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On 22/02/2011 00:00, Dave Plowman (News) wrote:
In , David wrote: "Keith wrote No, but I certainly think good analogue beats digital in anything which interacts with the human senses. Do you? what leads you to that conclusion? (apart from blind prejudice, that is) My guess is 'analogue' to Keith is purely vinyl. But then he's constantly said how much better 'SET' valve amps sound than others - so perhaps those others are classed as digital too by him? A sort of catch all expression for uncoloured sound reproduction? I also notice that your post contains a familiar theme of yours, that if something is easy, popular or cheap it *cannot* be any good. Sounds rather like snobbery to me. Could be. Certainly in my experience high cost doesn't necessarily equate to quality. You silly, silly little twerp. |
1 of 2 'unpostables!
In article ,
hunter wrote: Could be. Certainly in my experience high cost doesn't necessarily equate to quality. You silly, silly little twerp. Very useful comment. Perhaps you'd like some examples of where high cost doesn't equate to quality? The 'Hi-Fi' world is full of them... -- *There are 3 kinds of people: those who can count & those who can't. Dave Plowman London SW To e-mail, change noise into sound. |
1 of 2 'unpostables!
"Dave Plowman (News)" wrote in message
... In article , hunter wrote: Could be. Certainly in my experience high cost doesn't necessarily equate to quality. You silly, silly little twerp. Very useful comment. Perhaps you'd like some examples of where high cost doesn't equate to quality? The 'Hi-Fi' world is full of them... -- Don't feed the troll Dave. David. |
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"David Looser" wrote in message ... "Keith G" wrote No, but I certainly think good analogue beats digital in anything which interacts with the human senses. Do you? what leads you to that conclusion? (apart from blind prejudice, that is) I also notice that your post contains a familiar theme of yours, that if something is easy, popular or cheap it *cannot* be any good. No, you are *fabricating* here - try 'if it's easy, popular or cheap the chances are there will be something to better it which probably won't be as easy or cheap' and I'll let you off. Do try to shake off that habit of yours - putting your words into other people's mouths. Sounds rather like snobbery to me. Possibly.... |
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"Dave Plowman (News)" wrote in message ... In article , David Looser wrote: "Keith G" wrote No, but I certainly think good analogue beats digital in anything which interacts with the human senses. Do you? what leads you to that conclusion? (apart from blind prejudice, that is) My guess is 'analogue' to Keith is purely vinyl. Nope. Holds up for TV, radio, watches, photography, some meters &c. but I can't ignore the 'cheap, quick and convenient' aspects of digital photography and sound recording which are both good enough for my purposes. |
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"Dave Plowman (News)" wrote in message ... In article , hunter wrote: Could be. Certainly in my experience high cost doesn't necessarily equate to quality. You silly, silly little twerp. Very useful comment. Perhaps you'd like some examples of where high cost doesn't equate to quality? The 'Hi-Fi' world is full of them... It might help if you weren't trying to twist the words 'high quality is usually expensive' (or similar) into what you said..?? (Or do you really think the rest of the world is unaware of the existence of overpriced crap? ;-) |
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"Dave Plowman (News)" wrote in message ... In article , Keith G wrote: "Dave Plowman (News)" wrote in message ... In article , Keith G wrote: One day Joe Ordinaire will wake up to the fact that 'digital' has done him no real favours - especially when it comes to music. That comment simply says you have no grasp of the issues. And yours that you don't see the bigger picture - i.e. past 'plentiful, cheap crap' which has no real value or long-lasting appeal. Don't get what you mean. It doesn't matter. Although it's certainly true a cheap and cheerful music centre with a CD will knock spots off a valve Dansette... OSAF snip NP. Senor Coconut And His Orchestra 'Behind The Mask' at 45rpm - ********y 'disco' music really, but *stunning* sound quality! :-) Wonder what you're on tonight? What do you mean? |
