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-   -   Copy Protected Cds (https://www.audiobanter.co.uk/uk-rec-audio-general-audio/76-copy-protected-cds.html)

killermike July 13th 03 02:13 PM

Copy Protected Cds
 
In article ,
says...
Hi,

In message , Roy
writes

If it's trying to tell me something it should speak more clearly. Although I
have noticed that following Philips legal intervention these EMI copy
protected disc no longer display the Compact Disc logo - 'cos they're not
red book standard.


It's about time, too. Putting the CD logo on non-red book compliant CDs
is fraud, in my book. I'm glad to see that at least some of the big
studios are at least leaving the logos off 'toyed with' CDs.


I bet they come up with a new logo for CDs of this type. Something
misleading like 'HQDR - Highest Quality Digital Recording' "This CD uses
HQDR technology to ensure the highest fidelity and listening
pleasure." :-)

--
***Please remove the word 'not' from my
email address to reply.

Keith G July 13th 03 02:24 PM

Copy Protected Cds
 
"Chesney Christ" wrote in message
...
A certain Keith G, of uk.rec.audio "fame", writes :

Digital music has been around for well over 20 years now.


Yup and will be around forever - there's never any going back in this

world.
It just won't exist as CDs (or any other 'disk' form) for very much

longer.

What form do you have in mind ? Don't say "memory chips". You can't
produce high-density (to the density of a modern dual-layer DVD) memory
chips containing music in bulk for a few pence, and that won't be
possible for many, many years.




Wakey wakey Chezzer! -
http://www.sandisk.com/pressrelease/...d512mb_1gb.htm

(Free in Corn Flakes packets, this time next year......)



The success of DVD (for any function) seems to suggest that disc media
are still going strong.

Apart from anything else, there ain't the profits in the hardware there

used
to be.


Which hardware ?

The industry itself, with it's bizarre ideas on copyright control,

is
doing the damage here. Inserting watermarks or other signals is
perfectly possible to do on vinyl or analogue tape - it's just a

recent
phenomenon.

Yes, as a result of 'digitising' music.

Is road rage the result of people owning cars ?


Yes, amongst other things far to abstruse to go into here.


So a person who owns a car is likely to become road-enraged ?




Far more so than someone who doesn't own or drive one....



Are domestic stabbings
the result of people owning kitchen knives ?


Same answer as before.


So a couple who own kitchen knives are likely to stab each other ?



Depends if she 'finds out'.......



Also: More people wear spectacles these days for a number of reasons
including the fact that there are more Opticians....


You'll find there are more hospitals and doctors as well. We're better
at diagnosing medical problems than we were 50 years ago, and we're also
better at curing them. Cause and effect.

How does vinyl (a medium upon which little if any music is distributed
on exclusively) avoid this problem ?


I'm a bit lost here - are you referring to the 'copyright control' issue?

If
so the problem isn't in the medium, it's in the industry.


Yes.

Price a twinkly new CD (complete with a nice artwork, lyrics etc) at no

more
than, say, 4.99 (absolute tops for the very latest releases) and the same
lazy old Joe Ordinaire will buy it instead of trying to rip it off and

Car
Boot, Pub and Street sellers of bootlegs will jack it in because it won't

be
worth the bother. Back catalogue at 2.99 will sell all day long, sprinkle

a
bit of 'you know it makes sense' on in an intelligent way and bootlegging
will halve overnight.


We agree on something at least, although I do not think the bootlegging
problem is anywhere near as serious as the music biz says it is.



Excuse me? There was summat on the boxes a couple of nights ago talking
about losses to the 'music producers' in terms of *billions* per year.....


People
have been copying and taping music since recording devices became
available.



Yebbut, they didn't have the Internet, 24/7 Broadband and 40× drives to do
it with in them days.


Chez, mi amigo, I don't think you've got an inkling of a clue about how much
pirated music (and movies) gets shunted round the world at the speed of
(well not 'light' perhaps....) every single day. Let me just say, if you've
got shares in EMI, I'd think about unloading them while you still can.......







Chesney Christ July 13th 03 03:31 PM

Copy Protected Cds
 
A certain Keith G, of uk.rec.audio "fame", writes :
What form do you have in mind ? Don't say "memory chips". You can't
produce high-density (to the density of a modern dual-layer DVD) memory
chips containing music in bulk for a few pence, and that won't be
possible for many, many years.


Wakey wakey Chezzer! -
http://www.sandisk.com/pressrelease/...d512mb_1gb.htm


These are very roughly 100x the per-gigabyte cost of a modern hard disk
drive. I don't think we're there yet.

(Free in Corn Flakes packets, this time next year......)


I can't predict the future so discussion on this is academic, but I
don't agree that it's going to be that quick. Not even the "small" 32MB
cards have fallen to the point where they cost a few pence. The
manufacturing process for memory devices is inherently wasteful
(although improving) and is still quite complex, whereas a CD production
plant can churn out prerecorded CDs and DVDs for almost nothing in bulk
quantities.

You're right to say that the future is in solid state memory devices,
mainly because they're smaller and more practical. When that happens
it'll be a great day (for everyone except folks with hangups about
digital, for whom it'll be pretty much business as usual). But the
quality of the stored data will be identical to the equivalent data
stored CD, although less error correction will be required.

We agree on something at least, although I do not think the bootlegging
problem is anywhere near as serious as the music biz says it is.


Excuse me? There was summat on the boxes a couple of nights ago talking
about losses to the 'music producers' in terms of *billions* per year.....


