
November 11th 04, 08:43 PM
posted to uk.rec.audio
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Bronchial Broadcasting Corporation
Did anybody listen to Performance on 3 just now and hear that clown emit
that loud *standout* cough just a few bars before the end of Simon Rattle's
Messiaen - Eclairs Sur L'Au-Dela, just as the music subsided into the few
closing notes of a superb morendo, following a great climaxial last
movement...???
I suppose that it was an obvious bloke was a change - I don't think I've
heard a concert on 3 where the *same* stoopid bint (or so it seems) hasn't
done exactly the same sort of thing every single time!!
'Live Event'?? - Don't make me sodding larf.....
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November 11th 04, 08:57 PM
posted to uk.rec.audio
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Bronchial Broadcasting Corporation
In article , Keith G
writes
Did anybody listen to Performance on 3 just now and hear that clown emit
that loud *standout* cough just a few bars before the end of Simon Rattle's
Messiaen - Eclairs Sur L'Au-Dela, just as the music subsided into the few
closing notes of a superb morendo, following a great climaxial last
movement...???
I suppose that it was an obvious bloke was a change - I don't think I've
heard a concert on 3 where the *same* stoopid bint (or so it seems) hasn't
done exactly the same sort of thing every single time!!
'Live Event'?? - Don't make me sodding larf.....
There was a mobile sounded off when Slatkin was in full flow at the
proms.
Quite loud too!. Cant remember the ringtone 'tho.....
--
Tony Sayer
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November 12th 04, 06:31 PM
posted to uk.rec.audio
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Bronchial Broadcasting Corporation
I know what you mean, I have a 'live' recording of Peter Frampton playing an
intricate guitar piece somewhere in USA. Midway through the piece, some
utter **** lets off a firework! Unfortunately, in audio editing terms, this
is difficult to separate from the music, even in Cool Edit (clicks and pops
on vinyl are very short duration and easy to isolate).
Dave W.
"Keith G" wrote in message
...
Did anybody listen to Performance on 3 just now and hear that clown emit
that loud *standout* cough just a few bars before the end of Simon
Rattle's Messiaen - Eclairs Sur L'Au-Dela, just as the music subsided into
the few closing notes of a superb morendo, following a great climaxial
last movement...???
I suppose that it was an obvious bloke was a change - I don't think I've
heard a concert on 3 where the *same* stoopid bint (or so it seems) hasn't
done exactly the same sort of thing every single time!!
'Live Event'?? - Don't make me sodding larf.....
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November 12th 04, 06:50 PM
posted to uk.rec.audio
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Bronchial Broadcasting Corporation
"Dave W." wrote in message
...
I know what you mean, I have a 'live' recording of Peter Frampton playing
an intricate guitar piece somewhere in USA. Midway through the piece, some
utter **** lets off a firework! Unfortunately, in audio editing terms, this
is difficult to separate from the music, even in Cool Edit (clicks and pops
on vinyl are very short duration and easy to isolate).
Ever tried just chopping out the whole duration? - Surprising how effective
it can be sometimes!
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November 13th 04, 09:55 AM
posted to uk.rec.audio
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Bronchial Broadcasting Corporation
I'll give that a go, see if I can spot the rhythym graphically.
Dave W.
"Keith G" wrote in message
...
snipped
Ever tried just chopping out the whole duration? - Surprising how
effective it can be sometimes!
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November 13th 04, 11:21 AM
posted to uk.rec.audio
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Bronchial Broadcasting Corporation
"Dave W." wrote in message
...
I'll give that a go, see if I can spot the rhythym graphically.
I wouldn't - just chop it as tight as you can.
If that's too easy to hear, insert/substitute a blank clip of (approximate)
equal duration and join up the dots with a fake waveform that matches as
close as is easily doable - then run it by someone who doesn't know what
you've done!
;-)
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November 13th 04, 03:32 PM
posted to uk.rec.audio
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Bronchial Broadcasting Corporation
Thanks Keith G; I think I see what you mean, but that's a bit beyond my
competence. I just zoomed in and did trial-and-error cuts (and 'undo') until
it sounded OK. The fact that it is a 'live' recording, with audience noise,
helps a fair bit. Amazing how that bang just blended into the music,
graphically speaking.
Dave W.
"Keith G" wrote in message
...
"Dave W." wrote in message
...
I'll give that a go, see if I can spot the rhythym graphically.
I wouldn't - just chop it as tight as you can.
If that's too easy to hear, insert/substitute a blank clip of
(approximate) equal duration and join up the dots with a fake waveform
that matches as close as is easily doable - then run it by someone who
doesn't know what you've done!
;-)
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November 13th 04, 05:23 PM
posted to uk.rec.audio
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Bronchial Broadcasting Corporation
In article ,
Dave W. wrote:
Thanks Keith G; I think I see what you mean, but that's a bit beyond my
competence. I just zoomed in and did trial-and-error cuts (and 'undo')
until it sounded OK. The fact that it is a 'live' recording, with
audience noise, helps a fair bit. Amazing how that bang just blended
into the music, graphically speaking.
If you want to do the job properly, find a bit of ambience from some other
part of the recording, and insert that to the length of the bang. Also
experiment with reducing the level of the bang rather than editing it out.
--
*Can atheists get insurance for acts of God? *
Dave Plowman London SW
To e-mail, change noise into sound.
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November 13th 04, 07:28 PM
posted to uk.rec.audio
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Bronchial Broadcasting Corporation
"Dave W." wrote in message
...
Thanks Keith G; I think I see what you mean, but that's a bit beyond my
competence. I just zoomed in and did trial-and-error cuts (and 'undo')
until it sounded OK.
:-)
The fact that it is a 'live' recording, with audience noise, helps a fair
bit. Amazing how that bang just blended into the music, graphically
speaking.
Yep and traffic noise, technicians muttering and a whole load of other stuff
at times!!
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