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"Keith G" wrote in message ... Cambridge is also shutting down its Architecture Department I gather. (No bad thing IMO - every niece and nephew Swim and I have between us is wanting to be an 'Architect' it seems....!!!) Yes. There is huge unemployment among architects, so why educate more? Iain |
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"Nick Gorham" wrote in message ... SP wrote 3) Aside from the RIAA response, that circuit has about 10dB lower noise than is possible using valves, and has almost unmeasurable distortion, certainly well below 0.01% up to 30kHz. If properly laid out with good earth paths, it also has hum which is below the noise floor. Try that with valves! I haven't got a argument with that at all, I would never say that a valve phono would compete with a SS one on noise, maybe with a jfet cascode at the front. I take the position that the noise flor of my phono stage is 15db below the quitest vinyl I have so its good enough for me :-) Equally so, I think that low hum is quite possible with careful valve design and layout, I agree its not simple, but can be done. DC heaters, and a good regulated power supply are the first steps, then as you say good earth layout. Having a DC motor on the turntable also helps a lot I have found when trying to banish hum. -- Nick Back in the vinyl days, most RIAA stages had a SN of 62dB or so ref 5mV. Modern valve MM RIAA stages seem to have the RIAA implemented over two stages 318+3180µS and then 75µS with a cathode follower output. They are built on PCB's with a good ground plane, and with DC heaters biased some 100V above ground, hum is no longer a problem. They seem to have a gain of 44dB (0dB output for 5mV in) and a SN of 72dB A weighted. As the SN of a good vinyl pressing is 60dB then this is considered to be more than adequate. MC models have an additional 20dB gain. If anyone is interested to build a valve RIAA stage, take a look at the Morgan Jones design published in his excellent book "Valve Amplifiers" Kunniottaen Iain |
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"Chris Morriss" wrote in message ... In message , Iain M Churches writes Kunnoittaen Iain After all these posts, all I can say is: Syantani tuimelevi, paatani pahoin panevi. Missing all the umlauts on the 'a's though. -- Chris Morriss Hello Chris, Nice poetic quote. Kalevala? Now here's the hard bit, can you translate it into English? :-) Iain |
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In message , Iain M Churches
writes "Chris Morriss" wrote in message ... In message , Iain M Churches writes Kunnoittaen Iain After all these posts, all I can say is: Syantani tuimelevi, paatani pahoin panevi. Missing all the umlauts on the 'a's though. -- Chris Morriss Hello Chris, Nice poetic quote. Kalevala? Now here's the hard bit, can you translate it into English? :-) Iain Pretty much along the lines of: 'I have a heavy heart, and my head is aching'. It's actually from a song by the Finnish band 'Varttina' -- Chris Morriss |
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Iain M Churches wrote:
If anyone is interested to build a valve RIAA stage, take a look at the Morgan Jones design published in his excellent book "Valve Amplifiers" Beware though, there are more options in phono stage design than just about any other part of valve DIY, I doubt its possible to just build one :-) I have one that is roughly as Iain describes, other than some battery bias a regulator and a handful of CCS's. it works fine, but I still have the nagging thought that I should try another one. MJ's design is one I have thought about trying, maybe using 6c45pi's in the front (as I have some of those). But there are many others. There are some interesting designes using the S&B RIAA module as well, it should be simpiler to drive now they have the 10k version as well as the 600R one. Maybe I should just restrain myself, I have enough to do trying to afford the 211's :-) Getting excited now though, the new C-Core TX's should be along just after the hols.... -- Nick "Life has surface noise" - John Peel 1939-2004 |
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In article , Rob
wrote: Jim Lesurf wrote: Having worked in the 'ed biz' for many years, I share your concerns. HFW has to be most poorly edited and written 'mainstream' magazine I have come across. It is atrocious. And that's before I get to the content ;-). My own command of English is (alas) poor, so I tend to not be aware of that side of HFW. However, see below... :-) However for the same reasons I have my worries about what I have started to think might be called "faith based engineering". I am worried that there is a decline in the UK in the number of people who have a genuine interest and understanding of both engineering and physical science. I think that's a shame - I've just read that a major university physics department has closed down. A number have done so in recent years. Others have done so in all but name by 'combining' with other depts, etc. The difficulties are a fall in the number of applicants, and being expected to provide lab-based science on a capitation that makes this impossible unless you swipe funds from research or other areas. Thus universities find they have to 'subsidise' physics teaching from other areas. (The same is true for some other topics, of course.) Alas, my impression is that although audio can serve as an excellent route for getting people into understanding these areas, it often fails to do so. People become interested, but sometimes seem to treat audio engineering as almost a branch of 'magic'. :-/ I'm not sure of your angle here. Audio engineering 'advances' appear to me to be along the lines of digital amps, compression, multi-channel, video enhanced, portability - I'd imagine little of the innovation is UK based, but this may have as much to do with application opportunities as having and nurturing the idea. Is this what you mean by 'faith based engineering'? Since you mentioned HFW I'll give an example from there. If you've read HFW often enough, over a long enough period, you will find that they sometimes make comments to the effect that, "As the signal level is reduced below -60dBFS on CD the distortion level rises." The implication (sometimes stated) is that this is an inherent limit of CD-A. The above statement is either misleading or incorrect. It seems to stem from two flaws in the understanding/practice of NK and others at HFW. (And at times elsewhere.) 