Consider the source. The RIAA and so on calculate their sums on the
basis that every single copied track would have been bought
legitimately, which obviously isn't true. People download stuff they'd
never think of buying. The main reason for the losses in the music biz
is to do with the sheer dreck they're churning out these days.

People
have been copying and taping music since recording devices became
available.


Yebbut, they didn't have the Internet, 24/7 Broadband and 40× drives to do
it with in them days.


Doesn't matter. I don't think the arrival of double-speed tape-to-tape
devices doubled the rate of piracy, for example.

Chez, mi amigo, I don't think you've got an inkling of a clue about how much
pirated music (and movies) gets shunted round the world at the speed of
(well not 'light' perhaps....) every single day.


I do, I even work in telecoms.

Let me just say, if you've
got shares in EMI, I'd think about unloading them while you still can.......


I'd never buy shares in the music business. Their tactics and business
processes are despicable and the pumped-up manufactured music they churn
out is utter dreck.

--

"Jokes mentioning ducks were considered particularly funny." - cnn.com


Keith G July 13th 03 04:23 PM

Copy Protected Cds
 
"Chesney Christ" wrote


snipped 'academic' bits



We agree on something at least, although I do not think the bootlegging
problem is anywhere near as serious as the music biz says it is.


Excuse me? There was summat on the boxes a couple of nights ago talking
about losses to the 'music producers' in terms of *billions* per

year.....

Consider the source. The RIAA and so on calculate their sums on the
basis that every single copied track would have been bought
legitimately, which obviously isn't true.



OK, not worth arguing about.


People download stuff they'd
never think of buying.



Yup.


The main reason for the losses in the music biz
is to do with the sheer dreck they're churning out these days.



Yup and nope......



People
have been copying and taping music since recording devices became
available.


Yebbut, they didn't have the Internet, 24/7 Broadband and 40× drives to

do
it with in them days.


Doesn't matter. I don't think the arrival of double-speed tape-to-tape
devices doubled the rate of piracy, for example.



Adding the extra horse to your haycart didn't quite bring it up to
Concorde's speed either.



Chez, mi amigo, I don't think you've got an inkling of a clue about how

much
pirated music (and movies) gets shunted round the world at the speed of
(well not 'light' perhaps....) every single day.


I do, I even work in telecoms.



No comment.



Let me just say, if you've
got shares in EMI, I'd think about unloading them while you still

can.......

I'd never buy shares in the music business. Their tactics and business
processes are despicable and the pumped-up manufactured music they churn
out is utter dreck.



Yup. (No 'nope' this time.) Now ponder on one main area of my 'music
tastes' - 30's, 40's and 50's Jazz - and see if you can squeeze vinyl into
the equation somewhere....

;-)






Chesney Christ July 13th 03 05:29 PM

Copy Protected Cds
 
A certain Ronnie McKinley, of uk.rec.audio "fame", writes :

I'd never buy shares in the music business. Their tactics and business
processes are despicable and the pumped-up manufactured music they churn
out is utter dreck.


Oh so on principle you don't buy ANY reproduced music at all?


Obviously not. I didn't say anything about principles, or about whether
or not I buy music. Is it any wonder you're so good at hearing things
that aren't there.

--

"Jokes mentioning ducks were considered particularly funny." - cnn.com


Chesney Christ July 13th 03 06:08 PM

Copy Protected Cds
 
A certain Ronnie McKinley, of uk.rec.audio "fame", writes :
In uk.rec.audio Chesney Christ wrote:

A certain Ronnie McKinley, of uk.rec.audio "fame", writes :

I'd never buy shares in the music business. Their tactics and business
processes are despicable and the pumped-up manufactured music they churn
out is utter dreck.

Oh so on principle you don't buy ANY reproduced music at all?


Obviously not.


"Obviously not" ?? Obviously not, what?


I'm not playing, Ron. It's pretty silly to say that I never buy any
reproduced music. For anyone with a bit of wit, it would seem pretty
obvious that someone posting in a hifi group probably does.
--

"Jokes mentioning ducks were considered particularly funny." - cnn.com


Chesney Christ July 13th 03 09:16 PM

Copy Protected Cds
 
A certain Ronnie McKinley, of uk.rec.audio "fame", writes :

I'm not playing, Ron. It's pretty silly to say that I never buy any
reproduced music.


**I** never stated or **said** YOU didn't buy reproduced music, did I?


What other way is there to interpret what you wrote below :

"Oh so on principle you don't buy ANY reproduced music at all?"

???

Why did you write that ?

I'm snipping all of your other arguments, it is impossible to argue with
someone who insists on misrepresentation. I simply don't have time to
bugger about with that.

--

"Jokes mentioning ducks were considered particularly funny." - cnn.com


Roy July 14th 03 09:13 PM

Copy Protected Cds
 

"Keith G" wrote in message
...
"Roy" wrote in message
...

"Keith G" wrote in message
...
"Roy" wrote in message
...
I can rip the tracks to hard disc and they are perfectly OK, hence

my
comment about how wonderful so-called copy protection is. All it

achieves
is
preventing me playing the original CD on a CD player. Hmm.



Perhaps it's trying to tell you something..........



If it's trying to tell me something it should speak more clearly.

Although
I
have noticed that following Philips legal intervention these EMI copy
protected disc no longer display the Compact Disc logo - 'cos they're

not
red book standard.




Red Book? Forget it, Roy - that's out the window now, matey!



So it seems, but my (and I suspect your) CD player is designed to play discs
produced to that standard.

Roy.




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