) whilst with CD the crosstalk is as good as the producer of the recording wants it to be. How does that create "(far) superior soundstaging" for vinyl? No idea - all I know is CDs have virtually no 'soundstaging' at all, compared with almost all vinyl...?? (Reverb is *not* soundstaging....) |
Improving loudspeaker crossovers (SBL's)
"Bob Latham" wrote in message ... In article , David Looser wrote: "Keith G" wrote in message ... And it's not like the (far) superior soundstaging of vinyl has anything to do with it, How do you work that one out? Vinyl has a poor crosstalk figure (typically around 25-30dB) whilst with CD the crosstalk is as good as the producer of the recording wants it to be. How does that create "(far) superior soundstaging" for vinyl? I have to say I do know exactly what keith means here. The most impressive soundstage or imaging I have ever heard was from an Ortofon MC10 or 20 can't remember which that i owned at one time. I've not heard CD image like that cartridge did. I bet some will argue that this is due to some mid band frequency response error and that may be the case, I don't know. Was lovely though. Shhh..... (They don't come up on eBay too often!! ;-) |
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