1) A failure to understand and apply noise or dither prior to sampling. This can be shown by reference to the standard texts, etc, on this matter. 2) A persistent tendency even when analysing dithered signals to assume that the fraction of the power from the noise floor that falls in the analysis 'bins' at harmonics of the test signal represents 'distortion'. They tend to take 32k FFTs and assume that the noise is distortion. It isn't. If you extend to longer sample lengths the level falls as you can expect for random noise. This has been pointed out to them by more than one person (including myself) on more than one occasion. But they ignore this, I'm afraid. FWIW I put up some webpages on this a while ago, and I'm hoping that a forthcoming HFN article will also discuss this in passing. Other statements like those attributed to various 'gurus' also appear at times which are either misleading or nonsense, and can be shown to be so in the same ways as above. The problem here is not that I disagree with them, but that statements appear which cause engineers and academics who do understand information theory, etc, to fall about laughing or dismiss audio as a bunch of nutcases, and/or which can be shown to false by simple measurements. I can quite understand why readers of the magazines would not know why their statement is unreliable as they'd need to be familiar with the relevant areas of information theory, etc. But I do not regard this as an excuse for the behaviour of those at HFW or others who adopt a professional or expert status. They should know better in my opinion. They should certainly be able to correct their misunderstandings once they have been brought to their attention. Hence my point here is directed at a specific group who readers should be able to regard as giving reliable explanations, but who do not always seem to live up to this reasonable expectation. Nor do they show that they can recognise and correct the situation. If it's a reference to valves (say) - I skim your exchanges with patrick Turner (et al) and frankly it looks like semantics - I'd guess that you're both 'right' (as if I'd know!). I was thinking more generally of what seems to me to be an approach which I think I've seen in various places - most commonly as exampled above. My recent exchanges with Patrick and Andy have - in small part - made me think about this, but I didn't have either of them primarily in mind for all the comments I made. FWIW I largely think the recent discussions between Patrick and myself are likely to be quibbling about matters that may well be quite minor, and where he may well be correct. I'm pretty sure he is an experienced and capable engineer. However I have much larger worries about some other people/examples - of which HFW are a classic case in my view. I admit, though, that I do find it odd that Patrick apparently bases his comments on fuses on not on actually making some LF high current measurements. Thus in one respect that I feel *might* be important for that (minor) issue I feel he may be relying upon assumptions or beliefs as opposed to a measurement I suspect might be relevant, and that these assumptions and the measurements he has made may be misleading him. Hence I have a suspicion that his assumptions about the physics involved may cause him to mistakenly assume that measurements under some conditions (e.g. at 1kHz) allow him to deduce things about LF which might not be correct. In that sense, I'd say his approach - if I have understood it correctly - might be "faith based". However this is in a rather more limited sense than the HFW example, and is the kind of potential error any working engineer might make. He may also be correct in assuming there is no problem. It is just that I am not sure of that for reasons I have outlined, and would prefer measured evidence I think would be more relevant. OTOH it may well be that I have not been able to explain my point to him clearly, and for that reason he continues to assume his measurements at 1kHz deal with the issue. My point, though, is that the references, and my view of the basic physics implies/shows that the measurements he has made may not have dealt with the question. I suppose I take a particular view of such things as I, and my old research group, specialised in measurement systems for supply to people like the old NPL. One thing you learn from developing kit for National Standards work is to assume everything is out to trip up your assumptions about the reliability of measurements and what you think they are telling you. :-) They're just different designs of the same thing. Now, whether one is 'better' than the other is the subject of some dispute. I wish we could all settle on preference. The point, I suupose, from a design point of view is that one *depends* on quantitative criteria, one doesn't. Are you saying that Sony's designs of amplifiers are better than valve amps designed by (say) Audio Innovations? Does one rely on 'science', and one rely on 'faith'? I can't say as I don't know much about what Audio Innovations do, or how the proceed. For both design paradigms I feel that a lot of nonsense comes into the equation, with badge engineering and needlessly esoteric bits bolted on/in. But this isn't 'faith based engineering' - it's marketing. I don't believe that Ken Ishiwata has 'faith' in many of the things he does - he just panders to a market. But I wouldn't say that he's a designer reliant on mysticism. However if he is pandering to a market with no evidence he may be *exploiting* the 'faith based' approach of others. That said, I can't really say as I don't have specific info on the area you mention. For that reason I'm afraid that I do sometimes see some of the things people say in newgroups