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"Iain Churches" wrote in message ... "Keith G" wrote in message ... "Arny Krueger" wrote in message ... "Keith G" wrote in message "Iain Churches" wrote in message ... Two things here. It is difficult for our amateur church recordist to come to terms with the fact that there are people out there who do the job professionally (with formal training and a lifetime of experience far greater than his own) and that his church activities are worlds away from "real" professional commercial recording. Iain is impossible to convince that volunteer work is only part of what I do in professional audio. So what work in 'professional audio' do you do or have you done? Perhaps if you make it crystal clear Iain will be convinced...?? Perhaps Arny is referring to the schools' music festivals, about which he made such a song and dance over on RAO. It turned out that he recorded something like ten esembles an hour - no rehearsals, no editing. Professional? Err.... 'Nuff said:-) If Arny has experience of the *professional audio* world it shouldn't be to hard to list it. (Unpaid, volunteer work doesn't count.) |
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"Keith G" wrote in message
"Dave Plowman (News)" wrote in message ... In article , Keith G wrote: One day Joe Ordinaire will wake up to the fact that 'digital' has done him no real favours - especially when it comes to music. That comment simply says you have no grasp of the issues. Totally agreed. Joe Oridinaire wants to listen to music, not obsess over the means for doing so. And yours that you don't see the bigger picture - i.e. past 'plentiful, cheap crap' which has no real value or long-lasting appeal. The real value of any music playback system lies in the enjoyment it brings from providing pleasureable music to listen to. The most prized lasting value comes from the music, not the media or the hardware for playing it back. Digital recording made a huge difference to vinyl - for a start. Ended the need for direct cut recordings where the very best results were required. Digital generally provided better sound quality that actually lasted past a few playings. Like in photography these days, you can 'Photoshop' any crap into some semblance of respectability? Kieth proves himself to be the same out-of-touch pseudo elitist we've always known. The real value of any photograph lies in the enjoyment it brings from providing rewarding images to view and share. See: "But the gain in sound quality was considered worth the trouble. (As typical commercial Lp releases were cut from fourth-generation analog tape copies, the improvement in sound offered by eliminating all those layers of tape and electronics was not illusory.)" Good point. However especially in the later days, the degradation due to the layers of tape and (by modern standards) mediocre electronics paled compared to the massive trashing of music that happened in the mass distribution step. he http://www.auldworks.com/AESDD/dd1.htm The equipment list makes me smile, particularly the Altec A7. Anybody who hears them in a residential setting understands the massive trashing of sound that we actually accepted in those days. You seem to think analogue means perfection. It actually guarantees substandard reproduction. The analog parts of the current reproduction chain are the seat of virtually all of the audible problems. No, but I certainly think good analogue beats digital in anything which interacts with the human senses. How out of it can one be? Perhaps you don't remember just how poor the average cassette recording was. Indeed. I never thought that cassette could really hold a candle to the LP at least until we had really good metal tapes and equipment that exploited it. No, not really - I never got into them and what I did hear was only on a car radio/cassette or the kids' cheapo portable cassette decks. I did all my taping on a Revox A77 during most of the cassette era. In the last 5 years or so I had a Sony home machine that made Dolby B metal cassettes that I played back on a Sony WM-D3 portable when I was flying. Then I shifted to digital, never to look back. |
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"Dave Plowman (News)" wrote in
message In article , hunter wrote: Could be. Certainly in my experience high cost doesn't necessarily equate to quality. You silly, silly little twerp. Very useful comment. Obviously, a high end fanboy/true believer. Perhaps you'd like some examples of where high cost doesn't equate to quality? The 'Hi-Fi' world is full of them... The leader would arguably be the Sansa Clip+. It is the equivalent of a very good stereo receiver (including analog FM) and CD player with a built-in music library of up to 32 GB that has an entry price of less than $30 in the US. The electronics/display package is only a little larger than its built-in clip for attaching it to your clothing for convenient listening and to keep it from being lost. It plays for up to 15 hours on its built in battery and can be run from the power line to play indefinately. It plays FLAC files so the whole issue of lossy audio files is finessed. |
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