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loudspeaker stereo imaging
Ian Molton wrote:
On Fri, 14 Nov 2003 09:24:23 -0500 "Arny Krueger" wrote: With non-concentric designs, the two sound sources are separated by an appreciable distance, and this distance interacts with the crossover to produce lobing in the range where the driver's output overlaps. With a dual concentric design, the two sources can be made to be very close or to even coincide. The theory is fine. its the practice that seems to be the problem IME. IMHO the proctice is fine. Tannoy dual concentrics have been used in pro studios for over 40 years and they still sound wonderful. Ian |
loudspeaker stereo imaging
Wally wrote:
Jim Lesurf wrote: Makes me wonder if all that stereo imaging stuff is worth the bother (not that I bother, especially). It *is* worth it if you can manage to get a clear image. Once achieved the value becomes evident. :-) The problem is that really good stereo imaging can be hard to obtain, hence is perhaps rarely experienced from domestic 'stereo' systems. I don't doubt that there are good and bad examples of imaging, and that improvments can be made. :-) It was more that there seem to be physical limits imposed by the wavelengths of certain frequencies, and the consquent spacing of peaks and troughs - like the idea that a given frequency can result in a peak at one ear and a trough at the other. This is basic physics. With two sources of the same signal at say 1KHz peaks and troughs can occur at intervals of the wavelength. Given the speed of sound is aboutt 100ft per second, then for 1KHz this is just a foot. Ian |
loudspeaker stereo imaging
Wally wrote:
Jim Lesurf wrote: Makes me wonder if all that stereo imaging stuff is worth the bother (not that I bother, especially). It *is* worth it if you can manage to get a clear image. Once achieved the value becomes evident. :-) The problem is that really good stereo imaging can be hard to obtain, hence is perhaps rarely experienced from domestic 'stereo' systems. I don't doubt that there are good and bad examples of imaging, and that improvments can be made. :-) It was more that there seem to be physical limits imposed by the wavelengths of certain frequencies, and the consquent spacing of peaks and troughs - like the idea that a given frequency can result in a peak at one ear and a trough at the other. This is basic physics. With two sources of the same signal at say 1KHz peaks and troughs can occur at intervals of the wavelength. Given the speed of sound is aboutt 100ft per second, then for 1KHz this is just a foot. Ian |
loudspeaker stereo imaging
Ian Molton wrote:
On Fri, 14 Nov 2003 08:51:45 +0000 (GMT) Jim Lesurf wrote: It *is* worth it if you can manage to get a clear image. Once achieved the value becomes evident. :-) Indeed ;-) The problem is that really good stereo imaging can be hard to obtain, hence is perhaps rarely experienced from domestic 'stereo' systems. Its easy to obtain a stunning stereo image... wear headphones ;-) But is it accurate. Unfortunately most current material is designed to be played thru two spaced speakers and gives quite different results in headphones. The most convincing stereo effect I ever heard was a recording made with a crossed pair of figure of eight ribbon mics played thru headphones. Ian |
loudspeaker stereo imaging
Ian Molton wrote:
On Fri, 14 Nov 2003 08:51:45 +0000 (GMT) Jim Lesurf wrote: It *is* worth it if you can manage to get a clear image. Once achieved the value becomes evident. :-) Indeed ;-) The problem is that really good stereo imaging can be hard to obtain, hence is perhaps rarely experienced from domestic 'stereo' systems. Its easy to obtain a stunning stereo image... wear headphones ;-) But is it accurate. Unfortunately most current material is designed to be played thru two spaced speakers and gives quite different results in headphones. The most convincing stereo effect I ever heard was a recording made with a crossed pair of figure of eight ribbon mics played thru headphones. Ian |
loudspeaker stereo imaging
Ian Bell wrote:
This is basic physics. With two sources of the same signal at say 1KHz peaks and troughs can occur at intervals of the wavelength. Agreed. Given the speed of sound is aboutt 100ft per second, then for 1KHz this is just a foot. I think you mean 1000ft/s. :-) Yup, I tried it at 1, 5 and 10KHz, and noticed the difference in spacing. -- Wally www.makearatherlonglinkthattakesyounowhere.com Things are always clearer in the cold, post-upload light. |
loudspeaker stereo imaging
Ian Bell wrote:
This is basic physics. With two sources of the same signal at say 1KHz peaks and troughs can occur at intervals of the wavelength. Agreed. Given the speed of sound is aboutt 100ft per second, then for 1KHz this is just a foot. I think you mean 1000ft/s. :-) Yup, I tried it at 1, 5 and 10KHz, and noticed the difference in spacing. -- Wally www.makearatherlonglinkthattakesyounowhere.com Things are always clearer in the cold, post-upload light. |
loudspeaker stereo imaging
Wally wrote:
Ian Bell wrote: This is basic physics. With two sources of the same signal at say 1KHz peaks and troughs can occur at intervals of the wavelength. Agreed. Given the speed of sound is aboutt 100ft per second, then for 1KHz this is just a foot. I think you mean 1000ft/s. :-) Yup, brain ran ahead of fingers again ;-) Ian |
loudspeaker stereo imaging
Wally wrote:
Ian Bell wrote: This is basic physics. With two sources of the same signal at say 1KHz peaks and troughs can occur at intervals of the wavelength. Agreed. Given the speed of sound is aboutt 100ft per second, then for 1KHz this is just a foot. I think you mean 1000ft/s. :-) Yup, brain ran ahead of fingers again ;-) Ian |
loudspeaker stereo imaging
On Fri, 14 Nov 2003 20:29:13 +0000
Ian Bell wrote: The theory is fine. its the practice that seems to be the problem IME. IMHO the proctice is fine. Tannoy dual concentrics have been used in pro studios for over 40 years and they still sound wonderful. To each their own, I guess. Im still very happy with my Radfords... -- Spyros lair: http://www.mnementh.co.uk/ |||| Maintainer: arm26 linux Do not meddle in the affairs of Dragons, for you are tasty and good with ketchup. |
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