like this one (and in magazines, and elsewhere) as being engineering parallels with using an 'X' due to an inability to write out their name! That's quite extreme! A different dialect maybe, but illiterate, not sure. I don't regard it as a "different dialect" for audio writers to make statements that are formally shown incorrect by the mathematical basis of information theory, and easily shown to be false by relevant measurements. The texts, etc, on the HFW example have been in common use for decades. I'm sure my undergrad course isn't the only one to use them. Yet some authors in HFW still seem to make misleading statements. My impression is that they start off from a standpoint of disliking CD-A and then tend to treat this issue as 'confirmation' of their beliefs. I would also *not* apply the above to someone like Patrick as it seems pretty clear that he would not fit in the same category as some of those I've seen commenting on audio in magazines, etc. I have doubts about status of some statements like Patrick's on fuses if they are made on the basis I have described above. But this certainly does not mean I'd then apply the above comment about writing an 'X' in such cases. It would be too extreme a characterisation, and quite unfair and inappropriate. Consider the following contrast: Whether there *is* a practical problem in the case of Patrick's amp I have no idea. I lack the data that the relevant measurements would provide. As I said above, though, this was not what I had in mind when I made my earlier comments. Nor would I wish to try and single Patrick out for a relatively minor matter like this as my real concerns were elsewhere with problems I regard as more serious and more pervasive. My wish in this area is simply that he should consider the references I've mentioned and perhaps make a LF high current measurement to check the reliability of his assumptions in one specific case. I'd rate this as quibbling about an almost certainly minor detail which could be resolved by a measurement, and where the person may well be quite correct in their conclusions in practice. This seems quite different to me from: The HFW type of case where - so as I can tell - some writers who present 'authoratitive' opinions and statements in magazines, etc, persistently and systematically say things which can shown to be unsatisfactory both in terms of basic theory and measurement, and over a period of years take no notice of attempts to point out their misunderstanding(s). Their 'technical' statements seem to stem from a misunderstanding founded on a prejudice and hence seem not to be amenable to evidence from either theory or measurement. This I'd rate as a situation where those involved persistently seem to misunderstand on a more fundamental level and refuse to twig that they are misleading people, depite their error having quite serious implications for the advice they give to people. OK, in each case you could evoke "faith based" as a description of part of the problem, but the differences between cases are as extreme those between a paper boat and an Aircraft Carrier! :-) Afraid the above came out a bit rambling and repetitive as I wrote it in a hurry. However I'll let it stand as I hope it clarifies the points and distinctions I wish to convey! Slainte, Jim -- Electronics http://www.st-and.ac.uk/~www_pa/Scot...o/electron.htm Audio Misc http://www.st-and.demon.co.uk/AudioMisc/index.html Armstrong Audio http://www.st-and.demon.co.uk/Audio/armstrong.html Barbirolli Soc. http://www.st-and.demon.co.uk/JBSoc/JBSoc.html |
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Fleetie wrote:
I have *never* come across that 'excuse' in the thousands of people I have taught, and the many I have known. Really? It's all over the internet. "You're being nasty to me, you insensitive clod! I've got dyslexia. Stop picking on me. ..." (But spelt wrong.) Martin I think I'd need to know the context. From that snippet I'd describe the 'insensitive clod' as ignorant and the recipient as remarkably restrained. I've got one friend in particular who hid his dyslexia because of prejudice. He knew about the discrimination and embarrassment it would cause him and his family. He told me about it a couple of years ago, and is only now looking for help. He's 56. I don't think your opinion, however well intentioned and informed, helps. Rob |
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"Rob" wrote in message ... Fleetie wrote: I have *never* come across that 'excuse' in the thousands of people I have taught, and the many I have known. Really? It's all over the internet. "You're being nasty to me, you insensitive clod! I've got dyslexia. Stop picking on me. ..." (But spelt wrong.) Martin I think I'd need to know the context. From that snippet I'd describe the 'insensitive clod' as ignorant and the recipient as remarkably restrained. I've got one friend in particular who hid his dyslexia because of prejudice. He knew about the discrimination and embarrassment it would cause him and his family. He told me about it a couple of years ago, and is only now looking for help. He's 56. Waste of time then - over 50 and you're ****ed these days! ;-) (Until recently, I always thought NAD products were the fund-raising/profit-making arm of the National Dyslexia Association myself..... :-) |
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In article ,
Iain M Churches wrote: If anyone is interested to build a valve RIAA stage, take a look at the Morgan Jones design published in his excellent book "Valve Amplifiers" Interesting that Radford used a SS pre-amp with their classic STA 25. And SS design has moved on somewhat since then. -- *(on a baby-size shirt) "Party -- my crib -- two a.m Dave Plowman London SW To e-mail, change noise into sound. |
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Iain M Churches wrote:
A thicker skin would also serve you well, methinks. Next time you shed one, please let me know:-) See? It's much more fun to knock ten types of crap out of each other, isn't it? :-) -- Wally www.artbywally.com www.wally.myby.co.uk |
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