On Tue, 03 Nov 2009 13:36:25 -0000, Don Pearce wrote:

On Tue, 3 Nov 2009 13:13:50 -0000, "Keith G"
wrote:


"Don Pearce" wrote


You can use the dual mono signal quite handily. Put it into your audio
software and use the facility (which most have) of centre channel or
vocal extraction. That way you will lose the spitches (which are 99%
left or right, but never centre), and keep the good stuff.


That is what I suspect happens automatically when the capture is set to
'mono' and the file is saved as such - I can't see any facilities in the
software to enable you to choose it as a process..??

Nope, it will just add the two channels together. The crackling will
become a little less evident because it is now coming from the same
spot as the music, and a bit better hidden than when it was separated
spatially.

I don't know what Sound Forge (is that what you use?) does. It is
there in Audition.


Don - this is actually something that is unique to Audition as far as I
know. The Centre Channel Extractor is much cleverer than it may first
appear as it actually looks at the correlation between channels and leaves
(or removes) signals with the correlation that you choose.

Cheers

James.


--
http://www.jrpmusic.net